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A box of 19th century tin glazed Delftware

A rare delftware bin label c.1770-80, of coathanger form, inscribed in blue with 'Burgundy', 13.4cm.

A delftware bin label c.1770-80, of coathanger form, inscribed 'Madeira' in manganese, 13.4cm.

Four creamware bin labels 19th century, including Wedgwood, of coathanger form, titled 'Port', 'Madeira' and 'Bucellas', and a delftware bin label titled 'Arrack', 14.5cm max. (5)

A rare delftware teabowl and saucer c.1750, finely potted and painted in yellow, blue and manganese with a stylized floral design within a lined border, minor damages, 11.7cm. (2)

A delftware flower brick c.1760, of rectangular form, painted in blue with sprays of peony, chrysanthemum and other Oriental flowers, the top pierced with 24 small holes in an even arrangement, numbered 6 and 3 to the underside, a little chipping, 14.4cm across.

A small delftware polychrome flower brick c.1730-50, of rectangular form, painted in red, green and blue enamels with stylized flower sprays, the top pierced with a rectangular opening flanked by rows of smaller holes, 11.4cm across.

A large delftware punchbowl c.1750-70, painted in blue to the interior with a single Chinese figure together with a bird on a leash, the exterior with figures fishing in rocky landscapes, some rim chipping, 30.7cm dia.

A Lambeth delftware posset pot c.1720, the cylindrical form painted in blue with birds perched on pagodas beside large flowering branches, the short spout and loop handles with blue dash decoration, and a small delftware ointment pot glazed in white, some restoration to the ointment pot, 14cm high max. (2)

A Lambeth delftware posset pot and cover c.1750, the squat cylindrical form painted in blue with rotund putti carrying hearts and flower sprays, on a dense stylized foliate ground, the loop handles with blue dash decoration, some restoration to the cover, 24.5cm across. (2)

A Delftware bough pot c.1750, possibly English, of fluted D shape, painted in blue with a formal floral design above a ropetwist border, the scalloped top pierced with two rows of small holes around a central aperture, some restoration, 19cm across.

A rare London delftware syrup jar c.1780, the small globular form inscribed 'Ol; AMYG,D.' in manganese within a simple panel, raised on a tall conical foot, 13.5cm.

Two London delftware plates c.1710-20, painted in a simple polychrome palette with small stylized flower sprigs, 22.8cm max. (2)

Two London delftware plates c.1720-40, one painted in red, green and blue with stylized flower sprigs in panels on a red hatched ground, the other with a long-tailed bird perched on a flowering branch, the rim with pinecone sprays, 22.7cm max. (2)

Three London delftware plates c.1720, variously painted in red, green and blue with panels of stylized flowers reserved on a hatched red ground, two with iron red numbers to the reverse, 22.5cm max. (3)

A pair of Dublin delftware octagonal plates c.1760, painted with pagodas and an arched bridge in a Chinese landscape, the rims with three chrysanthemum sprays, and a further plate, probably Delamain's World's End Pottery, painted with Chinese flowers issuing from a low patterned censer, some damages, 23.5cm max. (3)

A Bristol delftware charger and a plate c.1760, painted in blue with variations of figures fishing and in small boats before buildings and tall trees, minor damages, 30.3cm max. (2)

A delftware charger c.1740, painted in red, green and blue with a large flowerhead amid a dense floral ground, the rim with formal panels and foliate sprigs, a 1.5cm rim chip, 29.7cm.

A delftware charger c.1740, painted in polychrome enamels with a large vase of flowers to the well, the rim with flower sprays and small sprigs, a little rim chipping, 35.3cm.

A large delftware charger c.1760, painted in polychrome enamels with two long-tailed birds, one perched on a flowering branch, the other pecking seed below, the rim with three repeated floral sprays, 36cm. Provenance: from a private collection in the West Country.

A Liverpool delftware charger c.1760, painted in polychrome enamels with peony and bamboo issuing from an ornamental fence, the rim with four flower sprays, 33.4cm.

A Bristol delftware charger c.1760, painted in polychrome enamels with an insect flying beside flowering branches and an ornamental fence, the rim with flower panels on a hatched diaper ground, 33cm.

A small Wincanton delftware plate c.1760, painted in blue with a lady carrying a large basket, standing beneath a sponged tree, some rim chipping, 20cm.

A Bristol delftware charger c.1730-40, painted in red, green and blue with six shaped panels of simple flower sprigs around a central spray, reserved on a diaper ground, numeral 3 mark to the underside, 33.5cm.

A small lobed delftware dish late 17th century, probably London, decorated with a stylized floral design echoed to the rim, 21.5cm.

A Brislington delftware Royal portrait charger c.1690, painted with a head and shoulders portrait of a king, probably William III, wearing a crown and ermine-edged cloak, the rim with a wide border of stylized flowerheads and insects in blue, ochre and manganese, well restored, 34cm.

A rare London delftware small plate late 17th century, simply decorated in blue and black with stylized flowers, the rim with a formal half mon design, some rim chipping, 22.5cm.

