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Lot 103

A solitaire diamond ring claw-set an old brilliant-cut diamond of approximately 0.5cts, in 18ct yellow gold and platinum mount, size S, 2.1g.

Lot 150

Longines, a gentleman's 1940's 9ct gold cased wrist watch of cushion shape, the circular white dial with Arabic numerals and seconds subsidiary, the movement numbered 6916282, 25.2g, (no strap).

Lot 155

Rolex Oyster, a gentleman's silver-cased wrist watch c1920's, the silver engine-turned face with Breguet numerals and seconds subsidiary, in octagonal case with 'Oyster Patent' crown, the back engraved 'From Mother 13th March 1929', case 31mm diameter, (a/f).

Lot 382

A small silver model of a rocking horse and rider, some marks rubbed, London import marks for 1902, S B & Co, 4.5cm long, 3.7cm high.

Lot 96

An Art Nouveau silver pendant of shield shape set blister pearl between blue enamelled hearts, maker JR, Birmingham 1909, and another enamelled silver pendant by J A & S, Birmingham 1912, (2).

Lot 225

A beaten silver decorative spoon with circular bowl and shaped handle with floral decoration and oval garnet, Edinburgh 1960's

Lot 33

A super quality walnut Victorian piano top Davenport with patent pop-up top rising to reveal a central bank of drawers and pigeonholes, 19 ins hinged fall opening to reveal a slide-out surface with ratchet writing slope with flanking pen tray and ink bottle apertures below two drawers with turned wooden knobs, a side bank of four opening drawers with turned wooden knobs and Biedermeier style escutcheons, opposing blind drawers similarly dressed, inset lower panel with moulded beading with well carved corbel 'S' shaped supports with extended platform below on turned bun feet, 110 x 53.5 cms (top up)

Lot 22

A Victorian silver gentleman's serpent signet ring, with two intertwined snakes, one textured, and biting each others tails, Birmingham 1884 and marked S&G, approx. size T

Lot 26

A S. Morden & Co gold plated magic pencil, together with an S. Morden white metal slide pencil, a fob pencil and three fountain pens, two with gold nibs (6)

Lot 288

A modern oil on board portrait of a lady, signed Frankie, together with two flower still life paintings on boards, one signed S. Weeting, the other signed Renwick, all in gilt frames (3)

Lot 111

Peter Browne (active 1990’s) - Making Up - Oil on board - Signed lower right and titled lower left - 39 x 48.5cm

Lot 148

An Australian Colonial Cedar Chest of Drawers - c.1880’s - The upper chest with two central half size drawers, - flanked by two deep size drawers, over three lower full - size drawers with turned knob handles

Lot 15

Valentine (Val) Delawarr (active Australia 1880’s – - 1900) - Lake and Mountain Scene - Oil - Signed lower right

Lot 159

Part Set of Five Australian, Colonial, Silver Plated - Napkin Rings - c.1880’s - Depicting kangaroos and emus with engraved - decoration

Lot 160

A Mounted Emu Egg with Engraved Silver Swan & - W.A. Plaque - Silver plated stand; base marked ‘S&B’ & ‘EPNS’ - Height: 25.2cm

Lot 175

A Large Collection of Western Australian Silver and - Silver Plated Souvenir Spoons - c.1900 – 1970’s - An interesting collection of 36 spoons including pictorial - enamelled bowls; Centenary of W.A.; gumnuts finial;

Lot 177

A Rare Phar Lap Sterling Silver Spoon - c.1930’s - Maker unknown, likely Australian - Bowl engraved ‘Phar Lap’ - Length: 11.8cm

Lot 222

A Restored, 100cc Excelsior, Vintage British - Motorcycle - 1940’s – 1950 - Apparently fully restored and in working condition, - sold as is

Lot 264

Five Art Deco Silver and Enamelled Egyptian - Souvenir Spoons - c.1920 – 1930’s - 800 silver gilt with enamelled pictorial scenes - Lengths: 11.2cm – 12.8cm

Lot 285

A Clarice Cliff Bizarre, Fantasque, Windbells - Conical Shape, Sugar Sifter - c.1930’s - Hand painted ceramic - Printed factory marks to base

Lot 9

A Collection of 5 Antique Steel Plate Engravings - After famous Australian artists including J.C. Armytage, - S. Prout and W. Hatherell – 4 hand coloured - 12 x 17cm & 15 x 10cm (plates size)

Lot 101

Victorian plated four piece tea and coffee set, marked S Smith, King Street, Covent Garden, engraved decoration of fern leaves.

