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A vintage German student's cello, with travel caseConsiderable wear to pegs, neck, fingerboard and body.Further cosmetic marks and losses to veneer.Appears in fully working condition.Unbranded.Estimated age 10-20 years old.

An early 20th Century cello in hardcase, crack to body

Dorothy M Colles, girl with cello, signed, pastel, 87 x 66.5cm. 

LIMOGES, Cello shaped lidded trinket box with floral and gilt heightened decoration, 21cm length

CLASSICAL - COLLECTABLE LP RECORDINGS. Excellent set of 13 x collectable LPs. To include Louis Fremaus - Massenet Le Cid (TWO 350), Kyung-Wha Chung (SXL 6493), Du-Pre - Dvorak Cello Concerto (ASD 2751) and Elgar (CBS 76529), Barbirolli (ASD 646, semi-circle, ASD 2348), Rubinstein (SB-2144), Argerich (410 653-1), Wada (ECS 639), Boskovsky (SXL 6029, SXL 6419, SXL 6040) and Haitink (SAL 3462). Condition is generally clean Ex to Ex+.

CLASSICAL - LPs/BOX SETS (WITH MODERN AUDIOPHILE PRESSINGS). Lovely selection of 6 x LPs plus 6 x LP box sets (12 releases in total) including high quality modern pressings. Works include Jacqueline Du Pre - Dvorak Cello Concerto (2017 Warner Classics), Pollini - Debussy Preludes (2018 Deutsche Grammophon, 4835899), Abbado - Mahler Symphony No. 1 (2019 Deutsche Grammophon, 002894837266), Zimerman - Chopin 4 Ballads (2017 Deutsche, 002894797214), Perahia - Beethoven Piano Sonatas (2018 Deutsche, 002894799919)Ashkenazy - Rachmaninov Piano Concerto No. 2 (2018 Warner Classics, 0190296915413) with box sets featuring Solti, Karajan, Klemperer and Schwarzkopf. Condition is Ex+/as new (modern pressings) and typically Ex to Ex+ (box sets).

CLASSICAL LPs - HIS MASTERS VOICE. A wondeful pack of 4 x LPs and 1 x Box Set. Titles include Elgar - Cello Concerto / Sea Pictures (ASD 655), Elgar & Delius Cello Concertos - Jacqueline Du Pre (ASD 2764), Beethoven: The "Archduke" Trio (ASD 2572), Jacqueline Du Pre / Daniel Barenboim - Brahms (ASD 2436) and Jacqueline Du Pre - Favourite Cello Concertos (Box Set). The condition is generally Ex to Ex+.

CLASSICAL LPs - MONO RARITIES. Fantastic pack of 5 x mono LPs. Titles include Janos Starker - Schumann Cello Concerto in A Minor (33CX 1579), Mozart - Le Nozze Di Figaro (LXT 5088), Ruggiero Ricci with The London Symphony Orchestra (LXT 5334), The Vegh Quartet - Brahms - String Quartet No. 1 In C Minor (LXT 2710) and Erich Kleiber - Le Nozze Di Figaro (LXT 5090). The condition is generally Ex to Ex+.

CLASSICAL LPs - INCLUDES RARITIES. Wonderful pack of 15 x classical LPs on labels such as Brunswick, Argo, Deutsche Grammophon and London. Titles / Catalogue numbers include Szymon Goldberg / Artur Balsam - Brahms Sonatas (AXTL1082), Rossini - String Sonatas (ZRG 506), Berlioz Symphonie Fantastique (CS 6025), Svjatoslav Richter (138 07 5 - Red Stereo), Milstein Vivaldi - Four Concerti (S 36001), Janos Starker - Suites For 'Cello (XID 5167), XID 5164, Everest 3313, CSD 3763, Sumire Yoshihara - Percussions In Colours, SP 8537, 138 087 and AXA 4501. The condition is generally Ex to Ex+ with a few records dropping slightly below this.

CLASSICAL - RARE BOX SETS. Great collection of 13 x classical box sets on labels such as Deutsche Grammophon, HMV and Philips. Titles / Catalogue numbers include The Marriage of Figaro (SMS 1010), La Boheme (SXL 2170/1), Carmen - Beecham (ASD 331-333), The Six Cello Suites (SLS 1077723), 6770 950, SLS. 798/3, SLS818, ULDD11 and LM6105. The condition is generally VG+ to Ex+ with most records grading at least Ex. A few boxes fall slightly below this.

