We found 6016 price guide item(s) matching your search

James Gillray (British, 1756-1815)Advantages of Wearing Muslin Dresses!; Tales of Wonder! (BM 9933; BM 9932) Etching with hand-colouring, 1802, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 254 x 352mm (10 x 13 7/8in)(SH)(unframed); together with 'Tales of Wonder!' (BM 9932), etching and aquatint with hand-colouring, 1802, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 246 x 342mm (9 5/8 x 13 1/2in)(SH)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Nursery, with Britannia reposing in Peace (BM 9895) Etching with hand-colouring, 1802, on heavy wove, published by J. Gillray, London, with trimmed margins within the platemark, 245 x 342mm (9 5/8 x 13 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The King of Brobdingnag and Gulliver; The King of Brobdingnag and Gulliver. (Plate 2d.) (BM 10019; BM 10227) Etching and aquatint with hand-colouring, 1803, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 307 x 250mm (12 x 9 7/8in)(SH)(unframed); together with 'The King of Brobdingnag and Gulliver. (Plate 2d.)' (BM 10227), etching with hand-colouring, 1804, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 320 x 450mm (12 5/8 x 17 3/4in)(PL)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The First Kiss This Ten Years! - or - The Meeting of Britannia & Citizen François (BM 9960) Etching and aquatint with hand-colouring, 1803, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 353 x 257mm (13 7/8 x 10 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)German-Nonchalence; -or-, the Vexation of little-Boney (BM 9961) Etching and aquatint with hand-colouring, 1803, on wove, published by J. Gillray, London, with trimmed margins within the platemark, 258 x 350mm (10 1/8 x 13 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Bulstrode Siren (BM 10168) Etching and stipple engraving with hand-colouring, 1803, on wove, published by H. Humphrey, London, with trimmed margins, 356 x 261mm (14 x 10 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Physical Aid, -or- Britannia Recover'd from a Trance; -also, the Patriotic Courage of Sherry Andrew: & a Peep Thro' the Fog (BM 9972) Etching with hand-colouring, 1803, on wove, published by H. Humphrey, London, with trimmed margins close to the platemark, 264 x 370mm (10 3/8 x 14 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Maniac Ravings or Little Boney in a Strong Fit (BM 9998) Etching with hand-colouring, 1803, on wove, published by J. Gillray, London, with trimmed margins within the platemark, 251 x 345mm (9 7/8 x 13 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Peter Lanyon (British, 1918-1964)Horseplay Drypoint-etching with oil wash ground, 1946, wove laid onto board, signed in pencil, the full sheet, 301 x 251mm (11 7/8 x 9 7/8in)(SH); together with a hand-drawn Christmas card; another Christmas card with hand-colouring; hand-written artist's letters and with associated correspondences; exhibition leaflets and flyers; a postcard; a folded exhibition poster and newspaper cuttings (various sizes)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Confederated-Coalition-or-The Giants Storming Heaven;-with, the Gods Alarmed for their Everlasting-Abodes (BM 10240) Etching with hand-colouring, 1804, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 440 x 317mm (17 3/8 x 12 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)An Old Maid on a Journey (BM 10300) Etching with hand-colouring, 1804, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 251 x 380mm (9 7/8 x 15in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Gentle Emetic; Brisk-Cathartic; Breathing a vein; Charming-well again (BM 10304; BM 10305; BM 10306; BM 10307) Four etchings with hand-colouring, 1804, on wove, published by H. Humphrey, London, 290 x 218mm (11 3/8 x 8 5/8in)(and similar)(SH)(unframed)(4)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Ci-Devant Occupations -or- Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797. - A Fact! (BM 10369) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins, 310 x 462mm (12 1/4 x 18 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)A Cockney and his Wife Going to Wycombe; A Barbers-Shop in Assize Time. - From a Picture Painted by H. W. Bunbury Esq. (BM 10471; BM 11779) Etching and aquatint with hand-colouring, 1805, on laid, published by H. Humphrey, London, with trimmed margins within the platemark, 257 x 369mm (10 1/8 x 14 1/2in)(SH)(unframed); together with 'A Barbers-Shop in Assize Time. - From a Picture Painted by H. W. Bunbury Esq.' (BM 11779), etching with hand-colouring, circa 1851, on wove, from the Bohn edition, published by Henry Bohn, London, with margins, 433 x 600mm (17 x 23 5/8in)(PL)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Plumb-pudding in danger: -or- State Epicures taking un Petit Souper (BM 10371) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 257 x 358mm (10 1/8 x 14 1/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Political-Candour; -i.e.- Coalition-'Resolutions' of June 14th 1805 (BM 10414) Etching with hand-colouring, 1805, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 352 x 273mm (13 7/8 x 10 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)A Bear and his Leader; Fortune-Hunting; Pandora Opening Her Box (BM 10566; BM 10301; BM 11219) Etching and aquatint with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 245 x 346mm (9 5/8 x 13 5/8in)(SH)(unframed); together with 'Fortune-Hunting' (BM 10301), etching with hand-colouring, 1804, on wove, published by H. Humphrey, London, with margins, 255 x 379mm (10 x 14 7/8in)(PL)(unframed); together with 'Pandora Opening Her Box' (BM 11219), etching with hand-colouring, 1809, on wove, published by H. Humphrey, London, with margins, 361 x 260mm (14 1/4 x 10 1/4in)(PL)(unframed)(3)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Making-Decent; -i.e.- Broad-Bottomites Getting into the Grand Costume (BM 10531) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins close to the platemark, 247 x 355mm (9 3/4 x 14in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Tiddy-Doll, the Great French-Gingerbread-Baker; Drawing Out a New Batch of Kings (BM 10518) Etching with hand-colouring, 1806, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 252 x 372mm (9 7/8 x 14 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)British Tars, towing the Danish Fleet into Harbour; The New Dynasty: -or- The Little Corsican Gardiner Planting a Royal-Pippin-Tree. - 'All the talents', busy, in clearing the ground of old Timber (BM 10762; BM 10744) Etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 240 x 347mm (9 1/2 x 13 5/8in)(SH)(unframed); together with 'The New Dynasty: -or- The Little Corsican Gardiner Planting a Royal-Pippin-Tree. - 'All the talents', busy, in clearing the ground of old Timber' (BM 10744), etching with hand-colouring, 1807, on wove, published by H. Humphrey, London, with trimmed margins close to the platemark, 247 x 350mm (9 3/4 x 13 3/4in)(SH)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)Disciples Catching the Mantle: - The Spirit of Darkness Overshadowing the Priests of Baal (BM 10992) Etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 400 x 340mm (15 3/4 x 13 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