Lot 131

W Swaysland, Familiar Wild Birs, first and second series, and G S Boulger, Familiar Trees in three volumes, (5).

Lot 137

Collection of cinema posters, 1980's and 90's.(approx 165)

Lot 20

Royal Doulton large character jug, "Arry", D6207, together with a 1930's Art Deco style figural group of a Lady and Dog, (2).

Lot 443

1930's bevelled edged wall mirror, with walnut trim, width 61cm and a circular bevelled edged wall mirror, (2).

Lot 9

Marianne Johnson for Royal Copenhagen, Denmark, 1960's square dish decorated in tones of blue, mauve and green with central flower head decoration, printed and painted marks to base, 174 over 2883, 17cm sq.

Lot 98

Large beaten copper ewer, the base stamped S. RILEY - MAKER, LEICESTER, height 44cms, comes with of original receipt.

Lot 1131

19th-16th century BC. A carved amethyst cylinder seal with figural frieze and owner's inscription; accompanied by a museum-quality impression and typed and signed scholarly note issued by W.G. Lambert, Professor of Assyriology at the University of Birmingham 1970-1993, which states: Cylinder Seal of Pale Amethyst 25 x 15 mm. The design shows two facing, standing figures. The one on the left is a goddess, in long robe and headdress, raising one hand. The facing figure on the right also wears a long robe, but has a bare head and raises both hands. A star appears between the two heads. There is a five-line inscription in Elamite cuneiform naming the ancient seal owner: Shuk-Kuku / son of Rab-Baba / messenger / servant of Nin-si'anna. This is an Elamite seal from the period of the Sukkalma?s, c. 1900-1600 B.C. The goddess Nin-si'anna is a local variety of the Babylonian Ishtar, Venus. Thus the star serves to identify the goddess. The seal has some fractures and other slight damage, but the scene and inscription can still be seen. 11 grams, 25mm (1"). From an important North London collection formed before 1980. Fine condition. Very rare.

Lot 114

6th-4th century BC. A matched pair of gold earrings, each a tapering rod with S-curved profile, granule finial, four bands of coiled filigree to the shank, fusiform banded agate bead with gold cap to each end. 8.61 grams total, 39mm (1 1/2"). Property of a London gentleman; acquired before 1980. [2] Extremely fine condition.

Lot 1205

4th-1st century BC. A matched pair of gold earrings, each an arched plaque with hollow crescent to the upper edge with granule clusters, radiating billets to each face of the plaque and hollow spheres to the outer edges, hook and eye closure. Cf. Mittmann, S. et al. Der Konigs Weg. 9000 Jahre Kunst und Kultur in Jordanien, Mainz, 1989, p.244, no.242. 2.57 grams total, 25-26mm (1"). From an important London collection, acquired in the 1970s. Fine condition, some usage wear.

Lot 1348

2nd-3rd century AD. A carved schist Atlant figurine, winged and nude, seated with right hand on the knee and left hand on the thigh; mounted on a custom-made stand. See Stanco, L. Greek Gods in the East: Hellenistic Iconographic Schemes in Central Asia, Prague, 2012; Nagar, S. Gandharan Sculpture: A Catalogue of the Collection in the Museum of Art and Archaeology, University of Missouri-Columbia, 1981. 5 kg, 23cm including stand (9"). Private collection, North London; acquired in the early 1980s. Also known as Bharavahaka, meaning that which carries, these are a class of Hindu and Buddhist nature deity known as a Yaksha that has incorporated Graeco-Roman ideas of Atlas. As a decorative element in Gandharan Buddhist sculpture they are shown as multiple figures that ran in a narrow band below the relief panels around the four faces of a stupa plinth. The local nature deities take on a protective, as well as supportive role, for Buddhist iconography and ideology. The images of the Atlant figures always shows them in Greaco-Roman style and this is an excellent example of the eastern Hellenistic art that flourished in Central Asia. Fine condition.

