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CLASSICAL - LP COLLECTION. A majestic collection of 77 x classical LPs. Composers / Performers / Titles include Dvorak Piano Quintet - Schubert Quartettsatz (SXL6043 - ED2), Verdi: Otello - Highlights (SXL2314 - ED2), Schubert - String Quintet in C (GBL5624), Schubert - Symphony No. 9 in C 'The Great' (GBL5609), Brahms Violin Concerto - Oistrakh / Klemperer (33CX1765), Josef Krips - Philharmonia Orchestra (ALP2023), Sir John Barbirolli / Jacqueline Du Pre - Elgar (ASD655), Daniel Barenboim / Jacqueline Du Pre - Boccherini: Cello Concerto in C (ASD2331), Jacqueline Du Pre - Beethoven Piano Trios (SLS.789/5), Colin Davis and Stephen Bishop. The condition is generally Ex to Ex+.

A collection of West Country Pottery, to include two Lauder top hats, a pair of wall pockets, an inverted tapering Arts and Crafts jug, a Watcombe Owl face bowl, an Aller Vale terracotta vase and wall pocket in the cello, (9).

Whitefriars 'Cello' 9675 textured glass vase in Indigo colourway as designed by Geoffrey Baxter c1967, H18cm

A hand carved 17th century model of a violin -  cello.  Believed to be from a larger statue.  Approx. 38cm x 13cm. 

An early 20th century miniature model of a cello by Martin Cullier Paris 1907.  A miniature model of a cello and a bow in a velvet lined interior leather case. The tag inside the case reads "La Premiere de Lappenti Martin Cullier de la Royale Vienna Atelier, Paris complete en Octobre (not readable). Approx. 30cm x 12.5cm. 

A 19th Century Meissen porcelain figurine group. Depicts a cherub / putti band of children playing musical instruments with central conductor flanked by a flautist, recorderm lyre & cello. Raised on naturalistic rocky outcrop. Blue crossed swords to base.

British School, late 19th c - The Child Prodigy, seated plucking a cello, a trumpet by his side, oil on canvas, 21cm x 15.5cm, gilt frame  Good unrestored condition. Slight ripple, craquelure, and surface wear. The frame with a few nibbled losses of gesso.

