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Mid-19th century German Saxony cello for restoration and completion with 75.5cm two-piece maple back and ribs and spruce top, bears manuscript repair label 'W. Drake Nov.1887', L121.5cmCondition Report:Sound post crack. Bass bar crack. Head repaired. Top overvarnished. No bridge and very grubby from storage.
Incomplete amateur made violin c1880 for restoration and completion with 36.5cm one-piece maple back and ribs and spruce top L59.5cm; together with two brazilwood violin bows and pernambuco cello bow, all with nickel mounts (4)Condition Report:Violin lacking tailpiece, bridge, strings and one tuning peg. Crack to top and generally in a poor and grubby condition.Bows - Reasonably good condition consistent with age and use.
A collection of novelty silver instruments,early 20th century, marked 925, comprising an example modelled as a saxophone, one modelled as a cello, and one modelled as a guitar,the largest 6cm high1.22ozt (3)From the private collection of a Cambridge Gentleman.Condition ReportWith tarnish to the recesses of all. With general scratches and wear.
A 19th century Saxon cello, the back, sides and neck with slight curl, inlaid purfling, chestnut brown varnish, together with a cello bow with ivory mounted tip, ivory submission reference: 9XUQL1Q3 length of back 72.5 cm, soft case***CONDITION REPORT***PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Drei Weihnachtsengel, Erzgebirge, 2. H. 20. Jh.Holz, polychrom bemalt. Drei Engelchen mit Blechblasinstrument, bzw. Cello. Unterseitig Stempel "Franz Karl GmbH, Venusberg". Farben teilweise stark berieben, ein Engel mit fehlendem Arm. H. 6,5 cm Three christmas angels Wood, turned, polychrome painted. Original stamp. Paint partly rubbed, one angel with one arm.
A LLADRO PORCELAIN NATIVITY SET Of a nativity scene, including King Balthasar, Little Donkey, Saint Joesph etc., comprising Nos. 4675, 4679, 4672, 4670, 4671, 4680, 4673, 4674, 4678, 4676, together with a Nao porcelain figure of a girl playing a cello no. B218 All with boxes except the Nao figurine Girl playing cello 19cm high Condition: The bow of the cello playerappears to have been re-stuck at some point, there is a small amount of glue residue visible. The remaining pieces are in good condition. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
ROYAL CROWN DERBY; an Imari pattern twin handled vase and cover, height 24cm, with a pair of Royal Worcester blush ivory plates decorated with flowers, diameter 19.5cm, two Crown Derby Imari sauce boats, a 19th century Staffordshire vase modelled as a cornucopia, and a 19th century style majolica game pie dish and cover, etc. Additional InformationRoyal Crown Derby vase structurally good however there are traces of cello tape to the lid and to the neck. The Crown Derby jug painted with flowers is restored. The cornucopia vase is restored and repaired. Other items with general wear.
A NAO DISNEY COLLECTION 'DREAMING OF TINKERBELL' FIGURE, depicting a sleeping child with book and Tinkerbell figure, sculptor Eva Maria Cuerva, introduced in 2010, height 16.5cm, together with a Nao figurine of a girl with a cello, and a Nao figure group of a dog and cat (3) (Condition report: Disney figure and animal group appear in good condition with no obvious damage, girl with cello has extensive damage and repairs)
Rocaillereliefierter Sockel. Auf einem Baumstumpf sitzender junger Musiker in fliederfarbener Kniebundhose und Jacke über zartgelber, von Indianischen Blüten gemusterter Weste. Mit der Linken das Cello stützend, in der Rechten den Bogen haltend. Polychrome Malerei mit Gold. Entw. Friedrich Elias Meyer. Minim. rest.; Schwache Schwertermarke. H. 12,5 cm.Vgl. Pietsch, Triumph der Blauen Schwerter, Abb. 444f.; Kat. Staatl. Porzellan-Manufaktur Meissen, Figuren I, Nr. 5. A porcelain figure of a young man playing the cello from the series "Gallant orchestra". Minor restored. Blurred crossed swords mark.Meissen. Um 1750.