Lot 1454

6th century AD. A large flat-section tinned bronze counterplate from a buckle set with three domed bosses, each with a beaded collar, incised three-strand braid to the centre flanked by bands of ropework ornament; notch to the upper edge to accommodate the tongue of the buckle; three pierced lugs to the reverse. Cf. Nice, A. Revue Archéologique de Picardie: La Nécropole Mérovingienne de Goudelancourt-lès-Pierrepont (Aisne), Senlis, 2008, items S.302, S.354. 53 grams, 72mm (3"). Property of a Cambridgeshire collector; acquired continental Europe 1948; by descent 2004. Very fine condition.

Lot 1528

14th-15th century AD. A bronze seal matrix with one smaller head and one larger connected by a shank with quatrefoil void to the centre; the smaller head with intaglio merchant's mark of a doubled cross with short lateral angled bar beneath each crossbar; the larger head with similar mark surrounded by border with 'S' IONIS DE CO[M?]E[.]' (seal of John of ?). Cf. Pateman, B. Collecting Seals, London, 2008, p.104, item 30. 13 grams, 26mm (1"). Found near Canterbury, Kent. The spelling may represent 'Comen', possibly a spelling of the recurrent place-name 'common' (e.g. Whyttesbury Comen for Whitsbury Common) or it may represent the town of Comines, Flanders. Fine condition. Rare.

Lot 1540

13th-14th century AD. A heater-shaped pendant and integral pierced lug; the shield with reserved lion rampant on a red enamel field, blazoned 'gules a lion rampant or' attributed to the Fitz Alan family. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, item 61, 71 for type. 5.26 grams, 38mm (1 1/2"). Found Suffolk, UK. In the Dering Roll, the arms 'gules a lion rampant or' are attributed to Jon le FizAleyn. The Fitz Alan family became hereditary holders of the title of 'Baron Arundel' from 1377 when King Richard II appointed John Fitz Alan to the office of Lord Marshal of England. [No Reserve] Fine condition.

Lot 1542

13th-14th century AD. A bronze heater-shaped plaque with pierced lug above, enamelled hare salient motif. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, item 86 for type. 11 grams, 41mm (1 3/4"). Found Suffolk, UK. The family with this heraldic device has not been identified. The animal may be a hare, rabbit or coney, none of which is customary in medieval heraldry. The arms may be a variant of those borne by the Cleland family of Edinburgh, or those of the Marchant family. [No Reserve] Fair condition.

Lot 1544

13th century AD. A bronze quatrefoil pendant with pierced suspension lug above, reserved leopard advancing on a red enamel field, fleurs de lys in the lobes. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, item 210. 7.85 grams, 38mm (1 1/2"). Property of a Kent collector; by inheritance, 1970s. [No Reserve] Fine condition.

Lot 1550

13th-14th century AD. A gilt-bronze octofoil frame with loop above surrounding a separately mounted rosette with blue enamel field and reserved facing mask with crown. Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, item 224 for type. 11 grams, 41mm (1 3/4"). Property of an Essex collector; acquired 1970s. [No Reserve] Fine condition.

Lot 1553

13th-14th century AD. A mixed group of heater-shaped pendants and plaques with enamelled heraldic ornament comprising: a pendant with a peacock and flowers (unidentified); a pendant with a red field and gold chevron (unidentified); a pendant with a bend cotised and lions rampant on a red field, (probably Bohun, Earls of Essex and Hereford); a plaque with a rearing unicorn (unidentified). Cf. Ashley, S. Medieval Armorial Horse Furniture in Norfolk, East Anglian Archaeology 101, Dereham, 2002, items 70, 77, 80, 195. 31 grams, 33-40mm (1 1/2"). Found Suffolk, UK. [4, No Reserve] Fair condition.

