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An Elizabeth II Art Deco style four-piece tea service, by Harrison Bros. & Howson, Sheffield 1957, comprising: teapot, water jug, two-handled sugar bowl, and milk jug, each with gadrooned rims and shaped feet, the teapot and water jug with ebonised handles and shaped finials, water jug 19cms high, 53.1oz gross.
A pair of early 20th Edwardian silver hallmarked candlesticks. The two candlestick being modelled in Greek Corinthian column style raised on square base. Sheffield silver hallmarks dated 1905 by Harrison Brothers & Howson (George Howson). Condition: Some tarnishing and some minor dents to base. Overall good condition. Measures: 15.5cm tall. Weight: 808g
A Ruskin Pottery stoneware vase by William Howson Taylor, dated 1930, tapering cylindrical form with everted top rim, covered in matt blue running glaze over cream, a Ruskin Pottery footed bowl dated 1906, three Ruskin Pottery vases with matt glazes, a Moorcroft baluster vase with a mottled blue glaze, a Rookwood Pottery vase modelled and covered in a purple glaze, and three Upchurch Pottery bowls, impressed marks, 30cm. high (10)
Two silver photograph frames and silver plated wares, comprising a George V oval silver photograph frame, Birmingham 1915, 20 by 24.5cm high, together with silver plated wares, comprising a silver plated mounted claret jug, 13 by 9.5 by 28cm high, a twin handled tray, 46 by 17 by 8cm high, and a Victorian horn handled bread knife with silver mounts, Harrison Brothers & Howson, with rubbed hallmarks, 36cm long. (5)
PETER HOWSON OBE (Scottish, born 1958); watercolour, 'Julie', signed, inscribed on Flowers East label verso, 40 x 29cm, framed and glazed. (D)Provenance: Private collection in London.Additional InformationIn good condition, just a couple of marks to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); pastel, 'Tilting at Windmills', signed, 65 x 50cm, framed and glazed. (D)Provenance: Private collection in London, purchased these rooms December 2017.Additional InformationIn good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); pastel, study of figures with a dog, signed, 45 x 59cm, framed and glazed. (D)Provenance: Private collection in London.Additional InformationIn good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); pastel, 'Steam and Power', signed, also inscribed and dated 2013 verso before framing, 50 x 65cm, framed and glazed. (D)Provenance: Private collection in London, purchased these rooms December 2017.Additional InformationIn good conditionThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); pastel, study of a gentleman wearing cap, signed, 58 x 43cm, framed and glazed. (D)Provenance: Private collection in London.Additional InformationIn good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); large oil on canvas, 'Green Dosser', 122 x 91.5cm, framed. (D)Provenance: Private collection in London.Additional InformationIn good condition, a couple of scuffs to the frame. The image shows a bulge in the top left hand corner, however in the flesh this is hardly noticeable and is just a slight ripple. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); oil on canvas, study of man with dog, signed, 60 x 40cm, framed. (D)Provenance: Private collection in London.Additional InformationA couple of knocks to the frame but the image is in good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); oil on canvas, 'Steam and Power', signed, 18 x 24cm, framed. (D)Provenance: Private collection in London.Additional InformationIn good condition. The frame is slightly giving at the joints and would require attention.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); oil on canvas, study of man with dog, signed, 30.5 x 35.5cm, framed. (D)Provenance: Private collection in London.Additional InformationBasically in good order, a couple of small marks to the frame.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); large oil on canvas, 'Merlinus Ambrosius', signed, inscribed verso, 92 x 61cm, framed. (D)Provenance: Private collection in London.Additional InformationIn good condition, a couple of scuffs to the frame edges.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
PETER HOWSON OBE (Scottish, born 1958); oil on canvas 'Mark', signed, titled and dated 2009 verso, 35.5 x 25cm, framed. (D)Provenance: Private collection in London.Additional InformationThe picture has been seal framed at the back, so unable to see the back of the picture and the inscription but it is in good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
A SILVER EGG CUP, BONBON DISH AND A POSY VASE, the egg cup of a plain polished design fitted on a circular dish, hallmarked 'George Unite' Birmingham 1922, the bonbon dish with a pierced foliate and scroll design, beaded wavy rim on a beaded wavy rim base, hallmarked 'Harrison Brothers & Howson' Sheffield 1891, approximate length 11.8cm, together with a single posy vase, hallmarked 'Barrowclift Silvercraft' Birmingham 1976, approximate gross weight 2112.8 grams, 6.84ozt
* KEN CURRIE (SCOTTISH b 1960), THE BOILER ROOM charcoal, titled and dated 1992 label verso 168cm x 99cm Framed and under glass. Labels verso: Galleri Christian Dam, Copenhagen; Raab Boukamel Galleries, 9 Cork Street, London. Note: Ken Currie is a Scottish artist and is one of the most prominent New Glasgow Boys along with his contemporaries including Peter Howson, Adrian Wiszniewski and Steven Campbell. Thirty-nine of Ken Currie's works are included in UK Public Collections including The Tate (London), The National Galleries of Scotland, Glasgow Museums & Galleries, The People's Palace and Winter Gardens (Glasgow), Manchester Art Gallery, Middlesbrough Institute of Modern Art (MIMA), The Fleming Collection, The Scottish National Gallery of Modern Art, The Scottish National Portrait Gallery, Edinburgh University, Glasgow Caledonian University, The National Trust (Scotland) and Aberdeen University. In 2013 Currie was awarded a rare solo show at the Scottish National Portrait Gallery.
