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Lot 40
A H Read, Coventry, an Edwardian silver hunting cased pocket watch, verge movement, numbered 22071, Chester 1902, a silver openface watch by Dawson of Liverpool, a yellow metal sovereign case, a miniature silver gilt cello, a 9ct gold cased lady's wristwatch, a special constabulary medal, silver mustard spoon and two 20th century jade pendants
Lot 602
A modern black leather upholstered polished steel framed chair on curved base supports 60 cm wide x 90 cm high together with a 1930s oak framed brown leather upholstered low armchair and two wrought iron framed conservatory type chairs and a wrought iron candle stand as a cello CONDITION REPORTS Condition appears good. There are no maker's marks to the frame.
Lot 278
SCARCE & COLLECTIBLE AMERICAN CELLO BY GIBSON, c. 1942, model no. G110-842, paper label, L.O.B. 75.5cmsProvenance: private collection mid-Wales, consigned via our Cardiff officeComments: repaired split, varnish wear.Auctioneer's Note:Gibson ventured into the manufacture of violin-family instruments for a short period in the second half of the 1930s, ending in the early 1940s. Since supplies of commercial violins from Germany and Japan were unavailable due to the war, American manufacturers were protected for a time from this previously well-established overseas competition. Gibson-made cellos are rare and this example has some unusual features of construction borrowed from the company’s guitar-making heritage.
Lot 254
A cello and bow. The cello is lacking a makers label and the bow is decorated with abalone inlays. Back measures 76cmThe back measures 76cm. There are some chips around the purfling, some minor cosmetic scratches and some splitting of the veneer to the sides of the cello. The neck is not loose. Please see recently uploaded photographs on our website (or the-saleroom).
Lot 280
A 19th century Saxon cello Two piece back measuring 75cm, ebony fretboard, cosmetic scratches, lacks bow and case.There appears to be a crack in right side of the cello which has been repaired, apart from this there are no signs of any other cracks in the body and neck. The sound post and bass bar appear to be undamaged and no signs of woodworm. The neck from the bottom of the peg box to the edge of cello front measures 28cm.
Lot 35
"ARMAN", ARMAND PIERRE FERNANDEZ (Nice, 1928 - New York 2005).Untitled, 1992, from the "Suite Olympic Centennial".Lithograph on 270 grams Vélin d'Arches paper, copy 110/250.Hand signed and justified.This work is part of the "Suite Olympic Centennial", complete edition 110/250, which will be auctioned on 27 September 2022, in 50 consecutive lots numbered 35245230 to 35245280.Measurements: 90 x 63 cm.The Olympic Suite is made up of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. Published to commemorate the first centenary of modern Olympism, the artists chosen are defined by different pictorial movements and trends.Armand Pierre's father, better known as Arman, was an amateur painter as well as a musician, playing the cello. He settled in Nice, where Arman was born and studied at the city's School of Decorative Arts. There he met the painter Yves Klein, a representative of abstraction and performance art. He later trained at the Ecole du Louvre, where he remained in contact with artistic modernity. His great contribution to painting and graphic work is what is defined as "Accumulations", groupings of objects of the same type, displaced from their natural location and presented as a group that constitute a critique of consumer society, as in this lithograph of the Olympic Suite.
Lot 458
A CELLO IN NEED OF RESTORATION AND AN ACOUSTIC GUITAR, the cello with two piece back, the guitar with paper label reading 'Hertz Guitar series 2002, made in... German Democratic Republic', both with soft cases (2 + 2 cases) (Condition report: guitar appears in good condition, cello as stated)
Lot 42
ROMAN RIBERA CIRERA (Barcelona, 1848 - 1935)."Musician with cello".Oil on canvas.Signed in the lower left corner.Size: 60 x 35 cm; 79 x 51 cm (frame).Besides portraying the elegant and lavish life of the Parisian bourgeoisie at the end of the century, Román Ribera made paintings of musicians that remind, for their setting and excellent workmanship, of the Dutch and Spanish painting of the 17th century. This is the case here, where the artist depicts a musician with a cello in his hand. One of the most outstanding aspects of the painting is its successful treatment of colour and light. He uses a chromatic range of warm ochre, earthy and reddish tones, which he contrasts and contrasts with the brilliant white of the collar of his suit and the gold buttons on his coat. The artist, on the other hand, reveals himself to be a great draughtsman and demonstrates his interest in psychological introspection, offering us the image of a musician meditating, his gaze lost, despite the moment of calm he enjoys. Every detail of the costume has been depicted in all its rightful qualities, as was usual in Roman Ribera's precious plastic art.A Catalan painter, Roman Ribera studied