Quantity of White Metal/Plastic Toy Soldiers, including: Oryon Collection, set of 3 British Cavalry Royal Horse Guards, Britains 44019 Red Coats 2 piece set, W Britains The Chelsea Pensioners, 8831 The D-Day Landing Set, 5188 Seaforth Highlanders, missing brown outer card box, 5391 The United States Army Band, 17262 Marshal Michel Ney, 40179 The Silver Trident, 40193 Fort Henry Guard, 7304 US Marine Drum & Bugles, Corgi Forward March CC59169 set, Steadfast Victorian Bobbies set,Del Prado Royal Marines Commando, 2 x Armour diecast metal tanks, 5 x Timpo Toyway Action Figure sets & Golden west plastic wagon all in excellent condition (23 items)
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'The Christian's complete family Bible'Published by J. Nuttall, Liverpool, c.1800 bound in brown leather with maroon boards, 'Camp fire and battle field' an illustrated history of the campaigns and conflicts of The Great Civil War, reprinted from the 1894 original by Trident Press, 1999 bound in blue cloth with gilt decoration, a copy of 'Confederate seas' published by John Peter Hess. (3)
Russia : RUSSIAN AREAS COLLECTION a highly useful mint and used collection displayed in an album, with Estonia 1918 German Iccupation 20pf on 10k and 40pf on 20k used, 1923-24 300m fine used, 1923 Air 5m and 15m on 5m used, imperf pairs of 10m on 5m, 20m on 5m used, 45m on 5m mint, 1930 1k to 3k surcharges fine used; Latvia wih a good range of Arms issues, 1921 Air perf and imperf mint, German Occupation 1941 set mint, Courland 1945 6 on 5pf and 10pf mint; Lithuania incl. 1918 typeset ranges, 1919 10s rose perf. 10½ fine used, 1922 new currency surcharges incl. Air set mint or used, Central Lithuania, Memel good range of mainly sets to top values, Airs, Lithuanian Occupation issues with many surcharges, Tuva, Armenia from overprint types, Batum range of British Occupation issues, Georgia, Ukraine Trident types etc. (approx 1200 stamps). HEAVY LOT - OVERSEAS BIDDERS PLEASE ENQUIRE FOR SHIPPING COSTS
Bosporan Kingdom. Rheskuporis II. Electrum Stater (7.64 g), AD 211/2-226/7. Dated BE 515 (AD 218/9). Diademed and draped bust of Rheskupori right; before, trident. Rev. Laureate, draped, and cuirassed bust of Elagabalus right; below, date (?I?). MacDonald 558/3. Deep yellow electrum. Extremely Fine.
Kingdom of Macedon, Philip II, Gold Quarter Stater (2.13 g, 11h), 356-336 BC. Mint of Pella, c. 340-328 B.C. Head of young Herakles facing right, wearing a lion’s skin headdress. Rev. ?I?I??OY, a bow and a club to left above, a trident-head to right below (Le Rider 80-1; SNG Alpha Bank 256). In an exceptional state of preservation for this issue, lustrous and mint state.
Betts 571, Diakov 184.1 (R3), Reichel 2637 (R3), Sm--. Crowned, veiled and draped bust of Catherine II right / Neptune, holding his trident aloft, standing on a seashell adorned with the Arms of Russia, Denmark, Sweden and Holland. Mercury seated at left, sailor standing at right. Very rare. Attractively toned. Authenticated and graded by NGC MS 61
Macedonian Kingdom. Phillip II, 359-336 BC. Gold Stater (8.68g). Mint of Amphipolis, ca. 323/2-315 BC. Laureate head of Apollo right. Rev. ?I?I??OY, charioteer driving biga right, holding kentron and reins; below, trident right. Cf. Le Rider 181-6; SNG ANS 266. Boldly struck on a nice full flan. Plenty of luster still present. Fine style. Superb Extremely Fine.
