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Fünf Stühle Jindrichh HalabalaTschechien 1930er Jahre, Modell Nr. 214, nussbaumfurniert und Buche massiv, Oberfläche mit stärkeren Altersspuren, Polsterung zum Teil defekt, rest.bed., H je 79 cm, SH je 45 cm.

Sechs Federstühle Paul Bode Entwurf 1955, Ausführung Deutsche Federholzgesellschaft, Gestell aus gebogenem Buchenholz, mit federnder Lehne, Stoffpolster erneuert, stapelbares Gestell, funktionstüchtig, mit Alters- und Gebrauchsspuren, H je 83 cm, SH je 50 cm.

Lucian Ercolani, Paar StühleEntwurf Lucian Randolph Ercolani für Ercol, 1960er Jahre, Zarge mit Prägestempel P.S 1960 und HJ 2056, Ulme massiv, braun gebeizt, stabiler Zustand mit normalen Gebrauchsspuren, H je 97 cm, SH je 42 cm.

Vier Stühle Achille Castiglioni um 1979, Modell "Irma", Hersteller: Zanotta Spa., Stahlrohr weiß lackiert, mit Ledersitz und Lederrückenlehne, normale Alters- und Gebrauchsspuren, H je 90 cm, SH je 46 cm.

Vier Brettstühleum 1800, Nussbaum und Eiche massiv, verschiedene Modelle, alle mit stärkeren Alters- und Gebrauchsspuren, Maße je ca. H 90 cm, SH 43 cm.

Vier bäuerliche Brettstühle alpenländisch, um 1900, Ahorn massiv, dreibeiniges Gestell, die Lehne mit vier gedrechselten Streben, Beine teilweise locker, Alters- und Gebrauchsspuren, H je 79 cm, SH je 50 cm.

Stuhl BiedermeierEngland, um 1840, Mahagoni massiv und furniert, im Kopfbrett eingelegtes Oval in Ahorn, zwei Zierstreben fehlen, späteres Lederpolster, H 87 cm, SH 47 cm.

Vier Stühle SpätbiedermeierMitte 19. Jh., Mahagoni massiv und furniert, Seitenrahmenstühle mit trapezförmiger Sitzfläche, eingelegter Doppelfaden aus Ahorn, restauriert, Polster und Bezüge erneuert, H je 82 cm, SH je 46 cm.

Sechs Stühle Neorenaissance Frankreich, 2. Hälfte 19. Jh., Eiche massiv, Lehne mit geometrischen Einlegearbeiten in Nussbaum, Gestell mit Holznägeln verbunden, Alters- und Gebrauchsspuren, zum Teil rest.bed., H je 110 cm, SH je 50 cm.

Paar Stühle Arts & CraftEngland, um1875/80, Buche oder Ahorn schwarz poliert und goldkonturiert, Gestell mit floraler Schnitzerei verziert, die Vorderbeine auf originalen Porzellanrollen, Polster und Bezug erneuert, H je 92 cm, SH je 46 cm.

Paar Armlehnstühle Kohnum 1900, Zarge mit Brandstempel J & J Kohn, Buchenbugholz, braun gebeizt, Sitzfläche aus geprägtem Muschelmotiv, guter Originalzustand, H je 96 cm, SH je 47 cm.

Paar Stühle Bugholzwohl Italien, um 1900, ungemarkt, geflochtene runde Sitzfläche, Beine mit aufgespleister Kreuzverstrebung, die Lehne mit bogenförmiger Verstrebung, Sitzgeflecht erneuert, H je 86 cm, SH je 48 cm.

Vier Caféhausstühleum 1900, Buchenbugholz braun gebeizt, runde Sitzfläche mit erneuertem Stoffbezug, Lehne mit drei gedrechselten Zierstreben, stabiler Zustand mit Gebrauchsspuren, H je 87 cm, SH je 47 cm.

Dreibeiniger Stuhl1930er Jahre, Nussbaum massiv, Sitzfläche und Lehne mit kreisrunden Aussparungen, gesteckte Vierkantbeine, guter Zustand, H 75 cm, SH 38 cm.

Gartenbank20. Jh., Steinguss, mehrteilig, Witterungsspuren, L ca. 133 cm, SH ca. 45 cm.

Fünf Gartenstühle Eisenwohl Frankreich um 1900, Gestelle aus gebogenem Eisenrohr, in der Art von Thonet gestaltet, runde Sitzfläche aus Eisenblech, mit dem Gestell vernietet, dunkle Patina mit Altersspuren, stabiler Zustand, H 81 cm, SH 43 cm.

