14482 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Cornel Lucas (1920-2012), a silver gelatin print, Diana Dors, dated 1954, printed and signed in pencil to the mount, with copyright and studio stamp to the reverse. Along with a bespoke frame. H.61 W.51cm

Lucas Lighting, Lucas Generators & Lucas Ignition - three vintage mid 20th-century Lucas pictorial point of sale / shop display advertising showcards. Each showcard of rectangular form with notations over pictorial imagery below.Each measuring approx. 75cm x 50cm.

3 x Lucas Spot/Fog Lamps 1 has a crack in it (as pictured)

Summary:Lucas Plastic Electrical, Braking and Girling Signs (3)

A pair of Lucas 436 'Backlight' oil illuminated lamps, circa 1908,polished brass, with bail handle, rear flange bracket, 4 inch diameter 'Ruby' lens and 2 inch diameter clear side lenses. For further information on this lot please visit Bonhams.com

A Lucas 'King of the Road' Ordinary hub light, circa 1887Japanned black with some repainting, overpainted brass plaque, 8cm diameter lens, with front mounted striker, interior fitted with reservoir and burner, mounted in a custom made wood and brass display stand. For further information on this lot please visit Bonhams.com

Two Lucas oil illuminated number-plate rear lamps,each brass body with drum chimney, comprising model 631 (with bullseye lens) and 633 (with flat clear lens, remains of nickel plating) 'King of the Road' lamps. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

A Singer Coventry tricycle, circa 1880,finished black with red coach-lining, restored by former owner in the 1970s-80s, ridden and exhibited on many occasions by the current vendor, comprising solid tyred 20 inch diameter front steering wheel, chain driven 48 inch driving wheels, the cross tube fitted with later Brooks Ladies B73 leather saddle, wooden grip handles for left side support, fitted with a 'Victoria No 23' rumble bell, right handle to operate steering, rear left handle to control brake, rear trailing support wheel 3ins diameter, together with a rear basket (wormed) and carrier and a pair of Lucas 'Silver King' polished brass oil illuminated lights, fitted to flange mounts. This lot is subject to the following lot symbols: ◊◊◊◊◊◊ Requires specialist shipping and storage at the buyer's expenseFor further information on this lot please visit Bonhams.com

A Joseph Lucas No.722 "King of the Road" oil lamp, along with a one similar marked Rippingille's Albion Lamp Co. Ltd (Birmingham)

Attributed to Frans Snyders' workshop (Antwerp 1579 - 1657)‘Hunting Scene'Oil on canvas. Relined. 203 x 216 cm.In the past, as the family informs us, the canvas was unfortunately cut to size on the right side in order to fit it in a new location. It is possible that the author's signature was in the lower right-hand corner, but it was lost when the canvas was cut to size. Amberes, 1579 - Amberes, 1657En 1593 entró en el taller de Pieter Brueghel el Joven, siendo también aprendiz de Hendrick van Balen. En 1602 ingresó como maestro en el Gremio de San Lucas y, poco después, realizó un viaje a Roma y a Milán, donde trabajó para el cardenal Federico Borromeo gracias a las recomendaciones de Jan Brueghel el Joven. De regreso a Amberes, en 1610, casó con Margarita de Vos, hermana del pintor Cornelis

A large quantity of amber glass apothecary bottles, mixed sizes and styles, some stoppers present, some corked, varying labels also present including many period paper labels, many associate with such Chemists as 'Evans Sons, Lescher & Webb Limited, London', 'John Bell, Hills & Lucas Limited', and, 'The British Drug Houses Limited', etc, largest height 33cm, (27).

Star Wars - Collection of Star Wars vehicles, figures & collectibles to include 6 x boxed Hasbro Episode I (Electronic C-3P0, Electronic Qui Gon Jinn), 2 x Anakin Skywalker's Podracer, Trade Federation Droid Fighters & R2-D2 Art Center), 3 x carded Hasbro The Power Of The Force figures (Stormtrooper, Han Solo & Darth Vader), 4 x Hasbro Retro Collection figures (Boba Fett, George Lucas Trooper Disguise, Chewbacca & Shadow Stormtrooper), Lazerbuilt Darth Vader Phone, Trilogy Special Edition Widescreen Laserdisc, Episode I The Phantom Menace Vinyl, etc (3)

San Francisco Mint. Collection includes Roosevelt Dime, Kennedy Half-Dollar, American Eagle 1 oz Silver Proof Coin, and 5 Washington Quarters. Each of the quarter reverse side features a national park: Pictured Rocks from Michigan; Apostle Island from Wisconsin; Voyageurs from Minnesota; Cumberland Island from Georgia; and Block Island from Rhode Island. Each coin are in a protective case and displayed in original US Mint box. The box is approximately: 7.5"L x 7.5"W x 1"H. Artist: John R. Sinnock, Gilroy Roberts, Frank Gasparro, Adolph A. Weinman, John Mercanti, John Flanagan, Paul C. Balan, Richard Masters, Patricia Lucas-Morris, Donna Weaver, Christ Costello, Michael Gaudioso, Renata Gordon, Joseph Menna, Don Everhart, and PhebeIssued: 2018Dimensions: See DescriptionManufacturer: United States MintCountry of Origin: United StatesCondition: Age related wear.

