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Morestone Esso Pump Series: 11 Royal Mail Van, 12 Volkswagen Micro Bus, 16 Austin Countryman and 16 Austin Healey in original boxes and a Morris & Stone coupon G-E, boxes overall G (4)

Dinky: half-dozen grey 551 Trailers, two Halesowen Trailers, maroon Luxury Coach, blue 30S Austin Covered Wagon, two Sack Barrows, blue and cream 415 Mechanical Horse and Trailer, blue 280 Van, Morris Telephone Service Van and BR Hindle Smart Helecs, F-VG (16)

A William Morris period, country made corner chair with square rush seat and turned spindles.

Group of Dinky toys, to include a Goods Yard Crane no. 752, Morris Capstan van no. 465, an Austin Raleigh Cycles van no. 472, and a Bedford 10cwt Ovaltine van no. 481 all boxed together with an Austin BP van no.470, a Trojan Esso van and a Chivers Jellies van and a Leyland Octopus and a Foden Regent tanker, (small amounts of paint wear to corners and roofs) (9)

MORRIS, Rev. F. O. `A History of British Butterflies`, Nimmo, 1895. 8th edn. Hand cold. plts. a. c. f. 4to. glt. cl. some light foxing.

MORRIS, Rev. F. O. `A Natural History of British Moths`, Bell & Daldy, 1872. 4to. 132 cold. plts. a. c. f. glt. cl. 4 vols. (see illustration)

MORRIS, Rev. F. O. ` A History of British Birds`, Nimmo, 1891. 3rd. edn. 4to. cold. plts. some foxing. Green glt. cl. 6 vols.

MORRIS, Beverley, R. `British Game Birds and Wildfowl`, Groombridge, nd. fo. 60 hand cold. plts. glt. green cl. st. to upr. bd. (see illustration)

A LARGE QUANTITY OF UNFRAMED PRINTS AND ENGRAVINGS to include fashion plates; portraits and others; fishes; Morris`s British birds; animals, birds and some butterflies; floricultural cabinet, Sowerby, Ridgeway, Spratt; copy of Dr Syntax; collection of Howard Mortlake (Old London Bookseller) blank greetings cards upon which to apply old engravings; decorative items on greeting cards; and decorative items (x 2 packets), all the prints neatly packaged and labelled. Estimate on request.

A boxed Dinky Toys horse box no.581, red Jaguar XK120 coupe, seventeen unboxed mainly Dinky cars including Studebaker no.172, Packard no.39a, Riley no.158, two Triumphs no.40b, two Austin Devons no.40d, Vangard no.40e, Hillman Minx no.40b, Morris Oxford no.40g, Austin Somerset no.161, a quantity of accessories including petrol pumps, road signs etc - playworn

Vic Grainger; portrait watercolour of Jet Circle, winner of the Greyhounds St Ledger, Wembley 1985, signed and dated `85, framed and glazed, also the engraved winners trophy cup from the same race, inscribed "The Tony Morris St Ledger, Wembley Stadium 30th August 1985" and engraved with two greyhound heads (2)

The Nonesuch Press. MORRIS (John) Editor From the Third Programme A Ten-Years` Anthology, London 1956, folio, limited edition No.576 of 1300, with printed inserted leaf `Presented to Ernest Ingham April 3 1958 to mark the occasion of his relinquishing the Chairmanship of The Fanfare Press and as a token of esteem and regard from members of the firm whose privilege it was to serve under him` signed by six colleagues, buckram gilt binding by Leighton-Straker, in slipcase; HANDEL The Messiah Oratorio, Edition Eulenburg, 8vo, inscribed to end paper `For Ernest Ingham from Arnold Jones Easter 1957` in decorative full grained morocco gilt (spine faded); together with a plaque from The Limited Editions Club to Ernest Ingham dated 12 May 1950, with box (3)

MORRIS (The Rev F O) A Natural History of the Nests and Eggs of British Birds, second edition, in 3 volumes, London: George Bell & Sons 1875, 230 (of 232) chromolithographic plates, some stitching loose, embossed blue cloth gilt

MORRIS (Rev F O) A History of British Birds, 2nd edition in six volumes, 1870, coloured plates, contents generally fair to good but cloth bindings with some damage

Golf: A pair of Staffordshire style white glazed standing figures of "Old Tom" and "Young Tom" Morris, tallest 21cm.

