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An exceptional Brussels or Lille Delftware tobacco jar "TABACQ DE RAPPE", 18th C. Provenance: The old tobacco store on the corner of Rozenhoedkaai and Pandreitje. See "Guillaume Michiels, Uit de wereld der Brugse mensen" H: 41 cm incl. Cover

A Brussels Delftware tobacco jar with pipesmokers, 18th C. H: 42 cm incl lid

A pair of 18th century Delftware vases, 11cm high, signature to base, together with a Delftware wall plaque depicting ice skaters (a/f - restored)

A pair of 17th/18th century Delftware candle holders modelled as lions by Aelbregt Keizer (AK mark to base) (a/f), 21cm high

Two English delftware plates, circa 1750, the first, probably Bristol, painted in blue and manganese with a central Chinese house inside a `cracked ice' border reserved with three panels of houses; the second, probably Liverpool, painted in blue with a central jardiniere of flowers, each approx. 22.5cm.diameter.

A late 17th century English dated delftware spice jar: of squat globular form with scroll handles, painted in blue with darker trek outlines with birds, pierced rockwork, flowers and foliage, the foliate border below the rim inscribed 'M.P./1695', 17.5 cm wide [base drilled with two small holes, foot rim reduced, other damages, cover lacking].

A Delftware porringer, the white underglaze over painted with dark blue foliate decoration, 13cm diameter, together with two stone spheria, possibly Roman period (3)

A Dutch delftware blue & white ewer, painted with baskets of foliage under stiff leaf pendant border, conjoined AK mark to base, 26cm high

An English Delft blue and white charger, circa 1760, possibly William Griffith of Lambeth High Street pottery Note: see Dawson, A. 2010. English and Irish Delftware 1570-1840, p.248 pl.3, for an example of this design

Three Delftware plates, two English and one Dutch, including a London polychrome 'seated Chinaman' plate, a smaller Bristol/London plate decorated with birds on a pond, largest 35cm diameter (3)

Three early English Delftware tiles, depicting mythical beast figures

A collection of tourist delftware to include vases, figures, ornaments, etc.

A small 18th Century Dutch Delftware baluster shaped Vase hand decorated with flying insects and a butterfly amongst flowers and foliage in Chinese style, (rim fritting), 11.75cm high

A pair of 18th Century small Delftware Plates each polychrome decorated with a single Chinaman within stylised exterior surroundings with hills and flowers etc., each with repeating floral border, each approx. 22.75cm wide, (possibly English), (rim fritting and small chips to edge consistent with age etc., one Plate with star crack to underside and 3.5cm hairline from edge)

A European flower head shaped Delftware Bowl (18th/19th Century), in Kraak style, the alternating panels decorated with figures and flowers etc., (cracks, hairlines, pottery and glazing away etc.,) together with one other similar sized tin glazed earthenware Dish, loosely decorated in the Persian style in underglaze blue (broken in half and repaired etc., rim fritting and other faults) and a smaller European style Dish decorated with fruiting vine and leaves etc., pseudo four character mark to underside (very large curved hairline), (3)

A PAIR OF ENGLISH DELFTWARE PLATES, BRISTOL, C1755-65 painted in cobalt, manganese and cadmium yellow with a Chinese island scene in scalloped bianco sopro bianco border, 22cm diam ++Typical rim chips, not cracked or restored

A rare Worcester blue and white bowl c.1755, painted with the Squirrel and Vine pattern, the exterior with two of the stylized animals romping through fruiting vine tendrils, a further creature perched on a bunch of grapes to the interior, workman's mark, 14.9cm dia. This pattern derives from Chinese porcelain of the 17th century, but probably came to Worcester via the delftware painters in Bristol and London.

A delftware tulip charger c.1730-40, probably Brislington, brightly decorated in blue, green, yellow and ochre, with a large tulip flanked by two smaller blooms and a row of stiff leaves, within a stylized leaf border and a sponged blue rim, broken and restuck, 34cm. Cf. The Victoria and Albert Museum, Accession No. C.247-1911 for a similar dish.

