14 Airfix, Revell, Matchbox and Frog etc unmade plastic kits. Ferrari 250LM, Bugatti 35B, Maserati Indy, Monte's Humber, HP42 Heracles airliner, Ford Tri-motor airliner, Trident BEA airliner, D.H.C. Beaver. Plus a City of Truro Locomotive and a Yeoman Of The Guard. Plus a Frog Typhoon 1B Fighter Bomber, Matchbox Westland Lynx, Hasegawa Heinkel He51A-1 and a Revell Nakajima Ki84-1a Hayate. All boxed, minor wear. Contents unmade, look to be complete. £70-90
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87 BC. L. Rubrius Dossenus Ar. quinarius, 87 BC, Rome. Laureate head of Neptune right; DOSSEN to right, trident to left. Rev. Victory advancing right, holding wreath and palm frond; to right, garlanded altar with snake coiled round top; L RVBRI behind. Crawford 348/4. Very fine. Silver. Size: 12,77 mm; 1,72gProvenance: Private London collection.
A SANDSTONE STELE OF UMA MAHESHVARA, CENTRAL INDIA, 11TH-12TH CENTURYUma-Maheshvara represents the sacred embrace, alingana, of the Lord Shiva, the Great Ascetic, joined with the eternal beauty, the Goddess Uma. As the divine couple, their union is metaphysical and meant to act as the gateway for the devotee to enter their sacred realm.The divine couple seated in royal ease, wearing diaphanous dhotis and beaded jewelry, backed by floral halos. Shiva holding a trident, surrounded by smaller figures of deities, including their son Ganesha, as well as Shiva's mount Nandi, apsaras, attendants, and kneeling worshippers.Provenance: From the collection of Leonardo Vigorelli, Bergamo, Italy. Leonardo Vigorelli is a retired Italian art dealer and noted collector, specializing in African and ancient Hindu-Buddhist art. After studying anthropology and decades of travel as well as extensive field research in India, the Himalayan region, Southeast Asia, and Africa, he founded the Dalton Somare art gallery in Milan, Italy, which today is being run by his two sons.Condition: Good condition, commensurate with age. Extensive wear, losses, nicks, scratches, signs of weathering and erosion, encrustations.Dimensions: Height 63 cm (excl. stand) and 71 cm (incl. stand)With an associated stand. (2)Auction result comparison: Type: Closely related Auction: Bonhams New York, 18 September 2013, lot 76 Price: USD 31,250 or approx. EUR 36,500 converted and adjusted for inflation at the time of writing Description: A gray sandstone stele of Uma Maheshvara, Central India, 11th/12th centuryExpert remark: Note the similar size (59.7 cm) Auction result comparison: Type: Closely related Auction: Sotheby's New York, 16 March 2016, lot 761 Price: USD 32,500 or approx. EUR 36,500 converted and adjusted for inflation at the time of writing Description: A buff sandstone figure depicting Uma-Maheshvara, Central India, 10th/11th centuryExpert remark: Note the larger size (78.8 cm)
A BLACK STONE FIGURE OF DURGA MAHISHASURAMARDINI, PRE-ANGKOR PERIOD, KHMER, 7TH CENTURYOpinion: Looking at Phnom Da style sculptures, one can see a great degree of cross-cultural influence. While one could argue that this sculptural style is distinctly of Khmer origin, with such early sites present in Vietnam, we are more likely seeing the spread of sources of foreign cultural influence, bringing things like Hinduism, coming from outside the region and merging with local cultures. Certain attributes of this sculpture in particular can be seen in early Gupta sculpture, such as the 4th century Harihara in the National Museum of New Delhi. It is also interesting to note that the earliest known written texts in Southeast Asia are from Vietnam, written during the 4th century, predating the first Khmer texts by hundreds of years.Finely carved in relief with four arms holding symbols of power, positioned above the severed head of a buffalo, with a tall crown and pendulous earlobes, backed by a striated nimbus.Provenance: Spink & Son, London, by 2 November 1999 (according to Christie's record). Christie's New York, 20 September 2000, lot 154 (according to Christie's record). Property from a West Coast collection, acquired from the above (according to Christie's record). Christie's New York, 13 September 2016, lot 245, estimate of USD 30,000 or approx. EUR 34,000 (converted and adjusted for inflation at the time of writing). Michael Phillips, acquired from the above in an after-sale transaction. A copy of a Christie's record, accessed on 1 October 