Archie Franks Waitrose Flat Peaches, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Ghost Train, 2022 Pen on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks Village Cricket Featuring Cows, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Archie Franks M&S Pie, 2022 Oil Pastel and Watercolour on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About   Born in 1986 Archie Franks lives and works in London. He graduated from the Royal Academy Schools in 2012 and has been awarded the Sainsbury Scholarship in Painting 2013 which enabled him to work fully funded in Rome at the British School at Rome for a year, and a Jerwood Painting Fellowship 2016 which consisted of financial support, a mentor scheme and a U.K wide touring show starting at Jerwood Space in London. He has exhibited in numerous group and solo shows both in the U.K and in Europe, including 'Bloomberg New Contemporaries' for promising new graduates in 2013 as well as having contributed articles to publications 'Garageland' and 'Arty'. His work has been positively reviewed in 'Time Out', 'Critic's choice in the Financial Times', 'Art Monthly' 'This is Tomorrow' and 'Fad magazine' amongst others.   Education   Royal Academy Schools 2009-12 City and Guilds of London Art School 2006-9   Select Exhibitions/Awards   'Wells art contemporary' Wells 2022 'We are such stuff as dreams are made on' The cello factory (with Aleph contemporary), London 2021 'The stifled cry' Aleph contemporary (online) 2021 'MK Calling' MK gallery Milton Keynes 2020 'Wells art contemporary' Wells 2019 'Creekside open 2019-selected by Sacha Craddock' APT Gallery London 2019 'Creekside open 2019-selected by Brian Griffiths' APT Gallery London 2019 'Night Plinths' Narrative Projects London 2018 'Disintegration' (solo) Salon London 2017 'Dumb' Mercer Chance London 2017 'Jerwood Painting Fellowship show' Jerwood Space, London (touring to Arts University Bournemouth, Cardiff Bay Arts 2016 and Norwich University 2017) 2016 'Europa' Transition gallery, London 2016 'Carnival Glass' Block 336, London 2015 'Bloomberg New Contemporaries' Spike Island Bristol and ICA London 2013 Gallery Representation   Aleph Contemporary   Statement about AOAP Submitted Artwork   I use imagery from popular culture, leisure and consumer culture and my own everyday and history and mix it in with grand eras of art history. Two paintings in particular have been staple points of reference for some time; Caravaggio's 'Still life with basket of fruit' and Fragonard's 'Le petite parc'. I love the way the basket in Caravaggio's painting appears to fall out of the painting and invade your space, modern day advertising seems to do something similar. An advert for Costa or Mcdonalds uses the same tactics Caravaggio did in 1599. I love the atmosphere in Fragonard's 'Le petite parc painting, and I've tried to incorporate that particular feeling into some of my landscapes and fairground paintings. A gothic atmosphere permeates the work and although the emphasis from painting to painting alters slightly, memory, decadence, and a dream like unreality are core recurring themes. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Kirsty Harris Totem, 2022 Oil on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Harris explores nuclear explosions as cultural, historical and iconic symbols in her practice. Referencing the scale, beauty and abhorrent nature of the atom bomb she delves into the periphery of the subject, the myths, characters and surrounding evidence. She works across a wide range of media from vast oil paintings, tapestries & projections to delicate paintings on glass and ceramics you could hold in your hand. She is fascinated by the beauty and awe of the disrupted landscape, the dust, the glow. The violent & repellent force of the explosion.   Education   BA/Hons Fine Art - Cass School of Art, London, 2001   Select Exhibitions/Awards   SOLO EXHIBITIONS AND TWO MAN SHOWS 2023 THAT LETHAL CLOUD, Studio KIND, Devon, UK. 2019 A FOUL AND AWESOME DISPLAY, Vane Gallery, Newcastle Upon Tyne, UK. 2017 PARADICE LOST (sic), Plymouth Art Weekender, Plymouth School of Creative Arts. 2016 HOW I LEARNED TO STOP WORRYING (1945-2016), CFCCA, Manchester. SELECTED GROUP EXHIBITIONS 2023 TWO PLUS TWO MAKES FOUR, Auxiliary, Middlesbrough, UK. 2022 ROYAL ACADEMY SUMMER EXHIBITION 2022, London, UK. 2022 ONCE UPON AN INSTANT, University of Applied Sciences HTW, Berlin, Germany. 2022 HORIZON (LANDSCAPE AND BEYOND), Cello Factory, London, UK. 2021 ABSENT AUTHORS, APT Gallery, London, UK. 2020 CONTEMPORARY BRITISH PAINTING PRIZE, ASC Gallery, London, UK. 2019 LOVE& RAGE, Barbican Arts trust, London, UK. RESIDENCIES AND AWARDS 2022 Artist Residency at Karst Gallery & Studios, Plymouth, UK. 2019 Contemporary British Painting Prize - Shortlisted. Statement about AOAP Submitted Artwork   I wanted to experiment using oil paints on prepared paper, in thin washes, almost like watercolours. The painting depicts a British atmospheric nuclear test, called Totem, which took place at Emu Field in South Australia in October 1953. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell Fel Menyn, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell When Is It My Turn?, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell Survived, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Zena Blackwell The Final Chapter, 2022 Oil on Canvas Signed verso 15 x 10cm (5¾ x 3¾ in.) About   Zena Blackwell is a painter based in Cardiff, Wales, UK. Returning to painting in 2016 following a break from the medium she won first prize at the Cardiff MADE Summer Exhibition in 2017, presenting her first solo show consisting of over 30 paintings and drawings there the year after. The exhibition, 'Seen Not Heard', was included in a weekly list of the top 5 UK exhibitions by a-n and Wales Arts Review included it in a top 10 list of the best Welsh Visual Arts for 2018. In 2019 she won 3rd prize at 'PAINT', an open painting prize at PS Mirabel in Manchester.
 Her work is held in the National Library of Wales' permanent collection and in private collections around the World. Zena has been selected to take part in The Other Art Fair, London, this October. Zena founded the instagram blog Contemporary Cymru in 2017 and between 2003-2011, she co-founded a critically acclaimed live music event in London. 

