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A Lalique "Montmarency" (Cherry) pattern opalescent glass vase of trumpet form (large vertical cracks), 20 cm diameter, together with a small modern Lalique wrythen glass scent bottle with dove stopper, 8.5 cm high CONDITION REPORTS The vase literally is broken in half and cello taped back together. There is a chip to one cherry on the break line. The sent bottle there is a chip to the wing of the dove. Otherwise general wear and tear to include surface scratches, water stains etc conducive to age and use. See images for more details.

HEAVY WEIGHT 9CT GOLD CHARM BRACELET, very nice quality charm bracelet weighing approx. 84.1grms, charms including pumpkin carriage, hat, cello, poodle, horse, anchor etc. etc.

Classical - 17 cello concerto / sonata albums including Janos Straker (33CX blue gold Columbia) Jacqueline du Pré and Mstislaw Rostropovich

Stentor Music 7/8 size cello by Andreas Zeller, approximate length of back 76cm  

A cello,probably French, early 20th Century, of caramel colour, the two piece back of medium curl measuring approximately 760mm, together with a bow stamped 'Vuillaume a Paris', 715mm long, complete in fitted caseIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: E95YGZ5F.Condition ReportSurface scratches and knocks, commensurate with use. Please see the additional images.No label.

A cello,probably French 19th Century, of caramel colour, the lightly figured two piece back measuring 763mm, in soft bag, together with a 1/4 size cello of modern Chinese or Eastern European manufacture, in a soft bag and a Stentor 'Student 1' 3/4 size violin, in a fitted hard case with a modern bow (3)Condition ReportCello - surface scratches, knocks and some splits, old repair ot neck and peg box, and it sounds as if the sound post is loose1/4 cello, surface scratches, knocks a chip to edge of ipper boutViolin - overall good condition, stickers applied to fingerboard

A cello, with canvas carry bag (2)

A vintage plush-lined cello case

A very ornate ceramic lamp base in the form of a cello with cherubs h100cm, shipping unavailable