Miller (SH) and Skertchly (SBJ) The Fenland Past and Present, one vol, 1878, gilt cloth together with two relating journals "Fenland Notes and Queries" - January/April 1900 (3)

An early 20th century Swiss .935 silver and blue guilloche enamel novelty umbrella timepiece, stamped 'Depose 2159, SH', 9cm.

A Victorian fiddle pattern plain sauce ladle 1848 by SH DC 65 gms

A 22ct gold engraved wedding band, sponsor's initials 'SH', Birmingham 1925, wt. 4.71g, size Q/R. Condition - good, general wear including minor scratches etc. no evidence of resizing.

Pair: Master at Arms A. P. Breeze, Royal Navy China 1900, no clasp (A. P. Breeze. M.A.A., H.M.S. Arethusa.); Royal Navy L.S. & G.C., E.VII.R. (150113 A. P. Breeze, Sh. Cpl. 1Cl. H.M.S. Hearty.) minor contact marks, very fine (2) £180-£220 --- Arthur Prescott Breeze was born in Thorpe, Norwich, on 19 November 1866 and enlisted in the Royal Navy as a Boy 2nd Class on 19 July 1893. Advanced Master at Arms on 26 August 1899, he served in H.M.S. Arethusa from 14 November 1899 to 3 April 1903, and was awarded his Long Service and Good Conduct Medal on 16 January 1907. He was shore pensioned on 20 November 1911.

Three: Leading Telegrapher F. M. Butland, Royal Navy British War and Victory Medals (J. 46613 F. M. Butland. Tel. R.N.); Royal Navy L.S. & G.C., G.V.R., 3rd issue, coinage head (J. 46613 F. M. Butland. L. Tel. H.M.S. Victory.) the Great War awards polished with heavy contact marks, therefore good fine, the LS&GC better Royal Navy L.S. & G.C., G.V.R., 1st issue (188204 W. J. H. Knowles. Sh. Cpl. 1Cl. H.M.S. Bacchante.) good very fine, scarce to rate (4) £80-£120 --- Walter John Hermon Knowles was born in Sunderland, Co. Durham, on 18 October 1880, and was awarded his Royal Navy Long Service and Good Conduct Medal whilst holding the scarce rate of Ship’s Corporal.

Dolls: A collection of assorted 19th and 20th century bisque and composition dolls heads to include: Armand Marseille, 'A&M 394', good condition, damage to lashes; Armand Marseille, 'A.& M 520/4', good condition; Armand Marseille, 'A & M 390', good condition; 'B/N-2', good condition; Schoenau Hoffmeister 'SH 170-0', good condition, damage to lashes; and one other, damaged. (6)

* Hampshire. Morden (Robert), Hant Sh: V, H. Turpin, circa 1750, engraved playing-card map with contemporary outline colouring, trimmed to printed neatline and tipped on to contemporary paper, 90 x 55 mm, mounted, framed and glazedQty: (1)NOTESThis later state of Morden's playing card maps lacks the suit markings. This was done possibly to discourage their use in gambling.

Two Scottish Officer Belt Bucklesconsisting Argyll and Sutherland Highlanders example.  Rectangular, gilt brass buckle with overlaid, silvered A & SH badge and scrolls.  Rear fittings ... Brass, oval, dirk belt buckle with central St Andrew and cross.  Brass, rectangular belt fittings.  2 items.

Scottish Shoulder Titles and Anodised Collar Badge Selectionbrass titles include Gordon ... Cameron ... QO Highlanders ... 3 DG ... Cameronians (blackened) ... Bi-metal 5 DG ... Anodised A & SH ... Anodised Royal Scots Dragoon Gds ... Anodised QC Highlanders.  Anodised collars include A & SH ... Black Watch ... Royal Scots Dragoon Guards ... QC HLI ... Royal Scots.  57 items.

Argyll & Sutherland Canada OR's Sporranblack horsehair sporran with six white, horsehair tassels, all with brass top bells.  Black patent leather cantle with brass edging.  Brown leather backing with central pocket secured by a brass stud.  Maker stamped "Wm Anderson & Sons Ltd Edinburgh & Glasgow".  Regimental stamped "A & SH of C".  

Anodised Infantry Collar Badgesgood selection including some pairs, KSLI ... KOSB ... A & SH ... Royal Scots ... Queens ... Queens Lancashire ... QC Royal Regiment of Fusiliers ... KOYLI ... Kings ... Leicestershire ... Middlesex ... DCLI ... Royal Lincolnshire Reg ... HLI ... Royal Warwickshire ... QC Staffords ... Small selection of Corps collar badges.  135 items.