James Gillray (British, 1756-1815)The Spanish Bullfight or the Corsican Matador in Danger; Spanish-Patriots attacking the French-Banditti.- Loyal Britons lending a lift (BM 10997; BM 11010) Etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 252 x 353mm (10 x 13 7/8in)(SH)(unframed); together with 'Spanish-Patriots attacking the French-Banditti.- Loyal Britons lending a lift' (BM 11010), etching with hand-colouring, 1808, on wove, published by H. Humphrey, London, with trimmed margins within the platemark, 274 x 389mm (10 3/4 x 15 3/8in)(SH)(unframed)(2)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Reclining Figures with Blue Central Composition (Cramer 84) Lithograph printed in colours, 1967, on wove, signed, dated and inscribed 'D/E' in pencil, a proof aside from the numbered edition of 75, printed by J.E. Wolfensberger, Zurich, co-published by Marlborough Fine Art Ltd., London, and Rembrandt Verlag GmbH, Berlin, Germany, the full sheet, 790 x 565mm (31 1/8 x 22 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Henry Moore O.M., C.H. (British, 1898-1986)Two Reclining Figures in Yellow and Green, from 'Meditations on the Effigy' (Cramer 74) Lithograph printed in colours, 1967, on wove, inscribed 'Exhibition proof' in pencil, an unsigned proof aside from the numbered edition of 50, printed by J.E. Wolfensberger, Zurich, published by Marlborough Fine Art Ltd., London, the full sheet, 790 x 566mm (31 1/8 x 22 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Gertrude Hermes R.A. (British, 1901-1983)The Yoke, from 'Portfolio of Prints by British Artists' Wood engraving, 1954-1975, on wove, signed, titled, dated and numbered 40/75 in pencil, published by the United Kingdom National Committee of the International Association of Art, London, with full margins, 680 x 480mm (26 3/4 x 18 7/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