Caitlin Flood-Molyneux Still Life, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Caitlin Flood-Molyneux is a contemporary Welsh Artist based in South Wales. Their artistic practice investigates the relationship between pop culture imagery and the way in which we attach emotion and memory to images and use this to narrate their subjective experiences of hardship. Developing from the visual styles of DADA and early Pop Art, the combination of found imagery alongside abstract painterly forms allows them to develop their own visual language. Their use of historical imagery is important, as it embodies the memories which the artist seeks to portray. Their work is both deeply personal and universal, as it charts key moments of their life; a private and enigmatic visual story with which Flood-Molyneux invites the viewer to forge their own connection. Education Caitlin Flood-Molyneux holds a Bachelor's of Fine Arts Degree from Cardiff Metropolitan University (also one year from Bergen Academy of Art and Design). The artist also holds a Master's Degree in Fine Art from Cardiff Metropolitan University. Select Exhibitions/Awards Emergence Exhibition Winner, The Factory London "Highly Commended Artists" for the Cosimo Art Competition Exhibitions "Suspended In Time", Solo Show - Fitzrovia Gallery, London, 2023 "The Other Art Fair by Saatchi Art", Kings Cross, London, 2022. "Works on Paper 4", Blue Shop Cottage, London, 2022. "Without Borders", AMC Art & Mind Centre, Nagoya, Japan, 2022. "A Woman's Place", The Cello Factory, London, 2022 "Key of Dreams", Van Der Plas Gallery, New York, USA. 2022. "Your Voice", Wales Millennium Centre, Cardiff, Wales, 2022. Gallery Representation Adorn the Common, Blackwater Gallery, Sota Marketplace Statement about AOAP Submitted Artwork The work is an extension from my work made from my "Suspended In Time" series which is a reflection on the way we relate to our memories, particularly those shaped by trauma, loss, and love.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Caitlin Flood-Molyneux Taurus, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Caitlin Flood-Molyneux is a contemporary Welsh Artist based in South Wales. Their artistic practice investigates the relationship between pop culture imagery and the way in which we attach emotion and memory to images and use this to narrate their subjective experiences of hardship. Developing from the visual styles of DADA and early Pop Art, the combination of found imagery alongside abstract painterly forms allows them to develop their own visual language. Their use of historical imagery is important, as it embodies the memories which the artist seeks to portray. Their work is both deeply personal and universal, as it charts key moments of their life; a private and enigmatic visual story with which Flood-Molyneux invites the viewer to forge their own connection. Education Caitlin Flood-Molyneux holds a Bachelor's of Fine Arts Degree from Cardiff Metropolitan University (also one year from Bergen Academy of Art and Design). The artist also holds a Master's Degree in Fine Art from Cardiff Metropolitan University. Select Exhibitions/Awards Emergence Exhibition Winner, The Factory London "Highly Commended Artists" for the Cosimo Art Competition Exhibitions "Suspended In Time", Solo Show - Fitzrovia Gallery, London, 2023 "The Other Art Fair by Saatchi Art", Kings Cross, London, 2022. "Works on Paper 4", Blue Shop Cottage, London, 2022. "Without Borders", AMC Art & Mind Centre, Nagoya, Japan, 2022. "A Woman's Place", The Cello Factory, London, 2022 "Key of Dreams", Van Der Plas Gallery, New York, USA. 2022. "Your Voice", Wales Millennium Centre, Cardiff, Wales, 2022. Gallery Representation Adorn the Common, Blackwater Gallery, Sota Marketplace Statement about AOAP Submitted Artwork The work is an extension from my work made from my "Suspended In Time" series which is a reflection on the way we relate to our memories, particularly those shaped by trauma, loss, and love.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Caitlin Flood-Molyneux Still Life Close Up, 2023 Ink on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Caitlin Flood-Molyneux is a contemporary Welsh Artist based in South Wales. Their artistic practice investigates the relationship between pop culture imagery and the way in which we attach emotion and memory to images and use this to narrate their subjective experiences of hardship. Developing from the visual styles of DADA and early Pop Art, the combination of found imagery alongside abstract painterly forms allows them to develop their own visual language. Their use of historical imagery is important, as it embodies the memories which the artist seeks to portray. Their work is both deeply personal and universal, as it charts key moments of their life; a private and enigmatic visual story with which Flood-Molyneux invites the viewer to forge their own connection. Education Caitlin Flood-Molyneux holds a Bachelor's of Fine Arts Degree from Cardiff Metropolitan University (also one year from Bergen Academy of Art and Design). The artist also holds a Master's Degree in Fine Art from Cardiff Metropolitan University. Select Exhibitions/Awards Emergence Exhibition Winner, The Factory London "Highly Commended Artists" for the Cosimo Art Competition Exhibitions "Suspended In Time", Solo Show - Fitzrovia Gallery, London, 2023 "The Other Art Fair by Saatchi Art", Kings Cross, London, 2022. "Works on Paper 4", Blue Shop Cottage, London, 2022. "Without Borders", AMC Art & Mind Centre, Nagoya, Japan, 2022. "A Woman's Place", The Cello Factory, London, 2022 "Key of Dreams", Van Der Plas Gallery, New York, USA. 2022. "Your Voice", Wales Millennium Centre, Cardiff, Wales, 2022. Gallery Representation Adorn the Common, Blackwater Gallery, Sota Marketplace Statement about AOAP Submitted Artwork The work is an extension from my work made from my "Suspended In Time" series which is a reflection on the way we relate to our memories, particularly those shaped by trauma, loss, and love.