Scottish Regimental Cap/Bonnet Badgesincluding white metal Cameron Highlanders ... Cast white metal Gordon Highlanders ... Brass, KC Royal Scots Fus ... White metal, KC HLI ... White metal, KC Black Watch ... White metal, KC Black Watch, post 1947 ... White metal Gordon Highlanders ... White metal, A & SH, solid centre ... White metal A & SH pierced centre ... White metal Scottish Rifles.  20 items.

Two pairs of 9ct yellow gold double-ended cufflinks, one pair with half engine turned and half bevelled edge, hallmarked 9ct, Birmingham 1939, sponsor SH; the other pair with engraved edge, hallmarked 9ct, Birmingham 1957, sponsor D&F, gross weight 12.1g (2)

JESSURUN de MESQUITA -- BOOM, A. v.d. S. Jessurun de Mesquita. Met een inleiding van T.B. Roorda. Wassenaar, J.A.A.M. v. Es, 1928. 46 text-pp. W. 27 b/w plates & 2 or. woodcuts, all under tissue guards. 4°. Or. dec. cl. by Jessurun de Mesquita. (Some minor foxing to in- and exterior, back side has some light brown patches, but a fine copy). NOTE:Annotation in pencil on page 25 by Sem Hartz: "Na zijn benoeming [als docent aan de Kunstnijverheidsschool te Haarlem in 1902] toen hij 'vast' ƒ 400 per jaar ging verdienen heeft mijn vader hem aangeraden om nu eindelijk met Betsie Mendes (?) te trouwen want een vast inkomen van ƒ 400 plus zo nu en dan een opdracht was voldoende", followed by a monogram 'SH' (= Sem Hartz). - Van Es, J. de M., i.a. p. 125.

A part canteen of electroplated cutlery, engraved monogram SH, some items with ivory handles.

Two George III serving spoons, Fiddle pattern serving spoon, SH, London 1814, engraved initial "B", 30cm, Old English serving spoon, M*, London 1801, 29cm, two silver Old English tablespoons, total weight of lot 10.5oz.

Blek le Rat (French Contemporary) David with Kalashnikov, 2007, screenprint, signed in pencil bottom right, numbered 50/200 and The Black Rat Press stamp bottom left, measurements 71 x 52 cm (SH), frame 78 x 59 cm Provenance: private local collection, purchased at the Goldmark GalleryCondition report: The screenprint is a work on paper, framed under glazing. The paper appears well preserved and does not show evidence for any rips, creases, folds and appears to be stable. The colours are well preserved and not faded. There is a pencil signature bottom right, numbered bottom left as well as a blind stamp in the paper. The frame has some general wear-and-tear

Ronnie Wood (British b.1947) Moscow Flyer, silkscreen, signed pencil bottom right, numbered 160/180, measurements 60.5 x 80 cm (PL), 80.5 x 102 cm (SH) Please Note- this lot is subject to VAT on the hammer price

Sascha Lobe (German b.1967), Abstract Screenprint Blue Composition, blind stamped, measurements 50 x 42 cm (SH), together with a further blue abstract work 50 x 26.5 cm (SH) and an Abstract in red 59 x 42 cm (SH) (3)

Sascha Lobe (German b. 1967) Abstract Screenprint, Letter with Desk, screenprint, signed in pencil bottom left, measurements 59.5 x 42 cm (SH) together with a paired work (2)

David Hockney (British b.1937) Richard, Jim and Felix, for the Oz Obscenity Fund, offset lithograph, 1971, signed bottom right, numbered 19/30, measurements 70 x 93 cm (SH), frame 94 x 115 cm Provenance: private local collection, purchased at the Goldmark Gallery In 1971 a highly publicised trial was brought against British paper Oz and its journalists Richard Neville, Jim Anderson and Felix Dennis. They were charged with conspiracy to corrupt public morality based on an article published on the 28th May 1970 featured an illustration with Rupert the Bear's head atop an x-rated cartoon. The trial caused much public outcry as an infraction on freedom of speech and the accused were publicly supported by many celebrities and activitsts. David Hockney created this limited edition lithograph to raise money towards their legal costs and depicts the three journalists unclothed to convey their innocence.Condition report: Lot 17- is a work on paper, framed under glazing. The paper appears in good condition with no obvious signs of any tears or holes. There are some minor sparse spots of foxing either side of Felix, near the signature and between Richard and Jim (please refer to additional photographs). The frame has some general wear and tear and loose joints.