2018, confirming the provenance above, and stating an after-sale purchase price for the present lot of USD 18,750 or approx. EUR 21,000 (converted and adjusted for inflation at the time of writing), accompanies this lot. Michael Phillips (born 1943) is an Academy Award-winning film producer. Born in Brooklyn, New York, his parents were Lawrence and Shirley Phillips, noted New York dealers in Asian fine arts, selling to the Met, the LACMA, the Chicago Art Institute, and the British Museum among others. Michael Phillips is a collector of Asian art himself, particularly Indian, Southeast Asian, and Himalayan sculpture. His most important films include The Sting (winning the Academy Award for Best Picture in 1973), Taxi Driver (winning the Palme d'Or at the 1976 Cannes Film Festival), and Steven Spielberg's Close Encounters of the Third Kind.Condition: Good condition, commensurate with age. Extensive wear, losses, nicks, scratches, signs of weathering and erosion, structural cracks, old fills.Dimensions: Height 89 cm (excl. stand) and 97 cm (incl. stand)Mounted on an associated stand. (2)Mahishasura was a shape-shifting king who was granted the power of immortality by Lord Brahma. After years of tormenting his people, he was vanquished by a manifestation of the demon-fighting form of Parvati known as Durga. Durga fought Mahishasura over a period of fifteen days during which he kept changing his shape into different animals. She finally vanquished him when he took the form of a buffalo, slaying him with her trident. It is just after this victorious moment that we see Durga depicted here, with the severed head of Mahishasura laying at Durga's feet and her four arms holding the conch shell, the wheel, the ball, and the club, symbolizing the powers given to her by Vishnu. It is an ancient story of good versus evil.Literature comparison:Compare with a stone image of a female deity from the Da Nang Museum of Cham Sculpture, exhibited in Arts of Ancient Viet Nam: From River Plain to Open Sea at the Houston Museum of Fine Arts, both statues showing an unusual and rare striated nimbus. Also, compare with a stone image of a reclining figure of Vishnu in the Da Nang Museum of Cham Sculpture, both statues showing very similar facial characteristics.Auction result comparison:Type: Closely RelatedAuction: Christie's New York, 13 September 2016, lot 249Price: USD 21,250 or approx. EUR 24,000 converted and adjusted for inflation at the time of writingDescription: A gray sandstone figure of Durga Mahishasuramardini, Khmer, pre-Angkor period, Phnom Da style, 6th centuryExpert remark: This is an important comparable of Durga from an early period in Southeast Asian history, not only because it is “rare to find a sculpture of the demon-slaying goddess from the pre-Angkor period” (as noted in the catalog description for the lot), but also because it was in the same Christie's sale. Note the much smaller size (51.5 cm).13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A BLACK-GROUND THANGKA DEPICTING VAJRAKILATibet, 18th-19th century. Ink, distemper, and gold on cloth. Finely painted with the three-faced and six-armed winged deity in blissful union with his consort Diptachakra, stamping over the splayed bodies of Maheshvara and Uma atop a lotus base above jewels and blood-filled skullcups, the main hands holding a pointed kila at the heart, the others holding gold vajras, a trident, and flames entwined around the index finger, his consort holding a kapala from which one of his heads drinks, engulfed in flames below ferocious dragons, the upper register with an image of blue Samantabhadra in union with his consort Samantabhadri.Provenance: A noted Hungarian collection. Condition: Good condition with some wear, soiling, small losses. The mounting with some tears to the edges.Dimensions: Image size ca. 73 x 54 cm, Size incl. mounting 123 x 84 cm, Size incl. frame 142 x 100.5 cm With a silk brocade mounting and framed behind glass. (2)Vajrakila is identified by the phurba (dagger), also known as a kila, held in his main hands. Vajrakila is an important meditational deity in the Nyingma, Sakya, Jonang, and Kagyu orders of Tibetan Buddhism. In the Nyingma tradition, such wrathful deities were referred to as Herukas (blood-drinkers) and embodied a meditational focus, such as body, speech, or mind. Vajrakila represents the activity aspect of