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The Scottish Bestiary The complete portfolio, 1986 including text, justification and the set of 20 prints of which three by John Bellany, two by Steven Campbell, three by Peter Howson, three by Jack Knox, three by Bruce Maclean, three by June Redfern and three by Adrian Wiszniewski VII/XV, signed and numbered in pencil on Somerset paper, published by The Paragon Press, London with original green portfolio each sheet 56cm x 76cm.
A SET OF SIX GEORGE V MOTHER OF PEARL HAFTED SILVER DESSERT KNIVES AND FIVE FORKS by Harrison Brothers & Howson, Sheffield 1927, a silver christening mug, a pair of Victorian silver sugar bows and several other silver articles, 9ozs 5dwts weighable ++One of the mother of knife hafts damaged, several other items repaired or worn, others in better condition
A George V silver salver - Scottish interest, Harrison Brothers & Howson, Sheffield 1917, circular with uprising layered scalloped rim, centralised armorial for the Scottish Mackay Clan of a clenched hand holding a dagger below the family motto 'Manu forti' (With a strong hand), on four scrolled supports, 12¼in. (31cm.) diameter, weight 32.4 tr.oz.
* PETER HOWSON OBE,NIJINSKYoil on canvas, signed183cm x 122cm (72 x 48 inches)Framed.Note: A genuinely exceptional and well documented example of Peter Howson's work completed in 1991. See "Peter Howson" by Robert Heller page 90. Of Howson's "Nijinsky" the art critic Peter Jenkins wrote "Nijinsky I see as an heroic figure: clumsy yet nimble, his macho prance is a dance of defiance; his leaden, booted feet may hold him down but his head is in the clouds, jaw jutting like a dancing bear, he is a noble beast made an object of derision. We may see something of the tragic predicament of the individual in the twilight of the gods". Heller describes Howson's "Nijinsky" as "vastly powerful".Provenance: Private collection Edinburgh.
AN ART DECO STYLE SILVER SOUP LADLE with a reeded handle, 23cm long, Sheffield 1936 by The Harrison Brothers & Howson; a plain silver quaich stand on a turned base, 16cm wide, Birmingham 1937 by Mappin & Webb; a silver circular bowl of plain form with banded decoration, 11.5cm diameter, London 1935 by William Comyns & Sons Ltd; and a further plain silver bowl, 10cm diameter, Chester 1937 by Stokes & Ireland Ltd, 18.2 troy oz (4)
Peter Howson (b.1958) Scottish ''Timeless March (study) 1992'' Signed and inscribed on stretcher verso, oil on canvas, 61cm by 92cm, unframed Provenance: Flowers East, London Lyon & Turnbull, 13th August 2015, Lot 179 *Artists' Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business

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6423 Los(e)/Seite