Victoria (1837-1901). Pattern silver Crown, dated 1837, struck circa 1893 after a design by Joseph Bonomi for J Rochelle Thomas, struck by T Pinches Birmingham, Egyptian style diademed head of Queen left with incuse outline, incuse date either side of base of neck, incuse legend VICTORIA REG DEI GRA, outer border of stars raised in incuse border both sides, Rev. standing figure of Britannia as Minerva right with incuse outline, holding winged Victory in outstretched hand, with trident and shield, shield with raised lettering on border, DECUS ET TUTAMEN, incuse legend vertically in four lines, BRITT / MINERVA / VICTRIX / FID DEF, edge plain apart from number incuse "T-29" (Bull 2612 R2; ESC 320; L&S 1). Has been graded and slabbed by NGC as MS64+, one of ten graded with three higher; PCGS for comparison seem to have only graded one lesser piece, rare. NGC certification 4864281-002. The "Bonomi patterns" were produced for the coin dealer J Rochelle Thomas in 1893 from original designs suggested by Joseph Bonomi printed in the Proceedings of the Numismatic Society of London in November 1837. The full text of the original advertising was reproduced by Howard Linecar and Alexander Stone in their publication "English Proof and Pattern Crown Size Pieces," pages 76-80 where all the varieties are catalogued and the quantities struck are shown. The most prolific is the silver version of which 150 were struck with each individually numbered on the edge like we have demonstrated here as "T-29.".
19 EFE etc. 16 buses/coaches including Leyland National, Volvo Renown and a Bristol VR111, all Brighton/Hove. Southdown Gift Set- Leyland Tiger PS1 coach and a Tiger Cub bus. Plus 10 Southdown - 2x Guy Arab, 2x Leyland TD1, Leyland PD1, Leyland Windover coach, Harrington Cavalier, etc. Also an AEC Renown, King Alfred. Harrington Cavalier, Wallace Arnold. Leyland TD1, Bolton and a Bedford TK artic, B.R. Also in Lot - 3x OOC - Bedford OB, B.R. Optaire Solo, MK Metro. A BMMO open top, L.T. 2x Creative Masters- Mini Pointer Dart and a Trident 2, both Brighton/Hove. Plus 8 other Corgi including a Leyland Atlantean open top, Sunderland tram, 3x Routemasters and a James Bond Lotus. Most boxed, one Routemaster and Lotus loose. (31) £80-120
Britains Delhi Durbar Elephants and Processional items 08956, State Elephant of the Duke and Duchess of Connaught, two Guards, 00266 Gaekwar of Baroda's Gold Gun in original box, two Cheetahs with Handler, 40179, Silver Trident of Jaipur and Bikanir State Elephant (repainted) (Condition Very Good, Gold Gun hook and clasp loose, box Good) (21)
CHINESE BLUE & WHITE CIRCULAR CHARGER depicting mythological figures & sea monsters, central figure with Trident within floral borders, labels to base for the collection Hervouet no.337 and Eymery & Co of Paris, 42cms diam Provenance: the collection of Francois Hervouet was sold in the late 80s in London & Monaco by Sotheby's Condition Report: has been restored to rim, other minor chips & nibbles around border & rim, unmarked
A Chinese / Tibetan believed 19th century three headed reversible bronze figure / statue of ' Usnisavijaya ' (Gtsug-tor-rnam-rgyal). This deity with reversible head having eight arms, holding trident, shield and sword with head of Amitabha. Then being entwined with lover to front. Set over a plinth base. Measures 19cms high x 15cms wide
Kingdom of Macedon, Demetrios Poliorketes AR Drachm. Tarsos, circa 298-295 BC. Nike standing left on prow of galley left, blowing trumpet and cradling stylis in her left arm / Poseidon advancing left, with chlamys on left arm, brandishing trident, A in left field, monogram in right. Newell 44; SNG Copenhagen 1189. 4.03g, 17mm, 7h. Good Very Fine. Ex Roma Numismatics E-Sale 8, 31 May 2014, lot 174.
Antoninus Pius Æ25 of Berytus, Phoenicia. AD 138-161. Laureate, draped and cuirassed bust left, seen from behind / COL BER, Poseidon standing left, foot on prow, holding dolphin and trident. BMC Phoenicia 104; AUB 70-1 var. (position of legend). Good Fine. From a private North American collection.
L. Julius Bursio AR Denarius. Rome, 85 BC. Male head right, with the attributes of Apollo, Mercury and Neptune; trident and [symbol] behind / Victory in quadriga right, holding reins in left hand and wreath in right; LVII above, [L]•IVLI•BVRSIO in exergue. Crawford 352/1c; RSC Julia 5. 3.46g, 21mm, 8h. Near Extremely Fine; struck on a broad, slightly wavy flan. Lightly toned with iridescent highlights. Minor flan cracks and graffito to obv. From a private European Collection.
Hadrian Æ Sestertius. Rome, AD 124-128. HADRIANVS AVGVSTVS, laureate bust right, slight drapery on left shoulder / COS III, Neptune standing left, right foot set on prow, mantle on thigh, holding acrostolium and trident; S-C across fields. RIC 635. 28.36g, 33mm, 5h. Near Very Fine. From a private central European Collection.