Ronnie Wood (British b.1947) Paint in Black- Gimme Shelter, screenprint, signed white pencil bottom right, numbered 137/295, measurements 96 x 70 cm (SH) Please Note- this lot is subject to VAT on the hammer price

George Holt (British 1924-2005), Four Abstract Works in shades of grey and pink, mixed media on paper, signed and dated 93/94 verso, measurements 81 x 59.5 cm (SH) (4) Provenance: Consigned from the artist's estate George Holt was a West Midlands artist who is best known for his abstract works. Holt found inspiration in the works of the St Ives School artists and preferred to compose directly onto the canvas and react to and be stimulated by the experience and process of creating the work. He began his career in design having been apprenticed as a draftsman and became a Senior Lecturer at the Wolverhampton Technical College. He was a member of the Eagle Works Artist's Group in Wolverhampton and exhibited widely throughout the West Midlands throughout his career.

Barbara Hepworth (1903-1975) Sun and Water, from the Aegean Suite, lithograph on wove paper, signed in pencil bottom right, numbered 34/60, blind stamp bottom left, measurements 76 x 54.5 cm (PL), 81 x 58 cm (SH) Provenance: private collection from Southern EnglandCondition report: The print is a work on paper, unframed, with full margins. There are no visible signs of rips or repairs, there is one minor crease in the top left margin (see photograph). The paper otherwise appears well preserved, some discolouration in the bottom margin as photographed and general ageing. Colours are well preserved. Pencil signature bottom right, numbered bottom left, blind stamp bottom left.

Honoré de Balzac (1799–1850) Le Père Goriot, Imprimerie Nationale, Paris, 1952, Picasso lithograph framed separately, text in french, softcover with slipcase, book measures 22.5 x 16.5 x 3.2 cm Lithograph of Père Goriot by Pablo Picasso (Spanish 1881-1973) signature printed in the plate, measurements 22.3 x 16 cm (SH), frame 41 x 34 cm, on the verso is a Justification du Tirage bearing a pencil signature, exemplaire number 2203

Joseph Eula (1925-2004), Poster for The Mod Ball at The Rainbow Room, 65th Floor- Rockerfeller Center, Tuesday November 16 1965 - 10.30 PM till dawn, copywright 1965 J Eula, distributed by Darien House NYC 10024, measurements 96.5 x 64 cm (SH)Condition report: The poster is a work on paper which is unframed. The paper is in good condition, no obvious signs of deterioration, rips or folds. There are faint creases including a vertical 5cm crease top centre and bottom centre as well as bottom left corner. The colours are in good condition and well preserved. The poster is not stuck down.

Pakpoom Silaphan (Thai Contemporary) Marilyn on Pepsi, screenprint, signed pencil bottom right, numbered 28/50 bottom left, measurements 113 x 87 cm (PL), 126.5 x 97.5 cm (SH) Please Note- this lot is subject to VAT on the hammer price

Paul Klee (Swiss-German 1879-1940) Exhibition poster 'Der Frühe Klee' at Kunsthalle Baden-Baden 18.4.-21.6.64, measurements 86.6 x 58.2 cm (SH), together with an exhibition poster for Alberto Giocometti at Fondation Maeght, measurements 98.5 x 68 cm (SH) and Julian Key, British Week in Brussels 29 Sept. - 7 Oct., measurements, poster, measurements 48 x 68 cm (SH) (3)

Abram Games (British 1914-1996) BEA to BIF, British European Airways to British Industries Fair Poster, May 3-14 1948, printed by The Baynard Press, London, numbered bottom left corner BEA.495.6M, measurements 100 x 62.2 cm (SH) The British Industries Fair was a yearly two-week event showcasing British Industries and was held at the showgrounds in Castle Bromwich, Birmingham. It was one of the most visited attractions in the country every year and ran between 1920 until 1957.

Terry Frost (1915-2003) Development of a Square within a Square, screenprint, signed in pencil bottom right, numbered 56/150, measurements 60 x 60 cm (SH) Provenance: private collection southern EnglandCondition report: The screenprint is a work on paper, mounted but unframed. The paper appears in generally good condition; no obvious signs of tears, creases or evidence for deterioration. There is a scuff to the mid-right edge with some surface loss, two small scuffs to the bottom edge, two scratches to the top and bottom of the green semi-circle and three small surface scratches in the centre with some surface losses- please refer to additional photographs. There is some damage to the mount at the inner lower-right edge which has not affected the paper. The print is signed in pencil bottom right and numbered 56/150 bottom left.