A Bristol delftware bowl of unusually small size c.1750-70, painted in blue with two ladies in full skirts standing beneath tall sponged trees and beside a building with a tall chimney, 17.5cm. Cf. Anthony Ray, English Delftware Pottery in the Robert Hall Warren Collection, pl.42 for a plate of the same design.

A large English delftware charger c.1720, Bristol or London, painted with a courting couple beside ships at sail in a harbour, beneath tall sponged trees, some filled chips to the rim, 24.3cm.

An early Brislington delftware lobed dish c.1680, the well painted in blue and manganese with a seated figure, the fluted rim with a stylized formal border of leaf swags, some faults to the rim, 22cm.

A Bristol delftware plate c.1740, boldly painted in blue, red and green with Oriental flowers and willow issuing from a fence, the rim with a formal foliate border, 20.2cm.

An English delftware plate mid 18th century, well painted with a Chinese design of a crowing cockerel perched atop rockwork beside a large spray of flowering peony, a hen and a chick scratching on the ground, the rim with three flower and pomegranate sprays in yellow, green, blue, orange and manganese, a little rim chipping, 23.5cm.

A Bristol delftware plate c.1710, painted in blue, green and red with five petal-shaped panels of flowers and leaves, reserved on a blue hatched ground, 22.2cm.

An English delftware plate mid 18th century, Bristol or Wincanton, painted in blue with a central standing Chinese figure beside a small fence and a pagoda, a large insect flying above, a filled chip to the back of the rim, 22.5cm.

A delftware hexagonal spoon tray 2nd half 18th century, perhaps Vauxhall, painted in blue with two Chinese figures dancing with sticks, beneath flying insects, the rim with a scrolled border and a brown line, a little glaze chipping, 14.7cm.

A delftware flower pot mid 18th century, possibly English, of flared square form with chamfered corners, painted in blue to each side with willow and a large peony flower issuing from holey rockwork, the base pierced with five small drainage holes, minor damages, 10.5cm high. Cf. Michael Archer, Delftware The Tin- Glazed Earthenware of the British Isles, p.275, item E16 for a water bottle with similar decoration.

A London delftware food warmer base c.1760-80, the cylindrical form with a shaped opening beneath a moulded mask, a further mask to the reverse, the sides with scrolled handles, painted with stylized foliate motifs, blue numeral 4 mark to the base, a small reglued chip, 19.5cm.

An early English delftware dry drug jar dated 1663, simply painted in blue with a ribboned banner bearing the inscription 'DIASCORDIUM' and the date 1663, a clean repair, some chipping, 20cm. Diascordium is a preparation using the dried leaves of teucrium scordium (water germander) as the primary ingredient. It had a variety of uses including the promotion of sleep and the treatment of the plague. In his London Dispensatorie of 1654, Nicholas Culpeper wrote, "it is a well composed Electuary, a something appropriate to the nature of women, for it Provokes the Terms, hastens their Labor, helps their usual sickness at the time of their Lying-in, I know nothing better... It may be safely given to young children ten grains at a time, ancient people may take a dram or more".

Three English delftware drug jars 18th century, two dry drug jars painted in blue, each with a cartouche surmounted by birds or putti flanking a basket of fruit, inscribed 'U: POPULN' and 'E:DIAS: S: MEL', and a syrup jar with similar decoration beneath a knopped spout, inscribed 'O: PETROLÆ', damages and glaze loss, 19.5cm max. (3) Unguent of Populeon included poplar buds in its ingredients and was used in the treatment of burns, Petrolæ refers to parsley and the other jar appears to have contained an electuary of honey, both of which had a variety of medicinal uses.