the Heruka tradition.Vajrakila is one of the great protectors of Tantric Buddhism. According to the Tibetan hidden texts, terma, the deity emerged in a previous eon during the time of the Buddha's taming of the wrathful Shiva-Rudra, the archdemon of pride and egoism. Shiva was in fact reborn as a powerful demon, in the malignant form of Rudra, as a result of having broken the tantric vows in his previous lifetimes. Unable to peacefully convince Rudra to recognize his erroneous ways, the Buddhas in Akanishta Heaven emanated from themselves a powerful being to destroy him. Another narrative relates Vajrakila to the wisdom manifestation of all Buddhas, emanating from the heart of Vajrasattva to eradicate all ignorance and emotional afflictions preventing the dawning of realization. Vajrakila is particularly esteemed in the Nyingma Tradition of Tibetan Buddhism because of his relation with Padmasambhava, the 'Precious Guru' credited with bringing Buddhism to Tibet and transmitting the Varjakila tantric collection of texts in the region.Auction result comparison: Type: Closely related Auction: Bonhams London, 9 November 2017, lot 217 Price: GBP 37,500 or approx. EUR 51,000 converted and adjusted for inflation at the time of writing Description: A rare black-ground thangka of Vajrakila, Tibet, 17th century Expert remark: Note the similar size (71 x 54.5 cm) and the apparently earlier dateAuction result comparison: Type: Related Auction: Bonhams London, 11 May 2017, lot 45 Price: GBP 28,750 or approx. EUR 39,000 converted and adjusted for inflation at the time of writing Description: A rare black-ground thangka of Heruka, Tibet, 19th century Expert remark: Note the much smaller size (40 x 26 cm) and the apparently later dateAuction result comparison: Type: Related Auction: Bonhams New York, 18 March 2013, lot 169 Price: USD 18,750 or approx. EUR 22,000 converted and adjusted for inflation at the time of writing Description: A black ground thangka of Heruka, Tibet, circa 18th century Expert remark: Note the size (62.2 x 47.2 cm)黑地普巴金剛唐卡西藏,十八至十九世紀,布面水墨膠彩。主尊普巴金剛立於畫面中央,深藍膚色,三首六臂四足,主手拿著一個尖尖的心,其他手持金剛杵,三叉戟,背生雙翼。三面,頭戴骷髏冠,金色的怒髮如同火焰一般。每面皆有圓鼓鼓的三目,呲牙咧嘴,露出鋒利的獠牙,表情兇猛可畏。他的明妃拿著卡巴拉,正要飲血。其上方可見普賢雙修圖。 來源:知名匈牙利私人收藏。 品相:狀況良好,有一些磨損、污漬和缺損。安裝時邊緣有些撕裂。 尺寸:畫面約73 x 54 厘米, 含裝幀123 x 84 厘米, 含框142 x 100.5 厘米 玻璃裝框 (2)
A VERY LARGE BRONZE OF SHIVA NATARAJA, SOUTH INDIA, 18TH - 19TH CENTURYFinely cast, the eight-armed deity gracefully presented with a raised leg, dancing on a lotus pedestal atop a rectangular plinth, within a flaming aureole, his right foot resting upon the demon Apasmarapurusha, his hands holding various implements including a drum, flame, dagger, disk, and trident. His face neatly incised with almond-shaped eyes, gently arched brows, an urna, and full lips, his hair radiating in serpentine tresses, the head surmounted by a naga headdress.Provenance: From an Austrian private collection. Old trade label to backside.Condition: Very good condition with expected old wear and casting irregularities, small nicks, light scratches, minor dents. Beautiful, naturally grown chocolate-brown patina overall.Dimensions: Height 91 cmShiva Nataraja, Shiva as Lord of the Dance, is considered the creator of the universe and dances the world into existence. At the same time, he is also its destroyer. Much symbolism is attached to this specific form of Shiva. His drum stands for the creation of the world. His open palm protects human beings while his downward stretched hand symbolizes the solace of the world. His other hand holds the fire standing for the dissolution of the world. The dwarf on whom he tramples represents ignorance and the large flaming aureole the cosmos. The goddess Ganga represented in his hair fell from heaven to earth through his hair.Literature comparison:Compare a closely related bronze figure of Shiva Nataraja, 76.2 cm high, dated to the 18th century, in the Brooklyn Museum, accession number 27.959.Auction result comparison: Type: Related Auction: Christie's Paris, 14 December 2016, lot 5 Price: EUR 92,500 or approx. EUR 113,000 adjusted for inflation at the time of writing Description: An important bronze figure of Shiva Nataraja, South India, Nayak period, late 18th century Expert remark: Compare the closely related pose, manner of casting, serpentine hair and naga headdress, flaming aureole, and lotus pedestal. Note the size (106 cm).
