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6423 Los(e)/Seite
Los 51
* ALLY THOMPSON (1955 - 2016), UNTITLED oil on canvas 152cm x 91cm Framed. Note: Lots 51 - 117 are the contents of the studio of Ally Thompson. ALLY (Alasdair Neil Renwick) Thompson, was a Scottish painter of the New Glasgow Boys generation alongside Peter Howson, Ken Currie, Adrian Wisniewski and the late Steven Campbell. Born in Glasgow, he studied at Glasgow School of Art from 1975 to 1980, gaining a B.A. First Class Honours in Fine Art, and a diploma in postgraduate studies with high commendation and a travelling scholarship. In 1989, a solo exhibition of his work at the Barbizon Gallery (Glasgow) was visited by the international art promoter Norbert Binotti, who then brought Thompson to international prominence with a one-man show in New York and major exhibitions in Paris. Ally lived and worked periodically in Provence in the 1990s. He subsequently steadily consolidated his international reputation with exhibitions in Britain, Europe and North America, appearing in galleries such as Flowers East in London and Gallery Albert 1er in Paris. A close friend of Peter Howson, with whom he was a fellow student at the Glasgow School of Art, both men and their work were almost equally unknown when they shared one of their first exhibitions, a two-man show at the Art School itself in 1984. Ally Thompson was naturally shy in new company rather than a bold and forthright salesman of his own work. He painted in several distinctly different styles, from surrealist to abstract to expressionist landscape and much in between, making him hard to categorise and package for promoters and critics. Visiting his studio in the early 1980s Alec Mather, a successful Lanarkshire businessman, was one of the first of several almost surrogate father figures in Thompson's life. He offered to pay Ally twice what he was asking for one his paintings on condition that the young artist gave up his day job as a school teacher. Thompson never looked back creatively. Alec Mather remained a friend, patron and supporter for the rest of the artist's life. Outside of Scotland, through the friendship and support of Norbert Binotti and (after his untimely death) Norbert's brother Claude, Thompson found an invigorating new audience for his work in New York, Paris and the South of France. For all his non-materialist philosophy, Thompson was not above a bit of name-dropping on occasion, and like any Glaswegian boy Ally was suitably astonished to sometimes find himself in the company (and painting collections of) the likes of Bob Geldof, Petula Clark, Richard Jobson, Picasso's son Claude and even France's President Mitterand.
![[§] KEN CURRIE (SCOTTISH B.1960) SIGNS AND SYMPTOMS 1995-1996, signed, inscribed with title and dated verso, oil on canvas](https://cdn.globalauctionplatform.com/cc6aee4a-8acc-4015-8441-a84a00d4e6c9/e33acce0-210d-4887-ae22-721ef33fed8c/468x382.jpg)
Los 189
[§] KEN CURRIE (SCOTTISH B.1960) SIGNS AND SYMPTOMS 1995-1996, signed, inscribed with title and dated verso, oil on canvas 100cm x 78cm (39.5in x 30.75in) Provenance: Raab Boukamel Gallery, London, purchased by the current owner, 1996 Literature: Ken Currie, Details of a Journey, Tom Normand, Lund Humphries 2002, illustrated page 83 Note: Born in 1960 Ken Currie is a Scottish artist and was one of the New Glasgow Boys along with his contemporaries Peter Howson, Adrian Wisniewski and Steven Campbell. Graduating from the Glasgow School of Art in 1983, his work has appeared in several public collections including the Tate Modern in London, the National Galleries of Scotland and abroad. In 2013 Currie held a solo show at the Scottish National Portrait Gallery. His paintings are documents of the human body and the effects of time, greed and injury. Signs and Symptoms 1995-6 is a dark, confrontational work. The figure is painted with a ghostly luminosity which is heightened by the stark dark background. Currie is highly aware of and influenced by the tradition of Western art, drawing inspiration from a variety of artists including Goya and Velazquez. Similarly to Francis Bacon, he is fascinated by the human face as a mechanism of expressing trauma, pain and powerful psychological expression. Currie's masterful portrait draws the viewer in with its thought provoking qualities.
Los 211
A George V silver part canteen of Old English pattern cutlery, to include twelve dinner forks, dessert forks, tablespoons, eleven dessert spoons, teaspoons, four salt spoons, three mustard spoons, two sauce ladles, a gravy spoon, soup ladle and butter knife, in fitted oak canteen case, maker George Howson, Sheffield 1911, 119oz
Los 45
Ω A cased set of twelve Edwardian fruit knives and forks with silver ferrules by Harrison Brothers & Howson, Sheffield 1908, with mother of pearl handles, the knives 17.5cm (7in) long Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported. The CITES regulations may be found at www.defra.go v.uk/ahvla-en/imports-exports/cites/
Los 1028
PETER HOWSON OBE (Scottish, born 1958); ink and watercolour heightened in white on paper 'David and Bathsheba', signed, inscribed verso and dated 2012, 30 x 23cm, unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
Los 1070
PETER HOWSON OBE (Scottish, born 1958); oil on canvas 'John', signed, inscribed and dated 2006 verso, 35 x 25cm, block mounted but unframed. (D) CONDITION REPORT: This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk. A few small scuffs to edges and corners but otherwise ok.
Los 1073
PETER HOWSON OBE (Scottish, born 1958); oil on canvas 'Merlinus Ambrosius', signed, inscribed verso, 92 x 61cm, framed. (D) CONDITION REPORT: Wear to gilt border and frame but picture appears fine.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
Los 1074
PETER HOWSON OBE (Scottish, born 1958); oil on canvas 'Mandancin', signed, inscribed verso, 158 x 98cm, framed. (D) CONDITION REPORT: A few scratches/scuffs and stains/spots to lower left.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.
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6423 Los(e)/Seite