William Scott R.A. (British, 1913-1989)Linear Pears (Archeus 52) Lithograph printed in colours, 1974, on wove, signed, dated and numbered 37/75 in pencil, printed by Kelpra Studio, London, published by Waddington Graphics, London, the full sheet, 213 x 265mm (8 3/8 x 10 1/2in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Duncan Grant (British, 1885-1978)InteriorLithograph printed in colours, 1973 on T.H. Saunders wove, signed and numbered 22/90 in pencil, printed by Curwen Studio, Chilford, published by Penwith Galleries Ltd., St Ives, as included in the 'Penwith Portfolio', with full margins, 775 x 570mm (30 1/2 x 22 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Eduardo Paolozzi (1924-2005)Bash (Dark Pink, Orange, Dark Pink) Three screenprints in colours, 1971, on wove, each signed, dated and variously numbered from the edition of 3000 in pencil, published by Dorothea Leonhart, Munich, with their blindstamp, with full margins, each 848 x 595mm (33 3/8 x 23 3/8in)(SH)(unframed)(3) This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Senza Titolo 9 (Lynton 61) Etching and aquatint printed in colours, 1989, on wove, signed with the initials, dated and inscribed 'I/XV' in pencil, one of 15 artist's proofs aside from the numbered edition of 90, printed by Vigna Antoniniana Stamperia d'Arte, Rome, published by Stamperia d'Arte 2RC, Rome, with full margins, 2160 x 1228mm (85 x 43 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 21 (Lynton 36) Screenprint in colours, 1974, on wove, signed with the initials, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, with the printer's inkstamp verso, with full margins, 875 x 597mm (34 1/2 x 23 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 19 (Lynton 34) Screenprint in colours, 1973, on wove, signed with the initials, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, with the printer's inkstamp verso, with full margins, 858 x 597mm (33 7/8 x 23 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 20 (Lynton 35) Screenprint in colours, 1974, on wove, signed with the initials, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, with the printer's inkstamp verso, with full margins, 872 x 598mm (34 1/4 x 23 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 18 (Lynton 33) Screenprint in colours, 1974, on wove, signed with the initials, dated and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, with the printer's inkstamp verso, with full margins, 860 x 597mm (33 7/8 x 23 1/2in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 23 (Lynton 48a) Screenprint in colours, 1974, on wove, a proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, with the printer's inkstamp verso, with full margins, 986 x 663mm (38 3/4 x 26 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 26 (Lynton 48d) Screenprint in colours, 1974, on wove, a proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, with the printer's inkstamp verso, with full margins, 986 x 657mm (38 3/4 x 25 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 24 (Lynton 48b) Screenprint in colours, 1974, on wove, a proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, with the printer's inkstamp verso, with full margins, 986 x 663mm (38 3/4 x 26 1/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Victor Pasmore R.A. (British, 1908-1998)Points of Contact No. 12 (Lynton 14) Screenprint in colours, 1967, on wove, signed with the initials and dated in black ink, inscribed 'printer's proof' in pencil, a proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Graphics, London, the full sheet printed to the edges, 1090 x 430mm (42 7/8 x 16 7/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper (British, 1903-1992)The Grotto, Halswell, Somerset (Levinson 396 ) Screenprint in colours, 1987, on Arches, signed and inscribed 'A/P' in pencil, an artist's proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, the full sheet, 638 x 787mm (24 7/8 x 31in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper (British, 1903-1992)Moreton Corbett (Levinson 263) Screenprint in colours, 1976, on Arches, signed and inscribed 'AP' in pencil, an artist's proof aside from the numbered edition of 70, printed by Kelpra Studio, London, published by Marlborough Fine Art, London, the full sheet, 573 x 1085mm (22 5/8 x 42 3/4in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