A collection of original film scripts, as used by actor and puppeteer Tim Rose, comprising: 'The Dark Crystal', 'Death Fish' (released as 'Fierce Creatures'), 'The Muppets...Again', 'Doctor Who', Series 8 Episode 1 (the first Peter Capaldi episode), and 'Dinosuars - Endangered Species', together with a photocopied set of storyboards from The Dark Crystal. From the personal collection of Tim Rose, Animatronic Designer, Performer & Puppeteer, best known for his role as Admiral Ackbar in Star Wars Episode VI: Return of the Jedi (1983). Tim also puppeteered the characters of Sy Snoodles and Salacious B. Crumb, and worked on other projects with George Lucas and Jim Henson.Tim Rose's iMDb profile

Kenneth Mars, plaster life-cast face mask, produced for the film 'Young Frankenstein', in which Mars played Police Inspector Hans Wilhelm Friedrich Kemp, the mask produced for the art department to make the prosthetics for the character, 27.5 cm x 21 cm. From the personal collection of Tim Rose, Animatronic Designer, Performer & Puppeteer, best known for his role as Admiral Ackbar in Star Wars Episode VI: Return of the Jedi (1983). Tim also puppeteered the characters of Sy Snoodles and Salacious B. Crumb, and worked on other projects with George Lucas and Jim Henson.Tim Rose's iMDb profile

David Bowie plaster life-cast face mask, produced for the 1986 film Labyrinth, in which Bowie played 'Jareth', the mask produced for the art department to make the prosthetics for the character, 26 cm x 16 cm. From the personal collection of Tim Rose, Animatronic Designer, Performer & Puppeteer, best known for his role as Admiral Ackbar in Star Wars Episode VI: Return of the Jedi (1983). Tim also puppeteered the characters of Sy Snoodles and Salacious B. Crumb, and worked on other projects with George Lucas and Jim Henson.Tim Rose's iMDb profile

Labyrinth (1986) - Jim Henson autographed crew-gifted US One Sheet film poster, presented to Tim Rose, 103 cm x 67.5 cm framed and glazed, the frame 116 cm x 80 cm. From the personal collection of Tim Rose, Animatronic Designer, Performer & Puppeteer, best known for his role as Admiral Ackbar in Star Wars Episode VI: Return of the Jedi (1983). Tim also puppeteered the characters of Sy Snoodles and Salacious B. Crumb, and worked on other projects with George Lucas and Jim Henson.Tim Rose's iMDb profile

Star Wars - eight assorted Star Wars Convention (Europe and North America) laminated passes, issued to Tim Rose, who appeared after his roles in Return of the Jedi (and later episodes) together with six 'Official Pix' pencil cases, all signed by Tim Rose, with Admiral Ackbar's famous line 'It's a Trap'. From the personal collection of Tim Rose, Animatronic Designer, Performer & Puppeteer, best known for his role as Admiral Ackbar in Star Wars Episode VI: Return of the Jedi (1983). Tim also puppeteered the characters of Sy Snoodles and Salacious B. Crumb, and worked on other projects with George Lucas and Jim Henson.Tim Rose's iMDb profile

Registration No: UCA 938D Frame No: MQN291949 MOT: ExemptPurchased directly from Geraldo LisiJust over 300 miles covered sinceAll paperwork accompanies the machineAn iconic machine of the eraFounded in 1959 by Derek and Don Rickman, Metisse Motorcycles quickly developed a name for off-road excellence with their custom frame designs for British engines that led to wins in the Moto Cross des Nations as well as 250cc and 500cc GP motocross championships. The British company's success soon expanded into road racing as well, but they were best known in the US for desert racing prowess thanks to vocal support from legends like Bud Ekins and Steve McQueen. In fact, McQueen himself it “the best handling bike I’ve ever owned!”This is one of the 300 examples of the Métisse Steve McQueen Desert Racer that will ever be made. It was developed by the Métisse Motorcycles team along with Chad McQueen (Steve McQueen’s late son), and Dave Ekins (the brother of Bud Ekins). 300 are officially licensed by the McQueen estate, and they only rarely come up for sale. Purchased as a new machine directly from Mr Lisi as a retirement present by the current vendor, he has covered just over 300 miles since it was purchased and has cherished it since in his ownership. It comes with paperwork, a current V5C, sales literature and a book on the history of the Rickman Brothers and the Metisse story. The vendor fitted a genuine Lucas headlight as he wanted it in Black. For more information, please contact: Mike Davis mike.davis@handh.co.uk 07718 584217

