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A set of five carved oak Arts & Crafts chairs with William Morris seat coverings

Cotman, John Sell and Dawson Turner: The Architectural Antiquities of Normandy, two volumes bound in one, engraved plates, printed for John and Arthur Arch, Cornhill and J.S. Cotman, Yarmouth, MDCCCXXII, bears label from the library of William Morris, Kelmscott House, Hammersmith, marbled board and calf binding.

An early 20th century Royal Doulton 'Morrisian' small vase, of tapered form, flanked by twin handles, decorated with figures, printed mark to the underside,16cm high, together with a Royal Doulton stoneware vase, decorated with stylised flowers, incised monogram for Mark V Marshall and impressed marks to the underside, 20cm high (2)Condition report: Morris vase: Intact.Larger: The rim has been restored.

Neil Morris for Morris of Glasgow - a 'Cloud' coffee table, designed 1947, the shaped layered plywood raised on tapering supports, stamp No.025475 verso, h.48cm, w.94.5cm, d.94.5cmCondition report: Structurally sound and stands well.Top surface colour is a little faded and generally worn throughout.Legs are good.Would benefit from a re-polish.

LOUIS COMFORT TIFFANY (United States, 1848 - 1933).Art Nouveau vase "Lilies", ca. 1910.Signed "L.C.T. 889A" on the base.Another vase with similar characteristics is referenced in the book "The Art Of Louis Comfort Tiffany", p. 187.Provenance: Private collection, Spain between 1970-1990.Measurements: 15 cm (height) x 10 cm (diameter).Louis Comfort Tiffany was the American artist and industrial designer most associated with the Art Nouveau movement. He was a painter, interior decorator, designer of stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery and metalwork. On this occasion we present the "Lilies" vase, an elegant piece with a circular belly and prominent shoulders whose surface has been decorated with a subtle foliate motif typical of Art Nouveau.Louis attended Eagleswood Military Academy in Perth Amboy, New Jersey. His early artistic training was as a painter, studying with George Inness and Samuel Coleman in New York City and with Leon Bailly in Paris. In about 1875 he became interested in glassmaking and worked in various glassworks in Brooklyn. In 1879 he partnered with Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artist. Tiffany's leadership and talent, along with his father's connections and financial resources, made the business a success. Tiffany's desire to concentrate on glass as an artistic element led to the dissolution of the company in 1885, when he chose to establish his own glass-making firm. The first Tiffany Glass Company was incorporated on 1 December 1885, and in 1900 it became known as Tiffany Studios. In his factory he used opaque glass in a variety of colours and textures to create a unique style of stained glass, which contrasted with the method of transparent painted or enamelled glass that had been the dominant methods of stained glass making for hundreds of years in Europe. The use of coloured glass for stained glass was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Artist and glassmaker John La Farge was Tiffany's main competitor in this new American style of stained glass. Both had learned their craft in the same Brooking glassworks in the late 1870s. In 1893 Tiffany built a new factory, called Tiffany Glass Furnaces, located in Corona Queens, New York. That same year his new company introduced the term favrile in conjunction with its first production of blown glass. Early examples of his lamps were exhibited at the Chicago World's Fair in 1893, and he registered the term favrile on 13 November 1894. He then extended the use of this term to his entire production of glass, enamel and ceramics. The first commercially produced lamps date from around 1895. Much of his company's production was the manufacture of stained glass for windows and the creation of lamps, although his company designed a complete range of decorative objects for interiors. At its peak, his factory employed more than 300 craftsmen. Tiffany used all his skills in the design of his own house in Oyster Bay, New York, Long Island, which had 84 rooms and was completed in 1904. It was later donated to his foundation for art students, along with 243,000 m² of land, but was destroyed by fire in 1957. Tiffany maintained a close relationship with the family-owned Tiffany Company. Many of the products he produced were sold there. After his father's death in 1902 he became Artistic Director of Tiffany & Co. Tiffany Studios remained in business until 1928.