Royal Mint Victoria and Albert commemorative plaque in moulded resin, representing the Great Exhibition prize medal obverse, conjoined busts of Queen Victoria and Prince Albert left, dolphin below and trident right, inscription 'Victoria D G Brit Reg FD Albertus Princess Conjux MDCCCLI', frame 39 x 39cm, limited edition of 400
Roman Imperial Coinage, Nero Claudius Drusus (d. 9 BC), Sestertius, Rome, c. 42-54, bust left, rev. Claudius seated left on curule chair, 25.16g (RIC Claudius 109; BMC 210); Agrippa, As, Rome, 37-41, bust left wearing rostral crown, rev. Neptune standing left, holding dolphin and trident, 10.76g (RIC Gaius 58); Claudius, As, 50-4, bare head left, rev. Libertas standing right, 11.61g (RIC 113; BMCRE 202); Nero, As, 62-8, head right, rev. Victory advancing left, 9.81g (RIC 543; BMCRE 381) [4]. Second and third smoothed in obverse fields, otherwise fair to very fine £60-£80
Roman Republican Coinage, Denarii (3), T. Didius, c. 113-112, helmeted head of Roma right, roma monogram behind, rev. two warriors fighting, t deidi in exergue, 3.81g; L. Torquatus, c. 113-112, helmeted head of Roma right, roma behind, x below chin, all within collar, rev. warrior galloping left, q in field, torqva below, 3.43g; Cn. Blasio Cn.f., c. 112-111, helmeted head right x above, cn blasio cn f before, trident behind, rev. Jupiter standing between Juno and Minerva, branch in field, eagle between ro ma in exergue, 3.87g (Craw. 294/1, 295/1, 296/1; RSC Didia 2, Manlia 2, Cornelia 20) [3]. Fair to fine, last scarce £80-£100
Roman Republican Coinage, L. Rubrius Dossenus, Denarius, c. 87, helmeted bust of Minerva right, dos behind, rev. triumphal quadriga right, thunderbolt on side-panel of carriage, Victory in biga above, l rvbr[i] in exergue, 4.16g; Quinarius, bust of Neptune right, trident and dossen behind, rev. Victory walking right, altar before, l rvbri behind, 1.58g (Craw. 348/3-4; RSC Rubria 3-4) [2]. Good fine and fine £80-£100
Roman Republican Coinage, Denarii (2), M. Fannius and L. Critonius, c. 86, laureate head of Ceres right, aed pl behind, rev. the two ædiles, M. Fannius and L. Critonius, seated right, ear of corn before, pa behind, m fan l cr[t] in exergue, 3.70g; L. Julius Bursio, c. 85, laureate and winged head of Genius right, trident and goat behind, rev. Victory in quadriga right, l ivli bvrsio in exergue, 3.70g (Craw. 351/1, 352/1a; RSC Critonia 1, Julia 5) [2]. Good fine or a little better, first with banker’s mark before face £80-£100
Roman Republican Coinage, L. Julius Bursio, Denarii (2), c. 85, laureate and winged head of Genius right, trident and harpoon (?) behind, rev. Victory in quadriga right, l ivli bvrsio in exergue, 3.68g; similar but ear of corn behind head, ii below horses, 2.88g (Craw. 352/1a, 1c; RSC Julia 5, 5a) [2]. Nearly very fine and fine £80-£100
Roman Republican Coinage, L. Lucretius Trio, Denarii (2), c. 76, radiate head of Sol right, rev. crescent moon surrounded by seven stars, trio above, l lvcreti below, 3.31g; laureate head of Neptune right, lxiiii above, trident behind, rev. winged Genius on dolphin right, l lvcreti trio in two lines below, 3.66g (Craw. 390/1-2; RSC Lucretia 2-3) [2]. Fine and good fine £100-£150
Roman Republican Coinage, Q. Creperius M.f. Rocus, serrate Denarius, c. 72, draped bust of Amphitrite right, octopus behind, e before, rev. Neptune, brandishing trident and holding reins, driving sea-chariot drawn by two hippocamps right, e above, q crepere[i] roc[vs] in two lines in exergue, 3.89g (Craw. 399/1a; RSC Crepereia 1). Nearly very fine, rare £300-£400
Roman Republican Coinage, Denarii (3), L. Aemilius Lepidus Paullus with L. Scribonius Libo, c. 62, veiled and diademed head of Concord right, pavllvs lepidvs concord around, rev. Scribonian wellhead decorated with garland and two lyres, tongs at base, pvteal scribon above, libo in exergue, 3.45g; P. Plautius Hypsaeus (2), c. 60, head of Neptune right, trident behind, p ypsae s c before, rev. Jupiter in quadriga left, cepit behind, c ypsae cos priv in two lines in exergue, 3.93g; diademed and draped bust of Leuconoë right, dolphin behind, p ypsae s c before, rev. similar to last, 4.01g (Craw. 417/1b, 420/1a, 420/2a; RSC Aemilia 11a, Plautia 11-12) [3]. Good fine £150-£200