A pair of English delftware dry drug jars mid 18th century, each painted in blue with an oval cartouche surmounted by cherubs holding flower stems either side of a scallop shell, a winged angel beneath, one titled U:ALB:CAM, the other BALS:LOCAT, some damage and restoration, 20cm. (2) Balsamum Locatelli was an ointment named after its creator, the Italian physicist Lodovico Locatelli (d.1657). Its ingredients included red sandalwood, olive oil and pine resin, and it was used in the treatment of ulcers. Unguentum Albastrinum was an ointment made from, among other ingredients, powdered alabaster and chamomile flowers. It was used as an emollient.

A near pair of Liverpool delftware wall pockets c.1760, each formed as a cornucopia, moulded and painted in blue with a single bird perched on a flowering branch, the shaped rim with small shell and flower motifs, a small amount of restoration to the rims, 19.5cm. (2)

A Liverpool delftware polychrome wall pocket c.1760, formed as a cornucopia, moulded in shallow relief with a large yellow flowering plant issuing from a small round manganese pot resting atop deep moulded green foliage, 22.2cm.

A Liverpool delftware wall pocket c.1760, of cornucopia form, moulded and decorated in blue with a bird perched on a flowering branch, the shaped rim with a shell motif and further flowers, restored, 19.5cm.

A rare white-glazed English delftware sauceboat mid 18th century, probably Bristol or Liverpool, the generous form raised on three paw feet, the handle formed as a mythical cat-like beast, 19cm across. This footed shape, derived from silver, is rare in delftware. A similar example with a plain strap handle is in the collection at Williamsburg, and illustrated in John C Austin's catalogue, no.383.

A Bristol delftware powder bowl or basin c.1720-30, moulded with a pie crust edge, painted to the interior with a two-storeyed building beside trees, within a green dash border, the rim with a blue and red design, broken and riveted, 18.5cm.

A good Liverpool delftware two-handled sauceboat mid 18th century, the interior painted in blue with birds perched on sprays of Oriental flowers, the exterior with peony sprays, the handles modelled as foxes perched on rims decorated with diaper panels, 20.4cm across. Cf. Michael Archer, Delftware in the Fitzwilliam Museum, no. G15 for an identical example. The shape is believed to have derived from silver, and similar examples are known in St Cloud porcelain.

A pair of large Dublin delftware plates c.1760, probably Delamain's World's End Pottery, painted with flowering peony and chrysanthemum issuing from a decorated Chinese censer within a formal scroll border, the rims with four groups of Oriental flowers and precious objects, 30cm. (2) Provenance: from the Estate of Mary, Duchess of Roxburghe.

A pair of English delftware plates c.1760, painted in a palette of red, green, yellow and blue with flying insects above flowering branches issuing from handled baskets, the rims with a formal border, some chipping to the rims, 22.5cm. (2)

An English delftware vase mid 18th century, perhaps Bristol, the ovoid form painted in blue with a Chinese figure carrying a vase, a further figure standing beneath pine, prunus and willow trees, the shoulders and foot with stylized leaf and ruyi-head bands in the Chinese Transitional manner, a little chipping, 21.5cm.

Delftware blue and white plate, painted with landscape, 18th Century, diameter 19.5cms; Chinese blue and white plate, 18th Century, diameter 16.5cms. (2)

Delftware blue and white shallow bowl, the centre painted with chinoiserie landscape having weeping willows, 18th Century, diameter 23cms.

Delftware blue and white vase and cover, inverted baluster form painted with hound or fox standing on ledge above water's edge, probably late 18th Century, overall height 41cms, "CT" mark to base. (2)

18th Century style Delftware bell, the sides painted with flowers and pendants, height 24cms, "PS", "1702" marks.

An English delftware blue and white plate, mid 18th century, centrally decorated with a figure holding an exotic bird, within a wide floral border, 22cm diameter.

A collection of Delftware to include vases, figures, ornaments etc.

