Second World War - John May - Distinguished Flying Cross (1943), 1939-1945 Star, Africa Star North Africa 1942-43 bar, Air Crew Europe Star, Defence Medal and BWM attributed to Pilot Office John May (134655) R.A.F.V.R. extremely fine. John May’s DFC was announced in the London Gazette dated 30th March 1943 serving with 142 Sqn flying Wellington bombers. With original newspaper cutting about award of DFC: “The citation reads that he has consistently displayed fine navigational skill and eagerness to take part in operations against the enemy. These qualities have contributed to the success of his crew in obtaining photographs of the target area. At all times on the ground and in the air his fine example, skill and devotion to duty have been an inspiration to all other navigators of the squadron. P/O May was commissioned in 1942 and has taken part in many raids on Germany and the occupied territories. He is now on operations in North Africa.” With some copied research, he was commissioned on 23 Oct 1942 from rank of Sgt No 1101598. Sold with range of original items including Notification letter to attend investiture to Flight Lieutenant John May D.F.C. R.A.F.V.R., ID disc, two tickets to Buckingham Palace Investiture dated 1 May 1945, mini-escape compass, silk escape maps of North Africa/Iberian Peninsula No K3/H2 and Algeria/Spain, four RAF buttons, two DFC ribbon bars, Air Ministry campaign medals transmittal slip, RAF Flying Clothing Card to F/O 134655 May J., photo of five crew in front of Wellington, publication Blida’s Bombers by Eric Summers covering 142 & 150 Sqns deployment in North Africa etc.
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Durham, halfpenny: South Shields Faith holding book, rev: sailing ship. 792 Exeter halfpenny Success To The Woollen Manufactory. 1789 Macclesfield Halfpenny. 1791 Macclesfield Halfpenny. Charles Roe’s Chester halfpenny token undated. Obverse: Cypher: “R & Co”: “CHESTER” (Roe & Company) with owl crest. Reverse: Design of three castles and the points of the compass: “PROMISSORY * HALFPENNY * PAYABLE * 5 in total.
Audemars Piguet. A small sized 18ct gold quartz calendar wristwatch Meridian, Movement number 304618, Circa 1985 Quartz movement, silvered sector dial in the form of a compass, gold two tone hands, champagne coloured date aperture at 3, polished 18ct gold case snap on back, European convention mark, fixed bezel with Arabic quarters, rice grain link lugs hinged to an Audemars Piguet leather strap and steel and gold double folding clasp, case, dial and movement signed 22.6mm diameter (VAT charged on hammer price)Condition Report: Case: overall in fair order with surface scratches. Dial: clean. Movement: battery has leaked and been removed. Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.
WW2 British 1st Battalion South Staffs Chindit Group to 4914190 Pte Eric Verdon Bryan comprising of: General Service Medal with Palestine Clasp named to him, complete with ribbon: Defence Medal complete with ribbon: Letter regarding claim of his medals: Aldershot Command Sports Medalion for Cross Country 1936 in case: two large group photos showing him, one of the Cross Country team in 1936: two photo albums from his service in Egypt and Palestine: Loose photos taken in the Middle East: His original Enlistment paper from 1935 into the South Staffs, Army Certificate of Education 2nd class 1936, Soldiers Release Book Class A 1945 dated: souvenirs bought in the Middle East, two leather wallets, bag, Arab Headress, etc: Kukri knife, Bone handled knife, private purchase cutlery style eating knife in leather pouch, "Green River" Stainless Steel throwing knife, General Purpose Survival Knife which he carried in Burma: MKIII Compass maker marked and dated "TG Co. Ltd 1942": Maps used in Burma: Blank Indian made AB64 Paybook: Canvas holdall: Brass South Stafford Shoulder Title: British made Slouch Hat maker marked and dated "Moores, London 1943" complete with original Chindit Formation Sign sewn to turn up. Size 7: Letter dated April 1944 on award of the Chindit badge by Major General W Lentaigne after the death of Orde Wingate : two pairs of his drum sticks, Wristwatch (not working), etc. New to the market.