Sicily, Syracuse Æ Litra. Hieron II, circa 217-215 BC. Head of Poseidon left, wearing tainia / Ornamented trident head flanked by two dolphins; IEP-?NO? across lower fields, monogram in lower left field. CNS 194; SNG Copenhagen 849. 8.13g, 23mm, 2h. Extremely Fine; some minor areas of weakness. Attractive green patina. Ex Naville Numismatics 29, 26 February 2017, lot 85.
A GEORGE III SILVER FISH SLICE, maker William Cripps, London 1746, the rounded trefoil blade pierced and engraved with scrolling foliage and centred by a pair of fish below a trident, the flared conical handle fixed to a baluster turned ebonised fruitwood handle, 12 1/4" long overall, blade 6 1/4", 4ozs 7dwts gross (Illustrated) (Est. plus 21% premium inc. VAT)
JAZZ LPs - SWING TO CONTEMPORARY. A musical delight here with this collection of around 95 x LPs. Artists/titles include Urbie Green - The Fox, Dave/Don Grusin - Sticks And Stones, Roland Hanna inc. Perugia, Glove, Time For The Dancers and Sir Elf Plus 1, Earl Hines inc. Grand Reunion Vol I and II, Billie Holiday, Lionel Hampton, Chico Hamilton, Bobby Hackett with Zoot Sims, Keith Jarrett inc. Tribute (ECM 1420/21), Shades, Ruta And Daitya and Still Live, Hank Jones - Hanky Panky, Bluesette and I Remember You, Quincy Jones - Gula Matari and Fab!, Art Tatum, Clark Terry And Thelonious Monk, Cal Tjader, McCoy Tyner - Trident, Charlie Ventura and Mal Waldron. Condition is generally VG to Ex.
DAVID BOWIE UNRELEASED TRACK MASTER TAPE. A boxed reel of 2" Scotch tape, with Trident Studios labels on box indicating that the contents of tape include a 30th July 1971 recording session at Trident, with David Bowie listed as a producer for recordings of Fill Your Heart and Changes. The tape is an incredible listening experience and includes the solo recordings of the instruments and Bowie’s vocals on the 16 audio channels which culminates in 5 takes of Changes and 3 takes of Fill Your Heart With Love.There are 4 instrumental takes of Changes with Bowie stopping recording and speaking to musicians and engineers in between takes. His explanations as to how he would like it played are fascinating and he was obviously in good spirits with quips such as “Good Luck Chaps!” prior to counting down the start. At one point he also loses a little patience being heard saying “Do another one!” followed by swearing at the response of one of the musicians/engineers.When listening to his vocal solos for both Changes and Fill Your Heart he can be heard breathing softly and humming tunes before breaking into the vocals. The sound quality is that good that it almost feels like you are there in the studio with him.Much of this tape contains previously unheard recordings of two significant Bowie tracks making it an incredible opportunity for a Bowie fan and collector to hear this amazing recording.The tape has been professionally transferred to digital and a USB data stick with the recording on will be provided with the lot.A detailed history of the provenance of the tape has been provided courtesy of the vendor. What follows is an abridged account, recounted by the vendor:"In the 1970s Bowie’s management rented a studio in what Brian Eno describes as “palatial Gunter Grove in Chelsea”. Bryan Wharton, internationally renowned photo journalist and award-winning photographer, was a neighbour in an adjacent unit at Gunter Studios and remembers, “They were there for about six years. He remembers that when they vacated the offices in the late 70s that there were skip loads of stuff left behind. Tania had been visiting Bryan at Gunter studios since 1968 when she met him as a 17-year-old actress wannabe. She had a white convertible but only a provisional licence and Bryan was one of the friends she would call on to sit with her when she wanted to go for a drive. Their friendship with the L-plate chaperone endured even after she passed her test and, over a decade later, in 1981, Bryan introduced her to his new neighbour Mike Norris, a photographer who had recently bought the old Church hall, the largest of the studios.Within 18 months, Bryan was the Best Man at Mike and Tania’s wedding in the Boltons. By 1985, the couple also had a weekend cottage in Wiltshire and Tania was spending more and more time there with their young children. One weekend, Mike arrived with a battered carrier bag and handed it to Tania. “Inside was this old box containing a Bowie master tape. I had no idea what to do with it so I put it in an un-used cupboard with my mother’s mink.” “He had found it in Gunter Hall when he moved in, covered in plaster dust and cobwebs at the back of an alcove piled with junk from the previous owner,” said Tania. “He was not somebody in the bit of giving me anything valuable! I didn’t quite know what to do with this strange gift and assumed it was another of his white elephants and had little value.” “But I kept hold of it through various house moves and it’s been under my bed for years now. It was only when I read a recent article in the Guardian about another discovered recording of Bowie’s that I realised I might be sleeping on a gold nugget!” "**Please note that the tape and its contents are being sold as an artefact only. No copyright is included with the sale and any reproduction of the material is strictly forbidden under UK Copyright Law.**
1st-2nd century AD. A bronze figure of a dolphin with S-curved body and trident tail, astride its back a nude putto with small wings blowing a pair of horns raised to the mouth in both hands. See Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965. 99 grams, 90mm (3 1/2"). Property of a European gentleman living in South Africa; acquired since the late 1980s. Very fine condition.