Y A VICTORIAN BRASS SKELETON TIMEPIECEUNSIGNED, MID 19th CENTURYThe single train chain fusee movement with six-spoke wheelwork set between pierced stepped Gothic spire-shaped plates united by six ringed baluster double-screwed pillars, the anchor escapement regulated by heavy-bob pendulum swinging behind the plates to the rear, opposing gilt Roman numeral chapter ring and steel spade hands set beneath a conforming subsidiary seconds dial to the front, mounted via four conical feet onto an oval blue silk topped stepped rosewood plinth base inlaid with brass rosette-centred trident motif to front over bun feet; with glass dome cover.The clock 29.5cm (11.5ins) high, 15cm (5ins) wide, 11.5cm (4.5ins) deep; including stand and globe 43cm (17ins) high, 22cm (8.5ins) wide, 12cm (4.75ins) deep overall.
Y A FINE DUTCH BRASS MOUNTED EBONY GRANDE-SONNERIE STRIKING TABLE CLOCK WITH MOONPHASE AND CALENDARJACOB HASIUS, AMSTERDAM, CIRCA 1740The four pillar movement with thick plates measuring approximately 8.75 by 6.375 inches enclosing fusee for the going train with verge escapement regulated short bob pendulum, the hour and quarter trains both with standing barrels secured to the frontplate and sounding the quarter followed by the hour on a graduated pair of bells every quarter hour, the backplate finely engraved with a sunburst mask flanked by foliate scrollwork incorporating ribbon-tied martial trophies over grotesque mask surmounted foliate strapwork bordered signature cartouche engraved Jacob Hasius, Amsterdam Fecit to lower margin, the 8 inch square brass dial with scroll-bordered shaped cartouche further signed IACOB, HASIUS, AMSTERDAM and incorporating date-of-the month aperture to the upper part of the matted centre, over twin shaped chamfer-cut sector apertures revealing month-of-the-year and day-of-the-week indications labelled in Dutch and engraved with their respective deities, within applied silvered Roman numeral chapter ring with stylised trident half hour markers, with scroll-pierced steel hands and lambrequin mask centred scroll cast spandrels to angles within a herringbone engraved border to the edges of the plate, the silvered arch with rolling moonphase set within very finely engraved surround incorporating lunettes and overall inhabited with Classical deities including Poseidon and Zeus together with other allegorical figures and trumpeting putti flanking an aperture for age of the moon to the apex, the ebony veneered bell-top case with scallop-shell centred scroll-engraved hinged shaped brass carrying handle and fine foliate scroll strapwork pierced and engraved fretwork overlay to both the convex upper and the tall concave lower sections of the superstructure incorporating central grotesque masks, urns and dolphins to the latter, over complex top moulding applied with fine chiselled brass vase finials above opening front incorporating brass fillet moulding bordering the glazed dial aperture and engraved winged cherub mask and scroll upper quadrant frets, the sides with circular over concave-topped scroll-engraved brass sound frets incorporating Classical portrait bust-centred cartouches, the rear matching the front, on cavetto moulded skirt base bound with strapwork scroll engraved brass over finely detailed hairy lion's paw feet.51.5cm (20.25ins) high with handle down, 31.5cm (12.5ins) wide, 20.5cm (8ins) deep. Provenance:Purchased at Christies Amsterdam sale of EUROPEAN AND NOBLE COLLECTIONS 14th December 2011 (lot 60) for 34,600 Euros. Previously the property of a Dutch private collector; with H. Brokke, Amsterdam in 1966, and the Dreesman Collection, circa 1928. Jacob Hasius is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1682-1747. He had a