Registration No: PAG 620A Frame No: VSB1T0043744 MOT: ExemptThis is the actual scooter used to launch the digitally remastered Quadrophenia album in 2011Personally specified by Pete Townshend in collaboration with Liam GallagherThis is the scooter used in the book and at the official launchExtensive official and rare memorabilia collection comes with the lotRunning well and has V5C for use on the roadThe cult status of The Who’s rock opera film Quadrophenia needs no introduction and its appeal grows ever stronger as the years go by. A magical infusion of culture with its distinctive working class 60s mod appeal. The original album was released in 1973 as a rock opera with the film coming out later in 1978. As the years go by the allure of the film and music seems to get stronger. The album was re-released in 2011 also supported by a special tour. The promotion of the release was centred around the original album and was personally overseen by Pete Townsend himself. The images of the book for the re-launch were planned to contain many images of an absolute replica of the original ’Chad’ GS160 that appeared on the original album cover and within the book that came with the album. Pete Townshend commissioned Dave Wyburn of the Quadrophenia museum in Gloucester to do the rebuild and he was given access to the private original pictures from 1973 of the original scooter being customised at The Who’s Ramport studio in Thessaly Road. This is all documented in Dave Wyburn’s notes which are supplied with this lot. Dave Wyburn had a suitable GS160 in the museum which had a PX engine in it. By all accounts Pete Townshend specified that the engine had to be an SS180 engine because that was what was used in the scooter back in 1973 so one was sought for the machine and this is what it has in it now VSC1M005491. The scooter is absolutely faithful to the original with the correct original RAF St. Christopher badge and all of the spotlights are original Miller, Stadium, Lucas and Radyot as per the original. The physical launch went on for 8 days in Carnaby Street and during this time a number of offers were made to buy the scooter (it was insured for £15000 for the scooter alone at the time) and it was sold shortly after. The scooter was offered back to Dave Wyburn some years later and he bought it back for the museum. Our vendor was able to buy it in 2020.The venue chosen for the physical launch was the relatively new ‘Pretty Green’ clothing store with its flagship boutique on Carnaby Street owned and run by Pete's friend Liam Gallagher of Oasis. Pretty Green produced some special limited edition items to coincide with this to also be launched at the same time. This included a strictly limited luxury parka and a number of shop displays.In addition to this special scooter a huge collection of official memorabilia associated with the album release and the launch in Pretty Green all come with this lot. Many of these items are strictly unique and unrepeatable and include:The official Pretty Green Quadrophenia parka which retailed at £500. Number 1 out of a limited edition of 100. It has never been worn.The official book of the album re-launch featuring the scooter with hand-written message by Dave Wyburn One of only 2 statuettes made by ‘Remy’ of Chad for the launchAn original framed poster for the digitally remastered albumCorrect sergeant stripes and official Pretty Green patchThe static display board from the launchThe original 1973 Quadrophenia double vinyl 12 inch album with the book insideAn original 1973 framed poster of the original album (used in the Pretty Green shop display)A replica pair of Chad shoesPretty Green scooter kit bagSome original Pretty Green shop display paisley background and paper shop wall paper. Dave Wyburn’s personal notes including delivery times to the shop launch etc.This scooter and its part in contemporary popular and culture together with the provenance that accompanies it should be of major interest to collectors of rock memorabilia and historical scooters. For more information, please contact: Paul Diamond info@vintagescooters.co.uk 07768 313001

Registration No: Unregistered Frame No: MK2/7 MOT: ExemptBeautifully presented Seeley with some historyShaffleitner 5 speed box and a Seeley front brakeLucas Racing Mag and an Amal T3GP2 carbIn 1966 the well-known sidecar racer Colin Seeley began manufacturing his own range of race bikes using AJS 7R and Matchless G50 engines housed in a lightweight frame of his own design. Initially, a deal was made with AMC to supply motors but they then announced they were stopping production of the power plants. This presented the fledgling Seeley operation with a serious supply problem. Colin's decision to purchase the contents of the AMC racing department and manufacture the engines himself was a bold move at a time when the British motorcycle industry was collapsing around him. With the supply of engines now secured the Seeley concern entered a golden period with their machines becoming the privateer's first choice. This absolutely stunning Seeley G50 has been part of the Brian Ditchfield collection for the last ten years or so. A retired engineer and lifelong motorcycle enthusiast who has in the past run a very successful Sidecar GP team, finishing in the top six for the 2003 World Championship, he bought the bike from a private collection in Germany. Reputedly sold new by Colin Seeley to a Mr Lishman in Northern Ireland, the bike was supplied in kit form; most competition bikes were sold as kits to avoid purchase tax at the time. Once assembled it was raced by Abe Alexander on the Irish roads until being sold to a rider from the RAFMCC, possibly John Goodall who was the only member of the club who seemed to have raced a G50 at the time. It then appears to have been owned by Vin Duckett in 1979 until it was passed into the hands of Mick Taberer who kept it for the next 31 years. During that time, it is thought to have been ridden to victory in the 1987 Classic 500 Manx Grand Prix by Dave Pither before being restored back to 1960s specification by Pete Swallow of White Rose Racing. The frame is a genuine Seeley numbered Mk2/7 with a Seeley front brake and Manx rear, wheels are 18in with Manx-type front forks. The engine with its distinctive gold timing cover has a 1½-in Amal T3GP2 carb, Lucas 2MTT mag, Manx clutch and a Shaffleitner 5-speed gearbox. Only used sparingly on classic parades in recent years, it is a perfect example of the last days of the great British single-cylinder race bike that once dominated road racing. Not run for a while, it will need the normal checks before use. For more information, please contact: Ian Cunningham ian.cunningham@handh.co.uk 07415871189