 Education   Turps Banana Correspondence Course MA Fine Art Central Saint Martins 
BA Fine Art Wimbledon College of Art   Select Exhibitions/Awards   Shortlisted for BEEP Painting Prize 2022
 Shortlisted for Royal Academy Summer Exhibition 2021
 Third Prize Winner PAINT at PS Miracle, Manchester 2019 
First Prize Winner at the Cardiff MADE Summer Exhibition 2017 2022 BEEP Painting Prize 2022, Elysium Gallery A Generous Space, Hastings Contemporary, Hastings A Room of Her Own, Irving Contemporary, Oxford A Women's Place is Everywhere, The Cello Factory, London
A Delicate Balance - Solo Show at Canfas, Cardigan Y Lle Celf, National Eisteddfod, Tregaron, Cardigan Statement about AOAP Submitted Artwork   My work deals with various themes pertaining to childhood, be it from my own experience of childhood and parenthood or general observations of my own two children. I am interested in the evolving dynamics between them and me; their relationship with the environment, animals and the World in general (and all that it presents). Children can be strange but beautiful and also funny but melancholy. The presence of children in my work provides glimpses into imagination, fantasy; story telling and sometimes surrealism, Identity and gender definitions. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Mahinapua, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Carew, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

Robyn Litchfield Tauparikaka, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)   About   Robyn Litchfield was born in New Zealand and currently lives in North London. She is a painter and graduated from the City and Guilds of London Art School with an MA Fine Art (distinction) in 2017 and from The School of Art, Architecture and Design, London Metropolitan University with a BA in 2012.   Education   2015-2017 City and Guilds of London Art School, MA Fine Art (Distinction) 2008-2012 The School of Art, Architecture and Design, London Metropolitan University, BA Fine Art   Select Exhibitions/Awards   2022 Beep Painting Prize, Elysium Gallery, Swansea. 2022 The Summer Exhibition, Royal Academy of Arts, Selected by Bill Woodrow 2022 Horizon, Landscape and Beyond, The Cello Factory, London 2022 Affordable Art Fair with Darle and the Bear, Battersea 2022 Frequencies (For Healing), Confer Karnac Gallery, London 2021 The Contemporary British Painting Prize 2021 (long listed) 2021 Landscape's Unstilled Life, Darl-e and the Bear, Woodstock (curator and exhibitor) 2020 The John Moores Painting Prize (long listed) 2020 The Summer Exhibition, The Royal Academy, selected by David Remfry 2020 On the Strangest Sea, The Violet Hour 2020 Women's Lockdown Art, Zabludowicz Collection, womenandhealth.org.uk 2020 The London Art Fair with the Nunnery Gallery 2020 Jackson's Painting Prize 2020, awarded the Landscape/Cityscape/Seascape category prize Gallery Representation   Darle and the Bear, TinMan Art   Statement about AOAP Submitted Artwork   Robyn Litchfield uses wild landscape as a template for exploring personal history, notions of cultural identity, alienation and a sense of belonging. Her paintings are imbued with a longing for an idyllic Arcadia but haunted by the resulting violence, dispossession and ecological loss. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising    