workshop in the Jan Roodenpoortstorenteeg and is listed in the 'Register of Good Men' in 1704 and 1716. The specification of grande-sonnerie striking, triple calendar indication and moonphase, coupled with the exceptional dial engraving and the profuse use of pierced and engraved brass mounts to the case suggest that the present clock was made as a 'statement piece' most likely for a member of the wealthy Amsterdam merchant class.Condition Report: Movement is complete, fundamentally original and is in relatively clean working condition. The grande-sonnerie striking is operational however is prone to either counting the hours incorrectly or not tripping now and again suggesting that a gentle service is probably due. All the underdial-work for the calendar indications are present and operational but will most likely require some adjustment and synchronisation. The dial is in fine original condition with exceptional engraving to the arch. The centre hole (for the hands) has a correction (from the time of making) in the form of a filled part-circle beneath the present hole otherwise faults are very much limited to a visible rivet mark (for a calendar wheel carrier post) to the matting near three o'clock. The case has a vertical veneer patch repair to the left hand upright (bordering the brass fillet moulding for the gazed aperture) of the back door otherwise is in fine original condition with faults very much limited to minor bumps, scuffs, shrinkage and other age-related blemishes. The brass frets are complete and of fine quality with good strong engraved detail throughout.Clock is complete with integral bob pendulum and a winding key. Condition Report Disclaimer
Creative Master - Busrama - 7 x boxed limited edition models in 1:76 scale including Blackburn Transport Mini Pointer Dart number 388 of only 1600 produced # UKBUS3011, Stagecoach Dennis Trident ALX400 number 297 of 1800 produced # UKBUS1023, Mitsubishi Fuso Aerobus # JB3001 and similar others. The models appear Mint in Very Good boxes with certificates. (This does not constitute a guarantee)
Solido - An unboxed fleet of six vintage diecast military and civilian aircraft in predominately 1:150 scale from Solido. Lot consists of Solido Caravelle 'Air France 1:300'; Aquillon; Mystere IV; Trident; Hawker Hunter; and Baroudeur. Models all exhibit signs of play generally ranging Fair Plus - Good Plus . (This does not constitute a guarantee)
A pair of late 19thc Rudolstadt Straus & Sohne ewers, the handles mounted with cherubs with mask figure handles with scenes of cherubs with Neptune's Trident, raised on similar figure moulded bases, with mermaid figures to base, stamped RV verso (h.40cm x 10cm to base), show no signs of damages
Dinky Die-cast Trident Star Fighter 362, Near Mint, within Fair (cracks to cellophane) opened packaging. Ertl Die-cast Dick Tracy Tracy's Car, within Excellent sealed packaging. Corgi Die-cast Chitty Chitty Bang Bang car, within Good sealed packaging. Hasbro Die-cast Transformers RPMS Megatron, within Good sealed packaging. From the personal reference collection of Author Arthur Ward (Crowood Collectors series" TV & Film Toys and Ephemera Action Figures) Published 2007/2020. (4)
From the David Harvey Photographic Archive: 2 boxes containing 1,650+ colour, postcard-size PHOTOGRAPHS of Travel West Midlands buses taken in the early 2000s. The first is 1,000+ images of Volvo and Trident double-deckers numbered 4225-4717 and the second is 650+ single-decker images of Dennis Darts 729-734, Enviro 200s 801-875 and 2201-2250 and Mercedes-Benz artics 6001-6021. Mostly captioned on the reverse and generally very good quality shots. [1,650+]
Diecast model group comprising of 23 boxed issues including Corgi No. 44502 Duple Metsec Trident, EFE No. E 10501, Corgi New World First Bus Model Duple Metsec Bodied Dennis Trident and EFEV No. 15627A AEC Routemaster Delaine plus others as shown. All look excellent and in original boxes. Some boxes have storage wear.
