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Udo LINDENBERG (1946), Reproduktion, ''Sie spielte Cello'', u.re. im Druck sign., Maße: ca. 32 x 22 cm, hinter Glas im Passpartout gerahmt.

A modern cello132cm overall

Stentor Student II cello, 118cm high, together with bow and carry case marked ¾ Condition: Cello case appears in good order with no signs of cracking, signs of light use only, carry case is a bit dusty and grubby. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.

Unknown - A set of seven 1950s lampworked glass 'animal band' figures, comprising a goat on accordion, a cat on cello, a mouse on cymbals, a dog on drums, a pig on guitar, a rabbit on horn and a fox on violin. (7)

A cello with a one-piece back, approx 125cms (49ins) high.

An old faux grained wood cello case, 134cm long.

Sarah Jeffries Morph One, 2020 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.)Painter, Collagist and Image Activist Painter, Collagist and Image Activist Education 2002-04 Royal College of Art, MA Painting 1999-02 Bucks University, BA Fine Art 1996-99 Canterbury College, GNVQ Art & Design   Solo Shows 2013 Female, Pili Pili Gallery, Knokke, Belgium 2011 Once Upon a Time..., Pili Pili Art Gallery, Knokke, Belgium 2008 Within These Walls, Waterhouse & Dodd, Mayfair, London 2004 Persona, Putignano Arte, Putignano, Italy Two Person Shows 2019 Picture Interrupted, Mike Bartlett & Sarah Jeffries, Transition Gallery London 2005 We've Been Here Before, Laura Green & Sarah Jeffries, Blyth Gallery, Imperial College London Selected Group Shows 2019 People Pictures, Jack House Gallery, Portsmouth, Hampshire 2019 Indoor Voices, Curated by Graham Crowley, Greystone Industries, Suffolk 2018 LANDSCAPE, The Lone Wolf Projects, Sluice Exchange, Berlin 2018 Transcendence, The Cello Factory, Waterloo, London 2017 Connect/Disconnect, Watch This Space Gallery, Eastleigh, Hampshire 2016 The Cat Show, PAPER Gallery, Manchester 2016 Let's Make a Better World, The Cello Factory, Waterloo, London 2015 Existence, Zoe Hawkins Gallery, Winchester, Hampshire 2012 The Zeitgeist Open 2012, ZAP, London 2011 Help a Capital Child Fundraising Art Event, Chelsea Football Club, London 2009 Lineart Fair, Pili Pili Art Gallery, Knokke, Belgium 2009 Impossible Exchange, Frieze, London 2009 Summer Exhibition, Pili Pili Art Gallery, Knokke, Belgium 2008 The Chef, The Artist, The Architect & His Curator, Full Moon At The Fortezza, Italy 2008 Art Hamptons, Waterhouse & Dodd Stand, New York 2008 The Painting Room, Transition Gallery, London   Awards 2010 Commendations, Aesthetica Creative Works Annual 2004 Fine Art Pyramid Award, Deutsche Bank, London 1999 Painting Skills of The Year, Canterbury College, Kent, Waterhouse & Dodd   It's great to hear about Art on a Postcard and very happy to be involved.

Sarah Jeffries Morph Two, 2020 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Painter, Collagist and Image Activist Education 2002-04 Royal College of Art, MA Painting 1999-02 Bucks University, BA Fine Art 1996-99 Canterbury College, GNVQ Art & Design   Solo Shows 2013 Female, Pili Pili Gallery, Knokke, Belgium 2011 Once Upon a Time..., Pili Pili Art Gallery, Knokke, Belgium 2008 Within These Walls, Waterhouse & Dodd, Mayfair, London 2004 Persona, Putignano Arte, Putignano, Italy Two Person Shows 2019 Picture Interrupted, Mike Bartlett & Sarah Jeffries, Transition Gallery London 2005 We've Been Here Before, Laura Green & Sarah Jeffries, Blyth Gallery, Imperial College London Selected Group Shows 2019 People Pictures, Jack House Gallery, Portsmouth, Hampshire 2019 Indoor Voices, Curated by Graham Crowley, Greystone Industries, Suffolk 2018 LANDSCAPE, The Lone Wolf Projects, Sluice Exchange, Berlin 2018 Transcendence, The Cello Factory, Waterloo, London 2017 Connect/Disconnect, Watch This Space Gallery, Eastleigh, Hampshire 2016 The Cat Show, PAPER Gallery, Manchester 2016 Let's Make a Better World, The Cello Factory, Waterloo, London 2015 Existence, Zoe Hawkins Gallery, Winchester, Hampshire 2012 The Zeitgeist Open 2012, ZAP, London 2011 Help a Capital Child Fundraising Art Event, Chelsea Football Club, London 2009 Lineart Fair, Pili Pili Art Gallery, Knokke, Belgium 2009 Impossible Exchange, Frieze, London 2009 Summer Exhibition, Pili Pili Art Gallery, Knokke, Belgium 2008 The Chef, The Artist, The Architect & His Curator, Full Moon At The Fortezza, Italy 2008 Art Hamptons, Waterhouse & Dodd Stand, New York 2008 The Painting Room, Transition Gallery, London   Awards 2010 Commendations, Aesthetica Creative Works Annual 2004 Fine Art Pyramid Award, Deutsche Bank, London 1999 Painting Skills of The Year, Canterbury College, Kent, Waterhouse & Dodd   It's great to hear about Art on a Postcard and very happy to be involved. Condition Report:   Condition Report Disclaimer