Bob Crossley (1912-2010) Four Squares, screenprint, signed and dated '71 bottom right, numbered 29/75, measurements 42.5 x 31 cm (PL), 51 x 38.5 cm (SH)

Kyffin Williams (Welsh School 1918-2006) Nanmor, lithograph, numbered 148/150 pencil bottom left, Curwen Chilford blindstamp centre bottom, measurements 41 x 58.5 cm (PL), 53.5 x 69.5 cm (SH). Together with David Porteous-Butler (Welsh School b.1945) Portrait of Kyffin Williams, initialled in pencil bottom right, titled Kyffin centre bottom with Curwen Chilford blindstamp below, numbered 17/75 bottom left 37.5 x 29 cm (SH) (2)Condition report: The prints are works on paper, with full margins and deckled edges, both unframed. The print showing Kyffin Williams is a work on paper, the paper appearing of good condition and having no obvious signs of rips, folds or creases and no obvious evidence for deterioration. The colours appear stable and well preserved. It is initialled in pencil bottom right, numbered bottom left and titled bottom centre. It has a blind stamp for the Curwen press. The print titled Nanmor is a work on paper, unframed. The paper is in good condition without evidence for rips, folds or creases and no evidence for deterioration. The colours appear well preserved and stable. It is numbered bottom left in pencil within the plate. full margins are present.

Albert Irvin (1922-2015), Alpha, screenprint with woodblock colours, signed in pencil and dated '94 bottom right, blind stamped on wove paper, numbered 71/300, measurements 16 x 22 cm (PL), 32 x 37 cm (SH)Condition report: The screenprint is a work on paper, with full margins and deckled edges. It is numbered bottom left, titled centre and signed Irvin with date '94 in pencil bottom left. The paper does not have any rips, creases or folds and appears. There is foxing throughout the sheet which does extend into the platemark- primarily concentrated in the edges and not visible within the coloured area of the print (please refer to additional photographs uploaded). The colours are well preserved and appear to be stable.

Victor Vasarely (Hungarian-French 1906-1997) Niol-C, lithograph, signed bottom right, numbered 65/125, measurements 44.5 x 42 cm (SH), frame 58.5 x 55 cm

Robyn Denny (b.1930) Portraits Series B, screenprint. signed pencil and dated '73 bottom right, artist proof IV/X, blind stamp bottom right, measurements 22.3 x 20 cm (i), 79 x 59 cm (SH) Provenance: private collection southern England

Robyn Denny (b.1930), Portraits Series A, screenprint, signed in pencil and dated '73 bottom right, artist proof VIII/X, blind stamp bottom right, measurements 22 x 19.5 cm, 79 x 58 cm (SH) Provenance: private collection southern England

John Plumb (1927-2008) Untitled Screenprint, signed bottom right, 1968, measurements 50 x 92 cm (SH) Provenance: private collection southern England

Patrick Hughes (British b.1939) Caught in a Cage, screenprint on wove paper, signed and dated '79 in pencil bottom right, numbered 7/150, measurements 30.5 x 51 cm (i), 55 x 74 cm (SH) Provenance: private collection southern EnglandCondition report: The screenprint is a work on paper, unframed. The paper is in good condition- no obvious evidence for rips, folds or creasing, the colours are well preserved and no evidence for surface loss. There are two stains in the margins- to the bottom right corner and centre edge- please see photographs.

Ronnie Wood (British b.1947) Charlie (Voodoo), limited edition print, signed pencil bottom right, numbered 280/295, measurements 65 x 48.5 cm (PL), 87 x 68 cm (SH) Please Note- this lot is subject to VAT on the hammer price

Felix Labisse (French 1905-1982) Lucretia, lithograph, EuroArt blind stamp bottom left, numbered 86/750 bottom right, measurements 64.5 x 49 cm (SH), frame 71 x 51 cm

Salvador Dali (1904-1989) Poster for French Railways, Alsace Chemins de fer Française, S.N.C.F. 1970, No 7, printed by the French National Railways, measurements 99 x 62 cm (SH). Together with; after Henri Matisse (French 1869-1954) Exhibition poster, Lithographies- Eaux Fortes, at Galerie Adrien Maeght, 42 rue du bac Paris VII, measurements 67 x 51 cm (2)

Michael W Potter (b.1955) Downhill Skier Christies Contemporary Art Poster, measurements 70 x 50 cm (SH), frame 74 x 55 cm Condition report: The poster is framed under glazing, not examined external to the frame. The paper does not have any obvious signs for tears, folds or creases. There is some evidence for beginnings of foxing in the main image- please refer to additional photographs. There is some ageing to the paper but the colours do appear well preserved. The frame has general wear-and-tear.

Peter Blake (British b.1932) Love Hurts, screenprint with diamond dust, signed bottom right, numbered 10/75 bottom left, measurements 75 x 57.3 cm (SH) Please Note- this lot is subject to VAT on the hammer price