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ENTERTAINMENT, promotional photos of classical artists, inc. Tessa Uys, Sharon Kam, Nina Rotova, Anne Kaasa, Norma Fisher, Maria Garzon, Edwin Fischer, Susan Glaser, Ian Stuart, John Tooley, Helen Lawrence, Christopher Millard, Dennis Marks, Martyn Hill, Angela Hewitt etc., mainly h/s, 8 x 10 & slightly smaller, most with names & agency annotation to backs, VG to EX, 103*
THEATRE, programmes & handbills, Music Hall and Variety, 1930's-40's, inc. Lewisham Hippodrome, Croydon Empire, Theatre Royal Chatham, Swindon Playhouse, Birmingham Tower Ballroom; Tommy Trinder, Cyril Fletcher, Eva May Wong, Elsie & Doris Waters, Peter Brough etc., VG to EX, 50*
ENTERTAINMENT, signed selection, inc. Googie Withers (white card), Tommy Quickly (b/w photo, slight tear), Jimmy Osmond (signed card laid down with photo showing him as a young boy), Felicity Kendall (h/s colour photo, 12 x 8), Adele Jurgens (lobby card), G to EX, 5
ENTERTAINMENT, promotional photos of classical artists, inc. Jose Serebrier, Willim Trafka, Benjamin Luxon, Gwyneth Jones, Kun Wook Paik, Bernard Stevens, Peter Stein, Jennifer Stinton, Roger Vignoles, Ruth Waterman, Sarah Walker, Emily White, Rex Lawson, Kim Brown, Susan Bullock, Catherine Bott, Carolann Lowe etc., mainly h/s, 8 x 10 & slightly smaller, most with names & agency annotation to backs, VG to EX, 94*
A rare Delft dated dish, probably London the centre painted with a large crown and dated '1682', the broad border with a continuous band of tulips and stylised foliage, decorated in blue and yellow, 33cm (13in) diameter Provenance: Collected by the present vendor's grandfather in the 1930's. Literature: For a Brislington charger also dated "1682" with a portrait of King Charles II, see Frank Burton "English Delftware in the Bristol Collection", colour plate 3.30, page 26. Another charger dated 1682 and also produced at the Brislington pottery is in the collection at the Fitzwilliam Museum, Cambridge. This depicts Queen Catherine of Braganza flanked by 'K & R'. Other Notes: The significance of the 1682 date on a number of Delft pieces is uncertain. It could relate to the death of Prince Rupert of the Rhine who was a cousin of King Charles II and was Royalist commander during the English Civil War. He died at his house in Westminster on the 29th November 1682 and was a loyal supporter of the King.
An aquamarine and sapphire necklace set in 18ct gold, set to the front with a line of nine oval cut aquamarines, all spectacle set, and suspending from the central one a line of three more, to a barley link back chain punctuated at intervals by six small oval cut sapphires, S-hook clasp, London hallmarks 2016, length 38cm, length of central pendant feature 4.5cm
A George III silver helmet creamer, maker S? (marks rubbed), London 1786, the plain body with beaded edge raised on a square foot, loop handle, gilt lined,15.5cm, and another similar, maker's mark of John Langlands I & John Robertson I overstruck on that of Hester Bateman, London 1784, 8.48oz (2) Repair to the rim of the second
A silver hot water jug, by S Blanckensee & Sons Ltd, Birmingham, date letter indistinct, of plain baluster form between gadrooned edges, short spout and ebonised handle below a domed cover with wrythen handle, 22.5cm high, and a small silver coffee pot by Mappin & Webb, London 1906, of plain octagonal baluster form on low conforming pedestal foot below a domed cover with ball finial, 19cm, 23.83oz (2)
Attributed to Richard Bankes Harraden (British, 1772-1862) The Provost's Lodge, King's College, Cambridge, with a Fellow and his spaniel in the foreground oil on canvas 47 x 64cm (18 x 25in) Lined. Appears slightly flattened. S ome flaking paint lower left corner. Few chips to the frame.Note: The present painting depicts the previous Provost’s Lodge. The painting dates to the late 1820s so would be a contemporary depiction of the new building which was built between 1824 and 1828 by the architect William Wilkins. The new Provost’s Lodge was built in 1908.
Thomas Sidney Cooper, RA (British, 1803-1902) Sheep in a landscape signed lower left "T S Cooper" oil on panel 40 x 52cm (16 x 20in) Under glass and perhaps a little surface dirt. Oil on panel. Paint layer in a good condition. Glazing is dirty inside and out. A few small chips and losses to the decorative gilding on the frame.
A contemporary multi-gem necklace, composed of a graduated line of spectacle set oval and round cut gemstones in saturated shades of red, orange, brown and pale yellow with touches of blue, purple and green, joined by a fine wire chain, to an S-hook clasp with affixed cartouche stamped '585' to indicate 14ct gold; length 53cm; the gemstones predominantly garnets and sapphires of varying shades, also spinel, zircon, amethyst and lemon quartz
A late Regency maplewood and rosewood jardiniere stand, the rectangular top with a lapit moulded apron, on S scroll and leaf carved end supports, united by a central turned stretcher and on scroll carved feet 75 x 107 x 49cm (29 x 42 x 19in) The tin work liner is a modern replacement
A tutti-frutti gem set necklace, designed as a graduated line of spectacle set oval and round cut multi-coloured gems, principally sapphires of many hues, and also including emerald, ruby, spinel, rose quartz and tourmaline, each gem spaced by a fine double link, S-hook clasp stamped indistinctly '585' indicating 14ct gold; length 57cm
A blue topaz and 18ct gold fringe necklace, fashioned from a barley link chain suspending to the front eleven spectacle set harlequin cut long oval blue topazes with two more set horizontally to the sides, S-hook clasp, London hallmarks 2016, length 41.5cm, length of each topaz approximately 18mm
A Fairburn Sykes Fighting Knife, Second Pattern, the 18cm hand forged steel blade with recessed panel at the ricasso etched THE F S FIGHTING KNIFE, no visible maker's mark, the straight nickel crossguard stamped I over a crown, the nickel plated hilt with milled grip stamped with a broad arrow, the leather scabbard with nickel plated chape, (upper part of scabbard missing)

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974947 item(s)/page