A cello and bow, lacking two strings, 127cm long

Mittenwald Cello, with ink line purfling circa 1840, two piece back and red brown varnish, together with hard case, P&H fibre bow, and repair note and insurance certificate from David Mann Violin shop Hexham (vendors name cut out)

Lamy School Cello after Stradivari, with two piece back and chesnut brown varnish, with soft caseLength of back measures 75.3cm

German cello, with two piece back and golden colour varnish, with W.E. Hill and Sons hard case.Length of back measures 74.6cm

Quarter size cello, with two piece back and worn deep red varnish, with soft case and bow.Length of back measures 62.3cm

Deutsch, 1. Hälfte 19. Jh.Öl auf Leinen, doubliert, Porträt einer jungen Dame im weißen Kleid beim Cello spielen, 115x93 cm, im Rahmen,

Beswick cat choir conductor: saxaphone x 3 and cello together with a penguin chick 801 (6)

Boxed Mid Century Musical Decanter: in form of Cello

A violin hard case, a 1/4 cello soft case, two further cello soft cases and eight bows, varying in size from 16.5 inches (42cm) to 27.5 inches (70cm).

Cello

Cello 1. Hälfte 20. Jh., ungemarkt, geteilter, gleichmäßig geflammter Boden in mittelbraunem Lack, dreiteilige umlaufende Randeinlage, Decke mit mehreren verfestigten Rissen, Alters- und Gebrauchsspuren, L ges. 120 cm.

A CELLO SHAPED METAL CD HOLDER

Cello um 1900 innen alter Klebezettel, Kopie Antonius Stradivarius Germany, Gesamtlänge 126 cm, dazu Bogen signiert Adolf C. Schuster, Gesamtlänge 72 cm, Gesamtgewicht ca. 66,5 g Cello around 1900 inside with old sticker note, copy Antonius Stradivarius Germany, total length 126 cm, with cello bow signed by Adolf C. Schuster, total length 72 cm, total weight approx. 66.5 g

JASCHA HEIFETZ - RCA LPs. Excellent collection of 13 x RCA LP recordings featuring the memorable performances of Jascha Heifetz. Works are Two Bach Concertos (US LM-1818 red seal), Beethoven Violin Concerto In D (RB-16124, 2 x alternate UK mono pressings), Tchaikovsky Violin Concerto (RB-16038), Brahms Concerto For Violin & Cello (RB-16270), Brahms Violin Concerto (RB-16117), Sibelius Violin Concerto (RB-16229), The Beethoven Sonatas (RB-6544), Vol 2 (RB-6559) and Vol 3 (RB-6563), Bach Concerto For Two Violins (RB-16277), Mendelssohn/Prokofiev Concertos (RB-16182) and Bruch Concerto In G Minor (RB-6527). Condition is chiefly very clean Ex to Ex+/archive.

CLASSICAL - LP COLLECTION. High-quality collection of around 60 x LPs including original Mono and Stereo recordings. Performers/works include Horszowski - Beethoven Trios/Sonatas (Philips ABL 3271/72/73), Dorati - Bartok The Wooden Prince (stereo SAL 3670), Isaac Stern - Bartok Concerto (CBS stereo SBRG 72009), Glenn Gould - Bach (CBS stereo SBRG 72277), Rostropovitch - Dvorak Cello Concerto (ALP 1595) Silverstein - Bartok/Stravinsky (RCA stereo SB-6643), Otto Klemperer, Malcuzynski - A Chopin Recital, Artur Schnabel, Andre Gertler, Eschenbach/Frantz, Horowitz/Toscanini, Richter (RB-16280), David Oistrakh - Schubert Trio No 1, Karl Engel, Stefan Askenase and Rubinstein. Condition is often very clean Ex to Ex+/archive.

