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Click here to subscribeCalabria, Tarentum, Magistrate Aristokles, ca. 272-235 BC.Nude warrior with spear, shield and two javelins riding horseback right, behind _I, below horse API_TOK_H_;Taras riding dolphin left, holding trident and cantharus, behind head of nymph facing left, below _____Vlasto 877-881.Nice patina. Fine Size: D:18.7mm; 6.17g
Calabria, Tarentum, Magistrates Lykinos and Sy-, ca. 280-272 BC.Nude warrior with spear, shield and two javelins riding horseback right, behind monogram AR, below horse _I;Taras wearing chlamys and brandishing trident riding on the dolphin left, behind owl standing left, below _____.Vlasto 836-841. Very fine. Size: D: 21.3mm; 6.89g
1959 "TRITON"- NORTON FEATHERBED FRAME FITTED WITH 1972 TRIUMPH TRIDENT T150 750CC ENGINE.- REGISTRATION NUMBER 217 YUR- AN EXCEPTIONAL EXAMPLE OF THIS MOST DESIRABLE FRAME /ENGINE COMBINATION. IS THE TRUE CAFE RACER STYLE BUILT BY GARY LAURENCE OF KENT AS NUMBER 6 IN HIS "SPIRIT OF THE SIXTIES" SERIES OF SPECIALS ALL OF WHICH ARE BASED AROUND THE FEATHERBED FRAME. THE ENGINE ITSELF PREPARED BY NORMAN HYDE, BOYER IGNITION, THE EXHAUSTS BY CAMPBELL, VARIOUS SPECIAL FITTING BY BARLEYCORN ENGINEERING. COMPLETE WITH V5C- FULL SPEC SHEET AND VARIOUS RECEIPTS AND PHOTOGRAPHS .
Nikos Engonopoulos (Greek, 1910-1985)Jason signed in Greek and dated '51' (lower right)oil on canvas45 x 34.5 cm.Painted in 1951.Footnotes:ExhibitedAthens, Zappeion Hall, 4th 'Armos' Group exhibition, December 10, 1952 - January 10, 1953, no. 93 (listed in the exhibition catalogue, p. 12).Venice, XXVII Biennale, June 19 - October 17, 1954, no. 38, (listed in the exhibition catalogue, p. 295).LiteratureAngloelliniki Epitheorisi, vol. 6, no. 3, Winter 1953-1954, p. 206 (illustrated).N. Engonopoulos, Atlantikos, 1954, p. 4 (illustrated).Nikos Engonopoulos, Painter and Poet, Epta Imeres, Kathimerini weekly magazine, 25.5.1997, p. 30 (illustrated).Nikos Engonopoulos, As Handsome as a Greek, Goulandris-Horn Foundation, Athens 2000 (illustrated on the cover).K. Perpinioti-Agazir, Nikos Engonopoulos, Mythology, Ypsilon editions, Athens 2006, no. 35, pp. 82-84 (discussed), p. 85 (illustrated).N. Chaini, The Painting of Nikos Engonopoulos, doctoral dissertation, National Technical University of Athens, 2007, no. 66, p. 221 (discussed and illustrated). N. Engonopoulos, Love is the Only Way, National Book Centre of Greece, Athens 2007, p. 8 (mentioned).K. Perpinioti-Agazir, Nikos Engonopoulos, Son Univers Pictural, exhibition catalogue and catalogue raisonée, Benaki Museum, Athens 2007, no. 397, p. 527 (mentioned), p. 270 (illustrated), p. 436 (illustrated).http://www.engonopoulos.gr/_homeEN/bio.html, 2017 (mentioned).The journey beginscome alongwe embarkto foreign landsN. Engonopoulos, Atlantikos, 1954A historic painting, which illustrated N. Engonopoulos's surrealist poem Atlantikos when it was first published in the Angloelliniki Epitheorisi journal in 1954, Jason was exhibited in the 1954 Venice Biennale1 alongside surrealist works by such towering figures of modern art as Arp, Ernst, Miro, Klee, Bacon and Magritte. There, for the first time, Greece was represented by one artist alone. As noted by K. Perpinioti-Agazir, who prepared the painter's catalogue raisonné, 'in the 1946-1954 period, and probably throughout Engonopoulos's career, his most important milestone was the representation of Greece at the Venice Biennale.'2 Prefacing the exhibition catalogue, Biennale's Secretary General R. Palluchini noted: 'Greece devotes its entire pavilion to Engonopoulos, whose work certainly is a surprise to everybody.'This brilliant picture shows the ancient Greek hero Jason standing aboard his legendary Argo, which is registered here in the seaside town of Chalkis, wielding a trident in his left hand, while making a characteristic gesture with his right in an effort to discern something in the distance, perhaps the faraway land that stretches on the horizon. This painting was indeed a perfect choice to illustrate Atlantikos, which, as noted by literary critic V. Chadjivassiliou, 'seems to look outward, possibly towards an ontological and existentialist field, where what's primarily at stake is the non-negotiable struggle for freedom, which the poet invokes right from the opening verses: the ship sounds / the train whistles / from the turrets they give the signal / beware / the journey begins / come along / we embark / to foreign lands.'3 Alluding to a heroic past drawn from the treasury of Greek mythology, Jason faithfully reflects the artist's attitude towards painting as an ideal vehicle to probe into