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A collection of hallmarked silver items. The lot to include a Victorian cream jug, salts with fitted blue glass liners, a pepper pot with import marks for Dublin and a Harrison Brothers & Howson Ltd bookmark and a white pair of white metal sugar tongs with continental marks. Surface tests indicate silver.  Combined weight approx 312.3g. Combined weight of silver approx 206g. Measures approx 3cm x 6cm / 7cm x 10cm. 

A George V silver salver, maker Harrison Brothers & Howson, Sheffield, 1929, of lobed circular form, with gadrooned border, raised on four swept feet, 25cm diameter, 439gms, 14.12ozs

A Victorian silver teapot, maker Harrison Brothers & Howson, Sheffield, 1900, of oval outline, with recessed angles and half reeded decoration, 25cm long, 451gms, 14.53ozs

THREE GOLF BAGS CONTAINING TWENTY SEVEN IRONS, twenty one drivers and three putters from makers such as Pinseeker, Howson, MacGregor, Nicklaus, HB&S, Wilson, Dunlop, Mizuna, etc

Edwardian three piece carving set with silver pistol handles and in fitted case with presentation plaque from Bedfordshire Regt. Sheffield 1905 Maker Harrison Bros. & Howson and silver egg cup and spoon engraved with initials, cased Birmingham 1954Condition Report:Approx silver weight of egg cup and spoon 1.6oz (49 grams)

Golfing - a set of Howson Enforcer golf clubs, Hippo golf bag, folding two wheeled cart carrier.

A George Howson silver coffee pot and water pot, Sheffield 1934 (approximately 280 grams).

A George V silver teapot, with shell capped reeded borders, with an ebonised knop and handle, on bun feet bearing the crest EKB, maker Harrison Brothers & Howson, London 1911, 23.24oz all in.

HARRISON BROTHERS & HOWSON; a large Victorian hallmarked silver twin handled tray, width 61cm, approx 79.3ozt/2467g.

An Edwardian silver gravy boat, of traditional design, having a short flared rim, generous spout and opposing scrolled handle, raised on three down-swept legs with hoof feet and scalloped surmounts, marks for Sheffield 1905, maker Harrison Brothers & Howson, 18cm, 151grams, some small splits to rim.

A pair of Victorian silver mother-of-pearl handled butter knives, Harrison Brothers & Howson, Sheffield 1878, floral engraved blades, overall 18cm, in fitted leather caseNo damage or repair, hallmarks clear and matching

* MARY BATCHELOR (SCOTTISH 1944 - 2017), HIGHLAND LOCH IN SPRING oil on coard, signedmounted, framed and under glassimage size 40cm x 50cm, overall size 74cm x 83cm Note: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), SUMMER SAILS oil on board, signed, titled label versomounted, framed and under glassimage size 19cm x 19cm, overall size 48cm x 48cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), GARDENS AT LUSS oil on canvas, signed, titled label versoframed and under glass image size 20.5cm x 26cm, overall size 35cm x 39cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* PETER HOWSON OBE (SCOTTISH b. 1958), HOLDING LUCIE coloured print on paper, signed, titled and dated 2000 mounted, framed and under glass image size 43cm x 38cm, overall size 77cm x 69cm

* MARY BATCHELOR (SCOTTISH 1944 - 2017), WINDOW, SIENA oil on board, signed, titled label versoframed and under glassimage size 20cm x 20cm, overall size 35cm x 35cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), PINK SKY REFLECTIONS oil on board, signedmounted, framed and under glassimage size 41cm x 50cm, overall size 74cm x 84cm Note: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* PETER HOWSON OBE (SCOTTISH b. 1958), UNTITLED NO. 16 ink on paper, signed and dated 2016, titled label versomounted, framed and under glassimage size 18cm x 19cm, overall size 45cm x 42cmLabel verso: Flowers, London.