CLASSICAL LPs - HMV RARITIES. Beautiful pack of 3 x painfully rare LPs. Titles / Catalogue numbers include Brahms: Symphony No. 3 & Haydn Variations (ASD 2432 - Ex+ / VG+), Elgar - Cello Concerto / Sea Pictures (ASD 655 - Ex+ / Ex+) and Glazounov & Dvorak - Violin Concertos (ASD 2365 - Archive / Ex+). All three records display a red semi-circle label.

Frederick John England (b.1939), 'Cello and Composer at the Piano', oil on panel, signed and dated '79 lower right, artist's name inscribed on plaque below, inscriptions and Royal Academy exhibition 1979 label verso, 50 x 75 cm, framed

Cello lamp

Modern student's three-quarter size cello with 70cm two-piece maple back and ribs and spruce top, L113cm overallCondition Report:Used condition with bumps and scratches and some cracks to ribs.

Modern student's three-quarter size cello with 67cm two-piece back and spruce top L110cm overallCondition Report:Used condition with signs of wear to back.Starting of soundpost crack.

Modern Romanian student's three-quarter size cello with 70cm two-piece maple back and ribs and spruce top, bears label 'Musikinstrumentenfabrik Reghin Romania' L115cm overallCondition Report:Used condition with minor bumps and scratches.

Modern Hungarian student's three-quarter size cello with 69cm two-piece maple back and ribs and spruce top, bears label 'Made in Hungary', L112cm overall; in soft carrying caseCondition Report:Good condition.

A 4/4 Cello Stentor Conservatoire with fracture to front, and with carrying bag.

Left over bows in bundle - al second hand - viola and cello.

Collenius (Hermannus, 1649/1650-1723 Groningen). Allegory of the Transience of Wordly Affairs, oil on canvas, relined on a modern stretcher, 120 x 98 cm (47 1/4 x 38 1/2 ins), antique-style painted black wood frame, with decorative gilt inner slipQTY: (1)NOTE:Provenance: Baumcotter Gallery, Kensington Church Street, London, 1970's; Kunsthandel Schlichte Bergen, Amsterdam,1985; Private Collection, Shropshire.Literature: Freerk Veldman, Hermannus Collenius 1650-1723 (Zwolle, 1997), p. 98.The present work has been accepted as authentic by Eddy Schavemaker of the RKD (Rijksbureau voor Kunsthistorische Documentatie), in The Hague (email correspondence).Another variant of this composition (signed and measuring 100 x 88 cm) is in the Mesdag Collection, The Hague (catalogue number 59A).Collenius spent most of his career in Groningen, and specialised in portraits, allegorical and mythological subjects. For the City Hall in Groningen the artist was commissioned to paint The Allegory of Good Governance in 1685 (now in the Groninger Museum), and for the Statenzaal in the Raadhuis,The Allegory of Freedom and Religion.In the present work, the young woman in her opulent white silk dress with exposed breast is seen seated holding a casket of jewels while a child holds up a convex mirror to her, and an old man shows her a skull and hourglass; to the left putti play with soap bubbles in front of a group of musical instruments, including a lute, violin, and cello. If the overt symbolism on display regarding the transience of life was not already clear enough, a large folio edition of a Dutch bible also features, open on the first page of Ecclesiastes (the Old Testament book in which the well-known phrases 'eat, drink, and be merry', and 'vanity of vanities; all is vanity', first appear).Of significant interest in this work is the presence of a black maid, or female servant, seen on the right braiding the young woman's hair with pearls, the latter being a traditional attribute of the courtesan. Much has been written in recent decades regarding the significance and interpretation of works of art featuring people of colour in Dutch 17th-century painting. Such figures are most often portrayed as servants, thus enhancing the status of the main figure.

A Whitefriars Textured range Cello vase designed Geoffrey Baxter, pattern No 9675 in Meadow Green, height 19cm.

A CELLO NO BOW A/F

A CASED CELLO NO BOW A/F

Six assorted DVD/Blu ray/VHS players including a Cello HVD 2085. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Postcard, Advertising, 'Marmite for Appetite', comedy cello player, ‘Keeps you Tuned Up’ (vg) (1)

A cased cello and bow, label inside soundhole reads Stentor 1.

GERMAN CELLO, c.1900, L.O.B. 74.7cmsProvenance:private collection mid-Wales, consigned via our Cardiff officeCondition Report:corner with old chip, varnish worn, base with repaired cracks.