CARICATURE -- "LEEUW EN HONDEN GEVECHT". (1652). Broadside consisting of 2 conjoined parts. Engr. by Cr. v.d. Passe (II) in 4 sequences, 220 x 275 mm, above a letterpress text in 4 columns. (Margins short, traces of former hinging on v°, but in good condition). -- Added: "DE WORSTELENDE MAAGD, Tot Bescherming van hare Vryheit". (1672). Broadside. Anonymous engr. above a letterpress text of 2 columns. 392 x 280 mm (paper size). (Central vertical fold partly torn and rep., traces of former hinging on v°). -- (2). NOTE:Ad 1: Scarce cartoon of England during the First Anglo-Dutch War, 1652. The Dutch Lion is lulled to sleep by the music of the Spaniard's cello but is tickled awake in his ear by Cromwell. Two English dogs bark at the lion, but their tails are pinched off by the Dutch Sailor with hot tongs. In the background a naval battle and fights between the lion and dogs. - Muller 2037; Atlas v. Stolk 2182 (without the text). Ad 2: The Dutch Virgo is situated in 'Den Hollandschen tuyn' and holds with difficulty the standard on which stands the freedom hat, which threatens to be pulled down by many warriors and a flying rooster (France). - Muller 2310.

Unopened Butler & Wilson grey gem coloured cross necklace and a diamante brooch with a person playing a cello (opened)

Original antique travel poster for Werdenfelser Sommerfrische / Werdenfels summer fair, featuring a great illustration of a lady and gentleman holding onto a rake going through a white flower wreath with ribbons while standing on a cello. Very good condition, minor staining. Country of issue: Germany, designer: Johann B. Maier, size (cm): 38x24, year of printing: 1909.

A Stentor "Student 1" cello with bow, hard shell case and cover

Silver jewellery including an opal set ring and shell set pendant plus a white metal cello brooch

Kaskeline, Friedrich (1863 - nach 1931).Scherenschnitt-Montierung auf cremefarbigem Papier, "Harfenklänge", 1920er Jahre; in ovaler, mit filigraner Vorhangdraperie verzierter Rahmung neobiedermeierliches Genremotiv eines musizierenden Paares mit Harfe und Cello; unten integrierter Titel "Harfenklänge"; unsigniert; Montierung partiell vom Untergrund gelöst, kleine Fehlstellen; Maße des Bildovals 18,2 x 24,5 cm; gerahmt unter Glas mit breitem ebonisierten Profilrahmen und silber-goldfarbiger Innenkante; Rahmenmaße 27,5 x 35,5 cm. Nicht geöffnet.Gewicht 740 g.

Michael Alan-Kidd (b.1955) British, 'Mme Suggia Playing the Cello', signed top left and dated 2013, acrylic on board, within a white painted wooden frame, Llewellyn Alexander Ltd label to reverse, 69 cm x 49 cmLocation:

A mid 20th century Whitefriars Geoffrey Baxter Cinnamon Cello glass vase, 6 3/4" highCondition:No visible issus. 

MUSICAL INSTRUMENT - Student Cello, with canvas case, overall L including foot 120cms, L of back 69cms

A Whitefriars Cello vase by Geoffrey Baxter, circa 1960, in tangerine glass, pattern number 9675, 18.5cm high, together with three pieces of Clarice Cliff, including a green and black vase, number 205, 21cm high. (4)

Sheila Oliner (1930-2020), Female playing Cello, mixed media, framed

OASIS - Wonderwall Studio-used Mellotron KeyboardA Mellotron 400SM keyboard used in 1995 album-recording sessions by Mancunian rock band Oasis. First manufactured in 1970, the Mellotron's popularity resurged after Oasis used the instrument on their lauded 1995 album (What's the Story) Morning Glory? At the time of the recording, only one company hired out Mellotrons, and this instrument was used to create the cello sound on the hit "Wonderwall". The instrument comprises a black-painted wooden exterior frame with an internal metal framework and electronic components. It features a control panel situated next to the keys. The serial number B1803 and power outlets are located on the back, and the keyboard comes with a padded faux-leather cover. The Mellotron exhibits several scuffs marks on the control panel and an external power supply is not included. The lot is accompanied by a letter of authenticity from the instrument hire company and rental paperwork showing that the instrument was hired for recordings at Abbey Road Studios in 2015. Dimensions: 57 cm x 86 cm x 81 cm (22 1/2" x 33 3/4" x 31 3/4")Contains electronics; see electronics notice in the Buyer's Guide.Special shipping required; see special shipping notice in the Buyer's Guide. Estimate: £4,000 - 6,000 M This lot will be auctioned on Friday, November 4th. The auction will begin at 3:00PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast at propstore.com on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 3rd; Saturday, November 5th; or Sunday, November 6th.