* MARY BATCHELOR (SCOTTISH 1944 - 2017), SHEDS, PORTINCAPLE oil on board, signed, titled label versomounted, framed and under glassimage size 19cm x 19cm, overall size 48cm x 48cm Artist's label versoNote: Mary Batchelor attended the Glasgow School of Art where her tutors included: Peter Howson, David Linley and Norrie Kirkham. Working exclusively in acrylics, Mary Batchelor, produced paintings with vibrant and compelling colours. Mary was constantly inspired by the Scottish landscape. She loved bringing the ever changing Scottish countryside to life in her paintings. Mary also found great inspiration from travel abroad, enjoying the challenge of capturing unfamiliar scenes and different light. Mary Batchelor paintings are influenced by the strong tradition of Scottish colourists. She credited Scottish Colourists - Cadell, Peploe, Fergusson and Hunter as a source of great inspiration in her paintings. She admired the bold use of colour and texture, and the confidence exuded in every brush stroke which has contributed so richly to the tradition of Scottish painting.

* PETER HOWSON OBE (SCOTTISH b. 1958), SATURDAY NIGHT, GARTNAVEL mixed media on paper, signed and dated 2012, titled versomounted, framed and under glassimage size 34cm x 25cm, overall size 59cm x 49cm Exhibition history: The MacLaurin Gallery, 3 March - 14 April 2013. Note 1: This work was created whilst Howson was being treated in Gartnavel Hospital, whist seriously ill with mental health problems. Many of the works produced at this time were subsequently shown in an Exhibition in March and April at the MacLaurin Gallery in Ayr.Note 2: Howson set new records for a living artist in Scotland during his major retrospective “When the Apple Ripens: Peter Howson at 65" of the work of the artist taking place at the City Arts Centre, Edinburgh and organised by Museums & Galleries Edinburgh from May this year until the beginning of October, bringing together over 100 major works from his early years until the present time. The staging of this exhibition during (and beyond) the Edinburgh International Festival reflects the well documented and longstanding international interest in Peter Howson's work.

Silver tea spoons Sheffield 1919 and 1918 (one George Howson) 33 gms gross weight

Set of eight silver-handled table knives, queens pattern, marks rubbed, the blades stamped 'Harrison Bros and Howson' and a matched larger set of silver-handled table knives, kings pattern, Sheffield assay, makers Harrison Bros & Howson 

A heavy quality silver three-piece tea service of elongated octagonal form, with composite handle and finial, on moulded foot-rim, Harrison Brothers & Howson, Sheffield 1945, 36oz gross

A selection of silver items, including: a set of six silver teaspoons, by Harrison Brothers & Howson, Sheffield, 1899; a set of six similar smaller teaspoons, by Josiah Williams & Co, London, 1894; a set of three 'Milltown Golf Club' silver teaspoons, with enamelled crests; a pair of silver open salt cellars; two silver pepper shakers; and others, the weighable silver 12.7oz gross.

A part set of Victorian silver Kings pattern knives and forks, by Harrison Brothers & Howson, Sheffield, 1873, comprising three forks and five knives, with bull rush decoration and filled handles, 14.6oz gross.

6 Art Deco-Mokkalöffel. 925/000 Sterlingsilber, 43 g. Glatte Formen. Mz. Georg Howson, Beschau Sheffield, mit Jahresbuchstabe für 1932. L. 9,5 cm. In Original-Schatulle.

Good silver plate meat domed cover with decorative removable handle, marked for Harrison Brothers and Howson, Sheffield, (diameter 36cm approx).

A late Victorian silver serving spoon, Harrison Brothers & Howson, Sheffield 1889, with elaborately pierced and engraved bowl and stem; together with a silver pickle fork, Francis Howard, Sheffield 1971. (2) Total weight 3.7 troy ounces

A good Edwardian silver salver - large size, approx 45cm Harrison Brothers & Howson Sheffield 1913 - weight approx 64 troy oz

A silver shaped-oval pierced and embossed pedestal sweet dish. With a beaded C-scroll border and vacant oval cartouches, hallmarks for Harrison Brothers & Howson, Sheffield 1894, 3.5cm high, 12cm wide overall (1 1/2 inches x 4 3/4 inches), 59g

Pair of Edwardian silver circular trinket dishes, pierced fretwork flared border, makers Harrison Brothers & Howson, Sheffield 1907, diameter approx 9cm (2)

Extensive 108 piece silver hallmarked cutlery canteen by Harrison Brothers & Howson. Hallmarked Sheffield mostly 1945 and 1946. The canteen includes twenty four silver handled knives, the rest being entirely silver, all housed within a fall front canteen box with four fully appointed cutlery sections. Canteen measures 30 x 54 x 41.5cm