Registration No: SV 7276 Frame No: 2005612 MOT: ExemptPresented in a wonderfully original condition, a perfect 'oily rag' projectKnown ownership back to 1986Supplied with current V5CBy the late 1920s, Triumph believed that you needed an extra 50cc to haul a sidecar around, so Triumph added 10mm to the stroke of their Model N to increase capacity to 549cc for the 1929 model year. The Model NSD was added to the range in April 1928 of which some 4,450 were produced.First registered in on the 21st October 1928, little is known about the early history that helped to preserve this wonderfully original and rare Triumph NSD. The earliest record on file is that it was purchased by Mr F. Melling of Warrington in 1986, before being part of a private collection where it had remained for many years in dry storage. Purchased as a project for recommissioning in 2021, the vendor unfortunately suffered a stroke last year which has caused him to decide not to ride motorcycles again, hence why this fabulous NSD is now being offered to market. Now presented in non-running but original form, the vendor has advised that it 'shouldn't take long to get back on the road' with 'a few weekends work' and should be 'a fabulous machine for the Banbury run', which it is eligible for. Offered with a V5C, some MOTs from the mid 2000s and earlier V5s. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430

Registration No: Unregistered Frame No: Not visible MOT: ExemptA beautiful example of the legendary Manx NortonAuthentically restored back to factory conditionQuaife 5 speed box and an extensive paperwork fileNorton's factory race bikes were experimental models, but a version was made available to selected customers and every top road racer from Geoff Duke to Mike Hailwood enjoyed success on a Manx at some point. This beautiful example has been entered from the collection of Brian Ditchfield, a retired engineer and lifelong motorcycle enthusiast who has in the past run a very successful Sidecar GP team, finishing in the top six for the 2003 World Championship. Bought by Brian in 2014 from a private collection in Germany and ridden by him occasionally on classic parades, it has been restored to a very high standard, keeping it as close to the original 1961 specification as possible. It comes supplied with an extensive paperwork file of technical information and set-up instructions that state the frame was made in May 1961, although the associated area is obscured under a good layer of paint. The engine number is 11M 93769 and it is fitted with an Amal T5 GP2 1 3/8" carb and a Lucas 2MTT racing magneto driving through a Quaife close ratio 5-speed gearbox. Not run for a while, it will need the normal checks before use. This is a fantastic example of one of the most iconic bikes ever made and an important part of motorcycle racing history. For more information, please contact: Ian Cunningham ian.cunningham@handh.co.uk 07415871189

Registration No: RSK 201 Frame No: 150LD 131060 MOT: ExemptOn offer from the estate of the late David NevePreviously restored at home by the late ownerOffered in need of recommissioningThe Lambretta LD was first introduced in 1951 as a 125cc model as a successor to the all-enclosed LC model. Following the success of the LD, a new Mk2 model was released in 1954 with substantial improvements. Firstly, the 150cc engine option was released for the first time, giving slightly more power to compete with the main Piaggio Vespa competitor. To slow all this new found power down, the rear brake was now cable controlled and the larger capacity machine's gear shift mechanism was now controlled by twin push-pull cable design rather than the troublesome single 'teleflex' cable. A small luggage box was fitted within the leg shields which housed the speedometer plus there was space for an extra gauge such as the now very sought after wind up clock if specified. The whole riding experience was much improved over the previous iteration and as a result the LD Mk2 was subsequently a very popular model and it is estimated approximately 104,889 were manufactured prior to replacement with the LD Mark III.Manufactured in 1955 and believed to have been supplied to the UK market when new, 'RSK 201' was acquired by the late David Neve in 2007 as a restoration project and was subjected to a home restoration by him over a number of years. Work included the replacement of a number of body panels including the sidepanels and mudguard and the original items are provided as spares. Mr Neve was a collector of small two stroke vehicles and H&H were recently entrusted by his son to sell the collection via the H&H October Duxford Imperial War Museum auction. Today 'RSK 201' is an attractive example of the LD150 which is in need of recommissioning due to Mr Neve having been unable to maintain the machine for a number of years prior to his passing and is supplied complete with a large number of spares. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430