WW2 British Scots Guards Group to 14496828 Lance Corporal T Harrison, K Coy, 2nd Scots Guards consisting of France & Germany Star, War Medal and Defence Medal with ribbons, Pair Scots Guards Shoulder Titles, Pair Lance Corporals Stripes, two Pairs embroidered Guards Armoured Div formation signs, pair 6th Armoured Brigade printed formation signs uncut, Plastic Scots Guards cap badge, single 2nd Anti-Aircraft Division formation sign, 7 clothing id labels, AB64, Soldiers Release Papers, Group photo signed April 1944, Sweetheart brooch, small Bakelite Compass, Attestation Papers served previously in HG, HG lapel badge and comic book, Trench Art photo frame Hamburg 1946, other paperwork in folder, etc. Along with RAF and Merchant Navy items from the same family. (q)
A Masonic ring and cufflinks, together with two other gentleman's rings, all in 9ct gold. Featuring a signet ring with the Freemasons compass and square, size, U, with rubbed hallmarks. The chain cufflinks are also engraved with a square and compass and are in 9ct rose gold. The two other rings comprise a carnelian set 9ct gold ring, size Q; anf a shield shaped signet ring with a rubbed engraved monogram, size T. Total weight approximately 20.51 grams.
A pair of miniature silhouettes, both signed by the artist and painted on the glass of a lady and gentleman in 18th century dress in black on an enamel tile and framed in a glazed black frame. With a collectors label identifying them as being the work of T. Rider. Each portrait measures approximately 9cm by 6.5cm, the frames approximately 15cm by 13cm. The label, to the verso of the gentleman, reads: “LIKENESSE Taken in Miniature, profile and finished in a rich and elegant Stile on enamel, also on Glafs with a Gold Ground, in a Manner entirely new. Coats of Arms, Crefts, Cyphers, Writing, or any Device, wrought in gold on glafs. “*indecipherable*… having Likenefles in Shade of their deceafed Friends, *indecipherable*have them reduced *indecipherable* copied and emblematically reprefented in a curious manner. Large shades reduced within the Compass to be worn in a *indecipherable*, Pin, locket or Bracelet, on Enamel, Ivory or Paper, and the Likeness carefully *indescipherable*,and dreffed in the prefent tafte by T. RIDER, Profilest No, 8, Charles Stret, Coren Garden. “NB He preferves the original Shades, and can fúpply thofe *indecipherable* has once taken with any number of profiles, and have them carefully conveyed either by letter or packet to any part of England or elfewhere.”- Condition report: In overall good condition, although there is limited crazing to the edge of the left hand side of the gentleman's portrait. Some abrasions to each frame.
Ihon (John) Coggs of Fleet Street, London,- George II brass circumferentor (theodolite) c1730, housing a cylindrical glazed compass with a steel indicating hand and engraved (formerly silvered) eight point compass rose to the centre, outer track divided into two-degree intervals and a subsidiary Arabic numeral chapter ring divided into ten minute intervals, mounted on a 12" cast brass four spoke circular table engraved on the circumference in one degree increments from 0-360 degrees, with makers name and mounting points for vertical sights. John Coggs is recorded as a mathematical instrument maker and engraver, working in Fleet Street from 1710-40The introduction of advanced surveying instruments such as this circumferentor revolutionized the field of land surveying. Surveyors could now conduct their work with a level of precision that was previously unattainable, leading to more accurate maps and a better understanding of geographical features.
A late-Regency pocket sundial by Samuel Porter - the turned sycamore case with push-fit lid, the underside with pink paper maker's label, 'Porter's Magnetic Sun Dial on the Floating Compass Card', the printed ivory-coloured dial with brass gnomon, signed 'S. Porter Fecit Feby 16 1824 Entered at Stationer's Hall', under a convex glass, 5.5cm diameter.* In good, very original condition overall. There is some patchy wear to the polish to the exterior across the surface, and a few scratches to the wood to one edge of the base. A few small losses to the top edge of the lid label. The dial is in good condition and rotates correctly. The glass dome is dusty/cloudy to the underside.
A scarce late-18th century French engraved map of southern Ukraine including the Crimea - titled 'Partie du Théatre de la Guerre entre les Turcs at les Russes' to top margin, with title cartouche, 'Carte du Gouvernement de Tauride, Comprenant La Krimée et les Pays Voisins', pub. Paris 1788, later hand coloured outlines, with compass rose and scale to lower register, visible sheet size 53 x 68cm, Hogarth style frame.
