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Click here to subscribeGiorgio Morandi (Italian, 1890-1964)Grande natura morta circolare con bottiglia e tre ogetti (Vitali 113; Cordaro 1946-1)) Etching, 1946, on Japan, signed in pencil and numbered 3/5 (Vitali cites an edition of 65 of which some were printed on Japan plus some printer's proofs), with margins, 260 x 325mm (10 1/4 x 12 5/8in)(PL); 333 x 382mm (13 x 15 in)(SH)This lot is subject to the following lot symbols: AR
Henri Matisse (French, 1869-1954)Monsieur Loyal, from 'Jazz' (Duthuit books 22) Pochoir in colours, 1947, on wove, a proof with the central vertical fold, aside from the edition of 250, published by Tériade Éditeur, Paris, the full sheet, 420 x 652mm (16 1/2 x 25 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Pablo Picasso (Spanish, 1881-1973)Profil d'Homme Barbu Regardant à Gauche (Mourlot 397) Lithograph printed in black, 1963, on Arches, one of 10 artist's proofs, there was no edition, with full margins, 650 x 500mm (25 5/8 x 19 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Marc Chagall (1887-1985)Self-Portrait (Mourlot 697) Lithograph in colours, 1973, on Arches, signed and numbered 13/50 in pencil (there was also an edition of 12 on Japan paper), the full sheet, 750 x 530mm (29 1/2 x 20 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Marc Chagall (1887-1985)Nu au Petit Bouquet (Mourlot 1027) Lithograph in colours, 1984, on Arches, signed and numbered 14/50 in pencil (there were also 12 artist's proofs in black), the full sheet, 540 x 425mm (21 1/4 x 16 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Marc Chagall (1887-1985)Jérémie (Mourlot 970) Lithograph in colours, 1980, on Arches wove, signed and numbered 36/50 in pencil, printed by Mourlot, Paris, with the printer's blindstamp, the full sheet, 630 x 435mm (24 3/4 x 17 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Marc Chagall (Russian/French, 1887-1985)Bouquet aux Amoureux (Mourlot 842) Lithograph printed in colours, 1976, on Arches, inscribed 'H.C. Épreuve d'exposition' and 'Edition Maeght Paris' in ink, an hors commerce impression aside from the numbered edition of 50, published by Maeght, Paris, with margins, 835 x 585mm (32 7/8 x 23in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Marc Chagall (1887-1985)Rencontre de Ruth et de Booz , from 'Dessins pour la Bible' (Mourlot 247) Lithograph printed in colours, 1960, on Arches, signed and inscribed 'H.C.' in pencil, an hors commerce impression aside from the numbered edition of 50, printed by Mourlot Frères, Paris, published by Verve, Paris, the full sheet, 520 x 378mm (20 1/2 x 15in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Marc Chagall (1887-1985)Le Visage d'Israël, from 'Dessins Pour La Bible' (Mourlot 231) Lithograph printed in colours, 1960, on Arches, signed and inscribed 'H.C.' in pencil, an hors commerce impression aside from the numbered edition of 50, printed by Mourlot Frères, Paris, published by Verve, Paris, the full sheet, 523 x 380mm (20 5/8 x 15in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)Céramiques, from 'Céramiques de Miro et Artigas' (Mourlot 928) Lithograph printed in colours, 1974, on Arches, signed and numbered 16/50 in pencil, printed and published by Maeght, Paris, the full sheet, 545 x 762mm (21 1/2 x 30in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miró (1893-1983)Barcelona I (Un cami compartit) (Cramer 993; Maeght 993)) Lithograph in colours, 1975, on wove, signed, numbered H.C. XVIII/XXV and dedicated 'a l'amic Barbarà, afectuosament' in pencil, an hors-commerce impression aside from the standard edition of 75, printed by Damia Caus, published by Maeght, Barcelona, 490 x 645mm (19 1/4 x 25 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)One plate (#21), from 'Maravillas con variaciones acrósticas en el jardín de Miró' Lithograph printed in colours, 1975, on Arches, signed and numbered 33/75 in pencil, published by Ediciones Polígrafa, Barcelona, the full sheet, 747 x 527mm (29 3/8 x 20 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)Five Plates, from 'L'Enfance d'Ubu' (Mourlot 1002, 1003, 1005, 1011, 1012) Five lithographs printed in colours, 1975, on wove, printed by Mourlot, Paris, published by Tériade Éditeur, Paris, the full sheets, 503 X 325mm (19 3/4 x 12 3/4in)(SH)(unframed)(5)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)Quiriquibú (Mourlot 1100) Lithograph printed in colours, 1976, on Guarro, signed and numbered 56/99 in pencil, published by La Poligrafa, Barcelona, the full sheet printed to the edges, 755 x 557mm (29 3/4 x 21 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Joan Miro (Spanish, 1893-1983)Le Chien Aboyant à la Lune, from 'Verve, Vol. VII' (Mourlot 189) Lithograph printed in colours, 1972, on wove, from the unsigned edition of an unknown size, printed by Mourlot, Paris, published by Tériade Éditeur, Paris, the full sheet with the central vertical fold as issued, 355 x 533mm (14 x 21in)(SH)This lot is subject to the following lot symbols: AR
Friedensreich Hundertwasser (Austrian, 1928-2000)Olympische Spiele München Screenprint in colours with metallic embossing, 1972, on thick wove, stamp-numbered 3387/3999, printed by Dietz Offizin, Lengmoos, published by Edition Olympia 1972 GmbH, Munich, with their respective embossed stamps, the full sheet printed to the edges, 1022 x 635mm (40 1/4 x 25in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Friedensreich Hundertwasser (Austrian, 1928-2000)Regen auf Regentag Screenprint in colours with metallic embossing, 1971, on heavy wove, stamp-numbered 523/3000, printed by Dietz Offizin, Lengmoos/Bavaria, published by Ars Viva, Zürich, with the printer and publisher's embossed blindstamps, the full sheet, 475 x 670mm (18 3/4 x 26 3/8in (SH)(unframed)This lot is subject to the following lot symbols: AR
Friedensreich Hundertwasser (Austrian, 1928-2000)Kreisverkehr der Strassengekreuzigten Screenprint in colours with metallic embossing and glitter, 1971-2, on heavy wove, stamp-numbered 523/30000, printed by Dietz Offizin, Lengmoos/Bavaria, published by Ars Viva, Zürich, with the printer and publisher's embossed blindstamps, the full sheet, 492 x 670mm (19 3/8 x 26 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Marino Marini (Italian, 1901-1980)Cavaliere e Cavallo (Guastalla 345) Etching and aquatint printed in colours, 1977, on wove, stamp-signed and numbered 12/150 in pencil, printed by Atelier Crommelynck Frères, Paris, with the Marina Marini authentication stamp verso, the full sheet, 720 x 570mm (28 3/8 x 22 1/2in)(SH)This lot is subject to the following lot symbols: AR
Victor Vasarely (Hungarian/French, 1906-1997)Tecoma Two lithographs printed in colours, 1972, on wove, each signed, one impression additionally inscribed 'Bon à tirer le 26 VIII/72' and further annotated in black ink, a bon à tirer impression and a proof aside from the edition of 150, with full margins, 480 x 450mm (18 7/8 x 17 3/4in)(SH)(and smaller)(unframed)(2)This lot is subject to the following lot symbols: AR
Victor Vasarely (Hungarian/French, 1906-1997)Vaar Screenprint in colours, 1988, on wove, signed, dated and inscribed 'Bon à tirer le 10. VI. 1988' in pencil, a bon à tirer impression before the numbered edition of 250, published by Mazo S.A., Paris, the full sheet, 700 x 620mm (27 1/2 x 24 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Robert Rauschenberg (American, 1925-2008)Test Stone #6 (Blue Cloud), from 'Booster and 7 Studies' Lithograph printed in colours, 1967, on wove, signed, dated and numbered 18/44 in pencil, printed and published by Gemini, G.E.L., Los Angeles, with their blindstamp, the full sheet, 1195 x 895mm (43 1/9 x 35 1/4in)(SH)
Tom Wesselmann (American, 1931-2004)Cynthia Nude Screenprint in colours, 1981, on Arches, signed, dated and numbered 14/100 in pencil, printed by Maurel Studios, New York, published by Multiples Inc., New York, with their blindstamp, with full margins, 735 x 977mm (28 7/8 x 38 1/2in)(SH)(unframed)
Sam Francis (American, 1923-1994)Plate 7, from 'Pasadena Suite' (L63; SF-71) Lithograph in colours, 1963, on Rives BFK, signed in pencil and numbered 68/100, printed by Joseph Zirker, Los Angeles, published by the Pasadena Art Museum, Pasadena, California, with the printer and publisher's blindstamps, the full sheet, 380 x 565mm (15 x 22 1/4in)(SH)
David Hockney R.A. (British, born 1937)Prisoner Offset lithograph, 1975, on wove, signed and numbered 13/100 in pencil, published for Amnesty International, Prisoners of Conscience Year 1977, the full sheet printed to the edges, 735 x 600mm (29 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Joan Miró (Spanish, 1893-1983)Amnesty International (M. 991) Lithograph printed in colours, 1977, on Arches, signed and numbered 11/75 in pencil, published for Amnesty International, Prisoners of Conscience Year 1977, the full sheet, 890 x 610mm (35 x 24in)(SH)(unframed)This lot is subject to the following lot symbols: * AR
