We found 4230 price guide item(s) matching your search

A pair of delftware blue and white vases and covers,second half of the 19th century, probably Rouen, each of baluster shape with a domed cover, scrolled handles and domed base,33cm high (2)Condition report: Knob to one cover restored, same cover with re-affixed 5cm section to rim. Other cover with 2cm chip to rim. Otherwise minor knocks and losses as expected.

Two pairs of delftware blue and white vases,20th century, of octagonal shape, one pair with covers, all with typical painted 'panelled' decoration,46cm high including covers29cm high (6)One lidless vase with a 2cm rim chip, otherwise minor glaze losses to rims.

A DELFTWARE CHARGER DECORATED WITH FLOWERS 34cm diam. (damage) and a Pearlware plate, transfer printed, with open border (2)

18th century delftware tin glaze ink blotter (repaired) L 14cm 

A Dutch delftware dish centre, 18th c, convex and painted with a seated oriental figure, 11.5m diam, marked 15, turned walnut frame, a Scottish carved oak crown and thistle applique, probably 17th c, a pair of turned and fluted oak candlesticks with brass nozzles, a pair of art nouveau brass andirons with seed pod finial and a Victorian decalcomania glass vase (7) Condition ReportCrown and thistle applique - crown damaged

A Dutch Delftware fountain and cover, 18th c, moulded with swags from lion masks and painted in blue with dolphins and other emblems of water, 30cm h Condition ReportHorizontal crack almost encircling the body from lower mask, the metal spout cemented inside and likely to be an early replacement. Localised flaking on one of the mask handles and around the rim. Cover - museum quality filled chip on rim, finial broken off and pinned into position

A Dutch Delftware dish, early 18th c, painted in the style of Kraak porcelain, 39cm diam Condition ReportRim chipped at 11 o'clock, hairline crack at 8 o'clock. Foot ring damaged

NO RESERVE Ceramics.- Lipski (Louis L.) Dated English Delftware: Tin-glazed Earthenware 1600-1800, limited edition, 1984 § Lewis (J. & G.) Pratt Ware: English and Scottish...Earthenware 1780-1840, Woodbridge, 1984 § Godden (Geoffrey A.) Guide to Mason's China and the Ironstone Wares, revised edition, Woodbridge, 1980 § Roussel (D.E.) The Castleford Pottery 1790-1821, Wakefield, 1982 § Eyles (D.) The Doulton Burslem Wares, 1980 § Luxmoore (Chas. F.C.) "Saltglaze", with the Notes of a Collector, facsimile reprint, Holland Press, n.d., plates and illustrations, some colour, original cloth or boards with dust-jackets, the last a little rubbed and frayed at edges; and c.15 others on British pottery manufactories, 4to & 8vo (c.20)

A collection of 19th Century blue and white transfer decorated pottery including octagonal willow pattern charger 42 cm diameter, three various serving dishes 42 cm x 33 cm, 40.5 cm x 32 cm and 31.5 cm x 25.5 cm, four various plates, two sauce boats, sauce tureen stand, four various plates, eight various pickle dishes, three small bowls together with a Delftware charger (very damaged) 34 cm diameter

A rare London delftware teapot stand, c.1720, decorated with a building on an island and a fisherman, all on three scrolling bracket feet, 11.8cm diameterPlease see Austin, British Delft at Williamsburg, p.115 for similar examplesCondition report: Two chips and further smaller chips /frits to the rim, a hairline crack running from just above center to '5 o'clock'. One scroll to one foot with a slight chip.

An 18th century English bianco sopra bianco delftware plate, the blue ground with central blue Oriental style rural scene, 23cm diameterCondition report: Chips all around edges of plate, a couple of larger pits to the glaze, and surface scratches

A Fazakerley Delftware plate, with purple, blue, ochre and puce flower and foliate decoration, 23cm diameterCondition report: Chipped all around the edge, some pits to the glaze but decoration in good condition

Three English Delftware plates, each decorated with a Chinese inspired scene with peonies, fir trees, and fence, smallest example with ochre rim line indistinctly signed beneath, largest D22.5cm, smallest D19.5cm

An antique Dutch Delftware lobed vase - converted to an electric table lamp with brass fittings

Ceramics, glassware and silver plate to include a brand new boxed Royal Worcester hors d'oeuvres dish in the 'Holly Ribbons' pattern, a Delftware bowl with early scene, three boxes of Aynsley place settings and a large circular silver-plate-mounted glass hors d'oeuvres dish with central bowl above four quadrant sections. (Two boxes)