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Joanna Whittle Don't think I'm here, 2023 Ink and manganese dioxide on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Joanna Whittle is a member of the Contemporary British Painting Society, winning the prize in 2019 and selecting for it in 2021. She has undertaken numerous solo projects and has shown extensively in group exhibitions. In 2020 she was awarded Arts Council funding for her project Between Islands at the Portland Collection on the Welbeck Estate, Nottinghamshire, exploring the construction of narratives through artefact creation and display and has been awarded an Arts Council England Project Grant for her current research project with the National Fairground and Circus Archive at Sheffield University which will culminate in a solo exhibition in 2023. In 2022 she exhibited a new collection of work at Millennium Gallery, Sheffield as part of Festival of the Mind, through collaboration with archaeologist Dr Elizabeth Craig-Atkins, exploring themes of mourning in the landscape and material culture. She has worked on numerous solo projects, showing most recently at the Whitaker Museum in 2022. She is a founding member of the Heavy Water Collective who engage with archives and collections in the production of new archival material, most recently working with Cardiff University Special Collections, Sheffield General Cemetery and the Special Collections at Leeds University. The collective is currently showing work in PostNatures at Graves Gallery, Sheffield. Recent group exhibitions include Entwined, Huddersfield Art Gallery & 20-21 Artspace, 2022/23; Heavy Water, Site Gallery, 2021, Arcadia For All? Stanley & Audrey Burton Gallery, Leeds University (currently) and will be showing in X, Contemporary British Painting at Newcastle Contemporary Art in 2023. Education BA (hons) Fine Art (Painting) at Central St Martins & MA Fine Art (Painting) at Royal College of Art Select Exhibitions/Awards AWARDS Winner of Contemporary British Painting Prize in 2019, Winner of New Light Valeria Sykes Award in 2021 RECENT SOLO EXHIBITIONS On Shifting Ground, solo exhibition at the Whitaker Museum, Lancashire, 2022 Material Mourning, Millennium Gallery, Sheffield part of Festival of the mind, Sheffield. A body of work produced following a period of research with archaeologist Lizzy Craig-Atkins (University of Sheffield) and Dr Jane Wildgoose (founder of the Jane Wildgoose Memorial Museum) SELECTED GROUP SHOWS (current and recent only) 2023 CURRENT Arcadia for All? Rethinking Landscape Painting Now, Stanley and Audrey Burton Gallery, University of Leeds Charlie Smith London at Gramercy Park studios PostNatures, Heavy water Collective, Graves Art Gallery, Sheffield Entwined, Plants in Contemporary Painting, 2021 Visual Arts Centre, Scunthorpe 2022 The Tyranny of Ambition , Highlanes Public Gallery, Drogheda, Ireland Entwined, Plants in Painting, Huddersfield Art Gallery Paint Edgy, Contemporary British Painting, Barton upon Humber The Fool, Air Space Gallery, Stoke-on-Trent Volta Basel, Charlie Smith Gallery, Basel New Light Retrospective, Saul Hay Gallery, Manchester Paradoxes Contemporary British Painting Society, Quay Arts, Newport, Isle of Wight Aggregate, Freelands Foundation, London 2021 New Light Prize Exhibition, Tullie House Museum, Carlisle Silent Disco, Curated by Graham Crowley, Greystone Industries, Suffolk Heavy Water, Site Gallery (Freelands Artist Programme Residency), Sheffield New Light Prize Exhibition, The Biscuit Factory Gallery, Newcastle The Lockdown Interviews Exhibition, ArtTopTen, Cello Factory, London Statement about AOAP Submitted Artwork The two drawings are part of an ongoing series of drawings started in 2020 when working on a project on the Welbeck estate in Nottinghamshire. They are made with Indian ink and Manganese oxide. They speak of mythologies and magic hidden in the landscape and the structures we build in it.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Caitlin Flood-Molyneux Mania, 2023 Mixed media on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Caitlin Flood-Molyneux is a contemporary Welsh Artist based in South Wales. Their artistic practice investigates the relationship between pop culture imagery and the way in which we attach emotion and memory to images and use this to narrate their subjective experiences of hardship. Developing from the visual styles of DADA and early Pop Art, the combination of found imagery alongside abstract painterly forms allows them to develop their own visual language. Their use of historical imagery is important, as it embodies the memories which the artist seeks to portray. Their work is both deeply personal and universal, as it charts key moments of their life; a private and enigmatic visual story with which Flood-Molyneux invites the viewer to forge their own connection. Education Caitlin Flood-Molyneux holds a Bachelor's of Fine Arts Degree from Cardiff Metropolitan University (also one year from Bergen Academy of Art and Design). The artist also holds a Master's Degree in Fine Art from Cardiff Metropolitan University. Select Exhibitions/Awards Emergence Exhibition Winner, The Factory London "Highly Commended Artists" for the Cosimo Art Competition Exhibitions "Suspended In Time", Solo Show - Fitzrovia Gallery, London, 2023 "The Other Art Fair by Saatchi Art", Kings Cross, London, 2022. "Works on Paper 4", Blue Shop Cottage, London, 2022. "Without Borders", AMC Art & Mind Centre, Nagoya, Japan, 2022. "A Woman's Place", The Cello Factory, London, 2022 "Key of Dreams", Van Der Plas Gallery, New York, USA. 2022. "Your Voice", Wales Millennium Centre, Cardiff, Wales, 2022. Gallery Representation Adorn the Common, Blackwater Gallery, Sota Marketplace Statement about AOAP Submitted Artwork The work is an extension from my work made from my "Suspended In Time" series which is a reflection on the way we relate to our memories, particularly those shaped by trauma, loss, and love.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Helen Brough Red Room With a View (After Matisse), 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Widely exhibited, Helen Brough has been working as a committed artist for over thirty years and holds her BA Honours and MA Sculpture from Chelsea School of Art, London. In addition to the Prix de Rome (1991) and the Prince Charles Travel Scholarship, the artist is the recipient of funding from the Pollock Krasner Foundation (1992), the Soros Foundation, the Triangle Arts Association (2004), QEST (Queen Elizabeth Scholarship Trust) 2019 and an Art Council Grant UK in 2020. Helen's work is found in numerous private and corporate collections and museums worldwide including the Cantor Fitzgerald Collection, New York, the William LouisDreyfus Collection Foundation, New York, The Joslyn Art Museum, Omaha, The Bemis Center for Contemporary Art, Omaha, Two Trees, DUMBO, Brooklyn, The National Art Museum, Budapest, Hungary and in London, The Ashurst Collection. Education BA and MA Chelsea School Of Art London Select Exhibitions/Awards Solo Exhibitions Include 2021 Bluebell wood Avivson Gallery Highgate London, 2020 Virtual exhibition with Aleph Contemporary,2019 Lightscapes, Nordic Art Agency, 2017 Dahlia Cuore commissioned by British land, 2015 Mayson Gallery, New York. Awards and Residencies 2020 Arts Council Grant London UK 2019 QEST Award (Queen Elizabeth Scholarship Award) London UK 2018 Finalist for 1% Nebraska Art Commission Buffett Center Omaha NE USA 2004 Triangle Workshop Brooklyn NY USA 2004 Triangle Artist Residency Brooklyn NY Group Exhibitions 2022 Michael Goedhuis Gallery " Chinese Ink" London UK 2022 Aleph Contemporary at The In & Out Club London UK 2021 Aleph Contemporary at the Cello Factory London UK 2021 Artist Support Pledge Hastings Contemporary London UK 2021 Crouch End Open Studios London UK 2021 Artists Walk Alexander Palace London UK Gallery Representation Aleph Contemporary, London; Michael Goedhuis Gallery, London, Art movement, London. Statement about AOAP Submitted Artwork These 4 pieces are very inspired by Matisse and Klimt. They are off shoots of some of the larger works I am presently working on.