drawing at the La Lonja School in Barcelona and painting at Pere Borrell's academy. He furthered his studies in Rome between 1873 and 1976, and travelled and exhibited in London. In the Italian capital he attended the Accademia Chigi and devoted himself to painting, but avoiding the contagion of the academicist mannerism of the Roman school. In 1877 he went to Paris with the art dealer Adolphe Goupil, who had acquired the rights to reproduce all his work. There he continued his training, this time directly studying scenes of Parisian street life. A year later he took part in the Universal Exhibition in Paris, where he achieved a decisive success with his three works of remarkable literary verism. However, he did not quite feel at ease with this type of subject matter and soon began to focus on depicting the elegant life of the period in works such as "Exit from the Ball", which he alternated with genre scenes in the Spanish Baroque tradition such as "A Flemish Drinker". In 1881 he took part in the National Exhibition in Madrid with precisely the aforementioned work with a Baroque setting, and in 1883 he was awarded the Encomienda de Isabel la Católica. After twelve years in Paris he returned to Barcelona, where he had already exhibited at the Centro de Acuarelistas (1885) and at the recently inaugurated Sala Parés. He then exhibited his work at the Artistic and Literary Association and the Parés and Rovira halls, as well as at the Universal Exhibition of 1888 and the Fine Arts Exhibition of 1894, obtaining great critical and public acclaim and soon won the favour of the wealthy Catalan bourgeoisie. In 1893 he submitted two paintings to the exhibition organised by the Barcelona Athenaeum: "Innocence" and "Incógnitca". Cirera regularly exhibited his work individually in the Rovira Room and as a group in the Artistic and Literary Society of Catalonia. He was a member of various official juries, and also of the Barcelona Museum Board in 1901. In 1915 he was appointed Member of Merit of the Artistic Circle of Barcelona. On his return to Spain Ribera continued to depict the life of the upper classes, the luxury of their homes, the richness of their costumes, etc., becoming a faithful portraitist of the Catalan upper middle classes of the Restoration, as he had already been of the French bourgeoisie of the Third Republic. He worked mainly in Barcelona, but also travelled to Madrid and held exhibitions of his work there. His work is currently held in the MACBA in Barcelona, the Museu d'Art de Girona, the Museu de Montserrat, the Biblioteca Víctor Balaguer and in various important private collections.
Lot 714
ROGER LAGNIEZ (20th century); mixed media, abstract still life study with cello, signed and dated '44, 38 x 52cm, framed and glazed. (D)Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 1112
CLASSICAL LP COLLECTION. A large collection of roughly 800 x classical LPs to include box sets. Titles / Composers / Performers include Sir William Walton - Belshazzar's Feast (SAX 2319 - Blue / Silver Label), Herbert Von Karajan - Ballet Music From the Operas (SAX 2421 - Blue / Silver Label), Hermann Prey - Mozart Opera Arias (SAX 5293 - Red Semi Circle), Jacqueline Du Pre / Stephen Bishop - Beethoven Cello Sonatas (HQS 1029), Louis Fremaux - Le Cid - Ballet Music (2 x copies) (TWO 35), William Tell and the Famous Five (SAX 2378 - Red Semi Circle), Jascha Horenstein - Tchaikovsky's 'Pathetique' (ASD 2332), Elgar - Sea Pictures (ASD 655), Maxim Shostakovitch - Shostakovitch (ASD 2668) and Mstislav Rostropovitch - Tishchenko: Cello Concerto (1963) (ASD 2803). The condition is generally VG+ to Ex / Ex+ with most records grading at least Ex.
Lot 1175
CLASSICAL LP COLLECTION. Fantastic collection of around 3000 x LPs. All records described in this listing are original UK pressings. Titles / Composers / Performers include Peter Maag - Mendelssohn In Scotland (SXL 2246 - VG+ / Ex), Willi Boskovsky - Tales From the Vienna Woods (SXL 6040 - ED1), Vienna Philharmonic - Highlights (SXL 6155), Rheingold and Walkure Highlights (SXL 2230), Beecham - The Gods Go A'Begging (ASD 480), Haydn - Farewell Symphony (ASD 506), Benjamin Britten - Noye's Fluddle, Elgar & Delius Cello Concertos Jacqueline Du Pre (ASD 2764) and Moiseiwitsch - Piano Concerto Movements (CSD 1373). The condition is generally VG+ to Ex / Ex+
Lot 750A
Small Collection of Coloured & Edinburgh Crystal Glass Items, comprising a Cello hand made jade green bowl raised on a pedestal made of three arms, 7" tall, a cobalt blue bowl raised on a pedestal formed of seven arms, 6" tall, and four items of Edinburgh glass, comprising assorted vases, tallest 6".
Lot 1291
A quantity of amber, silver and other modern costume jewellery to include an 'Endless' necklace with yellow amber pebbles, length approx 70cm, a necklace with graduated amber and green stone, length approx 70cm, an amber and silver bracelet, an amber and silver style cello brooch, four silver and amber dress rings, two further dress rings, various silver and gold earrings, mostly studs, bracelet, also modern Chamilia silver beads, etc.