Lot 1622

6th-10th century AD. A flat-section hoop with facetted shoulders, trumpet bezel with intaglio chi-rho motif, alpha and omega. 5.10 grams, 29mm overall, 19.40mm internal diameter (approximate size British S 1/2, USA 9 1/2, Europe 20.98, Japan 20) (1 1/4"). From a private collection of rings, acquired 1970s. Extremely fine condition.

Lot 1653

19th century AD. A Colt six-shot single-action 1851 model Navy percussion revolver in .36 calibre; the 19cm hexagonal rifled barrel with loading lever below (lacking main pivot screw and one dowel peg) and brass blade foresight (a later fitting?), numbered 126155/2 inscribed with '- ADDRESS COL. SAML COLT NEW-YORK U. S. AMER[ICA -]' to top face, cut through the last letters by the modification fitting of a separate V-backsight, the barrel key with modern retaining screw; six-chambered cylinder with nipples, numbered [24]305 (traces only of engraving); brass trigger guard, numbered 24305 and backstrip, mahogany grip with diamond mother of pearl and rectangular German silver insets to left; naive small heart emblem cut into right; frame with trigger and hammer assembly (lacking/broken mainspring) with some screws being modern replacements, numbered 126155/2. 1.12 kg, 33cm long (13"). Property of an Essex, UK collector; acquired on the UK art market, 1980-1990. Serial number 24305 was given to a .36 calibre Navy Colt made in 1853; serial number 126155 was allocated to a matched pair of .36 calibre Navy Colts made in 1862. Fair condition; surfaces pitted and lacking elements as noted. An iconic firearm.

Lot 2000

56-55 BC. Obv: wreathed head left. Rev: horse left with symbol and pellet above and double-tailed pellet before. S. 7; Sills 404-315; ABC 31; LT 7892; DT 65-71. 1.62 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). Very fine for type. Scarce.

Lot 2001

58-57 BC. Sills class 2a. Obv: traces of 'three men in a boat' design. Rev: tree with bent line, heart-shape below. S. 10; LT 8611 variant; ABC 40 variant. 1.46 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket); found Norfolk, before 2011. Chris Rudd notes: 'Clear ornaments. First we've had. Earliest of the Boat Type quarter staters and much scarcer than standard ABC 40.' [No Reserve] Good very fine. Rare variant.

Lot 2002

45-40 BC. Obv: almost plain, slight banding. Rev: tree with six branches and three roots, decorated bar each side, pellet-in-annulet and pellet-in-beaded-annulet above, small pellet-in-annulet, 'waving hand' and bent line below. S. -; BMC -; SCBI 1, 29 (same die?); ABC 189. 1.33 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket); ex Chris Hamlyn collection; found Isle of Grain, Kent, before 2010. Near extremely fine. Very rare.

Lot 2005

55-45 BC. Obv: wreath pattern with two large pellest behind and a hidden face. Rev: triple-tailed horse with charioteer's arms above, eye symbol behind and eight-spoked wheel below with corded wide V-shaped ground line. S. -; BMC -; ABC 485 variant. 6.05 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). Chris Rudd notes: 'There are some distinctive differences which set this Selsey Corded-V Type gold stater apart from the standard Selsey stater types, both biface and uniface - differences which may not be apparent at first glance, but which are nonetheless important in positioning this 'newcomer' within the series. The first is the weight of the Corded V-Type: at 6.05 grams it is uncommonly heavy, which suggests that it comes near the start of the series (of the 33 /Remi' Type staters listed by Hobbs only one weighs as much as 6.05 grams). Secondly, there are two large pellets beyond the hair locks at 11 o'clock; these may be on a few other Selsey staters (see BMC 452), but I've not seen them so clearly revealed before. Thirdly, the line under the horse isn't the usual wiggle serpentine line - it's a corded line. And fourthly - the line isn't in the familiar crescent form - it's in a V-shape. So, all in all, a somewhat unexpected discovery......'. Extremely fine; large flan, boldly struck. Excessively rare; perhaps a unique variant?