CLASSICAL - LARGE LP COLLECTION. Another great quality collection of around 560 x LPs loaded with fantastic recordings. Performers/works include ROman Totenberg - Ernest Bloch Concerto (Philips stereo 838 203 AY), Janos Starker inc. Suites For Cello and Bach Cello Suites, Sir John Barbirolli - Schoenberg (ASD 2459), Hermann Scherchen, Carlos Chavez, Eugene Goossens, Gonzalo Soriano (inc. SXL 2091 Falla, please note record only), Quintetto Chigiano, Russell Oberlin, W. Friedemann, Frantisek Benda, Josef Hala, Molter, Christian Ferras, Thomas Jensen, Ronald Smith, Andre Gertler, Denis Stevens, Melos Ensemble, Previn/LSO, Konrad Ruhland, George Schick and Clemens Krauss. Condition is typically well presented VG+ to Ex+.

CLASSICAL - LP BOX SET COLLECTION. Grand collection of around 145 x Classical LP box sets plus an additional 28 x LPs. Performers/works/composers include Kohon Quartet, Klemperer, Richter, Kempff ,Menuhin, Colin Davis, Bruno Walter - Brahms Symphonies, Robert/Clara Schumann, Casals - Bach Cello Suites, Leonard Bernstein, Juilliard Quartet, Wagner - Der Ring Des Nibelungen, Horowitz, Pollini, Barenboim, Andre Watts, George Szell (CBS 78304), Beaux Arts Trio, Peter Frankl and Eugene Onegin. Condition is generally VG to Ex+.

A lovely collection of 14 x LPs plus 5 x 10" LPs (19 releases in total) including many original stereo recordings. Works/performers/cat. numbers include Albinoni - I Musici (Philips stereo 835 029 AY), Mstislav Rostropovich - Shostakovich (Philips stereo 835 549 AY), Geza Anda/Ferenc Fricsay - Bartok (Deutsche Grammophon red stereo tulips SLPM 138111), David Oistrakh/Isaac Stern - Vivaldi (Fontana stereo 876 008 CY), Tortelier - Dvorak Cello Concerto (SXLP 30018), Colin Davis, Luigi Boccherini (Oriole stereo SMG 20062), Victoria De Los Angeles, Joan Sutherland, Beniamino Gigli (BLP 1034), Alexander Unisky and Cor De Groot. Condition is generally VG+ to Ex+.

A Cello flat screen television with remote control

Five Nao figures including Violin and Cello players

Cello, Cello 4/4 (121cm height) Made in Romania, very good condition with just a couple of scuffs on back, with bow and soft case

A modern cello132cm overall

Hungarian Made Childs cello : in need of repair

Cello 29 1/2'' two piece back, upper bout 13 1/2'', middle 9 1/2. lower 17'', depth 4 3/4''; no label pegs bushed and has had head/neck graftFront has had bass bar crack and sound post crack, similarly to back (repaired)

Cello 29 3/4'' two piece plywood back, labelled 'Imported by Leslie Sheppard (Foreign)' and 'Made in Hungary', with bow in soft caseLacks bridge

Violin 14 1/8'' two piece back, ebony fingerboard, labelled 'Antonius Stradavarius Cremonisis' (requires restoration, centre joint on back has split) (cased with bow stamped 'Bausch') together with a Cello 30'' two piece back, Student model no maker's mark (in soft case with bow) (2)

Unclearly signed, earthenware sculpture of figure in cello 43 cm high

DÖRING, ADAM LUDE (1925-2018), "Cellospielerin", abstrakte Figurenkomposition, Farbserigraphie/Papier, u.re. mit Bleistift von Hand signiert und datiert (19)96, u.li. mit Bleistift num. 160/180, HxB: Platte ca. 41x41 cm, Blatt ca. 52x52x51 cm, Außenmaße Rahmen ca. 63x62 cm. Mit verglastem Galerierahmen. Minim. Altersspuren. | DÖRING, ADAM LUDE (1925-2018), "Cello player", abstract figure composition, color silkscreen / paper, below right. Signed and dated by hand in pencil (19) 96, below left. with pencil num. 160/180, HxW: plate approx. 41x41 cm, sheet approx. 52x52x51 cm, external dimensions frame approx. 63x62 cm. With glazed gallery frame. Minim. Signs of age.