ROYAL NAVY & ROYAL MARINES CHAMPIONSHIPS BOXING MEDAL named to the reverse `R N & R M Open Boxing Championships 1934 Bantam-Weight Runner-Up Std G H Morris`, with original fitted box

J. Morris: a 19c. English school oil on canvas of cattle in a summer landscape. 30.5 cms. by 51 cms.

E MORRIS "CATTLE WATERING", oil on canvas, signed and dated 1912, framed, 9"x12"

Victorian tall embossed four-fold screen decorated with a green floral William Morris style wallpaper, bears lozenge registration marks to the edges, 91" wide x 81" tall

Arts & Crafts style upholstered armchair, the padded back and seat with William Morris style upholstery upon X-frame supports united by stretchers

An Edwardian inlaid mahogany armchair, with exposed showframe being satinwood banded, boxwood and ebony strung and later upholstered in a William Morris style fabric, raised on tapered legs of square section terminating in spade feet with castors.

REV F O MORRIS: A HISTORY OF BRITISH BIRDS, 1891, 3rd edn, 6 vols, orig pict cl gt, (6)

J MORRIS, River landscape, signed lower right, oil on canvas, 13 1/4" x 20"

Morris (Rev F O) A History of British Birds, 2nd Edition, London 1870, 6 volumes and A History of British Butterflies, 9th Edition, London 1904

Doulton Bunnykins figures: golfer & morris dancer

Morris (William) The Aeneids of Virgil, 1902, Chiswick Press, cloth-backed boards; Conciones et Orationes ex Historicis Latinis, 1649, engraved title, vellum; Thomas (M.G. Lloyd), Travellers` Verse, 1946, lithographs by Edward Bawden, dust wrapper; Scott (William Bell), A Poet`s Harvest Home, 1882, parchment; Anderson (Robert), Ballads in the Cumberland Dialect, nd., cloth (detached binding); Bodley (G.F.), Poems, 1899, quarter parchment (6)

Morris (William) The Roots of the Mountains ..., 1890, small 4to., ltd. edition of 250 printed on Whatman paper, decorative cloth

Morris (F.O.) A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, nd., 4 vols., chromolitho plates, foxing, a.e.g., decorative cloth gilt; Wheater (W.), Some Historic Mansions of Yorkshire .., 1888, 2 vols., 4to., numbered ltd. edition, plates, cloth; Grainge (William), The Castles and Abbeys of Yorkshire, 1855, plates, calf (worn) (5)

Morris (F.O.) A Series of Picturesque Views of Seats of the Noblemen and Gentlemen of Great Britain and Ireland, nd., 4 vols., colour plates, decorative cloth gilt; Sheppard (F.H.W.), Survey of London, The Grosvenor Estate in London, 1977, dust wrapper; Burke (J. Bernard), A Genealogical and Heraldic Dictionary of the Landed Gentry ... for 1851, 2 vols., cloth; with a quantity of others (qty)

GARMAN MORRIS (19TH/20TH CENTURY) `St Michael`s Mount`, signed, watercolour, 11 1/2" tondo.

A box ottoman with William Morris fabric upholstery and copper Art Nouveau handles, 45 cm wide.

A mahogany framed two seater drop end sofa, raised on bun feet, upholstered in William Morris style floral patterned fabric, 143 cm wide.

Four Second World War medals, comprising; the 1939 - 45 Star, the Italy Star, the Defence medal and the War medal, mounted on a bar as worn, another 1939 - 45 Defence medal, the Imperial Service Medal George VI issue to MORRIS ANTHONY CUSSE, with the original box, a 1935 Jubilee Commemorative medal, a box of postage and sundry.

WWI Trio Plus Death Plaque To 12781 Pre. A.G. Morris Norfolk Regiment E.F.

* Morris (A. E., late 19th c.). The Steamship `Nile`, & The Steamship `Orinoco`, together two fine watercolours of twin-funelled passenger steamships, each signed lower right, both with some fading and discolouration (the second watercolour badly browned), 23 x 34cm (9 x 13.25ins), both framed and glazed, together with seven other various marine watercolours, including one of the Estkon Cargo Steamship, by D. Sanchez, c. 1930s, a pair of world war two watercolours of destroyers, including the Scharnhorst, by J. F. Swiftshaw, c. 1944, a mediterranean harbour scene by H. J. Bowyer, a view of Cagnes by J. A. Watker, and another watercolour view from the stern of The Dorade, dated 1919-20, all except one framed and glazed (9)

* Morris (Cedric Lockwood, 1889-1982). Public Gardens, Siena, pencil on paper, signed with initials, and dated Siena 6.22 lower right, 35.5 x 24.7cm (14 x 9.75ins), mounted (1)

Talwin Morris oak bookcase with four copper plaques, 74h x 46cm w

Ebonized and rush seated Arts & Crafts armchair in the manor of William Morris, turned spindle back on turned legs