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Helen Brough Birch Forest with Path, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Widely exhibited, Helen Brough has been working as a committed artist for over thirty years and holds her BA Honours and MA Sculpture from Chelsea School of Art, London. In addition to the Prix de Rome (1991) and the Prince Charles Travel Scholarship, the artist is the recipient of funding from the Pollock Krasner Foundation (1992), the Soros Foundation, the Triangle Arts Association (2004), QEST (Queen Elizabeth Scholarship Trust) 2019 and an Art Council Grant UK in 2020. Helen's work is found in numerous private and corporate collections and museums worldwide including the Cantor Fitzgerald Collection, New York, the William LouisDreyfus Collection Foundation, New York, The Joslyn Art Museum, Omaha, The Bemis Center for Contemporary Art, Omaha, Two Trees, DUMBO, Brooklyn, The National Art Museum, Budapest, Hungary and in London, The Ashurst Collection. Education BA and MA Chelsea School Of Art London Select Exhibitions/Awards Solo Exhibitions Include 2021 Bluebell wood Avivson Gallery Highgate London, 2020 Virtual exhibition with Aleph Contemporary,2019 Lightscapes, Nordic Art Agency, 2017 Dahlia Cuore commissioned by British land, 2015 Mayson Gallery, New York. Awards and Residencies 2020 Arts Council Grant London UK 2019 QEST Award (Queen Elizabeth Scholarship Award) London UK 2018 Finalist for 1% Nebraska Art Commission Buffett Center Omaha NE USA 2004 Triangle Workshop Brooklyn NY USA 2004 Triangle Artist Residency Brooklyn NY Group Exhibitions 2022 Michael Goedhuis Gallery " Chinese Ink" London UK 2022 Aleph Contemporary at The In & Out Club London UK 2021 Aleph Contemporary at the Cello Factory London UK 2021 Artist Support Pledge Hastings Contemporary London UK 2021 Crouch End Open Studios London UK 2021 Artists Walk Alexander Palace London UK Gallery Representation Aleph Contemporary, London; Michael Goedhuis Gallery, London, Art movement, London. Statement about AOAP Submitted Artwork These 4 pieces are very inspired by Matisse and Klimt. They are off shoots of some of the larger works I am presently working on.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Joanna Whittle Barbican St Laurence Drogheda, 2023 Ink and manganese dioxide on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Joanna Whittle is a member of the Contemporary British Painting Society, winning the prize in 2019 and selecting for it in 2021. She has undertaken numerous solo projects and has shown extensively in group exhibitions. In 2020 she was awarded Arts Council funding for her project Between Islands at the Portland Collection on the Welbeck Estate, Nottinghamshire, exploring the construction of narratives through artefact creation and display and has been awarded an Arts Council England Project Grant for her current research project with the National Fairground and Circus Archive at Sheffield University which will culminate in a solo exhibition in 2023. In 2022 she exhibited a new collection of work at Millennium Gallery, Sheffield as part of Festival of the Mind, through collaboration with archaeologist Dr Elizabeth Craig-Atkins, exploring themes of mourning in the landscape and material culture. She has worked on numerous solo projects, showing most recently at the Whitaker Museum in 2022. She is a founding member of the Heavy Water Collective who engage with archives and collections in the production of new archival material, most recently working with Cardiff University Special Collections, Sheffield General Cemetery and the Special Collections at Leeds University. The collective is currently showing work in PostNatures at Graves Gallery, Sheffield. Recent group exhibitions include Entwined, Huddersfield Art Gallery & 20-21 Artspace, 2022/23; Heavy Water, Site Gallery, 2021, Arcadia For All? Stanley & Audrey Burton Gallery, Leeds University (currently) and will be showing in X, Contemporary British Painting at Newcastle Contemporary Art in 2023. Education BA (hons) Fine Art (Painting) at Central St Martins & MA Fine Art (Painting) at Royal College of Art Select Exhibitions/Awards AWARDS Winner of Contemporary British Painting Prize in 2019, Winner of New Light Valeria Sykes Award in 2021 RECENT SOLO EXHIBITIONS On Shifting Ground, solo exhibition at the Whitaker Museum, Lancashire, 2022 Material Mourning, Millennium Gallery, Sheffield part of Festival of the mind, Sheffield. A body of work produced following a period of research with archaeologist Lizzy Craig-Atkins (University of Sheffield) and Dr Jane Wildgoose (founder of the Jane Wildgoose Memorial Museum) SELECTED GROUP SHOWS (current and recent only) 2023 CURRENT Arcadia for All? Rethinking Landscape Painting Now, Stanley and Audrey Burton Gallery, University of Leeds Charlie Smith London at Gramercy Park studios PostNatures, Heavy water Collective, Graves Art Gallery, Sheffield Entwined, Plants in Contemporary Painting, 2021 Visual Arts Centre, Scunthorpe 2022 The Tyranny of Ambition , Highlanes Public Gallery, Drogheda, Ireland Entwined, Plants in Painting, Huddersfield Art Gallery Paint Edgy, Contemporary British Painting, Barton upon Humber The Fool, Air Space Gallery, Stoke-on-Trent Volta Basel, Charlie Smith Gallery, Basel New Light Retrospective, Saul Hay Gallery, Manchester Paradoxes Contemporary British Painting Society, Quay Arts, Newport, Isle of Wight Aggregate, Freelands Foundation, London 2021 New Light Prize Exhibition, Tullie House Museum, Carlisle Silent Disco, Curated by Graham Crowley, Greystone Industries, Suffolk Heavy Water, Site Gallery (Freelands Artist Programme Residency), Sheffield New Light Prize Exhibition, The Biscuit Factory Gallery, Newcastle The Lockdown Interviews Exhibition, ArtTopTen, Cello Factory, London Statement about AOAP Submitted Artwork The two drawings are part of an ongoing series of drawings started in 2020 when working on a project on the Welbeck estate in Nottinghamshire. They are made with Indian ink and Manganese oxide. They speak of mythologies and magic hidden in the landscape and the structures we build in it.