A mid-18th century quarter chiming automata table clock by Stephen RimbaultStephen Rimbault, LondonThe bell topped case surmounted by a handle and cone finials over four cast male term mounts to the canted corners, terminating in a moulded base bound by a brass band on ogee bracket feet, with large, glazed side panels revealing the movement within. The seven-inch arched brass dial with a painted scene depicting a musical soiree comprising ten adults and a young girl, all in period clothing, centred by a seated male cello player, to the left stands a violinist, and to the right a woman sits at the piano - all three figures rhythmically moving their arms in time with the swing of the pendulum. The silvered Roman and Arabic chapter ring framing the finely matted centre with recessed signature plaque, date aperture and engraved and burnished initials A.N. below a crown with central mount flanked by four spheres, with good, blued steel hands, strike/not strike lever at IX and tune selection lever at III. The large triple wire fusee movement with knife-edge verge escapement rack striking the hours on a bell and playing one of two tunes on a run of eight bells and fifteen hammers, the backplate decorated with interlaced foliate scrolls and strapwork framing the signature, the cock, fly and barrel bridge similarly engraved. Ticking, striking and playing music; the automata figures moving freely. 52cms (1ft 9ins) high.Footnotes:Another clock by Stephen Rimbault with a similar backplate is featured in the supplement to Dzik, S. (2019) Engraving on English Table Clocks: Art on a Canvas of Brass 1660-1800, Wild Boar Publications, (R1-15).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Waltershausen suite for salon, German 1880s/90s, rosewood furniture including green silk upholstered settee with gold transfer decoration, shaped back, arms and five turned legs, together with three matching balloon back chairs, wooden shelves with mirror back and green paper-lined shelves, marble top table on central turned stand, and mantle clock with paper face, together with a fine quality miniature wooden cello, soft metal bird in cage and candle in gilt holder, shelves 6” (15cm) tall, (10 items), (condition: one shelf and two mirror backs loose, expected fading/wear to green silk).
A collection of furniture to include a modern oak single pedestal desk/dressing table 120 cm wide x 65 cm deep x 72 cm high together with a matching two drawer filing cabinet and beech effect three drawer filing cabinet, cane seated dressing stool, an oak oval drop leaf coffee table in the 18th Century style, a beech and oak framed needlework upholstered long stool on cabriole legs and two stained beech triangular stools by The Studio of Art and Antiquity, Torbay, Devon, the tops decorated with a spreadeagle and lion and shield raised on turned tapering legs together with two green upholstered dining type chairs, a candelabra, a 1930s oak framed brown leather upholstered low armchair and two wrought iron framed conservatory type chairs and a wrought iron candle stand as a cello
LICHTENSTEIN, ROYNew York 1923 - 1997Titel: Cubist Cello. Datierung: 1997. Technik: Farbserigrafie auf Somerset. Darstellungsmaß: 103,5 x 77,5cm.Blattmaß: 129,5 x 101cm. Bezeichnung: Nummeriert sowie signiert und datiert ('98) von Dorothy Lichtenstein. Zudem mit Nachlassstempel versehen. Herausgeber: Estate of Roy Lichtenstein and Noblet Serigraphie, Inc., New York (Hrsg.). Exemplar: 22/25. Rahmen: Modellrahmen. Das Werk ist eines von 25 Artist Proof Abzügen, die außerhalb der Auflage von 75 Exemplaren gedruckt wurden.Provenienz:- Dorfman Projects, New York- Privatsammlung Nordrhein-WestfalenLiteratur:- Corlett, Mary Lee: The Prints of Roy Lichtenstein - A Catalogue Raisonné 1948-1997, New York 2002 (2. Aufl.), WVZ.-Nr. 311, Abb. Erläuterungen zum Katalog
Classical LPs / Benjamin Britten, eight LPs and three Sets by Benjamin Britten comprising Albert Herring (Stereo - Box with Book - WBG Labels), War Requiem (2 LP Stereo Set with Book - WB Labels), Noye's Fludde (Stereo with Book), Saint Nicholas (Stereo), The Turn Of The Screw (Box Set), Les Illuminations (Stereo), A Ceremony Of Carols (Stereo), Cantata Misericordium (Stereo), Matinees Musicales (Stereo), School Concert (Mono) and Cello Symphony (Mono) - various conditions but largely Excellent
Classical LPs, thirteen albums and a box set including Du Pre - Elgar Cello Concerto (ASD 655 ED2 EX+/EX+), The Art of Karajan (EAC 30102 - Japan - Sealed), Christa Ludwig - Schubert Recital (SAX 5272 ED1 + Booklet EX+/EX+), Schubert - Winterreise Record 2 (SAX 552 ED2 EX+/EX+), Beethoven - Missa Solemnis Box Set (SAN 165-6 EX/EX+) and more in various conditions
A copy of Shostakovich - Cello Concerto op. 107 (A 01442 L, Philips, Dutch issue, 'sample record' sticker to label, disc in Ex condition, sleeve VG) signed with lengthy inscription by cellist Mstislav Rostropovich. The vendor has prepared a detailed provenance history which is as follows. 1960 Signed by Mstislav Rostropovich (and with commission/assignment) for Johanna Beek, artist's manager in the Netherlands (Nederlandsche Concertdirectie J. Beek, Koninginnegracht 82, Den Haag). 1983 After death of Johanna Beek part of her heritage with Interartists Holland (a Dutch artist's management company). 1987 Marianne Brinks, financial director at Riaskoff Concert Management, Amsterdam, The Netherlands (CEO: Marco F. Riaskoff). 2001 Jacobus (Jaap) Breukel, concert series manager at Riaskoff Concert Management in the 1990's.
