PAIR OF EARLY 20TH CENTURY DUTCH DELFTWARE BLUE & WHITE VASES, of faceted double gourd form, hand-painted with birds perched in foliage, within scroll and foliate borders, painted marks to base, 34cm high, along with another pair of Delft vases (4) Provenance: The William Mowat-Thomson Collection
We found 4230 price guide item(s) matching your search
There are 4230 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
4230 item(s)/page
An English Delft Posset Pot and Cover, probably London or Brislington, circa 1690, of baluster form with twin scroll handles and scrolling spout, painted in blue with a peacock and insects amongst rockwork and foliage, the domed cover painted with a chinoiserie figure in a fenced garden, painted number 3 mark, 19cm high See illustration For a comparable example see Archer (Michael) Delftware, pg.202, item D19. Cover possibly matched and with several typical rim loss and chips. Body with minor glaze flakes. No restoration.
1716 QUEEN ANNE IN MEMORIAM A delftware plate, dated 1716, painted in blue with the inscription 'To the Pious Memory of Queen Anne '1716', within a foliate wreath border, restored rim sections, 22.2cm. Dated two years after Queen Anne's death in 1714, this inscription has its roots in high-Tory support and anti-Jacobite sentiment and propaganda. Cf. Lipski and Archer, Dated English Delftware, p.76, nos. 289 and 290 for similar examples dated 1717. Provenance: with Jonathan Horne, November 2000.
GEORGE I A London delftware 'Union' plate, c.1714, probably Vauxhall, painted in red, green and blue with crossed thistle and rose stems surmounted by a crown and the initials 'GR' within a blue lined border, a long rim crack, 21.1cm. The crossed thistle and rose motif first appeared on AR plates for Queen Anne to celebrate the Act of Union of 1707. Cf. Frank Britton, London Delftware, p.142, fig.119. Provenance: with Alistair Sampson, November 1999.
GEORGE I A London delftware plate, c.1714-27, painted in blue, green and red with a half-length crowned portrait flanked by the initials 'GR', within narrow blue and red bands, broken and restored, 22.2cm. While it is likely that this plate commemorates George I, the same portrait was used by potters to commemorate the Coronation of George II in 1727. Provenance: with John Howard, June 2015.
BRISTOL ELECTION OF THOMAS COSTER A Bristol delftware plate, c.1734, painted in blue with a figure of Justice overcoming Envy, depicted as a tortured figure holding a paper entitled 'The Petition', beneath an arch inscribed 'Libertas Populi' and the initials 'TC', within a border of barbed floral panels and scrolls, repaired rim sections, 22.1cm. In the 1734 general election Thomas Coster, a vigorous opponent of Walpole's Excise schemes, was returned for the Tories against the Whigs, Sir Abraham Elton and Mr Scrope, for Bristol. Coster's election was, however, contested and a petition was presented to the House of Commons by the Mayor of the Corporation, alleging invalid votes. Much of one sitting of the House was taken up hearing the matter, notwithstanding which the petition was subsequently withdrawn. Coster died in 1739. Provenance: sold Sotheby's 21st July 1981, lot 40; subsequently with Jonathan Horne and ex Longridge Collection, sold Christie's, South Kensington, 3 November 2011, lot 336.
BATTLE OF PORTOBELLO A Liverpool delftware plate, c.1740, finely painted in pale blue with a scene of warships engaged in the bombardment of the fort, the rim with a formal grapevine border, extensively broken and restuck, 26.9cm. In the conflict between the English and Spanish in the Caribbean that became known as 'The War of Jenkins Ear', and following earlier failed British blockade attempts, Vice-Admiral Edward Vernon, against much criticism and with a squadron of just six ships, appeared off Portobello on 20th November 1739. With the wind from the east, Vernon attacked the Castillo del Hierro and the English scaled the walls of the fort. The Spanish surrendered, the English occupied and destroyed much of the town before withdrawing after three weeks, thus ending the town's main function as a Spanish maritime base. Vernon's popularity was short-lived, however, following his later failed attempt to take the fortress at Cartagena. Suffering heavy British casualties in Cuba, he returned to England in 1742 disgraced. Provenance: with Garry Atkins, March 2000.
WILLIAM AND MARY A London delftware Royal blue dash charger, c.1690, painted in blue, yellow and manganese with full-length portraits of the Royal couple flanked by tents, beneath the initials 'WMR', the rim with a blue dash border, the underside with a pale blue lead glaze, a short hairline to the rim, 32.8cm. Provenance: with Garry Atkins, June 2016.
GEORGE III A London delftware plate, c.1760, well painted in blue with a head and shoulders profile portrait of the king pinned with the Garter Star, inscribed 'GR III', three filled rim chips, 22cm. Cf. J C Austin, British Delft at Williamsburg, p.140, no.190. It is likely that the portrait by Jeremiah Meyer is the source for this portrait. The existence of a companion plate depicting Queen Charlotte Sophia of Mecklenburg-Strelitz suggests these plates were made at the time of their marriage in 1761. Provenance: with John Howard, April 2018.