SCARCE & COLLECTIBLE AMERICAN CELLO BY GIBSON, c. 1942, model no. G110-842, paper label, L.O.B. 75.5cmsProvenance:private collection mid-Wales, consigned via our Cardiff officeAuctioneer's Note:Gibson ventured into the manufacture of violin-family instruments for a short period in the second half of the 1930s, ending in the early 1940s. Since supplies of commercial violins from Germany and Japan were unavailable due to the war, American manufacturers were protected for a time from this previously well-established overseas competition. Gibson-made cellos are rare and this example has some unusual features of construction borrowed from the company’s guitar-making heritage. Condition Report:repaired split, varnish wear.

20th century cello, no maker's label seen, 123cm high, together with carrying case and bow

A 1950's globe trotter suitcase with early 20th century sheets of music to include cello, violin, piano and viola sheetsLocation: LWF

Hungarian 20thC 3/4 size cello

Primavera Prima 200 cello 4/4, with bow and case

Classical LP / Jaqueline Du Pre, Delius - Concerto For Cello and Orchestra LP - Original NZ Stereo release 1965 on HMV (ASDM 644) - Jacqueline Du Pre with the Royal Philharmonic conducted by Sir Malcolm Sargent - Laminated Flipback Sleeve - Gold Rim Labels - Sleeve Excellent, Vinyl EX+

Cello, Sebim Passion Tradition Cello ¾ size good condition apart from a soundpost crack that needs attention, no case

Violin / Cello parts, two boxes of violin and Cello parts including bridges, tail pieces, fingerboards, end pins and more - various conditions

CELLO STOOLS, two, each approx 33cm W, late 19th/early 20th century brass, one with three legs and blue velvet seat, the other with four legs and red velvet seat. (2)

Mary Potter (Artist, 1900-1981) and William Plomer (Poet, 1903-1973) - A new note from a cello, lithograph; together with a contemporary etching (2)

Cellist Ferdinand Liebermann (Entwurf), Rosenthal (Ausführung), 1914 Auf einem liegenden Cello sitzender Putto. Goldstaffage. Rückseitig bez. FERD. LIEBERMANN (geritzt). Unterseitig unterglasurgrüner Manufakturstempel, Model-Nr. K342. H. 11,5 cm; L. 21 cm.

A Meissen monkey band figure of a cellist, early 19th centuryAfter the 18th century model by J.J. Kaendler and P. Reinicke, wearing a black tricorn, yellow coat with gilt and puce foliate motifs and green breeches, playing the cello, the base moulded with gilt-edged scrollwork, 12.2cm high, crossed swords mark in blue, impressed numeral (some restoration)For further information on this lot please visit Bonhams.com

A student's cello, length of back excluding button 65.5cm, another Korean cello and a Stentor Student violin, cased with two bows.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A BOOSEY AND HAWKES BH400 CELLO 122cm high ( no bridge) a JHS Cello stand and an unnamed bow with ebony frog and mother of pearl detail - further notes, bridge now found please see pictures

Attributed to the Panormo School (Edward Ferdinand Panormo) an English violoncello (cello), circa 1830, with bow and a later case, 29.5" body.Footnote: This piece is consigned with correspondence dating from 1932 - 1996. August 19th, 1932, a hand written letter addressed to a previous owner, by Louis H Maby, Violin Maker & Dealer, 14 Lower Arcade, Bristol 1, "I have examined the cello you left with me and in my opinion it is a Panormo, youth Panormo (son of Vincent Panormo), London, about 1830".A further typed letter dated 2nd April 1971 by Mr. Robert Raeburn, violin maker, restorer and expert, of The Rectory, Toft, Cambridge, reads "I certify that the Violoncello in the possession of [current vendor] is in my judgement the work of the Panormo family. The instrument is not labelled but can probably be attributed to Edward Ferdinand Panormo of London and Brighton, grandson of Vincenzo Trusiano Panormo. I date it at circa 1830 - 40. It is possible that it is a composite instrement: the back and sides being considerably older than the top and probably the work of Vincenzo Panormo.Descriptiopn: The back in two pieces of 'fiercely' grained maple cut on the slab. The table of medium grained pine. Head and sides of medium 'flamed' maple. The varnish: table of reddish colour. Back and sides of golden-brown.The Violoncello is in a good stage of preservation. I value it at £400".A later hand written letter by J.R Geach, Luthier, 15 Market Square, Bishoip's Castle, Salop, dated July 28th 1987, addressed to the current vendor " Having today examined the viloncello belonging to [current vendor] and having certification dated 1932 and 1971, I am able to say that the instrument, unlabelled, is of the Panormo family or school, and that it dates from the first third of the 19th century. The instrument s in good playing condition but not in a contemporary state of show-room repair. The current price of which such an article changes hands is £4,500"Together with a Halls property receipt dated 1996 and a Sotheby's property report dated 2nd August 1996, detailing an estimate of £3,000 - £5,000.Some fine cracks to the sides especially to the lower bout. The purfling has some dings and dints both front and back, especilly on the points of the C-bouts. The top has a visible repair to the lower left. The back has some fractures towards the lower edge, at the mid point adjacent to the piece joint (internally braced) and at the top adjacent to and at the neck joint. The scroll appears fair to good with only minor cosmetic marks and signs of age and use. Tuning pegs good and functional. The neck and finger board appear good with minor signs of age and use. The end pin is good, straight and functioning correctly. Tailpiece and tuners are good. Bridge good and free from fractures. Overall fair with multiple cosmetic marks throughout but in playable condition. The bow is good with a few very minor cosmetic marks.