John Piper (British, 1903-1992)Two sheets, from 'Stones and Bones' (Levinson 290-295) Two screenprints in colours, 1978, printed recto and verso on two sheets of Arches, one a printer's proof without the central vertical fold, aside from the edition of 50 (there were also 10 artist's proofs), the other one from the edition of 50, published by Kelpra Editions, London, the full sheets, loose as issued, 600 x 795mm (23 5/8 x 31 1/4in)(and smaller)(SH)(unframed)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)Large White Jug, from 'White Ware Prints' (Cristea 75) Screenprint in colours, 1990, on wove, signed and numbered 35/45 in pencil, printed by Advanced Graphics, London, published by Waddington Graphics, London, with their blindstamp, the full sheet, 1072 x 811mm (42 1/4 x 32in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)For John Constable (Cristea 47) Screenprint in colours, 1976, on wove, signed and numbered 99/100 in pencil, as included in the portfolio 'For John Constable', printed by Advanced Graphics London, published by Bernard Jacobson, London, the full sheet printed to the edges, 1025 x 772mm (40 3/8 x 30 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Patrick Caulfield R.A. (British, 1936-2005)Bathroom Mirror (Cristea 9) Screenprint in colours, 1968, on wove, signed, dated and inscribed 'A.P.' in pencil, an artist's proof aside from the numbered edition of 75, printed by Kelpra Studio, London, published by Leslie Waddington Prints, London, the full sheet printed to the edges, 710 x 930mm (28 x 36 5/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost R.A. (British, 1915-2003)Trewellard Suns (Kemp 110-117) The complete set of eight linocuts printed in colours, one with additional hand-colouring in watercolour and one with pencil additions, 1990, on Zerkall wove, each signed, dated and numbered 27/40 in pencil, printed by Vivien Hendry, London, published by The Paragon Press, London, the full sheets, with colophon page, loose as issued, within the artist-designed blue buckram portfolio with circular cut-out orange cloth inlay, each 640 x 645mm (25 1/3 x 25 3/8in)(SH)(8)(Folio)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Terry Frost RA (British, 1915-2003)Orange and Blue Space (Kemp 182) Screenprint in colours with acrylic and collage elements, 1999, on wove, signed and dated in pencil, inscribed 'Hand Ptd Collaged (my proof) Terry Frost Jan 99.' verso in pencil, a proof aside from the numbered edition of 150, the full sheet, 640 x 640mm (25 x 25in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Indian View A & G Two screenprints in colours, 1971, on J. Green, signed, dated and numbered 57/75 and 48/75 respectively in pencil, printed at Kelpra Studio, London, published by Leslie Waddington Prints, London, the full sheets printed to the edges, 580 x 775mm (22 7/8 x 30 1/2in)(SH)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)A Furnished Room (Heenk 33) Soft-ground etching and aquatint printed in colours, with hand-colouring, 1977, on Arches, signed, dated and numbered 52/100 in pencil, printed and hand-coloured by Petersburg Studios, New York, published by Petersburg Press, New York, the full sheet printed to the edges, 540 x 692mm (21 1/4 x 26 3/4in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Sea (Heenk 117) Sugar lift-ground etching and aquatint printed in colours, with hand-colouring, 2002-2003, on wove, signed with the initials, dated 'MMIII' and inscribed 'PP 5/5' in pencil, one of five printer's proofs aside from the numbered edition of 100, printed and hand-coloured by Jack Shirreff at the 107 Workshop, Wiltshire, published by Thames & Hudson, London, the full sheet printed to the edges, 232 x 265mm (9 1/8 x 10 3/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)After Luke Howard, from 'For John Constable' (Heenk 25) Lithograph printed in colours, 1976, on T.H. Saunders, signed, dated and numbered 16/100 in pencil, printed by Aymestrey Water Mill, Herefordshire, published by Bernard Jacobson Ltd., London, the full sheet printed to the edges, 445 x 562mm (17 1/2 x 22 1/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Ice (Not in Heenk) Screenprint in colours, 2013, on Somerset White Satin, signed with the initials, dated and numbered 146/350 in pencil, printed by King & McGaw, Newhaven, published by Counter Editions, London, the full sheet printed to the edges, 760 x 600mm (29 7/8 x 23 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Swimming (Not in Heenk) Screenprint in colours, 2011, on Somerset White Satin, signed with the initials, dated and numbered 245/350 in pencil, printed by King & McGaw, Newhaven, published by Counter Editions, London, the full sheet printed to the edges, 755 x 595mm (29 3/4 x 23 3/8in)(SH)(unframed)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Sir Howard Hodgkin (British, 1932-2017)Put Out More Flags (Heenk 90) Lift-ground etching, aquatint and carborundum in colours, with hand-colouring, 1992, on heavy wove, signed with the initials, dated and numbered 67/75 in pencil, printed and hand-coloured by Jack Shirreff at the 107 Workshop, Wiltshire, published by the Modern Art Museum of Fort Worth, Texas, the full sheet printed to the edges, 450 x 550mm (17 3/4 x 21 5/8in)(SH)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