AN ENGLISH DELFT MUG, c.1790, probably London, of plain cylindrical form, painted in blue with twelve lobed reserves enclosing a willow tree and flowering shrubs on a powder blue ground, unmarked, 6" high ( For an identical mug see Britton "English Delftware in the Bristol Collection" p.237, 15.1) (Est. plus 21% premium inc. VAT)No restoration, handle good, chips to rim, minor chips to foot rim

A T & G reproduction jug and a selection of blue and white Delftware and similar ceramics

A Liverpool Delftware plate, c1760, painted in the Fazackerley palette with flowers and fence, 22cm diam In unusually well preserved condition, not cracked or chipped, no significant flaking. A good example of the type

Five English Delftware plates, Lambeth, c1770, variously painted with a comical bird, peony and rock or landscapes, with or without border, 22-23.5cm diam One plated holed in the centre. Bird plate with old filled rim chip. Two others chipped. One with two huts on an island cracked at 4 o'clock

An English Delftware bowl, Lambeth, c1760-70, painted with flowers and trailing foliage, 26.5cm diam Chipped and flaking around the rim, no significant cracks, no restoration

Two English Delftware dishes, c1770, painted with a central flower filled basket bordered by stylised flowers, 34 and 36cm diam The larger cracked and chipped. The smaller with old discoloured restoration

A group of 18th century delftware plates, Wedgwood majolica candlestand (a.f.) and two Victorian framed pot lids

A collection of tin glazed pottery, to include: a maiolica plate, 29.5cm wide; and Delftware. (8)

A 19th Century Dutch Delftware tin glazed earthenware barbers dish with hand painted floral sprays and central notation reading 'Bendickt Kreurks 1819'. Wear commensurate with age mostly to the rim. Measures approx; 7cm x 23cm diameter.  

A pair of fine Liverpool Delftware octagonal ship plates. Dated 1761. Painted in blue with a three-masted Dutch vessel. Inscribed Vertrouwen (above), Pieter Pieters Eisen. 1761 (below). The border with flowers and four cherub's heads. It is likely that this plate was commissioned by a Dutch sea-captain, possibly Pieter Pieters Eisen, visiting the port of Liverpool in circa 1761. Although she is flying the Dutch flag, nothing is yet known about the ship 'Vertrouwen'. Condylis Collection  Dimensions:21 cm diameter. Cf. Bonhams, The Sampson and Horne Collection Defining the British Vernacular. 28 April 2010. Lot 206.

Delftware vases decorated in blue and white with flowers and foliage. Size 36cm approx - NO RESERVE

A Delft box and cover; and five 20th Century Delft vases; and a Delftware cottage

A 19th Century Dutch Delftware tin glazed earthenware barbers dish with hand painted floral sprays and central notation reading 'Bendickt Kreurks 1819'. Wear commensurate with age mostly to the rim. Measures approx; 7cm x 23cm diameter.  

A Chinese blue and white stick stand, delftware, piggy bank etc

A pair of Delftware Toby jugs  - probably late 19th or early 20th century, modelled as corpulent figures with bicorn hat and wig, various blue-painted marks to their undersides (losses, chips and minor damage to both) (18cm) (2)

A large group of mostly continental porcelain, including Vienna vases, Berlin pierced box and cover, German ewers and centrepieces, Delftware, etc; together with a quantity of 19th century Masons and Ducal items etc (nine boxes)

19TH CENTURY STAFFORDSHIRE FIGURAL SPILL VASE,along with a Delftware polychrome vase, a beer stein and whisky jug (4)

Seven English and Dutch delftware plates and dishes, c.1700-1760, 22 - 23cm, some damage

LATE 19TH/EARLY 20TH CENTURY DUTCH DELFTWARE FIGURAL JUG,modelled in the form of a bearded gentleman, with hinged cover, rope twist handle, on a socle base, the central cartouche painted with a boating scene, marks to base, 32.5cm highCondition report: Condition good to fair. Some minor chips to glaze exposing earthenware. Areas of glaze imperfection, including frit and crazing, as per manufacturing process. Restoration to spout. Additional images now available.

A Delftware blue and white vase, of bulbous form, decorated with flowers and birds, printed marks, 17cm high.

Lord Admiral Nelson. A commemorative Delftware punch bowl, 19th century, painted in polychrome with a portrait of Nelson, as hip and floral sprays, D. 30cm, splinter chip to edge

Miscellaneous ceramics, to include: Wedgewood Jasperware, Adderley's coffee set, Wedgewood country ware, Modern Delftware, a Swedish art glass bowl, etc (two trays)

Delftware plate18th Century, painted with two deer and a fence in the Chinese manner, 22cm diameterCondition report: Some frits and wear around the edge.