J.M.Barrie `Peter Pan in Kensington`, illus Arthur Rackham, pub Hodder & Stoughton, 1906 Stories from Hans Anderson, illustration Edmund Dulac and the troubles of Tatters by Alice Talwin Morris

Morris (William). A Dream, Being a Romance, Contributed to the Oxford and Cambridge Magazine, 1856, Sheffield, printed by William F. Northend, The School of Art Press, 1908, wood eng. borders and initial letters, marbled endpapers, t.e.g., orig. red qtr. morocco, spine rubbed, raised bands between blind rules which continue onto returns, overlap, and each terminate in a five-petalled flower tool, spine gilt lettered direct in second and third compartment and at foot, vellum covers dusty, upper cover gilt lettered within green, brown, and purple framework of vines (rubbed), sm. 4to (142 x 114 mm [5.5 x 4.5 ins]). Limited edition, 5/20 copies. (1)

King (Jessie M., illust.). The Defence of Guenevere and Other Poems, by William Morris, pub. John Lane, 1904, b & w illustrations, some leaves uncut, one or two light spots, previous owner signature, original cloth gilt, spine a little faded, slightly rubbed, t.e.g., 8vo, together with Greenaway (Kate), Language of Flowers, c. 1884, coloured illustrations, occasional light soiling, original cloth-backed pictorial boards, rubbed, 12mo, with two others: Oliver Goldsmith's She Stoops to Conquer or the Mistakes of a Night, illustrated by Hugh Thomson, c. 1912 and Voltaire's Candide or All for the Best, 1898, (one of 500 copies in worn silk binding) (4)

* Peake (Mervyn, 1911-68). Sita, [1946], original ink drawing of Sita, wife of Rama and daughter of Janaka, King of Videha, signed 'Peake' lower right, closed paper tear to lower margin (hidden by mount), 31 x 21 cm (12.5 x 8.5 ins), tipped in to card mount. A typed note to mount verso indicates that this was one of the illustrations produced by Peake for Morris Collis's book 'Quest for Sita', published in 1946. This original drawing was purchased from Meuve Peake in London around 1960. (1)

Neil Morris for H. Morris & Co Ltd, The `Cloud Table` designed 1947, the shaped top above four supports, having inset circular metal trade disc `Morris Made Guaranteed - Trademark - Glasgow`, 134cm wide

Dinky Die-cast - Morris Commercial Van `Have a Capstan` (465), boxed

Dinky Die-cast - Morris Mini-Traveller (197), Austin Seven Countryman (199), Alfa Romeo 1900 `Super Sprint` red (185) and Alfa Romeo 1900 `Super Sprint` yellow (185), all boxed

Corgi Die-cast - Morris Mini-Cooper Competition Model (227), Triumph Herald Coupe (231), Austin Taxi (418), Vanwall Racing Car (150S) and E Type Jaguar (307) lacks top, all boxed

A COLLECTION OF NOTES, CATALOGUES AND MATERIAL relating to Guido Morris, together with a collection of letters, sketches and other items from, or relating to Sven Berlin

MORRIS & Co: A MATCHED PAIR OF SUSSEX PATTERN SIDE CHAIRS, with bobbin turned back rails, caned seats and turned legs and stretchers (2). The iconic `Sussex` chair is perhaps the best known of all Arts and Crafts chairs. Available from the mid 1860`s, and thought to be designed by Philip Webb who adapted the design from a regional prototype. The chair is clearly most closely linked with the firm Morris and Co, however examples and near copies were retailed by a number of London stores during the late 19th and early 20th centuries.

GEORGE JACK: A MORRIS & CO SAVILLE ARMCHAIR, the shaped back and seat upholstered in original Morris & Co fabric, with scrolling outswept arms and shaped legs. The Saville chair, which was almost certainly designed by George Jack, is an example of the firms later production where Mahogany predominates and a late Victorian sophistication replaces the earlier medieval revival pieces. Jack was assistant to Philip Webb, the firms chief furniture designer, and took over from him on his retirement in 1890. This is a rare example of this fine chair in that it appears to retain its original Morris and Co upholstery. See Illustration £500-800