Registration No: Unregistered Frame No: Not visible MOT: ExemptOn offer from the estate of the late David NevePresented in 'barn find' conditionConsidered to be the 'ultimate' Mobylette modelThe French company Motobecane was founded in 1923, its first machine being a belt-drive lightweight, made almost unchanged into the 1930s. Ranges of lightweights and larger machines followed until the Eric Jaulmes-designed ‘Mobylette’ arrived in 1949, to compete with the VeloSolex. A runaway success into the 1980s and copied by many other concerns, ‘le Mob’ became the industry standard for the French moped, simple to ride with its auto transmission by belt. Regarded by many as the ultimate Mobylette, the unromantically titled, but very good AV 89 as offered here, is still in great demand.On offer from the estate of the late David Neve, this rare Mobylette AV 89 is believed to have been imported from France before Mr Neve's ownership. Mr Neve was a collector of small two-stroke machines and H&H was recently entrusted with the sale of his collection. Unfortunately, Mr Neve was unable to restore the Mobylette prior to his passing, and now it is offered to market without reserve. Little is known about the history of the machine and there are no documents available, so buyers should be aware that a V5C will need to be applied for. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430

Registration No: FVY 853 Frame No: S84664 MOT: ExemptPresented as a running machine from the current engineer-owner in need of small improvementsSupplied with continuation green logbook with ownership displayed to 1970Current ownership since 2016 who has recently given up riding due to an illnessThe Sunbeam S7 and S8 were designed by Erling Poppe with styling based on the BMW R75 designs that were acquired as war reparations by BSA. The S8 incorporated slimmer wheels of then standard sports machine sizes and narrower mudguards to suit. With lighter weight and improved handling, sales quickly improved.According to the green continuation logbook on file, 'FVY 853' was first registered on the 13th July 1957. The first recorded owner was from 1970, when it belonged to a William Croot of Langford, Somerset. The vendor acquired the machine in 2016 as a project in need of recommissioning and used his talents to improve the machine over the coming years. For a long time there was an issue with getting it running, but a eureka moment came some years later after playing with the ignition circuit. Unfortunately, the vendor has suffered a recent health issue which has put a stop to his ability to ride motorcyles and thus the Sunbeam is offered for sale and is said to be in 'running condition'. 'FVY 853' is offered with a modest history file including the green continuation logbook, UK V5C and stack of literature from Stewart Engineering detailing servicing procedures. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430

Golf - a US Open 18th hole pin flag signed by Lucas Glover, framed under glass above a photograph of Glover with printed signature, measuring approx. 80cm x 59cm externally, with certificate of authenticity from GM Authentic Autos verso; together with a framed Luke Donald display, featuring a signed Titleist ball (2) Condition Report:Available upon request

Toys - Star Wars - 1999, George Lucas, Episode one etc inc Qui Gon Jin and Darth Maul, C3PO and R2D2, etc

Hitler's Enforcers - leaders of the German war machine 1939-1945 by James Lucas hardback book. UNSIGNED. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

A collection of Vintage lady's court shoes, hats, including 1 by Otto Lucas for Fortnum & Mason, etc

ENGLISH SCHOOL (18TH CENTURY), AFTER SIR ATHONY VAN DYCK PORTRAIT OF LUCAS VOSTERMAN Black chalk 23.5 x 16cm (9¼ x 6¼ in.) After the original work now in the National Galleries of Scotland.

Lucas Lamp, Dog Inkwell, Enamel Snuff Box etc

Lucas Books, Scholastic Star Wars Young Adult novel sets inc Jedi Quest, Rebel Force, Jedi Apprentice, Boba Fett, Episode 1 journals in mixed lot. Condition Good Plus to ExcellentJedi Quest, 1-10 (+1),  Rebel Force 1-6, Last of the jedi 1-10, Jedi Apprentice 1-18 (+2), Boba fett 1-6, YA Eps 1-6, 

Star Wars related books x11 and Pepsi promotional display, books include Dark Force Rising, George Lucas A Biography, The Han Solo Adventures, and others, Good to Good Plus. See photo. 

Hasbro Star Wars 3 3/4" figures, Battle packs, vehicles and similar, to include 30th Anniversary Bantha with Tusken Raiders Battle Pack, AT-RT Assault Squad Battle Pack, George Lucas as Stormtrooper 3 3/4" figure, and others. Good Plus to Near Mint, most within Good to Excellent sealed packaging. See photo. 