Lot 2006

55-45 BC. Obv: breast-like, rounded with small, offset 'nipple'. Rev: complex design with inverted Y-shaped symbol at centre top. S. 46; BMC 431; ABC 536. 1.42 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket); ex Matthew Rich collection; found Ratham, near Chichester, West Sussex, 1999. Chris Rudd notes: 'One of the finest Willett's Nipple gold quarter staters that has been unearthed, unrivalled for its reverse detail since discovered fourteen years ago by metdec Kevin Fifield. The Y-shape also occurs on Durotrigan coins (cf. ABC 2145, 2190-2199, 2205-08). For Ernest Willett's views on Willett's Nipples see 1880, p.32 or Chris Rudd List 47, p.10.' [No Reserve] Near extremely fine. Rare; one of the finest examples known.

Lot 2007

65-40 BC. Obv: wreath with three crescents and 'turf-cutter' below. Rev: disjointed horse left with quadruple line tail with eye symbol above, large pellets round a 'cross' of pellets above and 'crab' below. S. -; BMC 88-128; ABC 752 variant (no 'cross' above horse). 4.87 grams. The Brodie Hall, Kent, UK collection; acquired Cris Rudd (with envelope and ticket). Chris Rudd (List 52, 31) notes: '.....Chute-Cheriton Transitional staters are scarce rather than rare with 70 recorded by the Celtic Coin Index. However the majority of these are in museums, including 41 in the British Museum; which is why you hardly ever see them in dealer's catalogues....'. Good very fine. Scarce.

Lot 2008

55-45 BC. Obv: stylised boat with two standing figures, pellets to right. Rev: cruciform thunderbolt motif with symbols in angles. S. 46; BMC 129-136; ABC 767. 1.37 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket); ex Matthew Rich collection. Very fine. Scarce.

Lot 2009

55-45 BC. Obv: 'turf cutter' motif with central corded line and cogweheel each side. Rev: horse left with floral sun above and pellet-centred comet below. S. -; BMC -; ABC 770. 0.72 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). Chris Rudd notes (List 20, 6): 'The 'turf' cutter with teeth motif links this queer quarter with the Cheriton Smiler gold stater, VA 1215-1, even if only stylistically. The long-eared 'sitting hares' are also reminiscent of Cantian and Durotrigian quarters, VA 143-1, 1242-1 and 1249-1; cf. Chichester Raidate, List 17, no 7. Only three others known.' [No Reserve] Very fine; chipped. Excessively rare (only a few others known).

Lot 2011

50-25 BC. Obv: cogwheel within concave-sided square, pellet-in-annulet at sides. Rev: annular horse left with linear mane, spoked wheel above, pellet-in-annulet below. S. 59; BMC 654-656; ABC 1046. 0.27 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). Chris Rudd notes (ABC): 'Attribution uncertain, could be an earlier type or Tincomarus.' [No Reserve] Good very fine. Very rare.

Lot 2012

10-40 AD. Obv: central vine leaf with VI to right and RI to left. Rev: warrior riding horse right holding shield with C O above and F below. S. 121; BMC 1159; ABC 1193. 5.26 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and tickets); ex John Haritou and Australian collections; previously with Chris Rudd, 2001. Chris Rudd notes: 'King Cunobelinus proudly promoted an ear of wheat on his gold staters, associated with CAMV. Not to be outdone by his rival north of the Thames, King Verica boldly featured a vine leaf on some of his gold staters, associated with the first part of his name. It is thought that this vine leaf referred to Verica's importation of fine Italian wine in particular and his close friendship with Rome and Roman customs in general. The engraving of this stater is definitely Roman in style.' Good very fine.

Lot 2016

30-10 BC. Obv: branch motif. Rev: horse right with crescent above and pellet-in-annulet below. S. 430; BMC 3437-3438; ABC 1480. 0.92 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket. Very fine/good very fine. Scarce.

Lot 2017

50-40 BC. Obv: female head left with diadem, symbol before. Rev: prancing horse left with pellet-in-pelletted-ring, two pellets and pellet-in-annulet above and pellet-in-annulet below. S. 432; BMC 3524-3527; ABC 1495 variant (no pellet-in-annulet above horse). 1.34 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). [No Reserve] Very fine; large flan, well centred. Rare thus.