DUKE OF MARLBOROUGH A small delftware blue dash charger, c.1710, probably Bristol, painted in blue, yellow and green with a standing figure of the duke in armour holding a baton, between the initials 'DM' and flanked by sponged trees, the rim with a blue dash border, restored, 29.4cm. John Churchill, born in 1650, was a statesman renowned for his organisational, logistic and diplomatic skills. He was appointed Captain General of the British Army and raised to the Dukedom in 1702. He died in 1722. Cf. Anthony Ray, English Delftware in The Robert Hall Warren Collection Ashmolean Museum, Oxford, pl 2, for a similar example. The same portrait was also used to represent Prince George of Denmark, the Duke of Ormonde, Prince Eugene, George I and George II, the initials identifying the figure. Provenance: ex Beaumont collection; Vogel collection, sold Sotheby's, New York, 19th January 2019, lot 672.
A Dutch delftware ewer, 18th c, painted in Japanese style with larger groups of flowering plants and a comical bird on a branch, another beneath the handle, flared neck with pinched lip and painted with rudimentary lappets, the handle with scrolls and spots , 22.5cm h Flaking around the rims and on top of handle, no substantial damage, no restoration
A group of Japanese porcelain cats the largest approximately 24cm wide together with further Oriental ceramics, a contemporary lacquered box and cover, an Oriental tea bowl in a fitted wooden box and a group of Dutch Delftware pottery animals, buildings etcCondition report: Cats with minor marks; Delftware animals mostly with at least one leg damaged, further minor chips and frits to the Delftware; the watch stand with damage and losses and restoration
Collection of tilesVictorian and later, including examples from Minton and Wedgwood, some with tube lined decoration, others with transfer-printed decoration, and three Delftware tiles (29)Condition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report.
Grigsby (Leslie B.). The Longridge Collection of English Slipware and Delftware, with contributions by Michael Archer, etc., 2 volumes, Jonathan Horne Publications, 2000, numerous colour illustrations, original brown cloth in dust wrappers, with publisher's cloth slipcase, 4to, VG, together with:Lipski (Louis L.), Dated English Delftware, Tin-glazed Earthenware 1600-1800, edited and augmented by Michael Archer, 1st edition, Sotheby, 1984, some colour plates, numerous monochrome illustrations, original dark blue cloth gilt in dust wrapper, 4to, limited edition 716/1000, additionally signed by Victor Chinnery and dated 1984 to title, plus:Archer (Michael). Delftware, The Tin-glazed Earthenware of the British Isles, A Catalogue of the Collection in the Victoria & Albert Museum, 1st edition, V&A Museum/Stationery Office, 1997, numerous colour and monochrome illustrations, original blue cloth gilt in dust wrapper, with matching slipcase, thick 4to, and:Gaimster (David). German Stoneware 1200-1900, Archaeology and Cultural History, British Museum, 1997, numerous colour and monochrome illustrations, original black cloth gilt in dust wrapper, 4to, plus other ceramics reference, including Ronald G. Cooper, English Slipware Dishes 1650-1850, Alec Tiranti, 1968, Leonard N. Amico, Bernard Palissy, In Search of Earthly Paradise, Flammarion, 1996, Frank Britton, London Delftware, Jonathan Horn, 1987, David Gaimster and Mark Redknap, editors, Everyday and Exotic Pottery from Europe c. 650-1900, Studies in honour of John G. Hurst, Oxbow Books, 1992, John G. Hurst, David S. Neal, & H.J.E. Van Beuningen, Pottery Produced and Traded in North-west Europe 1350-1650 (Rotterdam Papers VI), 1986, related auction catalogues, including The Longridge Collection, 6 volumes, Christie's, 2010-11, etc. (approximately 30)Provenance: Ex libris Victor Chinnery, author of Oak Furniture, The British Tradition, 1979, and other works.Qty: (3 shelves)
A Meissen lime green ground handled globular bowl and cover, Marcolini period, c1810, painted to the front with an oval panel of flowers in gilt frame with ribbon bow and festoons, the domed cover with rose knop, gilt handle, 13cm h, underglaze blue crossed swords, star and indistinct number and gilder's number and A Dutch polychrome Delftware dish, c1770, painted in cobalt, green, manganese and yellow with fruit in lunette border, the underside mostly covered in lime green glaze, on low foot, 30.5cm diam Rose knop and rim of cover chippedPiece of the rim broken out at 11 o'clock and neatly stapled back in to position, probably in the later 19th or early 20th c, several chips around the rim, none particularly noticeable, three small surface chips on the central painted design
English Delft plate, London c1750, decorated with a chinoiserie garden scene of two figures at a table, within a border of three fish against a manganese ground, D22cmFor other Delft ware decorated with fish / manganese ground, see Michael Arches "Delftware, The Gazed Earthenware of the British Isles"
English Delft large plate, London c1750, decorated with a scene of a lady feeding a bird before a lake or river, within a border of four fish against a manganese ground, D26cmFor other Delft ware decorated with fish / manganese ground, see Michael Arches "Delftware, The Glazed Earthenware of the British Isles"
English Delft large pedestal bowl, London c 1750, the exterior decorated with three fish against a manganese ground, the interior with a floral cartouche and border, H11 x D26cmFor other Delftware decorated with fish / manganese ground, see Michael Arches "Delftware, The Glazed Earthenware of the British Isles"