Andy Warhol (American, 1928-1987)Andy Warhol: Portraits of the 70s The exhibition catalogue 'Andy Warhol: Portraits of the 70s', signed in black ink and numbered 7 in pencil, one of 200 copies, published by Random House, Inc., New York, on the occasion of the exhibition at the Whitney Museum of American Art, New York, housed in the original offset lithographic slipcase, 245 x 225 x 25mm (9 5/8 x 8 7/8 x 1in)(Vol); together with 'John Lennon', C-print in colours, on glossy wove, 110 x 190mm (4 3/8 x 7 1/2in)(SH)(unframed)(2)This lot is subject to the following lot symbols: •
Edward Bawden R.A. (British, 1903-1989)Cattle Market, Braintree (Greenwood MG.25; Artmonsky p.44) Lithograph, after a linocut, printed in colours, 1937, on machine made lithographic cartridge paper, signed in pencil, from the proposed edition of approximately 400, printed by Curwen Press Ltd.,London, published by Contemporary Lithographs Ltd., London, 583 x 820mm (23 x 32 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Andy Warhol (American, 1928-1987)Lincoln Center Ticket (Feldman & Schellmann II.19) Screenprint in colours, 1967, on wove, from an unsigned edition of 500, (there was also a signed edition of 200 on opaque acrylic), published by Lincoln Center poster and print program, New York, the full sheet, 1143 x 610mm (45 x 24in)(SH)(unframed)
Ellsworth Kelly (American, 1923-2015)Blue (For Leo), from 'The Leo Castelli 90th Birthday Portfolio' Screenprint in colours, 1997, on heavy wove, signed and numbered 'XXVI/XC' in pencil, printed by Noblet Serigraphie Inc., New York, published by Jean-Christophe Castelli, New York, the full sheet, 937 x 685mm (36 7/8 x 27in)(SH)(unframed)
Claes Oldenburg (Swedish/American, born 1929)Balloons, from 'The Landfall Press 30th Anniversary Portfolio' Lithograph printed in colours, 2000, on Rives, signed and inscribed 'L.P 4/5' in pencil, one of five proofs aside from the numbered edition of 30, printed and published by Landfall Press Inc., Chicago, with their copyright inkstamp verso, with full margins, 640 x 710mm (25 1/4 x 28in)(SH)(unframed)
James Rosenquist (American, born 1933)The Flame Still Dances on Leo's Book, from 'The Leo Castelli 90th Birthday Portfolio' Lithograph printed in colours, 1997, on heavy wove, signed, titled, dated and numbered 'XXIV/XC' in pencil, printed by Universal Limited Art Editions, New York, published by Jean-Christophe Castelli, New York, with the printer's blindstamp, the full sheet, 935 x 685mm (36 3/4 x 27in)(SH)(unframed)
Keith Haring (American, 1958-1990)Montreux Jazz Festival (Three works) Three screenprints in colours, 1983, each on wove, printed by Serigraphie Uldry Bern, Switzerland, published for the Montreux Jazz Festival, the full sheets printed to the edges, 1000 x 700mm (39 3/8 x 27 5/8in)(SH)(unframed)(3)
Keith Haring (American, 1958-1990)Radiant Baby Dog; Love; Leaping Dog; Flying Angel; Pyramid; Party Six lithographs printed in black, 1982, on wove, from the edition of 2000, printed by Fleetwood Press, New York, published by Tony Shafrazi Gallery, New York, the full sheets, 227 x 217mm (9 x 8 1/2in)(SH)(6)
Donald Sultan (American, born 1951)One plate, from 'Blues' Screenprint with flocking in colours, 2008, on 2-ply Museum Board, signed, titled, dated and numbered 22/75 in pencil, printed by Fine Art Printing, Ltd., Long Island City, published by Lococo Fine Art Publisher, St. Louis, the full sheet, 560 x 560mm (22 x 22in)(SH)
Richard Hamilton (British, 1922-2011)Trichromatic flower-piece Etching with engraving, scraper and aquatint printed in colours, 1973-74, on wove, signed and inscribed 'AP 15/15', one of fifteen artist's proofs aside from the numbered edition of 150, printed and co-published by Atelier Crommelynck, Paris and Petersburg Press S.A., with full margins, 650 x 506mm (25 5/8 x 19 7/8in)(SH)This lot is subject to the following lot symbols: AR
Richard Hamilton (British, 1922-2011)I'm Dreaming of a Black Christmas (Lullin 82) Screenprint on collotype in colours with collage, 1971, on Schoeller Elfenbein-Karton paper, signed and numbered 1/150 in pencil, published by the Petersburg Press, London, the full sheet, 746 x 1000mm (20 3/8 x 39 1/4in)(SH)This lot is subject to the following lot symbols: AR