Corgi Toys, 1143 Chipperfields circus crane (scammell cab), comprising red and blue body, in the original blue and yellow window box ,one tiny hole in cello at left side top corner (NMM-BNM)

Corgi Toys, 1139, Chipperfields Menagerie truck complete with sticky pads for animals, cages still have the plastic domes inside to protect the the animals. Strings still attached to secure cages to trailer. Box has very tiny split just starting in top right of cello (NM-BNM)

Dinky group of models to include 940 Mercesdes truck boxed in near mint box, 2x 266 E.R.F fire engine both boxes have tears to cello, No.950 Foden tanker with box damage at one end, plus a quantity of tyres to fit dinky toys and 3 play worn Dinky toy aircraft

A Lladro porcelain figure of a lady playing a cello with music stand, 'Concerto No.6332', signed to base, 20cm high, in original box with paperwork, no apparent damage

A violin hard case, a 1/4 cello soft case, two further cello soft cases and eight bows, varying in size from 16.5 inches (42cm) to 27.5 inches (70cm).

A Nao girl figure with cello and a Lladro boy A/F (finger missing)

* Casals (Pablo, 1876-1973). Catalan Cellist, Composer and Conductor. Signed portrait, 1955, head and shoulders portrait of the cellist with his left hand visible on the cello, woodcut by F. Miro, signed and inscribed to the lower margin, 'To Mr Kelleth [six] Powers with kindest regards - Pau Casals 1955', a little spotting, 30 x 21 cm, framed and glazedQty: (1)

* Rubbra (Edmund, 1901-1986). British composer. A good archive of 29 unpublished Autograph Letters Signed and 3 Typed Letters Signed all ‘Edmund Rubbra’, Oxford University and Gerrards Cross, Buckinghamshire, 22 November 1963 to 24 May 1976, to ‘Michael Dawney’, mentioning, inter alia, the first performance and subsequent publication of his Missa Brevis, his Cello Soliloquy, Farnaby Improvisations, 2nd Symphony, Piano Studies Op. 139 and much church music, including the Advent Cantata and Nine Tenebrae Motets, a total of 38 pages (including 14 with filing holes, some affecting the text), occasional paperclip marks and some annotations by Dawney, 8vo, together with an important biographical, autograph textual manuscript in pen and pencil, 24 May 1970, being the answers to 13 questions from Dawney (included on a separate sheet) about Rubbra’s life and music, giving detailed responses about his youth, influences, impressions of Holst and Vaughan Williams, his days at the Royal College of Music, with Constant Lambert, Howard Furguson and Gerald Finzi, his interest in mysticism, the origin of his name, his book on Holst, his views on composition, etc., 6 pages on four leaves, 4toQty: (34)NOTESMichael Dawney (born 1942), musicologist, music editor, composer of hymn tunes and pupil of Edmund Rubbra. The letters are apparently unpublished and are of significant biographical importance.