A WW2 German plated brass and alloy cigarette box lid - 7.5 x 5.1cm; together with a Short & Mason plated metal pocket compass; three British military badges; and an Italian copper artillery regiment pendant. * The German cigarette box lid was reputedly found by the vendor's grandfather when he returned home after the liberation of Poland in 1945. His house was situated in the vicinity of the Treblinka Extermination Camp, which had been shut down and dismantled in late-1943.
A box of collectables - including a Chinese brass, bamboo and white metal cigarette box, 9 x 7.5 x 5.2cm; an Oriental pierced white metal scroll case, 31.5cm long; a cased Victorian ambrotype of a lady seated in a spindle back chair; a white metal Alpacca tea infuser; a Eurohike Engineer Lesatic Compass; two mid-century tie presses; a boxed Penalli pen set; a cased Manuscript calligraphy pen; a miniature Chinese-style brass gong; a boxed pair of Oriental enamel Baoding balls; and a pair of vintage spectacles. Condition:- Chinese cigarette box: In good condition overall. One of the Shou character symbols on the lid has a loss to one side and is lifting a little at one end. There is also a loss to the keywork semi-circle to the other side of the lid.- White metal scroll holder: In good condition, with just a few small spots of corrosion to the metal in a few places.- Miniature gong: The tips of the five-pointed roof are bent, with one heavily creased.- All of the other pieces are in good condition.
Lesley Banks In Camogli, 2025 Acrylic and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lesley Banks is a contemporary artist. Her work is informed by a skill-based classical training in observational painting and drawing, which is evident in her figurative interiors and more recent canal and urban landscape paintings. She works predominantly with oil on canvas and more recently watercolour and acrylic on paper. Education 1980-1984 Glasgow School of Art BA (Hons) Fine Art Solo Exhibitions 2024 Studio 261, Glasgow 2020 Summerlee Museum of Scottish Industrial Life, Coatbridge 2019 Lillie Art Gallery and Museum, Glasgow 2018 Eden Court, Inverness 2017 The Park Gallery, Falkirk Group Exhibitions 2024 Annual Open, Bath Society of Artists 198th Annual Exhibition, Royal Scottish Academy London Art Fair 2023 Objects of Desire, Calendar House, Falkirk ING Discerning Eye Jackson's Art Prize, longlisted SWA Society of Women Artists, Mall Galleries, London Scottish Landscape Awards, longlisted 2022 Scottish Portrait Awards, Edinburgh Inspired, Fidra Fine Art, Gullane 2021 Art in Mind, Glasgow Print Studio 2020 21st Century Women, The Backdoor Gallery, Clydebank Awards 2024 The Knox Award, PAI Annual Exhibition 2017 Paisley Drawing Competition, Walker Laird Award 2015 Open Project Funding, Creative Scotland Gallery Representation Compass Gallery, Glasgow, Scotland Studio 261, Glasgow, Scotland Roger Bilcliffe Fine Art, Glasgow Public Collections Kelvingrove Art Gallery and Museum, Glasgow, Scotland Perth Art Gallery and Museum, Perth, Scotland Lillie Art Gallery and Museum, Glasgow, Scotland Stirling Smith Museum and Art Gallery, Stirling, Scotland Scottish Canals University of Strathclyde, Scotland Falkirk Council Collection, Scotland East Dunbartonshire Council, Scotland Leicester Schools Collection, England Statement about AOAP Submitted Artwork Two watercolour/acrylic paintings exploring "after dark" themes in the Cinque Terre in Italy. I am working on a series of nocturne paintings, which necessitates muted tones and hazy light effects. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