the world of Greekness and reinterpret a rich tradition in a modern and vigorous manner. As noted by art historian N. Loizidi, 'Engonopoulos gave us a version of surrealism that's universal, but at the same time deeply rooted in Greekness'.4 His persistence on indigenous cultural sources and experiences clearly indicates that while European surrealists used an irrational vocabulary to break free from the shackles of traditional conventions, Engonopoulos perceived tradition as a connecting cultural link.5 His 'Greekness' is not only achieved through iconographical choices but it is also shaped by the values of ancient Greece and the principles of Byzantine painting and folk art. As a result, the artist is credited with carrying on the tradition of Greek art from antiquity to the present.6 1 Up until the mid-20th century the Venice Biennale was the only major artistic event worldwide. Especially for outlying countries like Greece, showing in Venice was extremely important on a national level and highly enviable on a personal one.2 See K. Perpinioti-Agazir, Nikos Engonopoulos, Son Univers Pictural [in Greek and French], exhibition catalogue and catalogue raisonée, Benaki Museum, Athens 2007, p. 78.3 V. Chadjivassiliou, 'From Bolivar (1944) to Atlantikos (1954): Surrealist Uprising and Defeat in the Poetic Mythology of Nikos Engonopoulos', Lexi magazine, no. 179, January-March 2004, p. 81. 4 N. Loizidi, Surrealism in Modern Greek Art, the Case of Nikos Engonopoulos [in Greek], Nefeli publ. Athens 1984, p. 181.5 See N. Loizidi, 'The Indigenous Surrealism of Nikos Engonopoulos' [in Greek], To Vima daily - Nees Epoches, 21.10.2007, p. A57.6 See L. Tsikouta, 'On Nikos Engonopoulos' [in Greek], Eikastika magazine, no. 48, December 1985, p. 21.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Motorbike: Triumph Trident 900 Triumphs “comeback machine” built in Hinkley after the financial collapse of the old Triumph Meriden factory. 6 speed liquid cooled. Over engineered, and finished to a high level, this 1998 example is one of the last in its production run having undergone 83 modifications since 1991, and has the optional pinstriping on the tank and the oval rear light. It also has a Givi topbox recently added. This one also has a hugger rear mudguard and datatag alarm, and benefits from a Scott chain oiler. This low mileage example has been meticulously maintained and only run a few hundred miles each year.
A 1960 Triumph Rob North Trident ReplicaRegistration number AEH 726AFrame number D2047Engine number AK00248V5CNew Rob North rolling chassis from Trident motorcyclesEngine specs.T160 850cc P&M cylinder T150 ported cylinder head with extra holding down bolts 30mm Keihin CR carbsBalanced crankshaft fitted with Sainz con rods Lightweight alloy clutchDave Madigan starter motor Ceramic coated exhaust Tri spark ignition Primary drive converted to triplex chainJust 400 milesMotorcycle location: LeicestershireAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions
A 1992 Triumph Trident 900Registration number K987 BRWWith V5, V5C and three old MOTsBarn stored, from a deceased estateMotorcycle location: SherborneAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions
A 1974 Triumph Trident T150Registration number SOJ 120MFrame number KJ06015Engine number KJ06015V5Original unrestored conditionFitted with twin front brake discsReconditioned ignition systemRuns well and ready to useOwned by Darryl Pendlebury who led the 1974 Isle of Man Production TT on a similar TridentDarryl has owned and looked after the bike from 1996It has genuine low mileage of 5,981 and is a home market machine with a twin disc modification and improvements made to the cylinder head and carbsOriginal air box is availableMotorcycle location: LeicestershireAll lots in this sale are sold as is and bidders must satisfy themselves as to the provennce, condition, age, completeness and originality prior to bidding. Please read our terms and conditions
A quantity of Dinky Toys. Including Coles Hydra Truck (980), Superior Cadillac Ambulance (288), Customised Range Rover (203), Trident Starfighter (362), Submarine Chaser (673), 3x McLaren M8A Can Am and Road Hoarding (765). All boxed, minor/some wear/damage to a few. Contents VGC-Mint (12) £80-130
Trident - Model 992 - Underwriters' Laboratories Inc - Issue Number E9897 - A 1960's US American retro vintage gooseneck portable table lamp / reading light having a brown wrinkle textured painted metal elongated shade supported by a chromed gooseneck arm and raised on a brown winkle textured paint metal base with push button switch. Applied label to base. Measures; 37cm tall.