A quantity of silver flatware and oddments Various dates and makersThe group comprising: a George III silver marrow scoop, London, 1813, maker's mark indistinct, 23.2cm long; four George III teaspoons, Thomas Northcote, London, 1791, Old English pattern, engraved initials to handles, 13.5cm long; four additional George III teaspoons, William Eley I & William Fearn, London, 1804, engraved armorial to handles, 13.4cm long; a George IV condiment spoon, William Eley I & William Fearn, London, 1822, engraved initials to handles, 10cm long; seven Edwardian teaspoons, Maxfield & Sons, Sheffield, 1910, engraved armorial to handles, 13.7cm long; four Edwardian silver handled side knives, Harrison Brothers & Howson, Sheffield, 1905, 16.4cm long; three coffee spoons, Goldsmiths & Silversmiths Co., London, 1919, engraved armorial to handles, 11.3cm long; a child's food pusher, possibly C. W. Fletcher & Son, Sheffield, 1921, 9.5cm long; a napkin ring, Sibray, Hall & Co., Sheffield, 1919, engraved with initials, and a Dutch sifting spoon, bearing the .833 Dutch standard mark, 1835, maker PK (mark indistinct), 16.5cm long, together with a French side knife, marked to blade and handle, weighable silver approx. 22.7ozt (a lot) Condition Report: Weighable silver doesn't include the side knives. 

Edward VII hallmarked silver inkwell stand with mask handles, raised on four bun feet, Chester 1902, maker George Nathan & Ridley Hayes, length 19.5cm, together with a hallmarked silver shell shaped dish raise on three ball feet, Sheffield 1919, maker Harrison Brothers & Howson and a Victorian hallmarked silver embossed pin dish, London 1893, maker's mark indistinct, weight of all items excluding glass inkwell 169g

Art Deco hallmarked silver octagonal tray or salver raised on four feet, Sheffield 1933, maker Harrison Brothers & Howson, width 20.5cm, weight 366g

Two George V hallmarked silver twin handled trophy cups, one Mappin & Webb, Sheffield 1939, engraved Macintyre Cup Khartoum 1939-40, the other Sheffield 1934 maker Harrison Brothers & Howson and engraved The Cavalry Polo Cup 1938, height of taller 10cm, weight of both 169g

AN ELIZABETH II SILVER-MOUNTED OAK TANTALUS by Harrison Brothers & Howson Ltd, Sheffield 1989, of typical form, with three silver-collared decanters, each decanter with a silver label for Brandy, Whisky and Port, complete with key. 36cm high, 37.5cm wideIn very good condition without damage.

RUSKIN POTTERY (1898-1935)Vase, model no. 302, 1923Stoneware, high-fired flambé glaze.15.2 cm highProduced by Ruskin Pottery, West Smethwick, England. Underside impressed RUSKIN/ENGLAND/1923.Footnotes:LiteraturePaul Atterbury and John Henson, Ruskin Pottery: The Pottery of Edward Richard Taylor and William Howson Taylor, 1898-1935, Baxendale Press, 1993, p. 152For further information on this lot please visit Bonhams.com

Two George V silver butter shells,  10.5cm l, by Harrison Bros & Howson, Sheffield 1913, both cased, 2ozs 12dwts (2 cases) Good condition

A Pair of Sheffield silver four slice toast racks. Produced by Harrison Brothers & Howson. [237grams]

PETER HOWSON OBE (BRITISH B.1958) HEAD OF CHRIST Conte and chalks on buff paper, signed lower right, 48 x 30.5cm (19 x 12") Presents in good condition. Not examined out of frame

PETER HOWSON OBE (BRITISH b.1958) NUDE BY A MOONLIT BEACH Oil on canvas, signed lower right, signed and dated 1988 verso, 77 x 51cm (30.25 x 20") Presents in good condition. Examined under UV

CASED SET OF TWELVE GEORGE V SILVER TEA SPOONSSheffield 1934 by Harrison Brothers and Howson; together with a cased set of six George VI silver tea spoons, Birmingham 1937 by William Hair Haseler, 230g/8.11oz