SET OF TWELVE TALWIN MORRIS ART NOUVEAU PEACOCK BOUND VOLUMES,by The Gresham Publishing Co., London, various titles, blue cloth boards, along with a copy of The Coral Island (13)

Morris, Francis Orpen. A Natural History of the Nests and Eggs of British Birds, 3 volumes, second edition, 232 coloured plates, guards, original cloth gilt, affected by damp, 8vo, London: George Bell and Sons, 1875

Morris, Francis Orpen. A History of the British Butterflies, fourth edition, 72 chromo-lithographed plates and 2 uncoloured, tissue guards, 8pp. publisher's catalogue at end, original cloth gilt, affected by damp, slightly shaken, spine chipped with slight loss at head, 8vo, London: George Bell and Co., 1876

Morris, Francis Orpen. A History of British Birds, second edition, 365 hand-coloured plates, tissue guards, a few leaves loose, original publisher's cloth gilt, affected by damp, a few spines chipped at head, 8vo, London: Bell and Daldy, 1870

Morris, William. The Defence of Guenevere, and other poems, first edition, half-title, light spotting, publiehr's original cloth, spine slightly sunned, bookplate of Merthyr Guest, 8vo, London: Bell and Daldy, 1858

Garmen Morris Original Pair of Water Colours. ( 2 ) Watercolours From the Early 20th Century In Original Frames, Signed Bottom Right and Titled Bottom Left. Over All Size 23 by 10.5 Inches. Boating Scenes.

Tony Morris - Poole Studio - A later 20th Century pottery charger decorated with a large central dragonfly amidst grasses, printed mark alongside painted TM.M.53., diameter 40.5cm.

Tony Morris - Poole Studio - A later 20th Century pottery charger made to commemorate the millennium, decorated with a stylised abstract design with the words 2000 Poole beneath, printed mark alongside painted TM.J.7., diameter 40.5cm.

Tony Morris - Poole Studio - A later 20th Century pottery charger decorated with sailing boats against a red sunset sky, printed mark alongside painted TM.0.17, diameter 41cm.

Tony Morris - Poole Studio - A large later 20th Century pottery charger decorated with two dragonflies above water lilies and pads, printed mark alongside painted TM.0.9, diameter 41cm.

Tony Morris - Poole Studio - A large later 20th Century pottery charger decorated with a central abstract flower head motif in orange and red with copper green linework against a purple and red ground, printed mark alongside painted TM.A16., diameter 40.5cm.

Tony Morris - Poole Studio - A large later 20th Century pottery charger decorated with two curled fish in bright orange and red against a blue ground, printed mark alongside painted TM.1999, diameter 35cm.

Tony Morris - Poole Studio - A large later 20th Century pottery charger decorated with a large central butterfly against a patterned ground in bright orange and yellow with copper green oxides, printed mark alongside painted TM.L.56., diameter 35cm.

Tony Morris - Poole Studio - A large later 20th Century pottery charger decorated with two green man type mythical creatures in tones of blue and green, printed mark alongside painted TM.H29, retains original box, diameter 41.5cm.

Large group of federal duck stamps, together with prints of the designs of the duck stamps. Includes two books: "Duck Stamps and Prints: The Complete Federal and State Editions," New York: Park Lane, 1988; and "White Ace United States Migratory-Bird Hunting Stamp Album," Newark: The Washington Press. Includes works by artists Maynard Reese, Les Kouba, Francis L. Jacques, Roger Preuss, Edward J. Bierly, Edward A. Morris, John H. Dick, Jackson M. Abbott, and others.Height: 14 1/4 in in x width: 11 1/4 in x depth: 1 in.