Eric William Ravilious (British, 1903-1942)Newhaven Harbour ((Artmonsky p.38) Autolithograph in colours, 1937, on machine made lithographic cartridge paper, unsigned as issued, from the proposed edition of approximately 400, printed by Curwen Press Ltd., London, published by Contemporary Lithographs Ltd., London, 560 x 815mm (22 x 32 1/8in)(SH)(unframed)
Antony Gormley (British, born 1950)Untitled, from 'The King's College Portfolio' Lithograph printed in colours, 1999, on wove, signed and numbered 42/100 in pencil, published by King's College, Cambridge, with full margins, 374 x 374mm (14 3/4 x 14 3/4in)(SH)This lot is subject to the following lot symbols: AR
Tracey Emin (British, born 1963)My Heart is With You Always (Red/Pink) Embroidered thread in red and pink, 2014, on linen napkin, signed, dated and inscribed 'with you in mind' in black ink on an attached label, from the edition of an unknown size, published by Emin International, London, 415 x 425mm (16 3/8 x 16 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
Ben Nicholson O.M. (British, 1894-1982)Turkish Forms (La Franca 67) Etching printed with tone, 1967, on wove, signed, dated and numbered 31/50 in pencil, published by La Franca, Locarno, with their blindstamp, the full sheet, 380 x 250mm (15 x9 7/8in)(SH)This lot is subject to the following lot symbols: AR
David Spiller (British, 1942-2018)Hold Me (Sylvester) Screenprint in colours, 2016, on wove, signed, titled and numbered 15/95 in pencil, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, 935 x 940mm (36 7/8 x 37in)(SH)This lot is subject to the following lot symbols: AR
David Spiller (British, 1942-2018)Young Love (Daisy) Screenprint and mixed media in colours, 2011, on wove, signed, numbered 45/75 and inscribed 'Young Love' in pencil, printed and published by Harwood King Studio, Sussex, with their blindstamp, with full margins, 880 x 880mm (34 5/8 x 34 5/8in)(SH)This lot is subject to the following lot symbols: AR
Ben Nicholson O.M. (British, 1894-1982)Goblet Forms (La Franca 91) Etching and aquatint, 1967, on wove, signed, dated and numbered 33/50 in pencil, published by La Franca, Locarno, with their blindstamp, the full sheet, 444 x 274mm (17 3/8 x 10 7/8in)(SH)This lot is subject to the following lot symbols: AR
Julian Opie (British, born 1958)Amelia Lenticular acrylic panel comprising of four inkjet prints in colours, 2018, on lenticular animating lenses, mounted on card, enclosed in an envelope accompanying the exhibition catalogue with lenticular cover, loose as issued, signed in black ink and stamp-numbered 29/50 on the title page, printed by Riot of Colour, London, published on the occasion of the exhibition 'Julian Opie' at the National Gallery of Victoria, Melbourne; 270 x 150mm (10 5/8 x 5 7/8in)(SH); 291 x 258 x 27mm (11 1/2 x 10 1/8 x 1 1/8in)(overall) This lot is subject to the following lot symbols: AR
Julian Opie (B.1958)Woman Taking Off Man's Shirt (Cristea p.244) Screenprint in colours, 2003, from the edition of an unknown size, published by K21 Kunstammlung Nordrhein-Westfalen, Düsseldorf, with full margins, 1000 x 600mm (39 3/8 x 23 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: AR
David Shrigley (British, born 1968)It's OK Screenprint in colours, 2016, on Fabriano, signed and numbered 72/100 in pencil verso, printed and published by Jealous Print Studio, London, the full sheet printed to the edges, 208 x 145mm (8 1/4 x 5 3/4in)(SH)This lot is subject to the following lot symbols: AR
The Connor Brothers (British)I Don't Want To Go To Heaven Giclée print in colours with screenprint varnish, 2017, on wove, signed, dated and inscribed 'AP 16/20' in pencil, one of 20 artist's proof aside from the numbered edition of 150, with full margins, 1660 x 1060mm (65 3/8 x 41 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: AR
The Connor Brothers (British)If You've Got A Skeleton In Your Closet You'd Better Make It Dance Archival inkjet, screenprint and hand-colouring, 2016, on Somerset, signed, dated and numbered 4/10 in white ink, published by Jealous Print Studio, London, the full sheet printed to the edges, 1120 x 680mm (44 1/8 x 26 3/4in)(SH)This lot is subject to the following lot symbols: AR
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