A GROUP OF FOUR DELFTWARE CHARGERS,18th century,Comprising two Dutch blue and white examples, painted with flowers, a Dutch polychrome example and an English example painted with flowers and insects, largest 33.5cm diameter. (4)For further information on this lot please visit Bonhams.com

A selection of mostly English blue and white polychrome delft, various dates mid 18th century, comprising: a Bristol delft polychrome charger painted with a bird in stylised garden, 34cm diameter (paper label for Christie's ex-lot 44, 14th Sept. 2006; three various blue and white plates, circa 22cm diameter (paper labels, three of four from Christie's ex-lot 320, 20th Jan. 2009) and a pair of Liverpool delft polychrome tiles painted with panels of birds, circa 1770, 12.5cm x 12.5cmCf. Michael Archer, Delftware, (1997), colour pl. 280. for similar tiles.Condition Report: Minor chips to edges and corners of the tiles, occasional small rim chips to Bristol bird plate, one of the three blue and white plates is cracked (geometric pattern)Condition Report Disclaimer

An English Delftware puzzle jug inscribed with a poem, 18cm high/see illustration CONDITION REPORT: There is a small chip to the rim near the top of the handle, this has been glued back in place but there are small associated losses. Crack running across underside and half way up side. Some glaze flakes to foot rim.

Delftware vases decorated in blue and white with flowers and foliage. Size 36cm approx

A pair of Delftware tiles

An 18th century delftware polychrome plate and a Mintons secessionist dish (2) 26cm

A pair of large Dutch blue and white delftware cornucopiae wall pockets: in 18th century style, moulded with shells and acanthus, painted with estuary scenes with figures in the foreground, PVB/25 marks, 33cm.

A pair of Dutch polychrome delftware vases and covers: with parrot and fruit finials, painted with flowering branches and figures in a fenced garden within yellow and iron-red scroll moulded panels, G.V.S. marks, 19th century, 37cm [some damage and repair].

A mixed lot of ceramics to include two Delftware style tiles; a set of eight Wedgwood Susie Cooper design 'Black Fruit' plates; three Worcester plates celebrating the 40th anniversary of the Accession of Elizabeth II; two Staffordshire style military figurines, 23cm in height; a painted jug and further itemsCondition report: tiles with chips to the edges, some rubbing to gilt decoration on Worcester plates

GRIGSBY, Leslie. The Longridge Collection of English Slipware and Delftware, 2 vols, 4to, 2000. In slipcase. With 3 other books on pottery (5) (a box)

A group of Delftware for KLM Bols liqueur cottages, of varying forms. (18)

TWO 19th CENTURY EUROPEAN DELFTWARE DISHES with a European tin-glazed blue and white bowl

A Victorian Davenport pekin pattern flow blue meat plate - sold with another later meat plate, four blue transfer printed soup bowls and a small 18th Century Delftware plate with old rivet repair

Miscellaneous English and Continental porcelain tea  cups and other ware, including an 18th c Dutch Delftware narrow tile, painted with a fritillary Variable condition

An 18th century English polychrome delftware bowl, interior inscribed "Success to The British Arms", 26cm, diameter, cracked and with loss

Thirteen early puce-coloured Delftware tiles (probably 18th century) with unusual depictions to include 'Ester: 5:7', a bird with a sprig descending, a cloaked male figure approaching a female bather and 'St. John' (11 tiles later pine-framed and two unframed, mostly in good condition and intact, some minor damage)

An 18th century Delft flower brick, raised on serpentine feet, a Delftware (riveted) charger with Oriental influenced decoration, an 18th century tea can, transfer decorated in puce with English country house scenes, and a delft tile, having a village scene with a river in an octagonal border, (all a/f)