Oil painting on panel Certification by Prof. Francesco Gallo, professor at the Academy of Fine Arts in Rome.Very lively composition in which Neptune appears on a rock armed with a trident next to Amphitrite, his wife. The other marine divinities unfold under her watchful jurisdiction: the Nereid nymphs who bathe in the springs, the old God of the rivers who makes the waters flow from an amphora, the maidservants and other characters. It is a work of very worthy formal elegance of the French school, an expression of the refinement of the Rocaille world. The freshness and dynamic impact of the composition are particularly striking, highlighted in the pose of the characters. 45x55cm Nicolas Poussin (cerchia_di) Oil painting on panel
Refurbished in 2020 including a new A frame, tie downs, locks etc. and a full service at Trident Trailers in Maidstone, Kent. The trailer comes with a tilting bed, an electric winch and internal tyre/wheel rack.Internal dimensions are 2,170mm wide x 5,486mm long.Maximum load per axle 1,500kgUnladen Weight 1,500kgMaximum Imposed Load 2,200kgMaximum Gross Weight 3,500kg SpecificationMake: PRGModel: P2248Year: 2009Chassis Number: NARegistration Number: N/ATransmission: n/aClick here for more details and images
1902 Trade Dollar and seven historic silver crowns (8). A silver British Trade Dollar, 1902, Bombay Mint, Standing figure of Britannia holding trident and shield with merchant ship in background, date in exergue. Bombay Mint. R. Chinese characters and Jawi script in ornamental flower, silver, weight 26.8g, together with seven historic silver Crowns to include two King George III silver Crowns and five Queen Victoria silver Crowns, 1889(3), 1890 and 1900 (8).Qty: 8
Queen Victoria Silver Proof 5oz Coin and the 2013 UK Britannia Five Ounce Silver Proof Coin (2). Queen Elizabeth II, Ten Pounds, Guernsey Silver Proof Coin, 2019, 200th Anniversary of the Birth of Queen Victoria, with obverse portrait by Ian Rank-Broadley, struck in 999/1000 silver with selective 24ct gold plate, diameter 65mm, weight 155.53g, in original box of issue with numbered certificate, together with Queen Elizabeth II, Royal Mint, Ten Pounds, UK Britannia Five-Ounce Silver Proof First Strike Coin, 2013, R. Seated figure of Britannia holding a trident with a shield at her side and an owl upon her knee with the word 'BRITANNIA' and the date of the year above and the inscription '5 OUNCES FINE SILVER' below the figure of Britannia, struck in sterling silver, diameter 65mm, weight 156.3g, slabbed and graded by NGC as PF69 ULTRA CAMEO, BSH1 (2).
Elizabeth II, Gold Bullion £25 Britannia, 2000, Royal Mint. Elizabeth II, Gold Bullion £25 Britannia, 2000, Royal Mint, Obverse portrait by Ian Rank-Broadley R. The figure of Britannia standing upon a rock in the sea, her right hand grasping a trident and her left hand resting on a shield and holding an olive branch, with the inscription '1/4 OUNCE FINE GOLD BRITANNIA 2000', reverse design by Philip Nathan, weight 8.513g, diameter 22.00mm, struck in 22-carat gold, in original sealed packaging.
Elizabeth II, Gold Bullion £25 Britannia, 2000, Royal Mint. Elizabeth II, Gold Bullion £25 Britannia, 2000, Royal Mint, Obverse portrait by Ian Rank-Broadley R. The figure of Britannia standing upon a rock in the sea, her right hand grasping a trident and her left hand resting on a shield and holding an olive branch, with the inscription '1/4 OUNCE FINE GOLD BRITANNIA 2000', reverse design by Philip Nathan, weight 8.513g, diameter 22.00mm, struck in 22-carat gold, in original sealed packaging.
Corgi Original Omnibus Company (OOC) a boxed group to include OM44709/A Dennis Dart ?Arriva London? (Corgi Collector 200th Edition), OM41303 Wright Eclipse Fusion ?First Hampshire?, OM43305 Plaxton Premiere ?National Express Poppy Appeal?, 42610 Bedford OB Coach ?W Alexander & Sons Ltd?, 44502 Duple Metsec Trident ?Citybus? plus others similar. Conditions generally appear Excellent to Mint in generally Good to Excellent boxes. (16)
Britbus and Creative Master Northcord a boxed group to include Britbus 2x R502 Alexander R Type Olympian 2 Door D/Deck bus 'Arriva' "Serving London", Creative Master Northcord UKBUS 1031 Alexander ALX400 bodied Dennis Trident 'Stagecoach in Swindon' & ukbus 6039 Alexander Dennis Enviro400 'Stagecoach in London'. Conditions generally appear Excellent to Mint in generally Good Plus to Near Mint boxes. (4)
UNITED KINGDOM. Edward VII, 1901-10. Silver florin, 1902. Royal Mint. Matte proof. Bare head of King Edward VII facing right; De S. below; EDWARDVS VII DEI GRA: BRITT: OMN: REX FID: DEF: IND: IMP:. Design by George William de Saulles. / Britannia standing on prow of ancient ship wearing helmet; holding trident and resting left hand on shield with Union Jack; date in prow below; ONE FLORIN TWO SHILLINGS. Design by George William de Saulles. Edge milled.Reference: S-3981; KM-801Mintage: 15,123.Diameter: 28.3 mm.Weight: 11.31 g.Composition: 925.0/1000 Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.