LOUIS COMFORT TIFFANY (United States, 1848 - 1933).Art Nouveau vase, 1906.Favrile iridescent blown glass. Inscribed "Favrile".Signed "L.C.T, 1906, n.9606".Measurements: 11,5 cm (height) x 9 cm (diameter).This vase is made of Favrile glass, a type of glass patented by Tiffany in 1892. As we can see, Favrile glass has a peculiar characteristic that is common to some antique Classical glass: it has a surface iridescence. This iridescence causes the surface to shine, but also causes a degree of opacity. This iridescent effect of the glass was obtained by mixing different colours of glass together while it was hot.Louis Comfort Tiffany was the American artist and industrial designer most associated with the Art Nouveau movement. He was a painter, interior decorator, designer of stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery and metalwork. Louis attended Eagleswood Military Academy in Perth Amboy, New Jersey. His early artistic training was as a painter, studying with George Inness and Samuel Coleman in New York City and with Leon Bailly in Paris. In about 1875 he became interested in glassmaking and worked in various glassworks in Brooklyn. In 1879 he partnered with Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artist. Tiffany's leadership and talent, along with his father's connections and financial resources, made the business a success. Tiffany's desire to concentrate on glass as an artistic element led to the dissolution of the company in 1885, when he chose to establish his own glass-making firm. The first Tiffany Glass Company was incorporated on 1 December 1885, and in 1900 it became known as Tiffany Studios. In his factory he used opaque glass in a variety of colours and textures to create a unique style of stained glass, which contrasted with the method of transparent painted or enamelled glass that had been the dominant methods of stained glass making for hundreds of years in Europe. The use of coloured glass for stained glass was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Artist and glassmaker John La Farge was Tiffany's main competitor in this new American style of stained glass. Both had learned their craft in the same Brooking glassworks in the late 1870s. In 1893 Tiffany built a new factory, called Tiffany Glass Furnaces, located in Corona Queens, New York. That same year his new company introduced the term favrile in conjunction with its first production of blown glass. Early examples of his lamps were exhibited at the Chicago World's Fair in 1893, and he registered the term favrile on 13 November 1894. He then extended the use of this term to his entire production of glass, enamel and ceramics. The first commercially produced lamps date from around 1895. Much of his company's production was the manufacture of stained glass for windows and the creation of lamps, although his company designed a complete range of decorative objects for interiors. At its peak, his factory employed more than 300 craftsmen. Tiffany used all his skills to design his own house in Oyster Bay, New York, Long Island, which had 84 rooms and was completed in 1904. It was later donated to his foundation for art students, along with 243,000 m² of land, but was destroyed by fire in 1957. Tiffany maintained a close relationship with the family-owned Tiffany Company. Many of the products he produced were sold there. After his father's death in 1902 he became Artistic Director of Tiffany & Co. Tiffany Studios remained in business until 1928.

Of circular form with dome lid having a pineapple and acanthus leaf finial, painted with brightly coloured sprays of flowers by Henry Morris, SWANSEA stencilled mark22cms diamprivate collection Neath-Port Talbot, bought from Bonhams 2009Condition report: Comments: cover repaired, hairline to base

Having an everted rim and tapering body to a narrow foot, the body applied with moulded beading and with eagle-head scroll handle, painted by Henry Morris with a wicker basket resting on a stone plinth, overflowing with a variety of colourful flowers, stencilled SWANSEA mark to base10.5cms highprivate collection Neath-Port Talbot, purchased at Bonhams auction 2002Condition report: Comments: faint hairline in body from handle, restoration to handle

comprising (1) Cardigan Priory in the Olden Days by Emily Pritchard (Olwen Powys), London, William Heinemann, 1904. 4to. Plates and large folding map of Cardiganshire. Very good copy in original cloth gilt1. (2) Sheriffs of Cardiganshire: From A.D. 1539 to A.D. 1868 by J. R. Phillips, with Genealogical and Historical Notes. Carmarthen 1868. Good copy in original cloth(3) Cardigan County History Volume 1: From the earliest times to the coming of the Normans by J L Davies, 1994. Large 4to. Colour frontis and many diagrams and illustrations. Mint copy in dust jacket.(4) Lewis Morris and the Cardiganshire Mines, by David Bick and Philip Wyn Davies, Aberystwyth. N.L.W. 1994. Small folio with large fold- out map, illustrations and diagrams. Fine copy in dust jacket(5) Historic Cardiganshire Homes, by Francis Jones, Brawdy Books 2000, Large 4to. Illustrated. Mint copy.The Jeff Towns Collection of Welsh related antiquarian books