PHILIP WEBB FOR MORRIS & CO: AN OAK CENTRE TABLE, with a rectangular top above a stepped moulded border on turned splayed legs with cross stretchers and a moulded stretcher with four turned uprights on plinth bases with castors, 29" high x 71" wide. Philip Webb (1831-1915) was chief furniture designer for Morris, Marshall, Faulkner and Co, and Morris and Co. A life long friend and colleague of William Morris`s the two met as young men in the Oxford office of George Street`s architectural practice. It was on the strength of Morris commissioning Webb to design a home for himself and his new wife that Webb set up his own practice. The house was the Arts and Crafts masterpiece the Red House, and Webb became a highly successful architect and Morris went on to establish the leading art furnishers of the time. This table relates to a design first produced during the early years of the business when furniture on this scale will have been made to fulfil a specific commission or architectural interior. This table shows Webb`s interest in medieval furniture, his furniture designs demonstrate a solidity and architectural presence with features drawn from his knowledge of early furniture from around the world. An example of the design can be seen in the long drawing room at Kelmscott House where Morris lived from 1878. See William Morris, His Life, Work and Friends by Philip Henderson. A further larger variant example, 96 3/4in long, was sold at auction in London in May 2000. An example of this table is illustrated on p159 of `William Morris` the catalogue edited by L.Parry to accompany the Victoria and Albert museums 1996 exhibition `Willliam Morris 1834-1896`. In this publication it is described as being designed by Philip Webb. However this table is also recorded as a `Joiners Table` by George Jack who may have reintroduced the design at some point after Webb`s retirement in 1890, if this is the case it might best be seen as a collaboration between the two designers. See Illustration

A 1950`s 1-18 scale model "Standard 8" battery car in original box; a similar Morris Minor

An Arts and Crafts mahogany elbow chair, in the manner of C.F.A. Voysey, the seat and back upholstered in a Morris design fabric, the back with square bun finials, on turned legs and bun feet.

A PAIR OF VICTORIAN CAST IRON BENCH ENDS, the scrolled arms and supports cast and pierced with foliate scrolls and hung with tassels, probably from the Falkirk Ironworks, 33" high. Literature: Antiques from the Garden Alistair Morris

A ebonised Sussex armchair, possibly by Morris & Co., with a spindle back and a rush seat, 85cm high. Visit www.dnfa.com for condition reports.

Madeline Wyndham, an enamel rectangular plaque, painted with a peacock above `QVEM QVAERITIS SVRREXIT SICVT: DIXIT` and `M. W. Fecit for Darling Sibyl Queensbury. Easter 1899 Clouds in sure & certain Hope of the Resurrection to Eternal Life` verso, in a brass frame, 8cm high overall. Madeline Caroline Frances Eden Wyndham (1835-1920) was the daughter of Sir Guy Campbell, 1st Baronet and Pamela Fitzgerald. She married the Hon. Percy Wyndham in 1860. She was an artist in enamels, embroidery and watercolour. She and her husband were the core of the bohemian group formed in the 1880s known as the `Souls`. The three Wyndham daughters were known as the `Three Graces` of the Souls. Burne-Jones was the painter closest to this aristocratic group. They lived at Clouds House, East Knoyle, Wiltshire which was designed by Philip Webb between 1881 and 1885 and decorated by Morris and Co. They also had a house in London at 44 Belgrave Square. Sibyl Queensbury was the first wife of the 9th Marquess of Queensbury. Visit www.dnfa.com for condition reports.

Humphreys (Henry Noel). The Genera of British Moths 62 hand-coloured plates without the second title loose original decorated cloth spine wanting [1860]- and 7 others including an incomplete Morris s Birds wanting vol. 1 1870 and Trafford s the Horses of the British Empire. (8)

* Butterflies, Moths & Insects. A collection of approx. 200 prints, mostly 18th & 19th century, engravings and lithographs most with orig. hand colouring, with examples by Kirby, Morris, Bock and Pass, occ. duplicates, various sizes and condition (approx.200)

A small collection of Matchbox Series commercial vehicles, comprising a No. 6 quarry truck, a No. 6 fire escape, a No. 16 Super Atlantic trailer, a No. 17 Bedford removals van, a No. 24A hydraulic excavator, a No. 25 Bedford van `Dunlop`, a No. 40 Bedford 7-Ton Tipper, a No. 55 DUKW, a No. 56 London trolley bus, a No. 60 Morris J2 pick-up and a No. 71 Austin 200 gallon water truck, all boxed (some playwear, boxes creased or scuffed), and eight other die-cast commercial vehicles.

A small collection of Matchbox Models of Yesteryear, including a 4-Ton Leyland lorry `W and R Jacobs`, a No. 6 Bugatti and a No. 8 Bullnose Morris Cowley (13) (playwear and paint chips).

A modern Moorcroft Baluster Vase, tube lined and decorated with the "William Morris" design, on a dark blue ground, circa 2004, 9" high