Lesley Banks Monterosso Train Station, 2025 Acrylic and watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lesley Banks is a contemporary artist. Her work is informed by a skill-based classical training in observational painting and drawing, which is evident in her figurative interiors and more recent canal and urban landscape paintings. She works predominantly with oil on canvas and more recently watercolour and acrylic on paper. Education 1980-1984 Glasgow School of Art BA (Hons) Fine Art Solo Exhibitions 2024 Studio 261, Glasgow 2020 Summerlee Museum of Scottish Industrial Life, Coatbridge 2019 Lillie Art Gallery and Museum, Glasgow 2018 Eden Court, Inverness 2017 The Park Gallery, Falkirk Group Exhibitions 2024 Annual Open, Bath Society of Artists 198th Annual Exhibition, Royal Scottish Academy London Art Fair 2023 Objects of Desire, Calendar House, Falkirk ING Discerning Eye Jackson's Art Prize, longlisted SWA Society of Women Artists, Mall Galleries, London Scottish Landscape Awards, longlisted 2022 Scottish Portrait Awards, Edinburgh Inspired, Fidra Fine Art, Gullane 2021 Art in Mind, Glasgow Print Studio 2020 21st Century Women, The Backdoor Gallery, Clydebank Awards 2024 The Knox Award, PAI Annual Exhibition 2017 Paisley Drawing Competition, Walker Laird Award 2015 Open Project Funding, Creative Scotland Gallery Representation Compass Gallery, Glasgow, Scotland Studio 261, Glasgow, Scotland Roger Bilcliffe Fine Art, Glasgow Public Collections Kelvingrove Art Gallery and Museum, Glasgow, Scotland Perth Art Gallery and Museum, Perth, Scotland Lillie Art Gallery and Museum, Glasgow, Scotland Stirling Smith Museum and Art Gallery, Stirling, Scotland Scottish Canals University of Strathclyde, Scotland Falkirk Council Collection, Scotland East Dunbartonshire Council, Scotland Leicester Schools Collection, England Statement about AOAP Submitted Artwork Two watercolour/acrylic paintings exploring "after dark" themes in the Cinque Terre in Italy. I am working on a series of nocturne paintings, which necessitates muted tones and hazy light effects. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
John Speed / Speede (1552-1629) 'Somerset-Shire Described: ad into Hundreds Devided, with the Plott of the Famous and most Wholsom Waters and Citie of the Bathe', engraved map with inset town plan of Bath with key, compass rose with dividers and Royal Arms, uncoloured, Pub. Sudbury and Humble, c.1615, plate impression size 38cm x 51.5cm, in double-sided modern glazed frame ('Sommerset-Shire' pages 23 and 24 verso)
* ERIC RITCHIE (SCOTTISH b .1934), IN THE CITY, EVENING gouache on board, signed and titled versoframed and under glassimage size 49cm x 79cm, overall size 62cm x 92cm Note: Painter, mural artist, stage designer, illustrator and teacher, born in Aberdeen. He studied at Edinburgh College of Art, winning the Andrew Grant Major Travelling Scholarship to Italy in 1956–7. Ritchie early on established a name as a mural painter, among his commissions being the Diaghilev Exhibition at Edinburgh Festival in 1955; the Military Tattoo in 1959 and 1970; and then in 1985 the Epstein Exhibition. During the late 1950s and early 1960s Ritchie taught at Edinburgh College of Art as well as Dewsbury and Batley Technical Art College. Then after seven years teaching secondary school, in 1973 he gave this up to teach art privately. Meanwhile, Ritchie had designed a range of stage sets, from Nabucco to HMS Pinafore. He also did book illustration as well as work for magazines such as Scottish Field. His solo shows included The Scottish Gallery, Edinburgh, 1978 and 1981, and he was included in The Compass Contribution at Tramway, Glasgow, 1990.
* CARLO ROSSI RSW RGI (SCOTTISH 1921 - 2010), ROSSO R VERDE, VARIATION TWO mixed media on paper, signed, titled versomounted, framed and under glass image size 49cm x 61cm, overall size 83cm x 93cm Label verso: Roger BIllcliffe Gallery, Glasgow.Note: Painter and teacher, born in Johnstone, Renfrewshire. He studied at Glasgow School of Art and in Italy, which remained an inspiration to his work, and went on to teach for some years. Rossi appeared in many mixed shows: at Compass Gallery, Glasgow; Glasgow Group; Fine Art Society in Glasgow; and RSW and Royal Glasgow Institute of the Fine Arts, of both of which he was a member. He had many one-man shows, including Compass Gallery, Strathclyde University and more recently at Open Eye Gallery, in Edinburgh. Rossi was a painter, often in mixed media, whose works – especially the still lifes – were coolly ordered and elegant.