BERETTAA 12-BORE (3IN.) 'DT10 TRIDENT' SINGLE-TRIGGER OVER AND UNDER EJECTOR, serial no. AF5047B,30in. 'Optima-Bore' nitro barrels with ventilated mid-rib and 9mm ventilated matt top-rib, 3in. chambers, multichokes (with spares), hold-open toplever, manual safety with integral barrel selector switch, gold-washed adjustable single trigger, two-tone brushed and matt steel finish inlaid with the makers name and model designation, 14 1/2in. pistolgrip stock including 1/2in. rubber recoil pad, weight 8lb. 1oz., in its makers universal case with some spares. S2 - Sold as a Section 2 Firearm under the 1968 Firearms Act
Table service set consisting of a large portion of megagère with cheese or dessert, ivory and steel, 33 knives and 33 trident forks. Model of handles "with nails", respective lengths 19.5 cm & 16 cm. England late nineteenth, Mappin & Webb. Good condition despite the drought cracks in ivory.
1 / Pair of silver "trident" forks with decorated spatulas, guarantee 800, length 13 cm. Circa 1900. 2 / A silver pickle pick, spiral spatula, guarantee 800, length 9 cm, circa 1900. 3 / Trio of fish knives, spatula ribbon, punch "St & EPNS L13" Circa 1900. 4 / Silver fish knife, spatula decorated with a ribbon. Length 13 cm, circa 1900, guarantee 800. 5 / A silver fish knife, length 14 cm, circa 1900, Mappin & Webb. Punches. 6 / A shovel with sweets (cakes ...) spatula native dancer, circa 1940. Guarantee 800, length 14 cm. Total weight 138 g. England. Good condition.
ACETATES/WHITE LABELS/TEST PRESSINGS - ROCK/POP/PARODY & NOVELTY. Unique offering of 15x acetates, white labels and test pressings on 7", 10" and LP recordings. Artists/titles include Barron Knights - The Topical Song (Trident 10"), The Wombles - Remember You're A Womble (Apple 7" acetate!), Ricky Wilde - April Love (sent personally by Ricky to Don with a message from Ricky at the start of the recording...), Tennessee Ernie Ford - Love Is The Only Thing (wear to the lacquer), Seaview Singers, Manuel - Shaddup Your Face (Master Room) (also with the Joe Dolce version!), Michael Redway, Mel Ferrer - Chango On Safari and Pumphouse Gang. Also with a signed sleeve from Angelique to Don George. Condition is typically Ex+ with the records though the condition of the acetates naturally varies.
RARE TAPE REELS. RARE RECORDINGS - TAPE REELS. Six boxed tape reels to include: a tape reel with Olympic Studios label showing that contents include the first side of the sought after Carnaby LP from 1969 'Spirit of John Morgan', alo a 1972 Trident tape reel with labels to suggest contents include both sides of Reparata and the Delrons - Octopus' Garden. Also - four boxed reels of audio tape with handwritten labels, contents include: 'Mary Travers With Eric Clapton, Crosby Stills and Nash 1972 recording, Eric Clapton 1975 recording, outtakes from Tom Thacker's 'White Trash'. Includes CD copies of recordings. Note - sold as artefacts only with no copyright (s) included.
TEST PRESSINGS (ROCK) LPs. Very interesting bundle of 3 x test pressing LPs. Titles are Manfred Mann - Angel Station (2 x single sided LPs, BRON 516 A-1U & B-1U - Ex+/Ex orig Trident studios orange sleeve), Steely Dan - Greatest Hits (2 x double sided LPs, ABCD 616 A1/B1/C1/D1 - Ex+) and Mick Taylor - S/T (BL-35076, US - Ex+).
10th-11th century AD. A matched pair of iron stirrups, each a long lozenge-section arch with trident finial to each end of the dished footplate, attachment panel with rectangular slot for the leather strap. Cf. Arbman, H. Birka I: Die Gräber, Uppsala, 1940, plate 35. 639 grams total, 19.5cm each (7 3/4"). From a London W1, UK, collection; acquired on the German art market before 2000. [2, No Reserve] Fine condition.
THREE SWANSEA PORCELAIN ITEMS comprising (1) circular cruciform dish, painted with a centred spray of flowers and a series of twelve border sprigs (hairline cracks and small rim chip), 23cms diam (2) oval Swansea Trident mark platter decorated with flowers, (chip to foot), 36cms long, (3) moulded cruciform oval dish having a border with six panels of botanical studies (rim chip), 27cms long
SWANSEA PORCELAIN ITEMS comprising 'Trident Cornflower' pattern plate, a 'Wild Rose & Trelis' cabinet cup stand (Lesley Joseph Collection label), together with a Staffordshire Bone China cup and saucer bearing spurious Swansea markone saucer and the larger plate have restoarationhairline cracks to most.all have gilt wear and nibbles around the bases
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