A late 17th Century Lambeth Delft wet drug jar, the globular body with an angel with spread wings over a label inscribed S:MORORVM I.G, the ends of the ribbon with crab-like claws and on a spreading foot, height 20cm, A/F A jar of similar form and similarly decorated is illustrated in English Delftware, F.H.Garner & Michael Archer, 1972, pl. 37 There are over a dozen possibilities for the abbreviation 'S' but as this is a wet drug jar, sirop is the most likely, mororum is the mulberry tree of which the bark and fruit are used. The 'I.G' is an abbreviation for Infusum Galenus (Galen of Pergamon, to whom is credited the Four Humours, the imbalance of which demands restoration with the correct drug). I.G has formally been attributed to an unknown pharmacist. Provenance - Purchased at Sotheby's Belgravia, Lot 236 on 18 January 1972 (one of two)

Six Delftware ceramic tiles depicting windmills and sailing ships, four of the tiles framed in dark wood, 8cm by 15cm, together with a pair of blue and white ceramic wall pockets

A mid 19th century porcelain greyhound, Chamberlain's Worcester crested plate, Delftware and lamps

A SET OF SIX DAISY MOULDED EARTHENWARE FLOW BLUE PLATES, IMPRESSED CROWN, 19TH CENTURY, A PAIR OF STONE CHINA PLATES PRINTED IN SEPIA AND ENAMELLED WITH SEVEN SCATTERED VIGNETTES, IMPRESSED IRONSTONE AND A CUT GLASS DECANTER AND STOPPER, A PAIR OF COLD PAINTED TERRACOTTA FIGURES OF A DANCER AND MUSICIAN AND A DUTCH DELFTWARE TILE PAINTED WITH A SHIP AND A VICTORIAN GOTHIC ENCAUSTIC TILE

18thC tin glazed English Delftware plate with floral detail

A Moustiers meat platter, late 18th century, decorated in blue and white with the bust of a lady, 40cm long, an Epinal fluted bowl decorated internally with a floral spray, 29 by 9cm, a Delftware charger decorated in blue and white with an urn and flowers within a floral and trellis border, 36cm diameter, a Moustiers blue and white sugar sifter, 24cm, and a faience plate painted with a dragon, 24cm (5)

Rare Antique Delftware Cat Of Unusual Reclining Form decorated in blue hues and yellow highlights to the mouth. Paws defined in Orcha Lining with large protruding ears. A round hole to the head & mouth. Unmarked to base. 17/18th Century. 7.5'' in length, 4'' in height, 3.5'' in width.

Rare English Delftware Early 17th Century Bottle Shaped Vase, finely decorated in underglazed blue depicting two Chinese Scholars in a traditional garden setting. Copied at the period from a Chinese ming original. Attached to base an old label which states '200 year old vase in 1855' 8.5'' in height. Circa 1640's

Four Pieces of Blue and White Delftware comprising large bulbous lidded vase in the Chinese style, 20 inches high, a similar smaller one, 14 inches high. Together with a delft ware plant pot and a plaque depicting Rembrandt.

A DUTCH DELFTWARE TILE PAINTED WITH A SHIP AND A VICTORIAN GOTHIC ENCAUSTIC TILE

A large Dutch Delftware two handled blue and white vase and cover, the body of globular form painted with amorous couples within pastoral landscape and mountainous, lakeland scenes, the spiral fluted neck flanked by handles of winged mythological beast form beneath cover with pear shaped knop, 18th/19th Century, height 54cms. painted mark IG for Joh Gall.

A large Dutch Delftware outsized tobacco jar and cover with blue and white painted decoration in the 17th century manner, inscribed Toeback together with Czechoslovakian dessert wares, a cabaret tray, a bowl, etc

A DELFTWARE BOWL, with blue and yellow decoration, and two handles, 9.25" wide

Rare English Delftware Early 17th Century Bottle Shaped Vase, finely decorated in underglazed blue depicting two Chinese Scholars in a traditional garden setting. Copied at the period from a Chinese ming original. Attached to base an old label which states '200 year old vase in 1855' 8.5'' in height. Circa 1640's