A Great Exhibition of 1851 bronze prize medal, by W. and L. C. Wyon, obverse with conjoined heads of Queen Victoria and Prince Albert, trident and dolphins in field, reverse with Britannia bestowing a wreath to Industry while Africa, Asia, Europe and America look on, legend around, edge inscription PRIZE MEDAL OF THE EXHIBITION / G.A. ARROWSMITH CLASS XXII, 76mmProvenance: The Property of John Kenworthy-Browne FSA
Trident Press: The Second World War - An Illustrated History of WWII. 2000. Ten volumes being a complete facsimile reprint of Hammerton's WW2 periodical 'The War Illustrated' from Vol 1 No 1 16th September 1939 to Vol 10 No 255 11th April 1947; all with dustjackets (10)Condition Report:Excellent condition.
One box containing a collection of modern release Star Wars themed toys and games to include a reproduction Kenner 27645 Rebel Armoured Snow Speeder, a boxed Kenner Star Wars Han solo action figure, a Star Wars X Wing Trident Class Expansion Pack Battleship, together with other associated Star Wars items
A collection of buttons to include: a set of three Art Nouveau silver buttons, the centres cast as Neptune holding a trident, hallmarked by Marston & Bayliss, Birmingham, 1902 and another silver button cast as a Griffin, hallmarked by Levi & Salaman, Birmingham, 1902, approx gross weight 20.5 grams together with green glass with grey bark buttons (3 but 2 of them have damage). A possible oval button, ceramic buttons, a selection of bakelite buttons, large metal buttons and another set of metal buttons. Salesman's examples of glass diminutive buttons, various sets of Victorian glass buttons, 2 Bimini-style buttons - one with horse decoration - set of 4 celluloid buttons with decorative brass heads, set of 5 shell brass buttons, various glass buttons - some hand-painted - and a papier-maché inlaid with mother-of-pearl set and a pair of agate waistcoat buttons,
Mixed World Coinage, a large collection comprising over 100+ base metal examples and 78 x silver florins, shillings, tokens and foreign coinage, highlights include: Edward VII florin 1904 obv. bare head right, rev. Britannia standing facing holding shield and trident, light contact marks and minor rim imperfections, otherwise GVF; Victoria 'Godless' florin 1849 obv. Gothic bust left, D:G omitted, rev. crowned cruciform shields, emblems of the Union in angles, VG; George III shilling 1817 obv. bull head right, rev. crowned shield of arms, about Fine; Sheffield Sixpence 1811, Younge & Deakin, VG; Germany 5 reichsmarks 1936, obv. dig at 12 o'clock, otherwise Fine; Iran 2000 dinars AH1329 (1911), holed at 12 o'clock, otherwise Fine; Egypt 2 piastres AH1356 (1937), EF; examples also from Russia, India, France, South Africa etc.
George III, 'Cartwheel' Twopence 1797, Soho Mint, Birmingham, obv. laureate and cuirassed bust right, rev. Britannia seated holding trident in left hand, olive branch in right, (S.3776), light contact marks and minor rim imperfections, otherwise pleasant burr toning, GVF; together with 24 x mixed copper, highlights include: 'Cartwheel' penny 1797, obv. and rev. as before, Fine; Charles II farthing obv. laureate bust left, rev. Britannia seated, Poor; 2 x Scotland: (1) Charles II bawbee obv. laureate bust left, rev. crowned thistle, Poor; and (2) William & Mary bodle 1693 obv. crowned WM monogram, rev. crowned thistle, chipped between 1 and 3 o'clock, near Fine; halfpennies, farthings including some Irish issues, mostly 18thcentury century with some Victoria, generally Poor to Fine

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