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Helen Brough Red Room With a View (After Matisse) 2, 2023 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Widely exhibited, Helen Brough has been working as a committed artist for over thirty years and holds her BA Honours and MA Sculpture from Chelsea School of Art, London. In addition to the Prix de Rome (1991) and the Prince Charles Travel Scholarship, the artist is the recipient of funding from the Pollock Krasner Foundation (1992), the Soros Foundation, the Triangle Arts Association (2004), QEST (Queen Elizabeth Scholarship Trust) 2019 and an Art Council Grant UK in 2020. Helen's work is found in numerous private and corporate collections and museums worldwide including the Cantor Fitzgerald Collection, New York, the William LouisDreyfus Collection Foundation, New York, The Joslyn Art Museum, Omaha, The Bemis Center for Contemporary Art, Omaha, Two Trees, DUMBO, Brooklyn, The National Art Museum, Budapest, Hungary and in London, The Ashurst Collection. Education BA and MA Chelsea School Of Art London Select Exhibitions/Awards Solo Exhibitions Include 2021 Bluebell wood Avivson Gallery Highgate London, 2020 Virtual exhibition with Aleph Contemporary,2019 Lightscapes, Nordic Art Agency, 2017 Dahlia Cuore commissioned by British land, 2015 Mayson Gallery, New York. Awards and Residencies 2020 Arts Council Grant London UK 2019 QEST Award (Queen Elizabeth Scholarship Award) London UK 2018 Finalist for 1% Nebraska Art Commission Buffett Center Omaha NE USA 2004 Triangle Workshop Brooklyn NY USA 2004 Triangle Artist Residency Brooklyn NY Group Exhibitions 2022 Michael Goedhuis Gallery " Chinese Ink" London UK 2022 Aleph Contemporary at The In & Out Club London UK 2021 Aleph Contemporary at the Cello Factory London UK 2021 Artist Support Pledge Hastings Contemporary London UK 2021 Crouch End Open Studios London UK 2021 Artists Walk Alexander Palace London UK Gallery Representation Aleph Contemporary, London; Michael Goedhuis Gallery, London, Art movement, London. Statement about AOAP Submitted Artwork These 4 pieces are very inspired by Matisse and Klimt. They are off shoots of some of the larger works I am presently working on.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Lucia Jones Lost Myself in Neon Leaves, 2023 Acrylic and gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucia Jones is a painter based in Wales. Since graduating from Falmouth University in 2014, she has exhibited throughout the UK in solo and group exhibitions including BEEP Painting Prize 2018. Her work is held in private collections in the UK, USA, Austria and Hong Kong. Lucia's work explores the depiction of self and memory through the constructs of paint and film. Her most recent paintings primarily utilise cinematic source imagery from obscure 50s and 60s b-movies as a means to address the intangible nature of memory and the shifting impressions of lived moments. Impersonal and personal all at once, they allude to fragmented space whilst conjuring an internalised or other world; slivers of the imagined and real sit on the surface of the canvas serving as artefacts of the seen and the experienced. Education 2016-17 Porthmeor Programme, Developing Practice, St Ives School of Painting 2011-14 Fine Art BA (Hons), First Class, Falmouth University 2010-11 Foundation Diploma in Art and Design, Distinction, University of Glamorgan Select Exhibitions/Awards 2023 - Solo exhibition, Irving Contemporary, Oxford 2023 A world of her own, Joint exhibition with Natasha Morely, Elysium Gallery, Swansea 2022 Unity: British & Ukrainian Art, The Art Unit, Koppel Projects Space Piccadilly, London Painting Made Recently in Wales, Lle Projects, Bay Art, Cardiff A Room of her Own, Irving Contemporary, Oxford A Woman's Place is Everywhere, The Cello Factory, London 2021 Incandescent, Irving Contemporary, Oxford Without Borders, Elysium Gallery, Swansea   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Helen Brough House by the Shore, 2023 Watercolour and pastel on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Widely exhibited, Helen Brough has been working as a committed artist for over thirty years and holds her BA Honours and MA Sculpture from Chelsea School of Art, London. In addition to the Prix de Rome (1991) and the Prince Charles Travel Scholarship, the artist is the recipient of funding from the Pollock Krasner Foundation (1992), the Soros Foundation, the Triangle Arts Association (2004), QEST (Queen Elizabeth Scholarship Trust) 2019 and an Art Council Grant UK in 2020. Helen's work is found in numerous private and corporate collections and museums worldwide including the Cantor Fitzgerald Collection, New York, the William LouisDreyfus Collection Foundation, New York, The Joslyn Art Museum, Omaha, The Bemis Center for Contemporary Art, Omaha, Two Trees, DUMBO, Brooklyn, The National Art Museum, Budapest, Hungary and in London, The Ashurst Collection. Education BA and MA Chelsea School Of Art London Select Exhibitions/Awards Solo Exhibitions Include 2021 Bluebell wood Avivson Gallery Highgate London, 2020 Virtual exhibition with Aleph Contemporary,2019 Lightscapes, Nordic Art Agency, 2017 Dahlia Cuore commissioned by British land, 2015 Mayson Gallery, New York. Awards and Residencies 2020 Arts Council Grant London UK 2019 QEST Award (Queen Elizabeth Scholarship Award) London UK 2018 Finalist for 1% Nebraska Art Commission Buffett Center Omaha NE USA 2004 Triangle Workshop Brooklyn NY USA 2004 Triangle Artist Residency Brooklyn NY Group Exhibitions 2022 Michael Goedhuis Gallery " Chinese Ink" London UK 2022 Aleph Contemporary at The In & Out Club London UK 2021 Aleph Contemporary at the Cello Factory London UK 2021 Artist Support Pledge Hastings Contemporary London UK 2021 Crouch End Open Studios London UK 2021 Artists Walk Alexander Palace London UK Gallery Representation Aleph Contemporary, London; Michael Goedhuis Gallery, London, Art movement, London. Statement about AOAP Submitted Artwork These 4 pieces are very inspired by Matisse and Klimt. They are off shoots of some of the larger works I am presently working on.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