Large Nao musical couple cello and violin, H: 35 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

András Nagy-Sándor Keep The Band Back Together, 2022 Ink and Gouache on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About   Andras Nagy-Sandor (1993) is a Hungarian artist and curator based in London, UK. The main focus of Andras' practice is unpicking the aspirations and ambivalences within his masculinity through the symbolism of armours as a link between painterly, emotional and conceptual dichotomies. The aesthetic of Andras' armours are narrative, in some cases pseudo-folkloric, however they do not need to be read as armours as they are the results of an intuitive design process, an embodied sensemaking approach that is based on Andras' imagination and memories. They are gestures, edges, shapes, colours, patterns, paint, materials with a conscience enveloping figurative moments, interactions between body parts, characters, groups, anthropomorphic multiheaded beings that float between cultures and identities, folklore and sci-fi. Andras has recently had his first solo exhibition at Fest; Tisztit Gallery in Budapest, Hungary and is the co-runner of ongoing initiative "project hu", which created a collaborative residency, artist talks and a touring exhibition over the past four years.   Education   2019-2022, MFA Fine Art Painting, Slade School of Fine Art, UK 2015-2018, BA (Hons) Fine Art, Newcastle University, UK   Select Exhibitions/Awards   Solo Exhibitions   Feb. 2022, Bizz bennem/Trust me, Fest; Tisztit Gallery, Budapest, HU Sept. 2020, Narrow Boat Exhibition, Narrow Gallery, London Mar. 2018, Studies, Culture Lab, Newcastle   Selected Group Exhibitions   Apr. 2022 Emergence, The Room, London Feb. 2022, Dream Baby Dream, The Fitzrovia Gallery, London Feb. 2022, I'll Be Your Mirror, Boisdale of Bishopgate, London Jan. 2022, Why Don't You Dance, ASC Gallery, London Jan. 2022, Assemble, VO Curations, London Dec. 2021, Paint Talk presentsWith Love II, online Aug. 2021, Flirting with the Border Guards, Terrace Gallery, London Nov. 2020, Paint Talk presents With Love, online Nov. 2020, ING Discerning Eye Exhibition, online due to COVID-19 Aug. 2020, Material Figures, with Grace Mattingly and Lindsey Jean McLean, VO Curations, London Jan. 2020, Slade Runner, ASC Gallery, London Feb. 2019, hu, Hungarian Traveling Exhibition, White Conduit Projects, London Jan. 2019, hu, Hungarian Traveling Exhibition, Abject Gallery, Newcastle Nov. 2018, hu, Hungarian Traveling Exhibition, GENERATORporjects, Dundee Nov. 2018, Young Contemporary Talent 2018, Ingram Collection, The Cello Factory, London Sep. 2018, Art & Liberation, The Holy Biscuit, Newcastle Aug. 2018, Newcastle University Printmakers, R.K. Burts Gallery, London Jun., Jul. 2018 Newcastle University Degree Show, Newcastle University and Unit 8 at Copeland Park, London Mar. 2018, Newcastle University Printmakers, Long Gallery, Newcastle University, Newcastle Mar. 2018, Your Space, Jane Doe Gallery, Newcastle University, Newcastle (group) June 2017, Page 1, Marjorie Robinson Library, Newcastle Apr. 2017, Something Black, Cultivate Gallery and Organ Thing, Online Mar. 2017, Fancy a Cuppa?, Vane Gallery, Newcastle Dec. 2016, The Parade, Newcastle University, Newcastle May 2016 Narrative, Newbridge Project, Newcastle May 2016, Testing Grounds, Hoults Yard, Newcastle   Statement about AOAP Submitted Artwork   "Facing forward" is an abstract shape. It is part of an ongoing series that anthropomorphize elements of car designs, while remaining non-figurative, results of an intuitive process. "Stick together" is a more narrative piece, on the verge of figuration. It deals with questions around companionship and identity. "Keep the band back together" is a painting about losing parts of ourselves and fetishizing them. "Don't get stuck, but go deep" is a drawing that deals with wanting to become something bigger than ourselves.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