Lot 2018

50-30 BC. Obv: male bearded head right with pellets for hair and pellets before. Rev: curvy horse left with pellet mane with pellet-centred lozenge above and pellet-in-annulet below. S. 433; BMC 3554; ABC 1549. 1.01 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket); found Norfolk, before 2010. Chris Rudd notes: 'The curly head of the Toney Curly Top was copied from a silver coin of the Catuvellauni: Tasciovanus Warrior (VA 1745, BMC 1667-1668). The lozenge above the horse can be seen below the horse of Norfolk God silver units.' Good very fine; full flan. Excessively rare (only five others recorded).

Lot 2019

30-10 BC. Obv: male head right with ear of corn behind and pellet trefoil below. Rev: horse right with 'kite' and beaded arc above, pellet below tail, small pellet rosette and incurved lozenge with pellets at points below. S. 434; BMC 3605-3759; ABC 1564 variant (no rosette below horse). 0.84 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket); ex G. Beadwell collection. Chris Rudd notes: 'Sharp head, handsome horse, well ornamented.' Bold very fine.

Lot 2020

30-10 BC. Obv: boar right with pellet trefoil below and plain ground line. Rev: horse right with pellet ring above. S. 431; BMC 3445-3554; ABC 1576. 0.72 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). Found Cambridgeshire, before 2010. Chris Rudd notes: 'Far rarer than the Norfolk Boar Star or Norfolk Boar Phallic types.' Good very fine. Rare.

Lot 2022

5-43 AD. Obv: boar right with long bristles with spear piercing ears, pellet rosette above and pellet below. Rev: horse right with four-spoked wheel and two pellets above, double pellet below tail and phallic motif below with trefoil of pellets each side. S. 431; BMC 3473-3511; ABC 1582. 0.77 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). Chris Rudd notes: 'This is one of the most beautiful Norfolk Boar Phallic silver units we've had for ages, boldly struck with both boar and horse standing out in high relief. The object before the boar's head is often called a spear; to us it looks more like a sun-sceptre...'. Extremely fine; well centred, bold animals, excellent detail. Very rare thus.

Lot 2023

30-10 BC. Obv: stylised boar right with bristly back and pellet rosette above. Rev: horse prancing right with beaded mane, four-spoked wheel above, pellet trefoil before and pellet-in-annulet below. S. -; BMC -; ABC 1585. 0.56 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). Chris Rudd notes: 'The boar has a more regular, band-like body than VA 659. The horse has a chubbier chest, with additional dots around'. Very fine; slightly irregular flan. Excessively rare (only one other recorded?).

Lot 2024

1-43 AD. Obv: boar right, pellet above with pellet-in-annulet above (two), behind and below. Rev: annulate horse right with pellet rosette above and pellet tefoil below. S. 437; BMC 3513-3516; ABC 1621. 0.41 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket). [No Reserve] Good very fine. Rare.

Lot 2026

10-30 AD. Obv: three opposed crescents, pellet at centre and at cusps, enclosed by six arcs with trefoil or quatrefoil of pellets in angles. Rev: horse right with mane of dashes, W-shaped forelegs, pellet under tail and 'lyre' symbol above, with double-ringed solar motif above and with large pellet and ANTED monogram below. S. 440; BMC 3790; ABC 1639. 5.43 grams. The Brodie Hall, Kent, UK collection; acquired Chris Rudd (with envelope and ticket); found Norfolk, before 2009. Chris Rudd notes: 'Still looking as sharp as the day it was minted two-thousand years ago, this is unquestionably one of the prettiest Anted Triple Moons staters we have seen........ Today it is generally thought that the Anted in East Anglia was not the same king as the Anted in the Cotswolds. Dr Philip de Jersey says: The Anted staters all appear to be from the same reverse die, which might suggest that this is really a very scarce issue'. Extremely fine; as struck, full flan and details. Extremely rare (only fifteen others recorded).

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