After Hippolyte Lucas (1814-1899), a 19th century hand coloured engraving titled 'The Advance of Western Civilization - A European Travelling Circus at Hong Kong, China', along with another engraving after the original drawing by Jan Van Der Straet (Stradamus), originally engraved by Hendrik Goltzius (1558-1617). H.38 W.46cm (largest)

AFTER THE ANTIQUE: A PLASTER CAST DEPICTING MINERVA OF PARTHENON, ATHENS AFTER THE EXAMPLE CARVED IN IVORY BY R.C. LUCAS, 1887Labelst to verso, this is a wax cast after the ivory example carved by R.C.Lucas, 1887, which is in South Kensington Museum (Victoria and Albert Museum).On Minverva's helmet is the Sphinx, universal knowledge, the Griffin, universal dimonion. Pegasus for the arts and sciences, in front the horsesa of the car in which she fought the giants wisdom's victory over brute force. On her Aegis the Serpents of Widsom and Medusa.13cm x 9.5cmFramed and glazed.30cm x 36cm

A four tier Lucas Oils stand. Approximately 136cm x 60cm x 44cm. Will dismantle for transporting. (1 item)

Four Lucas King of the Road MB166 chrome car lamps and two lens. (1 box)

A pair of Lucas P100 chrome headlamps. (2 items)

A Quantity of Vintage and Veteran Bulb Horns and parts, including Miller, Lucas "King of the Road". (1 box)

Two Calcium Carbide Bicycle Lamps, One Lucas "Calcia Cadet", one Panther, Birmingham. A further oil lamp. (3 items)

Hubcaps, including Alvis and Jaguar, plus several "Knock on" spinners. A set of beauty rings. a set of Ford (possibly early Transit) hubcaps. A quantity of Lucas rear lights including lenses and gaskets. An Alvis rocker cover (Three boxes)

A good quantity of classic car lights, including Lucas. (Four Boxes)

c.1924 AJS Headlamp, Lucas "King of the Road". with a piston, a bracket, a small chain and an unused Dunlop Gold Seal K70 3.25-19 tyre. (5 items)

Leyden, Lucas van (Leiden ~1494 - 1533 Leiden)Kupferstich "Der Tanz der Hl. Magdalena" auf dünnem Papier, unten mittig in Kartusche datiert und monogrammiert "1519 L", Darstellung 29,2 x 39,5 cm, in der linken Bildhälfte großes Wasserzeichen, feiner gratiger Druck mit feinem umlaufendem Rändchen, oben mittig dünne Stelle, später auf Papier kaschiert (ausführlicher Zustandsbericht auf Anfrage) 6401 Lit.: The New Hollstein 1996, Dutch & Flemish Etchings, Engravings and Woodcuts 1450-1700 / Lucas van Leyden Nr. 122

Niederländischer Meister des 16./17. Jhd.Kupferstich "S. Georgius" auf feinem Papier, der Heilige Georg zu Pferd mit seiner Lanze den Drachen tötend in weiter Landschaft, oben mittig betitelt "S. GEORGIUS", auf dem Zaumzeug bezeichnet "RAPHELIO", 35,1 x 23,1 cm, Anfang 17. Jhd. nach dem Gemälde von Raphael, feiner gratiger Druck mit feinem Rändchen an drei Seiten, rückseitig an den Rändern mehrfach hinterlegt, im Flügel des Drachens hinterlegte Fehlstelle mit Retusche, später auf Karton montiert / gefalzt 0145 Dieser seltene und aktuell keinem Künstler zuzuweisende Kupferstich gibt die Darstellung des Gemäldes von Raphael von 1506 weitgehend detailgenau und seitenrichtig wieder, der Künstler verzichtete zugunsten der Titelkartusche lediglich auf den hohen Baum in der rechten Bildhälfte, der bekannte Kupferstich von Lucas Vorstermann (1595 - 1675) von 1627 zeigt die gleiche Darstellung jedoch seitenverkehrt und ohne Titelkartusche, dafür mit ausführlicher Legende unterhalb der Darstellung, wer das vorliegende Blatt schuf und ob es nach dem Stich von Vorstermann gestochen wurde, oder ob dieses Blatt unabhängig davon und möglicherweise zeitlich davor entstand, konnte bisher nicht geklärt werden