* HELEN FLOCKHART (SCOTTISH b .1963), AMBER BIRD oil on panel, signed, titled label versoframed and under glass image size 19cm x 14cm, overall size 41cm x 35cm Label verso: Compass Gallery, Glasgow.Note: Helen Flockhart is a painter born in Hamilton, Scotland in1963. She studied drawing and painting at Glasgow School of Art from 1980-85 and continues to live and work in Glasgow today. She also studied at the PWSSP in Poznan, Poland (1985-6), having been awarded a British Council Scholarship, gained a grant from the Pollock-Kasner Foundation 1992 and won First Prize in the Noble Grossart Painting Prize 2000.
* PETER MCLAREN (SCOTTISH B.1964), THE CYCLIST LOOKING OVER HIS SHOULDER (BLUE WITH SMALL RAINBOW) mixed media on paper, signed and dated '87, titled labels versomounted, framed and under glassimage size 66cm x 48cm, overall size 92cm x 72cm Handwritten label versoExhibition label verso: Peter McLaren: New Paintings March 1988, Compass Gallery, Glasgow Note: Born in 1964, McLaren was the star graduate of Edinburgh College of Art in 1986. While there he won the John Kinross Scholarship, from the Royal Scottish Academy, which allowed him to study in Florence and the Richard Ford Award, from the Royal Academy in London, to study the works in the Prado, Madrid. As a student, he travelled by bicycle to see collections in places such as Amsterdam, Arnhem, Paris and London. His Degree show caused a sensation, featuring oil paintings of figures on racing bikes painted in "action mode" in a technique approaching performance. He followed with images of gilded youth in fast cars and then overscale still lives and transpositions of parts of Velasquez Las Meninas before moving to Orkney and tackling the dramatic seas and coastline with the same originality and attack. He has exhibited with the likes of Bellany, Lupertz and Baselitz. McLaren has also won numerous other prizes and important awards including the 1988 British Airways Most Promising Artist Award Travelling Scholarship (£10,000). He is a regular contributor to The Royal Scottish Academy, The Royal Glasgow Institute of Fine Arts and The Royal Scottish Society of Painters in Watercolour. He has had solo exhibitions in Glasgow, Edinburgh (including The Scottish Gallery), London (including Portland Gallery and Thompson's Gallery), Belgium and Chicago and has taken part in many group exhibitions.
* PETER THOMSON RGI RSW (SCOTTISH b. 1962), ABSINTHE oil on panel, signed, titled labels versoframed and under glass image size 22cm x 22cm, overall size 39cm x 39cm Handwritten artist's label versoLabel verso: Compass Gallery, Glasgow.Note: Peter Thomson graduated from Glasgow School of Art in 1984 with a degree in Drawing and Painting. Inspired by Edward Hopper, Thomson has a surreal take on everyday scenarios and uses thick layered oil paint in his paintings to provide a blurred and feathered glimpse into his imagination. His latest body of work focuses on what Thomson calls "contemporary observations" and pays an homage to a series of his most admired artists. He has participated in numerous solo and group exhibitions throughout the UK, Europe and the USA. Thomson was elected as a member of the Royal Glasgow Institute of the Fine Arts (RGI) in 2015 and the Royal Scottish Society of Painters in Watercolour (RSW) in 2016. His work can be found in many national collections such as the Gallery of Modern Art Glasgow, Scottish Arts Council and the Fleming Collection, London.
* CARLO ROSSI RSW RGI (SCOTTISH 1921 - 2010), SAN GIORGIO MAGGIORE, VENICE oil on board, signed, titled versoframed and under glass image size 14cm x 35cm, overall size 26cm x 46cm Label verso: The Open Eye Gallery, Edinburgh.Note: Painter and teacher, born in Johnstone, Renfrewshire. He studied at Glasgow School of Art and in Italy, which remained an inspiration to his work, and went on to teach for some years. Rossi appeared in many mixed shows: at Compass Gallery, Glasgow; Glasgow Group; Fine Art Society in Glasgow; and RSW and Royal Glasgow Institute of the Fine Arts, of both of which he was a member. He had many one-man shows, including Compass Gallery, Strathclyde University and more recently at Open Eye Gallery, in Edinburgh. Rossi was a painter, often in mixed media, whose works – especially the still lifes – were coolly ordered and elegant.