* Musicians' Autographs. A group of 9 Autograph Musical Quotations Signed by various instrumentalists, 19th/20th century, comprising: Guilhermina Suggia (1885-1950, Portuguese cellist), Autograph Musical Quotation Signed ('Guilhermina Suggia’), from J. S. Bach’s 3rd Cello Suite; Paul Tortelier (1914-1990, French cellist and composer), Autograph Musical Quotation Signed (‘Paul Tortelier’), c. 1973, and dedicated, from his Alla Maud, Valse for 2 Cellos and Piano (or String Orchestra), 8 bars, 3 staves on cream manuscript paper, 85 x 215 mm; August van Biene (1849-1913, Dutch cellist and composer), Autograph Musical Quotation Signed, of 3 bars from his most famous work, ’The Broken Melody’; Solomon [a.k.a. Solomon Cutner] (1902-1988, British pianist and child prodigy), Autograph Musical Quotation Signed with a bold signature and dated in his hand (‘London Nov. 29. 1916’) on a cream album leaf, 145 x 180 mm, being 2 bars of a Gavotte in F major, the composer of which appears to be Emil Evers (both ‘Gavotte’ and ‘Evers’ have been written above the quotation by Solomon); Paul Kochanski (1887-1934), Autograph Musical Quotation Signed (‘Paul Kochanski’), being 4 bars of the main theme from the 1st movement of Beethoven’s Violin Concerto; Ernest Pauer (1826-1905), Autograph Musical Quotation Signed (‘Ernest Pauer’), being 2 bars in 6/8 time from an unidentified piano piece; Alberto Randegger (1832-1911), Autograph Musical Quotation Signed (‘Alberto Randegger’), being 2 bars from the song ‘Only for One’; Hans Richter (1843-1916), Autograph Musical Quotation Signed (‘Hans Richter), being 2 bars from an unidentified work, with bold signature of the writer Marie Corelli on the same page; Wilhelm Backhaus (1884-1969), Autograph Musical Quotation Signed (‘Wilhelm Backhaus’), being 2 long bars from the opening piano statement of Robert Schumann’s Piano Concerto in A minor Op. 54QTY: (9)
Richard Glässer BauernkapelleSeiffen/Erzgebirge, um 1950, ungemarkt, gestempelt gesetzlich geschützt, Holz gedrechselt und farbig gefasst, fünf karikative Männer mit Cello, Ziehharmonika, Trompete und Trommel bzw. als Dirigent, altersgemäßer Zustand mit partiellen Farbfehlstellen, zwei Sockel unplan bzw. einer etwas trocknungsrissig, H 16 bis 18 cm.
Britten (Benjamin).Sonata in C for Cello and Piano Op.65.Boosey & Hawkes, [1961], front cover inscribed and signed after the first performance (7th July 1961 at Aldeburgh) by the cellist Mstislav Rostropovich, the dedicatee of the work and possibly the greatest cellist of the 20th century.. The inscription in Russian 'To Lady and Lord Harwood, As a souvenir of the first performance of this wonderful work. With warmest love hoping for more frequent reunions, Mstislav Rostropovich'. original wraps.idem, The Making of Peter Grimes.Boydell Press for the Britten Estate, 1996, two folio volumes, Vol I a facsimile of the composition draft and Vol II, Notes and Commentaries, original cloth, slipcase:idem, Children's Crusade, Kinderkreuzzug Op. 82.Faber, 1973, limited edition of 1000 facsimiles of the composer's manuscript, folio, illustrated by Sidney Nolan, quarter cloth (3)
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4235 item(s)/page