* ADRIAN WISZNIEWSKI RSA HonFRIAS HRSW (SCOTTISH b 1958 - ), TUBER-BABES oil on canvas, signed and dated 2008 214cm x 183cm Unframed (as intended). Provenance: Acquired for a noted private London collection from The Lemon Street Gallery, Truro, Cornwall in 2008. A handwritten letter dated 10.11.08 by Wiszniewski to the owner accompanies this lot. Wiszniewski states: "I am really pleased that Tuber-babes has found its way into your collection. I began painting Tuber-babes in 2005, worked on it over a six-month period into 2006 and then left it until the beginning of 2008 when it was completed. The painting (process) can be a long one and I spend that time developing the subject matter - drawing and re-drawing. I was intrigued to see where the painting story might take me. What would be the pivotal point. The point of the painting Tuber-babes balances on the relationship of two worlds - the rural (earthiness) and the urban (urbane). The rural world is populated by the Tuber-babes, their children are of the earth and of nature and are linked umbilically with it. They are however dominated by the more sophisticated and elevated who look down on the Tuber-babes as curios. They survey them with a superior air in the way that ancient gods might from their mountain top. They smile and toy with their 'playthings' and use a pointer as an educational prop. The Tuber-babes, however, like all other 'vegetables' that populate the canvas have an energy and an unflappable life-force - a fact that might prove dangerous if it were denied. This point is underpinned by the view from the window; a garden recedes into farmland and to a horizon where the twin Trade Towers stand distant and aloof. Yours Adrian Wiszniewski". Note: Adrian Wiszniewski creates work characterised by a strong drawing element and fertile imagination. Populated with contemplative figures set in vividly coloured Arcadian landscapes, his paintings are rich with symbolic, political and philosophical depths. Adrian Wiszniewski (pronounced Vishnevski) was born in Glasgow in 1958 and studied architecture at The Mackintosh School of Architecture in Glasgow 1975–79; then trained at Glasgow School of Art, 1979–83. Wiszniewski is one of the leading members of the New Glasgow Boys responsible for the revival and resurgence of figurative painting under the tutelage of Sandy Moffat OBE; a group of artists that included Steven Campbell, Ken Currie and Peter Howson. His multiple awards include the Haldane Trust Award in 1982, the David Cargill Scholarship in 1983, the Mark Rothko Memorial Award in 1984, the I.C.C.F. Best Design Award New York in 1993 and the Lord Provost Gold Medal from City of Glasgow in 1999. His work can be found in many international public collections including The Gallery of Modern Art in New York, The Metropolitan Museum, New York, The Setagaya Museum, Tokyo, Japan, The Scottish National Gallery of Modern Art, Edinburgh, Tate Britain, London and The Victoria and Albert Museum, London. Wiszniewski has had numerous major solo exhibitions over many years including in London, Sydney, Edinburgh, Glasgow, Ghent and Tokyo.
A silver mounted bottle stopper by Harrison Brothers & Howson Ltd., Birmingham 2004, 6cm (2 1/4in) high; and eleven electro-plated bottle stoppers, topped with birds and a fish Condition Report: There is no condition report available for this lot and is sold as seen Condition Report Disclaimer
George Formby (1904-1961). Novelty table lamp modelled as George leaning on a lamp post, bearing engraved brass plaque, 'George Formby, Leaning on a Lampost (Film Feather Your Nest) recorded 5 September 1937, Regal Zonophone MR2490', given to George by Noel Gay, who wrote Leaning on a Lamp-postProvenance: Pat Howson, Alan Randall

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