Auguste Louis Mathurin Moreau, (French 1834 ~ 1917), a pair of patinated bronze models of Neptune and Amphitrite, third quarter 19th century, both portrayed standing and nude but for drapery across their thighs and billowing out behind them; the former crowned, holding a trident in his left hand and with a hippocampus at his feet; the latter holding a water jar and with a dolphin at her feet; both inscribed in the maquette ATE. MOREAU, above circular marmo Siena socles 46.5 and 44.5cm high respectively For similar examaples, see Christie's South Kensington, Interiors Including Three Private Collections, 29th July 2014, lot 209 Also Bonhams Knightsbridge, Home & Interiors, 7th March 2018, lot 356 Also Nagel Auktionen, Stuttgart, 9th December 2005, lot 948
A BRONZE PLAQUE DEPICTING VIRABHADRA, WESTERN DECCAN, INDIA, 17TH/18TH CENTURY the four-armed deity holding sword and shield in his primary hands, a bow and trident in his other two, wearing sandals and tall headdress, standing within an arched niche surmounted by a coiled cobra, flanked by diminutive figures of Daksha and Sati 26cm high Daksha had offended Siva at a sacrifice and his daughter. Sati, who was Siva's wife, felt so insulted that she threw herself on the pyre. Siva appeared as Virabhadra and cut off Daksha's head to avenge his wife. The gods pleaded for Daksha's life but his severed head could not be found, so the head of a goat was substituted instead. Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
A SMALL BLACK STONE PLAQUE DEPICTING DURGA MAHISASURAMARDINI, KASHMIR, CIRCA 9TH CENTURY the six-armed Hindu goddess with her right foot and trident resting on the Buffalo Demon, on raised rectangular platform, wearing crown and large oval earrings, surrounded by arched lotus prabha 12.5 x 9 x 3.5cm Descriptions in both printed and on-line catalogue formats do not include condition reports and all lots are sold as viewed. The absence of a condition statement does not imply that the lot is in good condition. Prospective bidders are recommended to request a condition report prior to bidding, wherever possible satisfying themselves in person at the gallery as to the condition of a lot.
A Bronze Figure of Durga Slaying the Buffalo Demon (Mahisasuramardini), Bengal or Orissa, Eastern India, circa 16th century, the multi-armed goddess holding various weapons, pulling at the demon's hair with her left hand as he emerges from the decapitated buffalo body, stabbing him with the trident in her right, her vehicle, the lion, under her right foot, on openwork oval base with small figure of Vishnu(?) on Garuda below 14cm; 5 1/2in high Condition: Losses to base, general wear and knocks
A Large Khmer Style Bronze Figure of Ganesha, Cambodia or Thailand, the four-armed elephant headed Hindu deity holding his broken tusk and sweetmeat in his primary hands, trident and rosary in his upper hands, wearing sampot and elaborate crown, mounted 51cm; 20in high Condition: greenish 'archaeological' patina
A Brass Figure of Durga, Western Deccan, India, circa 18th century, seated on a raised plinth, the four armed goddess holding sword and bowl in her primary hands, a drum and trident in her upper hands, wearing tall headdress with bud finial 11cm; 4 1/4in high Condition: Damage with losses to base, prabha missing, some wear
A gold intaglio engraved cornelian ring, with a flat oval cornelian tablet, intaglio engraved with Neptune holding a trident and stepping from a clamshell into the waves. The tablet (possibly Georgian) later rub set to a plain head with trifurcated shoulders and a plain shank. Marked 9ct. Head 24 x 18mm, 7.39g. Finger size O½

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5411 item(s)/page