Cornelis Springer, Ansicht des Lübecker MarktesÖl auf Leinwand. 102 x 142 cm.Signiert und datiert unten rechts: C Springer 1870..Laanstra/de Bruijn/Ringeling, Nr. 70-2.ProvenienzDer Künstler - J. D. Dryer, Bremen 1870 (24.2.1870, direkt vom Künstler für 1400 fl erworben). - Sammlung Ignaz von Ephrussi (1829–1899), Wien. - Viktor von Ephrussi (1860-1945), Wien (im Erbgang vom Vater erworben), bis 1938. - Vermögensentzug Viktor Ephrussis durch das NS-Regime nach dem Anschluss Österreichs an das Deutsche Reich, 1938. - Kunsthistorisches Museum, Wien, 1939 überwiesen aus dem ehem. Besitz Ephrussi. - Galerie St. Lucas, Wien, 1.12.1939 (vom Vorgenannten für 1.700 RM angekauft). - Museen der Hansestadt Lübeck, Inv.Nr. 6918, 12.1939/1.1940 (vom Vorgenannten für 1.750 RM angekauft ). - Restitution der Museen für Kunst und Kultrugeschichte der Hansestadt Lübeck, Museum Behnhaus Drägerhaus an die Erben von Ignaz Ephrussi, 2004. - Sotheby´s, London, Auktion 16.11.2004, Lot 265. - Dort erworben.AusstellungenSalon d´Anvers, Antwerpen 1870, Nr. 878. - Die Deutsche Stadt in vier Jahrhunderten, Fränkische Galerie am Marientor, Nürnberg, 1-2/1962, Nr. 159. - Das Alte Lübecker Stadtbild, Museen für Kunst und Kulturgeschichte der Hansestadt Lübeck, 19.5.-30.6.1963, Nr. 81. - Bilder deutscher Städte, Akademie der Künste Berlin West, 1966. - Die Ephrussis. Eine Zeitreisehe / The Ephrussis. A travel in time, Jüdisches Museum Wien, 6.11.2019 - 8.3.2020.LiteraturSalon d'Anvers. Exposition Nationale Catalogue des ouvrages de peinture, sculpture, architecture, gravure et dessin, 14.8.1870, Nr. 878, S. 130 (als "Le marché et l'hotel de ville à Lubeck"). - F. von Boetticher: Malerwerke des 19. Jahrhunderts, (Neudr. Der Ausgabe Dresden 1891-1901), Leipzig 1941, Bd. 2, Nr. 8, S. 792. - Die deutsche Stadt in vier Jahrhunderten, Ausst.-Kat. Fränkische Galerie am Marientor, Nürnberg 1962, Nr. 159, S. 116 (als "Der Marktplatz in Lübeck"). - Das Alte Lübecker Stadtbild, Ausst.-Kat. Museen für Kunst und Kulturgeschichte der Hansestadt Lübeck, 1963, Umschlagsabbildung, Nr. 81 (als "Markt mit Rathaus und Marienkirche"). - Bilder deutscher Städte. Ausst. Akademie der Künste Berlin West, 1966. - G. Lindtke (Hg.): Alte Lübecker Stadtansichten, Lübecker Museumshefte, Lübeck 1968, Nr. 157, Abb. S. 48 (Markt mit Rathaus und Marienkirche). - W. Schadendorf: Hefte zur Kunst und Kulturgeschichte der Hansestadt Lübeck, 4, 1975, S. 45f. - Museum Behnhaus, Lübecker Museumsführer, 3,2, 2. unveränd. Aufl., Lübeck 1976, Nr. 219, S. 116. - Kunst und Kultur Lübecks im 19. Jahrhundert, Kat. Museum für Kunst und Kulturgeschichte der Hansestadt Lübeck, 1981, Umschlagabb. - Willem Laanstra/H. C. de Bruijn/J.H.A.Ringeling: Cornelis Springer (1817-1891), Utrecht, 1984. Abb. S. 166, Nr. 70-2 (als "De Markt te Lübeck", mit fehlerhaften Maßangaben). – S. Lillie: Was einmal war. Handbuch der enteigneten Kunstsammlungen Wiens, Wien 2003, S. 338-341, Abb. S. 338, Nr. 7, S. 431 (gelistet). - Die Ephrussis. Eine Zeitreise / The Ephrussis. A travel in time, Ausst.-Kat. Jüdisches Museums Wien, 2019, S. 115 (Verzeichnis beschlagnamter Werke), Abb. S. 146, S. 167 (Korrespondenz zwischen Museen in Wien und Lübeck) - A. Wenz: Die Wiener Ephrussis. – Eine jüdische Familie zwischen Vermögensentzug und Restitution, Masterarbeit, Universität Wien, 2023, S. 70.Im Auftrag des Bremer Kaufmanns von J.D. Dreyer malte Springer auf dem Höhepunkt seiner Künstlerkarriere die „Ansicht des Lübecker Marktes“. Die Verkaufsunterlagen des Künstlers belegen, dass Dreyer am 24. Februar 1870 die Lübecker Stadtansicht für 1.400 Gulden erwarb. Bedenkt man, dass das durchschnittliche Jahreseinkommen damals bei etwa 85 Gulden lag, war dieser Kaufpreis eine außerordentlich hohe Summe. Die großformatige Ansicht der im 12. Jahrhundert gegründeten Hansestadt Lübeck mit ihrer bedeutenden Marienkirche und dem imposanten Rathaus schmückte bis 1938 das Wiener Palais des jüdischen Bankiers und Kunstsammlers Victor Ephrussi. Eine historische Fotografie aus dem Jahr 1905 zeigt seine Ehefrau Emilie Henrietta Freiin Schey von Koromla (1879-1938) vor diesem Gemälde posierend. Im Jahr 2004 restituierte die Hansestadt Lübeck das Gemälde an die Erben von Ignaz Ephrussi.