An Akai stereo receiver AA-R21L Adc 1600DD record player and a Teniks stereo graphics equilzer SH-8028.

Wilfred Owen (British 1893-1918), Ink Sketch of Three Ducklings, dated '03, framed. Measurements 26.5 x 22.5 cm (SH), frame 44 x 36 cmWilfred Owen was a British poet and soldier from Oswestry, Shropshire. He is famous for his haunting war poetry which focused upon the horrors of the trenches and conditions during World War One which were in stark contrast to the contemporary public perception of the war effort. Owen was killed in action during the crossing of the Sambre-Oise Canal, just one week before the signing of the Armistace.Condition report: Lot 224 is a work on paper, framed under glazing, not examined external to the frame. The paper has some general signs of ageing including a few minor and sparsly distributed spots of foxing and staining. There are no obvious visible holes or creases in the paper, there is a small edge tear to the top edge of the paper.Provenance: The drawings have come from a local collection- Halls Fine Art previously sold a Wilfred Owen piece from the same collection in July 2020

Wilfred Owen (British 1893-1918), pen and ink drawing, 'Ye Olde Shoppe', dated '03 bottom left. Measurements 23 x 17.5 cm (i), 27 x 22.5 cm (SH), frame 40 x 32 cmWilfred Owen was a British poet and soldier from Oswestry, Shropshire. He is famous for his haunting war poetry which focused upon the horrors of the trenches and conditions during World War One which were in stark contrast to the contemporary public perception of the war effort. Owen was killed in action during the crossing of the Sambre-Oise Canal, just one week before the signing of the Armistace.Condition report: Lot 227 is a work on paper, framed under glazing, not examined outside of the frame. The sheet appears in good condition with no obvious signs of creases, there is a small tear to the centre left edge. There are some sparsly distributed minor spots of foxing to the upper margins and a few in the sunbeams. General ageing of the paper present.Provenance: The drawings have come from a local collection- Halls Fine Art previously sold a Wilfred Owen piece from the same collection in July 2020

Wilfred Owen (British 1893-1918) Watercolour of Oswestry, signed and dated Friday 16th October bottom left, titled Oswestry top left, measurements 25 x 20.5 cm (SH)Wilfred Owen was a British poet and soldier from Oswestry, Shropshire. He is famous for his haunting war poetry which focused upon the horrors of the trenches and conditions during World War One which were in stark contrast to the contemporary public perception of the war effort. Owen was killed in action during the crossing of the Sambre-Oise Canal, just one week before the signing of the Armistace.Condition report: Provenance: The watercolour has come from a local collection

A good chased silver salver with central armorial. London 1896. By SH&W. Approx. 27 cms in diameter. Approx. 679 grams. Est. £400 - £500.

10 Scottish glengarry badges.9th HLI ... Liverpool Scottish (Gaunt) ... Liverpool Scottish (Cameron) (Gaunt) ... Royal Scots Fusiliers ... Black Watch 1901-37 ... Royal Scots ... A& SH (solid centre) .... Seaforth ... Royal Scots piper ... 5th Seaforth. All complete with fittings. (10 items)

Late 19th century British school, two humorous angling scenes, pen drawings, monogramed 'SH', 4" x 10", (2).

Pair of silver napkin rings in plush fitted case SH London 1916