18ct Gold - Superb Quality Diamond and Pearl Set Brooch, In the Form of a Cello - Violin. Marked 18ct - 750. Nr Mint Condition. 2.25 Inches - 5.65 cms High. Weight 10.5 grams. Excellent Piece of Jewellery.

Two stamp albums containing a small quantity of definitive and commemorative stamps, together with a quantity of Brooke Bond tea cards, some in unopened cello packs, cigarette cards, and two hunting prints

† DOUG HYDE (born 1972); cast colour sculpture, 'Small Medium & Large', three children, limited edition 249/295, signed and numbered reverse, height 25cm.Condition Report: No certificate, no box. Light scratches and scuffs, cello tape residue, and light marks to body.

A Whitefriars willow 'Cello' vase, designed by Geoffrey Baxter, pattern 9675, with polished pontil, pattern label to underside, 18 cm high

COLLECTION OF CLASSICAL BOX SETS, SOME STILL SEALED INCLUDING - CASALS - BACH CELLO SUITES RLS 712, WAGNER - REINGOLD - KARAJAN, ORFF - DERMOND, PENDEREKI - PASSIO SECUNDUM LUCAM - PHILIPS 802 771/772 AY - SEALED ETC

CLASSICAL; 7 RECORDS - DIGITALLY MASTERED LPS INCLUDING - OSCAR SHUMSKY - BEETHOVEN VIOLIN CONCERTO IN F - ASV-DCA 614, BRITTEN - CELLO SYMPHONY - STEVEN ISSERLIS EMI DIGITAL - EL 7497161 ETC

Lempicka, Tamara de (nach)Warschau 1898 - 1980 Cuernavaca, Malerin des Art Déco. "Rythm", Kopie des Gemäldes einer Aktgruppe mit Cello, unbez., Acryl/Leinwand, HxB: ca. 85/80 cm. Altersspuren, markantes Craquelée, fleckig.

A 1970's Chinese cello in case with music ephemera and bow. Location:BWRCondition:One peg missing to head

Cello in case 124cm long

A collection of silver and white metal items. To include a hallmarked silver cased cheroot. Case hallmarked for Birmingham, date letter g for 1906. Makers mark W.H for William Harrison. The cheroot hallmarked 9ct gold rim. Hallmarked for Birmingham, date letter h for 1907. A hallmarked silver vesta case with engraved scroll pattern and cartouche inscribed WAB 1896. Hallmarked for Birmingham, date letter b for 1901. Makers mark R.B for Rolason Brothers. A hallmarked silver vesta case with engraved foliage design. Hallmarked for Chester, date letter Q for 1899. Makers mark J.H.W for John Henry Wynn. A plated vesta case in the form of a Cello. A thimble in original hinged, velvet lined presentation case. Stamped PAT 5. A hallmarked silver thimble. Hallmarks illegible. Combined weight approx 88g. Measures approx Cheroot 6cm x 1.5cm / thimble 2cm x 1.5cm.

A modern Stentor cello & bow, (cello 50” high), with case.

Lies Lobatto (1918-2014)Beer met cello, bronzen sculptuur, gesigneerd met initialen L.L en gedateerd '85 linksvoor, h. 41 cm. (incl. boek)

Houten cello, h. 125 cm., met strijkstok, onduidelijk gestempeld, l. 71 cm.

A NAO FIGURAL TABLE LAMP AND A COLLECTION OF NAO FIGURES, comprising a table lamp modelled as a shepherd boy among sheep (missing flute, glue residue to hand), figurines: An Angel's Prayer no 1274, height 30.5cm, Girl With Violin no 1034 (end of violin broken, piece included, glue residue visible in several areas), Girl with Cello no 1035 (visible glue residue to hand holding bow), Too Cute no 1121, Pampered Poodle no 1157, Together Forever, Girl with Mandolin (chipped finger), and a butterfly (9 + bag) (Condition Report: most pieces appear ok, specific obvious damage as stated, lamp untested, would benefit from a clean)

Skulptur und Skulpturengruppe. "Tänzerin mit Cello" bzw. "Galantes Paar". Porzellan. Bunt bemalt. Stempelmarke Vereinigte Thüringische Porzellanindustrie, 20. Jh. H. 23 bzw. 18,5 cm.

A Corgi toys Chipperfield's Circus Crane Truck (1121), original box  The vehicle is in excellent un-played with condition, with no wear or tear.The box is showing some age related wear & tear, including one tab cello taped back on and rubbing to all edges

Swarovski Brooch, flower bouquet, ladybird, two dragonflies, cello on stand.

Vinyl - Classical - HMV Great Recordings Of The Century COLH 16 /17 / 18 Bach Cello Suites 1-6 / Pablo Casals. Outer sleeves all at least Vg with some storage wear, vinyl on 16 is Ex, on 17 is Vg++ and on 18 has a few scuffs and scratches and would benefit from a clean.