* LESLEY BANKS (SCOTTISH b. 1962), THE FAMILY oil on canvas, signed, titled label versoframed and under glassimage size 102cm x 107cm, overall size 120cm x 125cmExhibition label verso: Five Girls from Glasgow, Compass Gallery, Glasgow (1990).Comment: An important work by Lesley Banks and in the writer's opinion, of Public Collection calibre. Three other works (Closed Curtains, 39th Week Counting And Leaving) from the 1990 - 1993 stage of her career are held in Scottish Public collections at Lillie Art Gallery, Kelvingrove and Glasgow Museums & Galleries).Note: Painter and teacher, born in Oxford, who studied at Glasgow School of Art, 1980–4, gaining an honours degree in drawing and painting. In 1985–6 she won an Elizabeth Greenshields Foundation, allowing European travel, with several months in Amsterdam. After a period working at Compass Gallery, Glasgow, 1987–9, she left to paint full-time, in 1990 being visiting artist on the Castle Toward, Strathclyde Education, art course. Further awards included Royal Glasgow Institute of the Fine Arts David Cargill Award in 1990; and in 1991 the Scottish Artist Prize at Royal Over-Seas League Open and the Scottish Amicable Award at the Royal Glasgow Institute. Banks took part in many group shows from 1984, where she appeared in New Generation Artists at Compass; also Paisley Drawing Competition, Paisley Museum, from 1989; Jobson’s Choice, Jill George Gallery, 1992; and Royal Over-Seas League Open, 1995. Was in 1999 artist-in-residence, with a solo show, at Edinburgh Zoo; solo exhibition at Cyril Gerber Fine Art, Glasgow, 2001. Banks’ work blended realistic and Surrealist elements. Aberdeen Art Gallery, Lillie Art Gallery in Milngavie, BBC Scotland and Motherwell District Libraries hold examples.
* CARLO ROSSI RSW RGI (SCOTTISH 1921 - 2010), STILL LIFE monotype (unique) on board, signed, titled label versomounted, framed and under glassimage size 25cm x 37cm, overall size 46cm x 58cmExhibition label verso: One Man Exhibition, October 1972, Compass Gallery, Glasgow.Note: Painter and teacher, born in Johnstone, Renfrewshire. He studied at Glasgow School of Art and in Italy, which remained an inspiration to his work, and went on to teach for some years. Rossi appeared in many mixed shows: at Compass Gallery, Glasgow; Glasgow Group; Fine Art Society in Glasgow; and RSW and Royal Glasgow Institute of the Fine Arts, of both of which he was a member. He had many one-man shows, including Compass Gallery, Strathclyde University and more recently at Open Eye Gallery, in Edinburgh. Rossi was a painter, often in mixed media, whose works – especially the still lifes – were coolly ordered and elegant.
* Masonic Jug. A Sunderland lustre 'Mason's Arm's' pottery jug, circa 1820, the front printed and decorated with masonic insignia and titled 'Mason's Arm's', one side with sailors, union flags and the rhyme 'Thus smiling at peril at sea or shore we box the old compass right cheerly[sic]: toss the grog, boys about - & ... one or two, then we all drink to the girls we more love dearly', the opposite side with man and woman, ships at sea and the rhyme 'my bonny sailor's won my mind my heart is now with him at sea I hope the sumer's[sic] western breeze will bring him safely back home all on a white ground with the traditional pink lustre decoration, old chips to the lip of the spout, 24 cm high QTY: (1)NOTE:Provenance: Constance Stobo, London, 1983.
* Masonic Glass. A Masonic glass "gamblers" beaker, 19th century, of dodecagon tapered form engraved with masonic emblems, the base encapsulating three dice, 8 cm high, together with a Masonic firing glass, 19th century, heavy squat form, engraved with compass and initials W M 1599, dated 1877, heavy base, 9 cm high QTY: (2)
* Masonic Glass. A large Masonic glass goblet, late 19th century, engraved with a masonic compass and other emblems including sun and moon, a seated king, a chessboard and other decoration, raised on a short plain stem and large circular foot, 17 cm high, together with two similarly engraved rummers, 16 cm and 15.5 cm highQTY: (3)
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