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A SET OF TWELVE VICTORIAN SILVER AND MOTHER-OF-PEARL DESSERT KNIVES AND TWELVE FORKS, HARRISON BROTHERS & HOWSON, SHEFFIELD, 1870 the nacre waisted handles with beaded edges, the silver tines foliate bright-cut engraved, the blades with a basket of fruit on a column before a palm, in a fitted rosewood caseDescriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
A Large George V Silver Twin Handled Gallery Tray, Harrison Brothers & Howson (George Howson), Sheffield 1912, rounded rectangular with pierced gallery and foliate embellished handles, on four bun feet, 60.5cm wide over handles, 115oz 18dwtClear marks to underside. Gallery and handles strong. All over light surface scratching. Generally good order.
A pair of early 20th century silver hallmarked sauce gravy boats raised on hood feet with acanthus leaf joints. The shaped pouring lip having a beaded border with scrolled acanthus leaf handles. Hallmarked for Sheffield 1925 and 1925 makers Harrison Brothers & Howson ( George Howson ). Weighs together 403 grams. 9cm-high 16cm-wide.
A selection of silver plate wares to include a William Hutton & Sons wine funnel , a early 20th century Mappin & Webb wine coaster of cylindrical form with pierced detailing and twin handles, a silver plated tankard with foliate engraving and a glass bottom, a Harrison Brothers & Howson square form terrine with embossed rims and a shaped handle finial and an unmarked silver plate jug, a cut glass vanity pot with a silver plate lid, a coiled toast rack with ball feet and a hoop handle and a pocket prayer book with a silver Birmingham hallmarked front cover.
A SILVER TANKARD with shaped handles standing on circular spreading base 13cm high with marks for Birmingham, Alfred Nathan Andrews and Harry Stanley Andrews, trading as A. Wilcox, with date code for 1947, a silver sauce boat with beaten effect surface decoration, shaped handle and standing on a socle base with marks for London, Henry and Arthur Vander and a date code for 1870, and a silver tea or sugar caddy with ebonised turned finials standing on four bun feet 10cm high overall with marks for Sheffield, Harrison Brothers and Howson and indistinct date code (3)
Collection of Ephemera relating to William Fraser b.1903, Apprentice Shipwright Cunard White Star 1918-1922, Charles Howson & Co. 1922-1924, Merchant Navy 1117395, 1925 as Carpenter incl. Bresica, Antonia, Samaria, Olympia, Mauretania, discharged 14.4.47, with three Service Books, Cert. of Efficiency as a Lifeboatman 1928, White Star Pass, Crew Medical Card, USA Alien Registration Reciept Card, three note books, War Medal, 1939-45, Italy Africa, and Atlantic stars with ribbons and list, etc (qty) Condition Report Click here for further images, condition, auction times & delivery costs
Wm Howson Chapel Town Nr. Sheffield; A Chester Hallmarked Silver Cased Openface Pocketwatch, the signed dial with black Roman numerals and seconds subsidiary dial (damages/glass broken), the movement signed "Wm Howson Chapel Town Nr Sheffield", within engine turned case with vacant cartouche, Chester 1890; together with another hallmarked silver cased openface pocketwatch, (damages). (2)
A Ruskin high-fired flambé coffee pot and cover, 1927, with red and white glaze, impressed marks to underside 18.50cm (7in) Literature: Paul Atterbury and John Henson Ruskin Pottery, Baxendale, page 112 this actual coffee pot illustrated. Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A good Ruskin high-fired flambé vase, 1910, the inverted baluster form with banded red-purple flambé glaze, shape 353, impressed mark and exhibition label to underside 30cm (12in) Exhibited: Taylor Made Birmingham City Museum and Art Gallery, 1976 no. B.7 Literature: Paul Atterbury and John Henson Ruskin Pottery, Baxendale, page 63 this actual vase illustrated. Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired soufflé glaze jar and cover, 1908, the ovoid body with mottled green soufflé glaze, shape 227, impressed oval mark 23cm (9in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired flambé bowl, 1924, the circular bowl with slightly flared rim raised on a foot with clouded red-purple flambé glaze on ivory ground, impressed marks 7.50 x 20.50cm (3 x 8in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired flambé stem cup, the circular bowl with slightly flared rim raised on a spreading foot, all over purple-green and red flambé glaze on ivory ground, impressed marks 8.50 x 10cm (3 x 4in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A Ruskin high-fired flambé stem cup, the circular bowl with slightly flared rim raised on a spreading foot, with all over purple-green and red flambé glaze on ivory ground, impressed marks 8.50 x 10cm (3 x 4in) Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
A small Ruskin high-fired flambé bowl, with a mottled and speckled red-purple flambé glaze on an ivory ground, impressed marks 6.50 x 9cm (3 x 4in) Exhibited: Ruskin Pottery Ferneyhough Collection Ex. W. Howson Taylor Collection Other Notes: The Ruskin Pottery studio was founded in 1898 by Edward Taylor, principal of the Birmingham School of Art, and it was run by his son, William Howson Taylor. The studio was named after John Ruskin, the influential artist, writer and social thinker. The pottery is known for its outstanding glazes - William Taylor referenced the glazes achieved by the Sung and Ming Dynasty and created his own masterpieces. In particular, he mastered the complex technique of “sang de boeuf”, using the ‘high fired’ method to produce a range of colours and unique ‘fissured’ glaze effects. The Ruskin factory in West Smethwick, Birmingham, stopped making new pieces in 1933 and closed two years later.
George V silver prize cup titled 'Fleming Brothers Golf Trophy', with awardees from 1936 to 1977, model of a golfer as the finial, Sheffield 1935, makers Harrison Brothers & Howson, 806g CONDITION REPORT: Base of the golfer slightly misshapen. The rim and inner rim of the lid is out of shape in places. Rim has a slight wave to it and a small 1cm dent to underneath rim. Dent to the main body, right of the hallmarks. Multiple Dents to the Celtic decoration. Approximately 36cm tall
Natural History: Four Framed Prints of Rowland Ward Invoices, three dated 1894, describing the mounting of a Tortoise into a table lamp, relaxing and dressing of two Snake skins and designing as two standard lamps, another for five insect death powders, dressing of three pieces of Ostrich skin designing and mounting as sofa covers, the mounting of a pair of Roan Antelope horns onto a shield, and the restoration of a Labrador puppy case, (4), together with a Hippopotamus Tusk mounted cased carving set, with silver collars, circa 1911 by George Howson
Theatre - Silver mounted spirit flask engraved C.H (Charles Howson from E.T. (Ellen Terry), 6.5 inches Provenance : A personal gift from Miss Ellen Terry to Charles Howson who was private secretary to Sir Henry Irving. With an original American Tour document showing him as a member of staff. Consigned to sale by the family of Charles Howson.

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6423 Los(e)/Seite