2 Vasen mit FigurendarstellungErnst Wahliss. Stempelmarke, um 1910. 1x signiert "Böhmer". Polychrom bemalt, goldstaffiert. H 24 cm. Ovoide Vasen mit dunkelgrünem Fond, 1x mit der Darstellung einer antikisch gekleideten jungen, ein Cello spielenden Frau und 1x mit der Darstellung eines jungen, historisierend gekleideten Mannes mit Armbrust 1x Goldrand etwas berieben. 2 vases with figure representationErnst Wahliss. stamped mark, circa 1910. 1x signed "Böhmer". Polychrome painted, gold decorated. H 24 cm. Ovoid vases with dark green background, 1x depicting an antique dressed young woman playing a cello and 1x depicting a young man dressed historically with a crossbow 1x gold rim somewhat rubbed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRANK OWEN SALISBURY RP (1874-1962). Portrait of Miss Beatrice Hampson playing a cello, signed and dated 1944, oil on canvas, 56½x 40in. Exhibited : Society of Portrait Painters; Russell Cotes Museum and Art Gallery, BournemouthOne of the exhibition labels on the reverse of the painting somewhat enigmatically titled Pietro & Beatrice. 'Pietro' being a reference to Beatrice's cello which was made by Pietro Guarneri (Pietro da Venezia, 1695-1762) Beatrice Harrison was an English Cellist, and sister of the violinist May Harrison. A Life-long friend of the composer Frederick Delius, many of whose works for the instrument were written for her.Beatrice studied at the High School of Music, Berlin, under Hugo Becker.In 1910 she won the Mendelssohn award. Later she became Edward Elgar's preferred soloist for his Cello Concerto , which she recorded twice with Elgar in 1919 and 1928.In 1921 she gave the first festival performance of Edward Elgar's Cello Concerto outside London at the Three Choirs Festival in Hereford. In 1924 Beatrice was the subject of the first ever BBC live outside broadcast when she played the cello in her Surrey Garden , seemingly performing with an accompaniment of nightingales. In 1944 (the year in which this portrait was painted) Beatrice is said to have played a particularly memorable solo in a concert during Sir Henry Wood's final season in London.

After Raoul Dufy (French, 1877-1953), Red Cello Quintet, print, numbered out of 300 in pencil, H.37cm W.57cm

A French manivelle musical cat automaton late 19th century, with two rabbit fur covered carton cats with glass eyes and whiskers, one cat plays the cello and moves his head, the other is standing on a table conducting, wearing glasses and open mouth makes an occasional meow, on square velvet covered base with green pattern paper to sides —17 1/2in. (44.5cm.) high (a little worn and dusty, fur loss to cellist’s forehead)

Guinness'-(3) posters depicting man painting gun turret-Army with gun ready for firing-man playing Cello! Energetically'-2 by Gilroy-1 by Bateman-all three posters are torn around edges

A 3/4 size cello,probably French circa 1880, of caramel colour, the two piece back of medium curl measuring 750mm, complete in soft bag, together with a 1/2 size cello, in soft bagCondition Report3/4 - Multiple repairs to the instrument, with cracks and splits glued together and loosening to the neck joint, please see images1/2 - Surface scratches and knocks, old repair to neck joint

A VINTAGE AND SLIGHTLY DISTRESSED CELLO with 'Leslie Sheppard' paper label to interior and 5309 on separate label, two piece back, in a wooden case and bow Condition crack to top, finish loose to edges

Vintage wooden T square, eleven bamboo poles, a cello frame section and a victorian oak curtain pole

* Heaney (Seamus, 1939-2013). Autograph Letter Signed, 'Seamus', Glanmore, Ashford, Co. Wicklow, 5 January 2004, to Rosemary [Goad] on personal stationery, wishing her good wishes for 2004, 'I should have written in 2003: just before Christmas I read Death in Holy Orders [by P.D. James] and wanted to shout an extra hurrah when I saw the book was dedicated to you. (I'm always behind with the books I should read - had been apprised of Dalgleish's Beowulf read at bedtime, but didn't want to page-hop to the Heaney reference). Anyhow, the book is indeed the "distinguished thing." Phyllis must be proud of it - such a page-turner but also so solidly peopled, and so subtly also. Great gumption and glue in the writing, and a bedrock sense of human nature... I am likely now to start doing a Yeats and making a habit of thrillers and detective stories. No westerns, though.... ', some toning to margins, 2 pages, 8vo, together with 2 further Autograph Letters Signed, 'Seamus', Dublin, 5 April 1995 & 13 April 1999, the first to Charles [Monteith] thanking him for his encouraging words about the Wilde piece, 'I was immensely flattered to be asked to do the address - and afflicted by a definite anxiety about how to go about it. Anyhow, the occasion was so heady that I almost forgot my own worries... ', 2 pp., the second to Rosemary [Goad], 'The reveries over childhood and youth make Reveries over Childhood and Youth the perfect cello music for this evening - even though I do refuse to believe that arithmetic dictates the age. A rousing present. Only you could get to the deep heart's love so lightly', 1 page, some marginal creasing and a few short splits not affecting text, both folio, plus a photograph of Enid Faber with Charles Monteith, Seamus and Marie Heaney, 15 x 20 cmQTY: (4)NOTE:Provenance: from the library of Rosemary Goad, the first female director of Faber and Faber.

GRUMIAUX/ROSTROPOVICH/RICHTER - PHILIPS LP BOX SET RARITIES. Excellent selection of 2 x original UK recording LP box sets released by Philips. Performances are Arthur Grumiaux / Egida Giordani Sartori - Bach Six Sonatas For Violin And Clavier (original stereo edition SAL 3487-8 -superlative clean Ex+ or archive condition records/complete with booklet/Ex condition outer box with a little edgewear) and Mstislav Rostropovich / Sviatoslav Richter - Beethoven Complete Sonatas For Piano And Cello (original mono edition AL 3453-4 - superb clean Ex+ or archive condition records/complete with booklet/Ex some minor foxing to the outer box).