András Nagy-Sándor Facing Forward, 2022 Pen, Ink and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About   Andras Nagy-Sandor (1993) is a Hungarian artist and curator based in London, UK. The main focus of Andras' practice is unpicking the aspirations and ambivalences within his masculinity through the symbolism of armours as a link between painterly, emotional and conceptual dichotomies. The aesthetic of Andras' armours are narrative, in some cases pseudo-folkloric, however they do not need to be read as armours as they are the results of an intuitive design process, an embodied sensemaking approach that is based on Andras' imagination and memories. They are gestures, edges, shapes, colours, patterns, paint, materials with a conscience enveloping figurative moments, interactions between body parts, characters, groups, anthropomorphic multiheaded beings that float between cultures and identities, folklore and sci-fi. Andras has recently had his first solo exhibition at Fest; Tisztit Gallery in Budapest, Hungary and is the co-runner of ongoing initiative "project hu", which created a collaborative residency, artist talks and a touring exhibition over the past four years.   Education   2019-2022, MFA Fine Art Painting, Slade School of Fine Art, UK 2015-2018, BA (Hons) Fine Art, Newcastle University, UK   Select Exhibitions/Awards   Solo Exhibitions   Feb. 2022, Bizz bennem/Trust me, Fest; Tisztit Gallery, Budapest, HU Sept. 2020, Narrow Boat Exhibition, Narrow Gallery, London Mar. 2018, Studies, Culture Lab, Newcastle   Selected Group Exhibitions   Apr. 2022 Emergence, The Room, London Feb. 2022, Dream Baby Dream, The Fitzrovia Gallery, London Feb. 2022, I'll Be Your Mirror, Boisdale of Bishopgate, London Jan. 2022, Why Don't You Dance, ASC Gallery, London Jan. 2022, Assemble, VO Curations, London Dec. 2021, Paint Talk presentsWith Love II, online Aug. 2021, Flirting with the Border Guards, Terrace Gallery, London Nov. 2020, Paint Talk presents With Love, online Nov. 2020, ING Discerning Eye Exhibition, online due to COVID-19 Aug. 2020, Material Figures, with Grace Mattingly and Lindsey Jean McLean, VO Curations, London Jan. 2020, Slade Runner, ASC Gallery, London Feb. 2019, hu, Hungarian Traveling Exhibition, White Conduit Projects, London Jan. 2019, hu, Hungarian Traveling Exhibition, Abject Gallery, Newcastle Nov. 2018, hu, Hungarian Traveling Exhibition, GENERATORporjects, Dundee Nov. 2018, Young Contemporary Talent 2018, Ingram Collection, The Cello Factory, London Sep. 2018, Art & Liberation, The Holy Biscuit, Newcastle Aug. 2018, Newcastle University Printmakers, R.K. Burts Gallery, London Jun., Jul. 2018 Newcastle University Degree Show, Newcastle University and Unit 8 at Copeland Park, London Mar. 2018, Newcastle University Printmakers, Long Gallery, Newcastle University, Newcastle Mar. 2018, Your Space, Jane Doe Gallery, Newcastle University, Newcastle (group) June 2017, Page 1, Marjorie Robinson Library, Newcastle Apr. 2017, Something Black, Cultivate Gallery and Organ Thing, Online Mar. 2017, Fancy a Cuppa?, Vane Gallery, Newcastle Dec. 2016, The Parade, Newcastle University, Newcastle May 2016 Narrative, Newbridge Project, Newcastle May 2016, Testing Grounds, Hoults Yard, Newcastle   Statement about AOAP Submitted Artwork   "Facing forward" is an abstract shape. It is part of an ongoing series that anthropomorphize elements of car designs, while remaining non-figurative, results of an intuitive process. "Stick together" is a more narrative piece, on the verge of figuration. It deals with questions around companionship and identity. "Keep the band back together" is a painting about losing parts of ourselves and fetishizing them. "Don't get stuck, but go deep" is a drawing that deals with wanting to become something bigger than ourselves.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.  