A Lambeth delftware scallop-edged plate c.1740-50, the well painted with a Chinese man carrying a long stick, looking back over his shoulder with a fence and rockwork before, within a powdered blue rim with four floral sprays left in the white, some rim chipping, 22.5cm.

Two Liverpool delftware tiles c.1757-61, printed in black by John Sadler, one with a Tithe Pig scene of a young couple offering an infant to a corpulent clergyman, signed 'J Sadler Liverp.', the other after Lancret's Winter, a gentleman in a fur-lined hat tying the ice skate of a young lady seated on a tree stump, signed 'J Sadler', 12.8cm. (2) The Tithe Pig print is from an engraving by J S Müller after Boitard. The other print is adapted from de Larmessin's engraving after Lancret. Cf. Anthony Ray, Liverpool Printed Tiles, Nos. B6-1 and B3-12. The former with a paper label for the Harriet Carlton Goldweitz Collection.

Two Liverpool delftware tiles c.1757-61, printed by John Sadler, one with a couple standing by a boathouse in a storm, a Thames Waterman reclining at their feet, signed 'Sadler', the other with a young man offering a bird's nest with three chicks to his seated companion, signed 'J Sadler Liverp', 12.8cm. (2) Paper labels for Jonathan Horne. Cf. Anthony Ray, Liverpool Printed Tiles, Nos. B4-1 and B3-2.

Three Liverpool delftware tiles c.1757-61, printed in black by John Sadler, one with a milkmaid waking her sleeping companion while a dog laps from an upended milk pail, signed 'J Sadler Liverp', another with a couple in Scottish dress dancing a reel, the last with figures in a boat on a river winding between Classical ruins, both signed 'J Sadler Liverpool', one tile slightly reduced, 12.8cm max. (3) Paper labels for Jonathan Horne. Cf. Anthony Ray, Liverpool Printed Tiles, Nos. B6-3, B4-4 and B8-1.

Three Liverpool delftware tiles c.1757-61, printed in black by John Sadler, one with a man dancing to the bagpipes, after Watteau's Le May engraved by Aveline, another of a couple playing shuttlecock and battledore while a girl and dog look on, both indistinctly signed 'J Sadler', the last of a suitor offering a gift to a lady seated beside her frowning father, 12.8cm. (3) Paper labels for Jonathan Horne. Cf. Anthony Ray, Liverpool Printed Tiles, nos. B3-10, B4-9 and D4-4.

Four Liverpool delftware tiles c.1757-61, printed in black by John Sadler, one with a lady pointing the way home to her drunken companion, another with a couple promenading in a garden beside a pineapple plant, another with a couple and dog seated beneath a tree, after Boucher's Les Amours Pastorales, the last with a young shepherd family seated beneath a tree, the woman dandling a baby on her knee, 12.8cm. (4) Paper labels for Jonathan Horne. Cf. Anthony Ray, Liverpool Printed Tiles, Nos. D5-13, D4-11, B3-4 and B3-3.

Four Liverpool delftware tiles c.1757-61, printed by John Sadler, one in manganese with the Sailor's Farewell, three in black with various scenes, one of anglers fishing beside a river, another of a lady churning butter in a field, each after John Bowles' drawing book, the last of The Three Horseshoes, a young lady being accosted outside of a country pub, 12.8cm. (4) Paper labels for Jonathan Horne. The latter with a paper label for the E N Stretton Collection. Cf. Anthony Ray, Liverpool Printed Tiles, Nos. B6-20, B4-7, B6-14 and B6-11.

Four Liverpool delftware tiles c.1757-61, of theatrical and musical interest, printed by John Sadler, one in black with a lady playing the guitar and looking wistful while Cupid sits beside, signed 'J Sadler Liverpool', another depicting Miss Nancy Dawson dancing the hornpipe, another of a peasant figure dancing to the music of a fiddler outside a country inn, the last in sepia with a band of travelling musicians playing the barrel organ, hurdy-gurdy and triangle, 12.8cm. (4) Cf. Anthony Ray, Liverpool Printed Tiles, Nos. B3-8, B4-3, B6-10 and D5-17.

Nine delftware tiles mid 18th century, three Biblical and painted in blue with Christ carrying the cross, and with Judas hanging himself, another with a figure standing in a field, four with flower-shaped panels containing cows and peasant figures reserved on a sponged manganese ground, the last framed and painted with a polychrome bird, together with a modern copy of a Delft tile of a drinks vendor, 15cm max. (10)

A signed Liverpool delftware tile c.1757-61, printed in black by John Sadler with lovers seated beneath a tree, the lady draping her companion in a garland of flowers, signed 'Sadler Liverp.', and another delftware tile painted in blue with birds flanking an urn full of flowers within an octagonal panel, 12.6cm max. (2) Cf. Anthony Ray, Liverpool Printed Tiles, p.23, no.B3-6 for the former.

Thirty nine Chinese porcelain tiles mid 18th century, decorated after London delftware with monochrome vases of flowers, the corners with simple sprig designs, some wear, 12.5cm. (39) Cf. Jonathan Horne, English Tin-Glazed Tiles, p.63 pls.346 and 347 for the London originals and for a short discussion of the Chinese porcelain copies.