Lot 91
Collection of approx. 25 Classical LPs and approx. 20 78s. LPs to include Sviatoslav Richter - Pino Cencerto No. 1 in E flat/ Piano Concerto No.2 in A (ABL 3401, UK repress, VG+), Khachaturian - Spartacus/ Gayaneh (SXL 6000, Decca, UK reissue 1971, VG+), English Chamber Orchestra/ Benjamin Britten - Britten Conducts English Music For Strings (SXL.6405, Decca, UK first pressing, wideband label, 1969, VG), Dvorac - Cello Concerto in B minor (SXLP.30176, His Master's Voice, UK reissue 1975, VG+), Sibelius/ Sir Charles Groves/ Royal Liverpool Philharmonic Orchestra - Spring Song (ASD 3287, His Masters Voice, UK first pressing 1976, record - VG+, damaged sleeve), Elgar - Symphony No. 1 in A flat Major, Op. 55 (EMX 4120841, UK pressing, VG+), and Sibelius: The Swan Of Tuonela - Four Lemminkainen Legends (ACL 138, UK mono pressing, VG+).
Lot 599
Vinyl - 13 Classical LP's and 1 Box Set to include: Kyung-Wha Chung, Radu Lupu, Franck, Debussy – Sonata For Violin & Piano In A Major / Sonata For Violin & Piano (Decca SXL 6944). Kreisler String Orchestra – 226 (Test Pressing) EX, Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate – Piano Concertos · Klavierkonzerte No.20 KV 466 · No. 21 KV 467 (Philips 416 381-1) VG+ /EX . Debussy, Ravel • Quartetto Italiano – String Quartet In G Minor • String Quartet In F Major (Philips, SAL 3645), Delibes, Ansermet, L'Orchestre De La Suisse Romande – Coppélia - Ballet (Decca Box Set LXT 5342-3). Sir Thomas Beecham – Delius : Appalachia / An Arabesque (Fontana, CFL 3009). Henze – Voices (Decca, Double LP, HEAD 19/20). Josef Tal - Concerto for Violincello and Strings / Tzvi Avni - Meditations (Israel, CBS 72578). Franz Liszt, Richard Wagner – A Faust Symphony / Mephisto Waltz / A Faust Overture (USA, VOX, PL 10.902). Walter Gieseking – Mendelssohn Songs Without Words )Columbia, CX 2479). Jacqueline Du Pré, Daniel Barenboim Conducting The New Philharmonia Orchestra – Cello Concerto In A Minor / Cello Concerto No. 1 In A Minor (EMI / HMV, ASD 2498). Yehudi Menuhin, Bach – Sonatas For Solo Violin, Volume 1 (His Masters Voice, ALP 1512). Yehudi Menuhin, Bach – Sonatas For Solo Violin, Volume 2 (His Master’s Voice ALP 1531). Yehudi Menuhin, Bach – Sonatas For Solo Violin, Volume 3 (His Master’s Voice, ALP 1532). Most Sleeves are at least VG+ (with library stickers), most vinyl at least VG++ / EX. From the Granada Television / Yorkshire Television music library, therefore most have library stickers/numbers to sleeve or vinyl or both
Lot 293
BERYL COOK ( BRITISH 1926-2008) 'MEADOW SUITE', three female figures are playing a piano, cello and violin while naked, signed to lower margin with Fine Art Trade Guild blind stamp, published by Alexander Gallery publications 1984, mounted, framed and glazed, approximate size 34cm x 42cm frame 53cm x 62cm, small amount of damage to the frame (artist resale rights apply)
Lot 131
Eleven Superb Stereo Classic Releases, to include Elgar Cello Concerto and Sea Pictures (HMV ASD 655, 1965), Barbirolli Conducts English String Music (HMV ASD 521, 1963), Otto Klemperer - Schumann Symphony No.2 (HMV ASD 2454, 1969), Sargent Conducts Sibelius (HMV ASD 541) and seven more notebale releases.
Lot 14
Late 19th century/early 20th century cello with Stradivarius label, bow and cover CONDITION REPORT: This is a full-size cello. Size of back 755 mm and the length of neck from bottom edge of peg box is 280 mm. The pegs are all in good order. The scroll is in good condition as is the neck which appears from of any breaks. The back of the cello is scuffed and marked but there do not appear to be any cracks. The top of the cello appears to have a crack to the right-hand side and there looks to be varnish around the edges suggesting possible other repair. Some ebony and boxwood stringing is slightly lifting to the very bottom centre right of the base. There appears to be a resin repair around the left-hand bottom corner. We are not sure exactly what the varnish is covering. The ribs and sides have cracks and dents and other marks. The supporting point that protrudes from the bottom of the cello has slipped up inside the instrument. We cannot be certain as to the exact of the instrument but judging from the patination we would have thought late 19th/early 20th century. We can see no evidence of any woodworm. The bow is stamped “Dodd” but this appears somewhat crude. It currently will not adjust but seems otherwise to be in reasonable order.
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