Collection of scratch built Edwards Fairground items made by Charlie Dowdswell to include Lucas engines

Three showcards including a Palmer Bros 1956 complete advertising calendar depicting an Edwardian scene, 9 1/2 x 13", an Agfa Silette, 11 3/4 x 15 1/2" and a Lucas Electrical Equipment with Royal Warrant and an image of Buckingham Palace, 7 1/4 x 10".

Lucas Osiander. Bawren Postilla. das ist, Einfaltige, jedoch grundtliche Ausslegung der Episteln und Evangelien, welche von allters her, an Sonn und Feyrtagen, auch auff die hohe Fest, erklart werden. Teile I-III (von V) in einem Band. Titel in Rot und Schwarz. Tubingen, Georg Gruppenbach, 1598-1600. Gr.-8°. 184 S., 1 w. Bl., 1 Bl., 220 S., 1 Bl., 1 Bl., 219 S., 1 Bl. Brauner Lederband im Stil d. Z. uber Holzdeckeln, mit 2 Messingschliessen; im Innendeckel der blindgepragte Lederbezug der Zeit montiert. VD 16, O 1174, 1171 und 1172. - ADB XXIV, 495. Die Teile 2 und 3 in erster, der Teil 1 in zweiter Ausgabe. Lucas Osiander (1534-1604) war ab 1560 Stadtpfarrer zu St. Leonhardt und bereits 1567 Hofprediger in Stuttgart, er galt als einer der streitbarsten protestantischen Theologen Wurttembergs mit teils grobianischen Zugen. - Titelblatt mit altem Sammlungsstempel. - Wohlerhaltenes Exemplar. - Dabei: Paul de Barry, Heiliges Jahr, das ist Underweisung für Philagia, das gantze Jahr Heiliglich zuzubringen. Ins Teutsch versetzt von Martin Sibenius. Cölln 1718. Gr.-8°. Blindgepr. Schweinsldrbd. d. Zt. (Schließen fehlen). - Vgl. De Backer-S. I, 950, 10, Fußn. (Ausg. 1651). - Etw. gebräunt, Stempel u. Name a. Vorsatz, Vorsatz u. Titel seitlich hinterlegt. - Benisio, M., Trostreiche Betrachtungen. Nürnberg, Lochner, 1721. Gr.-8°. Ldr. d. Zt. mit Schließen (etw. beschabt). - Gebräunt, Innendeckel mit kl. Wurmspuren.

Engraved by Alfred Lucas (British Active 1841- 46), After Samuel Carter (British 1835-1892), A September Evening on Badgeworthy Water Exmoor Forest, "published for September 23rd 1873 for the benefit of the Devon and Somerset stag hunt by Mordaunt Fenwick Bisset Esq Bagborough House Taunton", engraving, in a glazed gilt slip wooden frame. (84cmx124cm)

Watercolour by John Seymour Lucas. 

Salvador Dalí (1904-1989) Velasquez 'Les ménines', from Changes in Great Masterpieces (Field 74-2D; M&L 1476) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 900 x 650mm (35 3/8 x 25 1/2in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)

Salvador Dalí (1904-1989)Raphael: Le Mariage de la Vierge, from Changes in Great Masterpieces (Field 74-2C; M&L 1477)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, with the Phyllis Lucas copyright ink stamp verso, on wove paper, with full margins, sheet 900 x 560mm (35 1/2 x 22in)With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)

Salvador Dalí (1904-1989)Velasquez 'Le reddition de Breda', from Changes in Great Masterpieces (Field 74-2B; M&L 1473)Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 743 x 782mm (29 1/4 x 30 3/4in)With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)

Pablo Picasso (1881-1973) after.Venus et l'amour voleur de miel (d'après Lucas Cranach l'Ancien)Lithograph printed in colours, circa 1957, signed in red crayon, with lithographed text verso, from the edition of unknown size, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 756 x 560mm (29 3/4 x 22in) This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom this duty can be refunded.

Salvador Dalí (1904-1989) Vermeer: La Lettre, from Changes in Great Masterpieces (Field 74-2F; M&L 1475) Lithograph printed in colours, 1974, signed in pencil, numbered from the edition of 350, published by Sidney Lucas, New York, and with the Phyllis Lucas copyright stamp verso, on wove paper, with full margins, sheet 895 x 635mm (35 1/4 x 24 3/4in) With the Dali Trade authentication inscription and signature in pencil verso (dated 8/5/24)

John Lucas (British 20th century), Out of Dover, oil on canvas, 76 x 102cm. Unframed. . Condition Report: Generally good appearance.

John Lucas (British 20th century), Rainbow, oil on canvas, signed lower right, 86 x 86cm. UnframedCondition Report: generally good appearance.