* Walton (William Turner, 1902-1983). English Composer. An archive of material by, or relating to William Walton, including one brief autograph letter signed, two typed letters signed and one score signed, the letter to the writer and musicologist Donald Mitchell on a personalised correspondence card, dated at Ischia, 23 January 1973, informing his correspondent that, 'Indeed Malcolm [Arnold] is here and working hard - in fact he seems to be halfway thro' the 1st mov[ement] of a Symph[ony]. I wish I was!', the two typed letters signed to Mrs C.E. Marrett, London, 17 May & 19 August 1949, thanking her for the photographs of the house on the Island of Ischia (one of which is present), which Walton wishes to rent from her, inviting her to tea, confirming the tenancy of San Francesco for the following year, mentioning terms and assuring her that he and his wife 'look forward immensely to our stay there', minor creasing and one with small marginal tear to blank left margin, both one page, 8vo/oblong 8vo, the signed score being a printed 1st edition of Walton's Violin Concerto in B Minor, Oxford University Press, 1945, signed in blue ballpoint pen at head of first page by 'William Walton', 'Andre Previn', and [in Korean] Kyung Wha Chung', ownership signature of the music critic E.H. Greenfield (dated 20.12.45) to front wrapper verso with various ink notes about recordings, original printed wrappers, upper cover detached and spine deficient, large 8vo, plus an autograph signature of William Walton on a white card and a good series of 9 autograph letters signed from Walton's wife, Lady Susana Walton (1926-2010), and one typed letter signed, and one programme signed, La Mortella, Ischia and London, 1983-2003, 8 of the autograph letters to Walton's biographer Neil Tierney and one to Donald Mitchell, the typed letter to Kathleen Miles, all but one letters mentioning William Walton, the earliest letter written to Donald Mitchell three weeks after Walton's death, '... William and I had just arranged for the MSS to be lent to Christ Church. We were also going to Pisa on the 29th for his birthday to celebrate with Lindsay Kemp and his group doing Façade; I thought the artists should have his birthday celebration - but very sad for me', the subsequent letters discussing photographs of Walton, his mini opera The Bear, the setting up of the Walton Charitable Trust, progress on the Walton Museum at La Mortella, Tierney's biographies of Walton and Stravinsky, progress on her book about Walton and mentioning various works including Façade, Violin Concerto, Cello Concerto, Belshazzar's Feast, Violin Sonata and further mentioning Vladimir Ashkenazy, Yehudi Menuhin, Louis Kentner and John Shirley-Quirk, plus the aforementioned photograph, a copy of the programme for the premiere of Walton's Troilus and Cressida, a typed bank instruction for Walton to pay £20 each month to Mrs Marrett and an unsigned printed Italian postcard in celebration of Walton's centenaryQty: (a folder)

A full size modern cello by Robert Mynott (Cambridge), after a model by Testori with hard case

A CELLO, two piece back, bears label "Pietro Antonius da'ja Costa ... 17.." with metal (chrome?) strut, rosewood turners, back 30", overall length 48", together with an un-named bow, 28" long, and modern carrying case (3) (Est. plus 21% premium inc. VAT)

Drei Musikanten, Gotthelf Greiner, Limbach, Thüringen, Marke 1772-1797, Violinenspieler, Cellospieler und Fagottspieler in Rokoko-Kleidung auf rocailleförmigen Sockel, polychrom bemalt, H. 12,5 bis 15 cmThree musicians, Gotthelf Greiner, Limbach, Thuringia, mark 1772-1797, violin player, cello player and bassoon player in rococo dress on rocaille shaped base, polychrome painted, h. 12,5 to 15 cm

A George III cello

A 20th century student's cello

A 19th century Dutch white metal cello-form box, with embossed figural decoration within scrolling ground, 14cm long, weight approx 1.9ozCondition report: Strings broken, cover does not sit flush with box, hinge in working order, general wear in keeping with age but no significant visible damage, refer to images

W Voller, signed vintage bronze of Carlo Alfredo Piatti (Italy, 8 January 1822 ? 18 July 1901) playing the Cello, 27 cm high

AN ANTIQUE GERMAN CELLO bearing a partial label Markneukirchen, length of back 76.6cm.

W. E. HILL & SONS, 38 NEW BOND STREET, LONDON. A PINE CELLO CASE with velvet lined interior and makers label 133cm high

AN 19TH CENTURY EBONISED WOOD CELLO CASE with velvet lined interior 133cm high

A set of four late Dresden Monkey Band figures, crossed sword mark and impressed marks; conductor, 693, flute, 695, trumpet, 696, cello, 697, largest 17 cm (4).

A cased full-size cello with interior label 'Gear 4 Music', two-piece back, length 76cm and a bow, the case with internal hygrometer (cello lacking bridge). CONDITION REPORT Cello lacking bridge, there is a dowel peg rattling around inside the cello that will need removing. Minor scratches, deep scratch where the fixings for the string have scraped across the body. There is a bit of mould to the outside of the case.

A cello with one-piece back, in a soft carry case, 122cms (48ins) high; together with another similar (2).Condition Reportbody lengths 58cm and 68cm

ROYAL DOULTON; three figures comprising HN3190 'Old Ben' limited edition no. 453/1500, HN4287 'Nurse', and HN2323 'The Lobster Man', also a single Nao figure of a girl with cello (af) (4).Additional InformationThe Nao figure has chip to her right hand and has lost the bow she is holding, otherwise some light surface wear, dirt and dust.

GOEBEL; fourteen Hummel figures including boy with cello, carol singer, girl with watering can, etc (four af).Additional InformationBoy with basket, tip of hair chipped and lost, school boy with ruck suck tail feather to hat broken off and lost, serenade figure chip to his instrument and girl sitting in tree the bow completely broken through, her right arm, head broken off, further general wear.