A cello with rosewood tuning pegs, length of back excluding button 74.8cm, cased with a bow.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Michael Alan-Kidd (b.1955) British, 'Mme Suggia Playing the Cello', signed top left and dated 2013, acrylic on board, within a white painted wooden frame, Llewellyn Alexander Ltd label to reverse, 69 cm x 49 cm

1027 Large Classical Collection Bach Schubert Chopin Beethoven and many more Most are MintBach - all the vinyls are mint except segovia lp which is Very GoodSchubert - all the vinyls are mint except Fasntasia lp which is Very GoodElgar - cello concerto & Yoyo Ma are near mint vinyls, the other two are mint.Chopin - all vinyls are mint conditionbeethoven - all mint vinyls except toscanini symph nos 4+5 which is near mintLiszt - all mint vinylsStravinsky 10" very good conditionMozart - Mint vinylBartok - Mint vinylSegovia Reveries - mint vinylVaughan Williams - both are mint vinylSargent sibelius - mint vinylHayden - mint vinylBritten - mint vinylVerdi box set - one disc is mint, one is near mint - WB grooveSchumann - vinyl is mintJulian Bream - near mint vinyls

A Modern Cello 18" TV with Remote

Renee Bickerstaff - 'Study for oil', girl with cello, watercolour, signed, 48 x 28 cm 

A late 19th century German cello, unknown maker, from the top of the button at the back to the base: 76cm, together with an unstrung bow, in a carry bag

MOSHAGE, Heinrich(1896 Osnabrück – 1968 Düsseldorf) Eisenrelief: CellospielerinEisenguss anthrazitfarben brüniert, Wandaufhängung. Mit Monogramm bezeichnet, verso Gießermarke Buderus. 27 x 23 cm. Hingebungsvoll musizierende Frau. Studium der Bildhauerei u. a. bei Waderé an der Kunstgewerbeschule München, danach Schüler bei Joseph Wackerle an der Akademie ebd. Literatur : Thieme/Becker. MOSHAGE, Heinrich(1896 Osnabrück - 1968 Düsseldorf) Iron relief: Cello playerIron casting anthracite burnished, wall suspension. Inscribed with monogram, foundry mark Buderus on verso. 27 x 23 cm. Devotedly playing music woman. Studied sculpture among others with Waderé at the Kunstgewerbeschule Munich, then student with Joseph Wackerle at the Academy ibid Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Three boxes containing a quantity of watch crystals including Nupex, Miracle, Timex, Go Ahead, Ova Cello and Empire

A Cello in poor condition, 49'' high overall approx., (the back 30'' long) with bow and canvas bag, all a/f.

A CD rack in the shape of a Cello.

Whitefriars 9675 indigo textured glass Cello vase designed by Geoffrey Baxter, 18.cm (h)

Geoffrey Baxter - Whitefriars - A Cello vase, in Indigo, pattern number 9675, height 18cm.

Charbens musical trio set with violin, cello and pianist, figures and piano a bit dusty otherwise, good

A Cello Bow, with silver (unmarked) and mother of pearl mounts, stamped Emile Ouchard, weight 76 grams, 71.5cm long. Ivory Act 2022 registration number H2H8AERD.

19TH CENTURY CELLO,interior label fo Joseph Riley & Sons, Birmingham, one piece 30" back, 120cm overall, with caseCondition poor. Well worn throughout. Damage and restoration where the neck joins the body. Split along the right hand side of the body and damages to the wood. Wear to the seems and border of the body throughout. Additional images now available.