A creamware bowl late 18th/early 19th century, printed in Liverpool, the well with a three-masted ship at sail, with additional colouring, the exterior in black with an eight line inscription between prints of Neptune and Venus flanking figures dancing to a fiddle, some restoration, 20cm dia. The print of the dancers is similar to a Sadler & Green print seen on Liverpool delftware tiles of c.1760.

A collection of delftware

A Bristol polychrome delftware dish: painted with two men seated on rockwork pointing towards a large heron-like bird within a panelled floral border, mid 18th century, 34 cm diameter [glaze cracks to the reverse, minor glaze losses].

A MDINA GLASS VASE, 18CM H, ENGRAVED MARK, PAPER LABEL, A DELFTWARE TILE, A CRANBERRY GLASS SCENT BOTTLE (CHIPPED), WITH STOPPER, A MEERSCHAUM TOBACCO PIPE, SPECIMEN MINERALS, ETC

Brass and delftware inkwells

A DUTCH DELFTWARE COFFEE POT AND COVER, 18TH C with bridged spout, painted to either side with birds, an insect, bamboo and peony, 18cm h, painted GK++Good condition with relatively little flaking around the rim, small chip on cover, no restoration

A DUTCH DELFTWARE PUNCH BOWL, 18TH C painted with stylised flowers beneath ruyi border, painted monogram /1/0/GK++Broken and riveted, probably in the 19th c, typical minor flaking of the glaze on the rims, no substantial loss and no recent professional restoration

Various china and glass including a Coalport plate, Delftware etc (three boxes)

Ceramic reference books, to include Holgate: New Hall and it's Imitators, Watney: Longton Hall, and English Blue and White Porcelain, Garner/Archer: English Delftware, Garner: Oriental Blue and White, Godden: Caughley and Worcester Porcelain, and Pottery and Porcelain Marks, Mankowitz: Wedgwood, Sandon: Worcester Porcelain, (29 volumes in total) For a condition report on this lot visit www.peterwilson.co.uk

ENGLISH DELFTWARE PLATE, 18th century, inscribed "Willes. Popham & Liberty" in a leafy border, 23.5cm dia., and another Delftware plate inscribed "Sir Jno. Pole for ever 3754", on a sponged ground with reserves of Chinese figures fishing, 22.5cm dia. (2)Provenance: The first plate from JJ May, Kensington Church Street, London W8.Provenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)

"PRATTWARE" CIRCULAR PLAQUE moulded with a bust portrait of Thomas Denman, MP, (later First Lord Denman", the Defender of Queen Caroline, 11.5cm dia., a small "Delftware" cup inscribed "Mansell for ever" and a rare toasting glass inscribed "Colonel Roberts, September 12th 1780", 16" high (3)Provenance: The Estate of the late Sir Edward du Cann KBE (1924-2017)*PLEASE NOTE THIS LOT NO LONGER INCLUDES THE TOASTING GLASS*

AN 18TH CENTURY ENGLISH DELFT PLATE dated 1764, 22cm diameter, together with a Chinese export octagonal plate with comparable pattern Cf. Lipski & Archer, Dated English Delftware, pl.637a

AN 18TH CENTURY DELFT PLATE manganese decoration of a figure in a landscape, 19cm diameter; another delftware charger, thinly potted, with foliate manganese decoration, 33cm diameter; and two further similar delft plates with polychrome enamelled decoration

Assorted blue and white pottery plates, modern Delftware, etc.

7 Delftware blue & white tiles

A small collection of reference books on Delftware ceramics. To include English Delftware and English Defltware Tiles both by Anthony Ray.

A DELFTWARE DISH, POSSIBLY IRISH, PAINTED WITH A WEEPING TREE AND PEONY IN DIAPER CAVETTO, 30CM D AND A PAIR OF ENGLISH DELFTWARE PLATES, BOTH 18TH C

An English delftware blue and white large plate, perhaps Bristol,circa 1760, painted with two Oriental figures beside a flowering tree, the border painted with flowering branches, 35cm. diameter; also a blue and white delftware large plate painted with flowers, 36cm. diameter (a.f), (2).

Four Delftware tiles - 1) Decorated in Polychrome colours depicting a vase of flowers. 2) An Early blue and white depiction of a Rabbit c.1750. 3) Blue and white tile depicting Goats in a Central circular panel. 4) Depicting a man laying below a large castle.

An English blue and white delftware plate with floral stylised decoration, 36cm diameter

An English Delftware bowl, mid 18th Century, Lambeth High Street, decorated a Chinaman in a garden within a powder blue border, 22.5cm diameter Condition Report: Faint hairlines to glaze. Chipping to rim as well as a few hair cracks. Small spots of glaze shrinkage.

An English Delft Plate, probably London, circa 1750, painted in blue with birds perched in branches in a hexafoil panel on a powdered manganese ground, the rim painted in blue with four fish, 22cm diameter For other manganese ground plates painted with fish see Archer (Michael) Delftware, The Tin Glazed Earthernware of the British Isles, item B57 and the Colonial Williamsberg, Items 1955-312 and 1955-315. Typical minor rim chips and flakes. 110618