LARGE LP / LP BOX SET COLLECTION. A large collection of 1000+ classical LPs / LP box sets. Titles/ Performers/ Composers include Sir Adrian Boult - Rachmaninov (SXL2034 - Rossini Argo 'oval' label), Eugene Ormandy - Shostakovitch (SBRG72081), Enigma Variations - Cello Concerto (CBS76529), Colin Davis - Berlioz - Harold In Italy (ASD537), Leonard Pennario - Heifetz Platigorsky Concerts (SB-6661) and Tchaikovsky - Serenade For Strings (ASD646). Please see pictures for list. The condition is generally VG+ to Ex+ with many records grading at least Ex.

CLASSICAL - UK OG STEREO - LP RARITIES PACK. A pack of 9 x (almost entirely) UK OG stereo LPs. Composers/ Performers/ Titles are Rafael Kubelik - Bartok Concerto For Orchestra (ASD312, cream/gold, Ex+/VG), Herbert Menges - Beethoven (ASD294, cream/gold, Ex+/VG), Andre Vandernoot - Gyorgy Cziffra (ASD301, cream/gold, Ex/VG+), Sir John Barbirolli - Elgar & Delius Cello Concertos (ASD2764, Ex/VG), Elisabeth Schwarzkopf Sings Operetta (SAX2283, blue/silver, VG/VG) Davoid Oistrakh - Beethoven (33CX1580), Heifetz Munch - Beethoven Violin Concerto (SB-2047), John Lanchbery - La Fille Mal Gardee (SXL2313) and Georges Pretre - Callas A Paris (SAX2503). The condition is generally VG+ to Ex+.

HMV - UK STEREO LP PACK. Another fantastic collection of 18 classical LPs. Mostly UK stereo pressings, all released on His Master's Voice. Composers/ performers include Rudolf Kempe - Music From Bohemia (ASD 449, record Ex/ sleeve Ex), Tullio Serafin - Overtures From Italian Opera (ASD 466, Ex/ Ex), Sir Thomas Beecham - Liszt: A Faust Symphony (ASD 317/ 318, 2 record set), Sir Adrian Boult - Dvorak: Cello Concerto (ASD 358), Sir Eugene Goossens - Rimsky-Korsakov: Le Coq D'Or (ASD 262). Other catalogue numbers to include ASD 268, 289, 263, 272, 271, 264, 345, 258, 251, 492, 299 & 2315. Records are generally Ex to Ex+/ Archive. Sleeves generally VG+ to Ex+.

A small collection of small silver items and a plated vesta/match case in the form of a cello. The silver includes; a pierced oblong sweet dish; a small hexagonal small vase-shaped pepper pot; and a small kitchen-dredger shaped pepper pot; 64g of weighable silver; together with a white metal mounted red glass smelling salts bottle; a Japanese small square pill box embossed with flowers; and a Danish silver-plated child's shoe

Fourteen predominantly brazilwood violin bows for spares or repair; and a Primavera cello bow; together with a quantity of violin accessories including Matrix SR-1000V tuner; resin/rosin; pitch pipes; bridges; tuning pegs; strings etcCondition Report:Condition varies but most bows require attention.Accessories in reasonably good condition.

Spanish BM acoustic guitar with mahogany back and sides and spruce top L101cm; in cello carrying case; Roland foot pedal and two Yamaha foot pedals; tin D# organ pipe; folding music stand etcCondition Report:Guitar in reasonable condition but well used.Other items vary in condition but most reasonable.

German half-size cello with 69cm two-piece maple back and ribs and spruce top; L112.5cm overall; in soft carrying case with two bowsCondition Report:Condition is consistent with age and use with minor crackling to varnish and chipping to edges.

Stentor Student I quarter-size cello with 59.5cm two-piece maple back and ribs and spruce top; bears maker's label with serial no.M076096 L95.5cm overall; in Stentor soft carrying case with bowCondition Report:Generally in good condition with just minor chipping to the edges

Modern Hungarian half-size cello with 69cm two-piece maple back and ribs and spruce top L114cm overall; and Stentor half size cello bearing label 'The Stentor Student II'; each in soft carrying case (2)Condition Report:Hungarian - varnish to top crackled all over. Two small impact chips to back edge. Otherwise reasonable condition consistent with age and use.Stentor - crack to top otherwise in reasonable condition.

Twenty-eight violin/cello bows/part bows in pernambuco, brazilwood, fibre-glass etcCondition Report:Condition varies but most requiring some attention.

German cello c1900 with 75cm two-piece maple back and ribs and spruce top L121cm overall; in canvas carrying bag; modern Rumanian three-quarter size cello bearing label 'Made in the Workshops of Andeas Zeller Rumania for The Stentor Music Co. Ltd.' L115cm overall; in vinyl carrying case; and Chinese violin for completion; in carrying case with bow (3)Condition Report:German - repair to neck. Some damage and woodworm to scroll otherwise reasonable condition for age and use.Rumanian - good condition.Chinese - requires rebuilding. Some parts present but some missing.

Stentor Student I quarter size cello with 59.5cm two-piece maple back and ribs and spruce top; bears maker's label with serial no.M072637 L96cm overall; together with a damaged Chinese three-quarter size violin in Stentor case (2)Condition Report:Cello - generally in reasonably good condition with slight impact damage to lower right edge. Adjustable metal stand lacking fixing bolt.Violin - head scroll broken off and piece missing. Case in poor condition.