Peter Howson OBE, Scottish b.1958 - Standing female nude; gouache and pastel on paper, signed lower left 'Howson', 28.5 x 20 cm (ARR) 

Peter Howson OBE, Scottish b.1958 - Running Man; oil on canvas, signed lower right 'Howson', 76.7 x 92 cm (ARR) 

A Ruskin Pottery stoneware Kingfisher lustre vase by William Howson-Taylor, dated 1916, shouldered cylindrical form, covered in a petrol lustre glaze, impressed mark and date, 14.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery stoneware lustre jar and cover by William Howson-Taylor, dated 1926, covered in apple green lustre glaze, a ginger jar dated 1910 covered in a green lustre glaze, and two other Ruskin Pottery green lustre vases impressed marks, 9.5cm. high (5) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery stoneware Kingfisher lustre vase by William Howson-Taylor, dated 1915, cylindrical form with flaring top rim, covered in a petrol lustre, impressed mark and date, 20cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A pair of Ruskin Pottery stoneware Souffle vases by William Howson-Taylor, dated 1918, slender baluster form, covered in a pale blue speckled souffle glaze with lustre, impressed mark and date, one restored to neck, the other hairline to base rim, 28.5cm. high (2) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery stoneware Souffle vase by William Howson-Taylor, dated 1906, shouldered baluster form with flaring neck, covered in lavender glaze over sang de boeuf, with lavender mint speckles, impressed mark and date, 35cm. high

A Ruskin Pottery stoneware Kingfisher lustre vase by William Howson-Taylor, indistinct date possibly 1911, slender baluster form, covered in a petrol lustre glaze, impressed mark and indistinct date, drilled to base, 28.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated possibly 1906, ovoid with tapering cylindrical solifleur neck, covered with a white glaze, the neck and base streaked lavender and purple with mint speckles, impressed mark, flooded date, 17cm. high, ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery high-fired pedestal tazza by William Howson-Taylor, the hexagonal foot supporting circular base, covered in a mottled lavender and sang de boeuf glaze over white, with lavender speckles, impressed Ruskin 15cm. high21cm. diam. ProvenanceThe Ferneyhough Collection, no.51Albert E WadeThe Albert E Wade Collection Part 1, Sotheby's 2nd May 2002 lot 351Private collection.

A Ruskin Pottery stoneware lustre vase and cover by William Howson-Taylor, dated 1907, baluster form with shallow domed cover, covered in a pink lustre graduated to white, with patches of turquoise, impressed mark and date, 19cm. high (2) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery stoneware vase by William Howson-Taylor, dated 1912, baluster form, covered in a blue snakeskin glaze, impressed RUSKIN and date, 16.5cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery stoneware vase by William Howson-Taylor, shouldered form, covered in a streaked blue glaze over iron red, impressed mark, stress hairline to foot rim, 19.5cm. high

A Ruskin Pottery stoneware Souffle vase by William Howson-Taylor, dated 1906, shouldered form with short solifleur neck, covered in a turquoise glaze over lavender, the shoulder decorated with a band of fruiting grape vine, impressed mark and date, painted scissor mark, 19cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, ovoid with tall flaring cylindrical neck, covered in a mottled turquoise, mint green, purple and lavender speckled glaze over silver-grey, impressed Ruskin mark, 16cm. high ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery stoneware Souffle glaze jar and cover by William Howson-Taylor, shouldered form, covered in a mottled purple glaze, the shoulder decorated with fruiting grape vine, under a green glaze, and two Ruskin Pottery vases covered in a streaked golden yellow and sky-blue glaze, impressed mark and scissor mark, 11.5cm. high (4) ProvenanceThe private collection of Gretchen Andersen, The Lacquer Chest

A Ruskin Pottery high-fired stoneware Elephant's-Foot vase designed by William Howson-Taylor, swollen cylindrical form, covered in a sang de boeuf glaze, with silver-grey top rim, streaked with lavender and turquoise speckles, impressed factory mark and date, applied collection label, professional restoration, 20.3cm. high ProvenanceThe Albert E Wade CollectionThe Albert E Wade Collection, Sotheby's Olympia, 2nd May 2002, lot 263. LiteraturePaul Atterbury & John Henson, Ruskin Pottery, Richard Dennis Publications, page 59 (top) this vase illustrated.