A student's cello, cased with bow

A continental cello, probably German circa 1900, of a rich caramel colour with two piece back 733mm longCondition ReportSurface scratches, knocks, cracks and losses. Signs of old woodworm and glued repairs.

CELLO WITH BOW & COVER

Musik-Puppenautomat "Ein musikalisches Quartett". Im Stil des 19. Jh, mit alten und neuen Teilen, die Puppen mit Köpfen aus Biskuitporzellan, Glasaugen, geschnitzte Glieder, Kleidung aus Seide und Samt. Männliche Musiker bewegen jeweils einen Arm, die Harfenspielerin beide Arme. Instrumente: Harfe, Cello, Violine und Kontrabass. Walzenspielwerk mit 6 Melodien, Fadenaufzug, Federwerkmotor. Mit Schlüssel. 41 x 33 x 29 cm. Musical Quartet Automaton. In 19th style using antique and modern parts.

An antique pine cello case

A late 19th-century W.E. Hill & Sons, of New Bond St, a fiddle back mahogany full size (4/4) cello case with ebonized moulded detail to the angles and with gilt brass cabinet furniture. The fitted interior is lined in green velvet and bears two trade labels for the manufacturer. Internal size 124 cm maximum length x 44 cm maximum width. External size 132 cm long x 52 cm wide x 32 cm deep approximately.

Roy Lichtenstein (1923-1997)Cubist Cello (Corlett 311) Screenprint in colours, 1997, on Somerset textured paper, signed by Dorothy Lichtenstein and numbered XIII/XV in pencil, one of 15 proofs aside from the edition of 75, co-published by The Estate of Roy Lichtenstein and Noblet Serigraphie, Inc., New York, for the benefit of the American Friends of the Tel Aviv Museum of Art, with wide margins, in overall very good condition, the colours fresh and bright, framedImage 1037 x 774mm. (40 7/8 x 30 1/2in.); Sheet 1280 x 1002mm. (50 7/8 x 39 1/2in.)For further information on this lot please visit Bonhams.com

Group of ceramic figures late 19th/early 20th Century, consisting of five animal band type pieces, unmarked, tallest 18cm high (5)Small faults, scratches and minor paint loss in places to all. Bear playing cello has bow damaged and repaired, chips to ears. Lion conductors baton broken. Monkey instrument broken and partially repainted. Dogs foot damaged and repaired. Cat badly damaged, repaired and worn.

3/4 cello, unsigned with fiddlestick in bag, l. 112 cm.3/4 cello, ongesigneerd Duitsland met strijkstok in draagtas, (speelklaar)

A traditional cello, in hard shell paxman case with bow, two piece back approx. 30 inch

Mixed LPs to include Jaqueline Du Pre/London Symphony Orchestra - Elgar And Delius Cello Concertos (ASD 2764).

Two cello bows, (2)

Porzellanfigur 'Cellist', Rosenthal, um 1920, kleine Putte auf einem, Cello sitzend, Goldstaffage, Entw., Ferdinand Liebermann 1914, Modellnr. K 342, am Sockel seitl. sign., H.ca. 12.5 cmPorcelain figurine 'Cellist', Rosenthal, around 1920, small putti on a cello sitting, gold staffage, draft, Ferdinand Liebermann 1914, model no. K 342, on the side of the base signed, H.ca. 12.5 cm

A 20th cent Students full size cello 

13 Figuren aus der TürkenkapelleHöchst, 20. Jh. Porzellan, weiß, glasiert. Polychrom und Gold bemalt. Unter der Glasur blaue Radmarke. Auf der Glasur Malermarke. 1. Wahl. H. 17 bis 19,5 cm. Orientalisch gekleidete Kinder mit Turban: Cello G. E. 54 - Oboe 206 H. - Pauke 290 H. - Trompete 295 H. - Dirigent: Trompete erhoben G. Ergin 298 - Triangel G. Ergin 301 - Dirigent im blauen Rock: Trompete erhoben 315 H. - Fagott G. E. 317 - Waldhorn G.E. 338 - Querflöte 351 H. - Trommel 370 H. - Tschinellen G. E. 383. -- Waldhorn. Weißporzellan, Radmarke. -- Modell von Johann Peter Melchior.