Vinyl - Classical - Jacqueline Du Pre / Barbirolli - Elgar: Cello Concerto (UK stereo, HMV, ASD 655 ED1 Semi Circle) 2 copies, both VG++ / EX

A large quantity of violin parts, including tables, backs and bodies, also a cello body, approx thirty-five various scrolls (in double case), an old wooden violin case full of chin rests, a crate of chin rests, a box of tailpieces, a large box containing a quantity of tail pieces, and a bucket of assorted bridges (large qty).

An interesting and unusual, probably German, oversized viola, violone or perhaps diminutive cello, unlabelled, with two-piece birdseye maple back and double row of purfling, length of back 43.5cm, overall length 74.5cm.Additional InformationCracks to table and side.

A cello, with 72cm back (not including the button), in soft case with two bows (3).Additional InformationNo signs of woodwork or cracks, chipping/losses to edges. This is possibly early 20th century. length of neck 60cm. Length of neck to the bottom of the scroll 28.5cm.bottom edge of pegbox to top edge is 255mm. 

An interesting and unusual, probably German, oversized viola, violone or perhaps diminutive cello, unlabelled, with one-piece birdseye maple back and double row of purfling, length of back 46.8cm, overall length 77cm.Additional InformationMinor wear commensurate with age but no major damage noted.

W E HILL & SONS; a silver mounted cello bow stamped 'W.E.H & S', and another cello bow stamped 'F.R. Wunderlich, Leipzig' (2).Additional InformationBoth with general wear through use and both grubby. One with resin repair by the frog. Both are slightly curved. Approximate weight 148g. 

Four unused violin bows, a cello bow and five violin bow sticks, boxed.

Full size modern cello and bow, finished in white, with bow

Cello and bow, circa late 19thC, label for Adrian Goldsmith Violoncello 1908/1913, No 516, cello back length 76cm, bow length 71.5cm. The instrument was played in the music pits in London cinemas by the vendor's mother in the early 20thC

A CELLO GLASS VASE, STRIPED 23.5cm high, and a small Mdina vase

A POOLE POTTERY LAMP with Poole, including a Robert Jeffferson tray, a Tony Morris animal dish, a Cello vase and traditional ware

Rolf BlumeHannover - Der Kontrapunkt ("den Bogen muss man raus haben!") - Material: Fragmente von Streichinstrumenten + 2 Schlagzeug-Felle, Cello-Stachel, Geigen-Bögen, -Griffbrett, -Kinnhalter, -Stege, 1 Wirbel, Pinselborsten, Metallring, Messingrohr, Aluminiumstäbe, Holzstücke, Kuchenrost (verdeckt), Vaseneinsatz (grün), Stoff (gelb), Garn, Draht, Farbe, silberner Becher, Knopf (Metall), Negativ-Film-Hülle, Maße: ca. 170 x .70 x 20 cm (Hängung ca. 30 Grad). Internet: www.rolfblume.de

Uwe MolkenthinLengerich - Musik ist: erhellend - (Lichtobjekt / Beleuchtungskörper) Material: Cello Zarge, LED-Band innerhalb (dimmbar) mit Funkfernsteuerung, Stromzuleitung ca. 1,5m, Besatz Vorderseite: handgeschöpftes Büttenpapier mit Einschlüssen, Bespannung Rückseite: halbtransparentes, schwarzes Spezialpapier, Stachel weiterhin individuell in der Länge verstellbar, Mit der Fernsteuerung lassen sich verschiedene Lichtstimmungen einstellen, darunter auch ein sogenannter Fade-Effekt. Internet: www.uwe-molkenthin.de

Dr. Josefa Salas VilarHannover - La entrega / Die Hingabe - Material: Cello, Acryl auf Holz Maße: 34 x 65 x 11 cm. Internet: www.pepasalasvilar.com https://galerie-robert-drees.de/en/kuenstler/pepa-salas-vilar/ Instagram: @pepasalasvilar