A very rare and important Dutch delft basin, Adrianus Kocks, De Grieksche A, 1686-1701Modelled after a metal shape, moulded on the sides, two indented larger sections, decorated with dense floral patterns including a border of cabbage roses and sprays of mixed flowers, the borders with Chinese porcelain inspired elements, the well with a band of coin-pattern alternated with lozenges with four dots, 46cm x 36.2cm, AK mark for Adrianus Kocks, owner of De Grieksche A, 1686-1701Footnotes:Provenance:European private collection;Thence by descent to the present ownerDe Grieksche A factoryAdrianus Kocks and his wife Judith Kocks-van Eenhoorn took over the Grieksche A factory from Lambertus van Eenhoorn in 1686. It is known that Kocks, together with Lambertus Cleffius, owner of De Metaale Pot, tried to expand into the French market. But the height of Adrianus Kocks's commercial entrepreneurship was undoubtedly the reputation he built up as the main supplier of Delftware to the court of King William III and his wife Queen Mary. After having left the Netherlands for England, William and Mary ordered Delftware in large quantities from Adrianus Kocks. In January 1701, Adrianus Kocks passed on the workshop to his son, Pieter. He died only five months later and his coffin was carried by 18 bearers, an indication of the high esteem in which he was held in in Delft. For more information on the factory history of De Grieksche A, see Delfts Aardewerk: Geschiedenis van een Nationaal Product (1999), pp.64-153.William and Mary as patrons of De Grieksche A factoryMuch of the evidence about the orders placed by William and Mary is circumstantial, partly because the factory records have mostly not survived. Archaeological research conducted in the gardens around the Dutch Royal Palace of 'Het Loo' in Apeldoorn has revealed some exceptional objects marked SVE for Samuel van Eenhoorn, the owner of De Grieksche A before Adrianus Kocks such as garden ornaments and tulip vases. The Royal couple was passionate about Delftware and Mary certainly played an important role placing orders and defining its use in the Royal interiors. In one of his poems, Jan d'Outrein (1662 – 1722), suggested that it is highly possible that some of the most remarkable pieces were made after the Queen's specifications. She also probably contributed to the spread of the taste for expensive luxurious Delftware amongst the English aristocracy. It is now widely accepted that Queen Mary contacted Samuel van Eenhoorn shortly after she moved to the Netherlands. After Samuel's death, De Grieksche A factory stayed under the patronage of the House of Orange for many years. In her recent publication Koninklijk Blauw (2020), Suzanne Lambooy notes the influence of Daniel Marot, who joined the Household in 1684 and was charged with most of the designs for the gardens and interiors of the various Royal Palaces. Marot was instrumental in introducing a new Baroque style which was met with enthusiasm in the courts of Europe. Wall-covering textiles and mirrors were combined with carved giltwood consoles and monumental Delftware, and by cleverly integrating various previously more isolated interior elements, Dutch Delftware was promoted to play an integral role in the conception of a Royal interior. More and more elaborate and ambitious shapes were designed for the Royal Court, such as the famous tulip vases and large garden vases, produced, amongst others, by De Grieksche A. It is likely that this exceptional basin can be seen in the context of these expensive and technically highly accomplished pieces made for the Court of William and Mary or one of their entourage.For further reading on Royal patronage of De Grieksche A see also: A.M.L.E. Erkelens, 'Delffs Porceleijn' van koningin Mary II: Ceramiek op Het Loo uit de tijd van Willem III en Mary II. Queen Mary's Delft porcelain': Ceramics at Het Loo from the time of William and Mary, Zwolle.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Dutch Delft pair of milkers, Anthonie Pennis factory of 'de twee scheepjes', circa 1760-70Modelled as a lady and a boy, each seated on a narrow stool, a bucket between their feet, each milking a cow decorated with ornate floral wreaths around their necks and over their backs, the naturalistic base with moulded naturalistic elements and frogs, 16.5cm high, small AP mark in red to the base (one ear on each cow and one horn on each cow with restoration) (2)Footnotes:Cows dressed in garlands of flowers is a custom now associated mostly with the East of Switzerland and Austria but was also a 16th century Dutch custom of thanksgiving coinciding with the nameday of the Saint protecting the Butcher's Guild, Saint Luke (18 October). On this day, Dutch oxes were dressed in floral garlands and paraded before slaughter. Although this custom does not exist anymore, it can be found in many representations of 18th century Dutch Delftware cows. The history of the factory of 'De Twee Scheepjes' factory (the two ships) reaches into the 17th century. In 1750 however, Jan Pennis, owner of De Porceleyne Schotel factory, purchased De Twee Scheepjes factory for his son Anthonis Pennis who started work there that same year after receiving his master's title. In 1764, Anthonis registered his AP factory mark. Anthonis Pennis was an active man; not only was he the head of the Guild of St. Luke several times, he was also the captain of a company gunmen. For further reading see: Aronson, 'The Delft Potters in the Guild of Saint Luke'(https://www.aronson.com/the-delft-potters-guild-st-luke/).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A London Delftware dish, painted in blue with three sailing ships on a stylised sea, rockwork and trees within blue banded border, circa 1720, 27.5cm dia. 

An English Delftware plate, painted with a large yellow stylised bird seated on a branch within blue circles and hatched borders, circa 1730, 22.5cm dia.

Tray of blue and white china ornaments to include: pair of six sided, blue and white, florally decorated vases, blue and white five section specimen vase, pair of Delft candlesticks, hand painted Delft miniature pitcher, other miniature Delftware and Dutch items, Italian lidded box, miniature white metal stagecoach drawn by four pairs of horses etc. (B.P. 21% + VAT)