An 18th century delftware bowl and three plates, the bowl and a plate similarly decorated, painted with bamboo, rockwork and peony, a London decorated plate with figures and sponge work foliage, a further plate with Chinese fenced garden decoration, diameters 19cm - 23cm; and a Geo III japanned cylindrical spice box with sectioned interior, 19cm dia
A JAPANESE VAN FRYTOM STYLE DISH EDO PERIOD, C.1690-1710 Decorated in underglaze blue, the well painted with a rural scene of European-style figures in a small boat, with houses by the water edge in the background, the underside with a Chinese mark for Da Ming Chenghua nian zhi, 12.8cm. Cf. G Lang, The Wrestling Boys, An exhibition of Chinese and Japanese ceramics from the 16th to the 18th century in the collection at Burghley House, p.13, no.38 for a related dish, one of a pair. Also, see C J A Jörg, Fine & Curious, Japanese Export Porcelain in Dutch Collections, p.246, no.317, for another example in the collection of Twickel Castle, Delden. The author also explains that similar saucers were found during excavations in Deshima. This design was first created by famous Dutch artist Frederik Van Frytom (1632-1702). Van Frytom created an important series of Delftware dishes for export to Japan in 1684 which reflected the Dutch landscape tradition of the 17th century. Van Frytom's patterns (including the design known as 'Deshima Island') became a large part of Japan kilns production made for the West.
An 18th century Dutch delftware tea canister decorated with a dragonfly perched on a rocky outcrop surrounded by foliage and with an engraved white metal screw cap, 9.5cm wide x 15cm highCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
An antique Dutch delftware table lamp with oil reservoir, fluted column and square base, later converted for electric use, 73cm high to the light fitting, 20cm wide at the baseCondition report: Minor marks and firing faults overall, some small chips and frits particularly to the tip of one foot
A large Dutch Delft baluster vase and cover, De Paauw factory, circa 1700Decorated in blue and green with details in red and yellow with a peacock amidst flowering shrubs surrounded by scattered birds and insects in flight, above a stiff leaf border, the shoulder with a band of pendant motifs enclosing flower heads, the domed cover similarly decorated, 53cm high (cover restored) (2)Footnotes:Provenance:The Property of a Spanish Noble FamilyThe De Paauw factory was founded in 1651 in the east of the city of Delft. Marion van Aken-Fehmers in her seminal book 'Delfts Aardewerk, geschiedenis van een nationaal product' (2001) describes the history of the factory in detail. The success of the factory can be measured at least in part by the rapid succession of owners. From 1701, the Kam family took ownership of the factory and under the leadership of father and son Gerrit and David Kam, the factory flourished. Like many Dutch delft potters, the Paauw factory produced sought-after blue and white objects designed after Chinese blue and white example. Another lucrative branch of the production of the Paauw factory were pieces decorated in berettino with a blue ground-colour picked out in lighter decorative schemes of flowers much in the style of Nevers production. The ambitious Paauw factory was responsible for several technical developments in the production of Dutch Delftware, which also included experiments with polychrome colours in grand feu, which were very hard to manage. In this vase, we can see blue, green and yellow tones, and traces of the cold-decorated red too. From an inventory of the factory and house contents from 1725 and documented minutely by Van Aken-Fehmers (op.cit. pp. 160-163), it becomes clear that in the living room on a large cabinet, there was a large Kaststel or garniture of vases. It is tempting to think this vase would have been one of that type. It is noted by Van Aken-Fehmers (op.cit. p. 162) that the factory was producing eight-sided large garnitures. Examples of these kinds of polychrome wares are rare, and only a few vases with polychrome grand feu colours are known today, a fully marked garniture previously in the collection of Dr. F. H. Fentener van Vlissingen (1882-1962), is now with Aronson Antiquairs.For further information on this lot please visit Bonhams.com
Full title: A round Dutch Delft blue and white box and cover with tobacco harvesting scenes, 18th C.Description: Dia.: 17 cm - H.: 8,5 cmÊ Marked DEX above a Roman numeral II for Jan Teunis Dextra, the 'De Grieksche A' workshop, Delft, 1757-1765.Ê The cover decorated with a man smoking a pipe. The sides decorated with scenes showing enslaved black men harvesting tobacco and rolling it up, as well as an owner of the plantation or a wealthy merchant, smoking the tobacco. A highly interesting piece in both the field of tobacciana and Delftware collections.Ê Ref.: - The Rijksmuseum, Amsterdam, for two Dutch Delft spittoons with a related design but executed in petit feu palette, donated from the Loudon collection.Inventory numbers BK-NM-12400-403 (link available on our website) and BK-NM-12400-404 (link available on our website).- A blue and white spittoon with a related design was sold under lot 229 in our sale on Feb. 3, 2018 (link available on our website).Information concerning condition reports:The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com

-
4230 item(s)/page