(1) Celtic Remains, by Lewis Morris(2) The Elucidarium and other tracts in Welsh from Llyvyr agkyr Llandewivrevi A.D. 1346, by John Morris and Rhys John, (Jesus college ms. 119). Oxford 1894, 4to, In a modern cloth blue binding . Rare (3) The Itinerary in Wales of John Leland 1536-1539, by Lucy Toulmin Smith, London 1906. Small folio, Large fold-out map. Some Library marks but a good copy in faded original cloth.The Jeff Towns Collection of Welsh related antiquarian books

SPORT, complete (3), Sinclair Well Known Footballers (NE Counties), Morris Racing Greyhounds, Chums Football Teams, VG to EX, 95

MIXED, complete (8), inc. Players (4), Dogs (scenic), Gems of British Scenery, British Live Stock, Derby & Grand Nationals Winners; BAT Aeroplanes of To-Day, Morris Marvel of the Universe; Wills (2), Coaches & Coaching Days, Historic Events; part sets, miniature RP cinema etc., G to EX, 475*

CINEMA, overseas, part sets, inc. Wills, Famous Film Stars, standard (62) & large RP19); Hill, Morris, BAT etc., G to VG, 190*

MIXED, odds, smaller firms (L-Z), inc. Lea, Lloyd, Millhoff, Osborne, Sandorides, Mitchell, Murray, Morris 350*

POP MUSIC, signed photos, inc. Lennie Kravitz (8 x 10); Maxi Priest (2), Morris Day (all 6 x 8), EX, 4

Packet: six children's EP records in original sleeves comprising THE TALE OF BENJAMIN BUNNY, narrated by Vivien Leigh; ALISON UTTLEY: SAM PIG AND THE WATER BABY - LITTLE RED FOX AND THE MAGIC MOON, both narrated by David Davis; REV W AWDRY: EDWARD'S DAY OUT and EDWARD AND GORDON - THE SAD STORY OF HENRY AND EDWARD, GORDON AND HENRY, both narrated by Johnny Morris; S G HOLME BEAMAN: TEA FOR TWO, narrated by Redvers Kyle, (6)

WILLIAM MORRIS: THE DEFENCE OF GUENEVERE AND OTHER POEMS, ill Jessie Marion King, London and New York, John Lane, The Bodley Head, 1904 1st edition, 24 plates as list, inscription on ffep, original pictorial cloth gilt a little rubbed, teg, inner joint weak

λ John Duncan Ferguson (Scottish 1874-1961)Portrait of a lady in a hatPencil20 x 12cm (7¾ x 4½ in.)Provenance:The collection of Margaret Morris (1891-1980)Thence by descent to the present ownerCondition Report: Unexamined out of glazed frame. Light handling creases throughout. Puckering along the lower left edge. Light discolouration to the sheet most notable at the edges. Condition Report Disclaimer

λ John Duncan Ferguson (Scottish 1871-1961)The tennis playerPencil 20 x 12cm (7¾ x 4½ in.)Provenance:The collection of Margaret Morris (1891-1980)Thence by descent to the present ownerCondition Report: Unexamined out of glazed frame. Evidence of possible charcoal sketch to reverse of sheet which is slightly visible recto. Otherwise work appears to be in good original condition. Condition Report Disclaimer

A unique Poole Pottery faience architectural tile slab by Tony Morris originally mounted on the exterior of the pottery, rectangular form painted with abstract pattern in blue, unsigned, 60.5 x 30.5cm Literature Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 176 for the full panel illustrated. Catalogue notes This panel was one of forty tiles mounted on the exterior of the factory, thirty-two were mounted on the Fisherman's Road elevation, and a further eight in two columns around the corner, in 1963. It is believed this one comes from the latter eight panels and was purchased from the demolition company directly by the vendor.

A modern unique vase by Tony Morris, the vase hand-thrown by Alan White of flattened, swollen form, painted with a landscape of Guy Sydenham's garden at Portland, a large fruiting Medlar tree before dry-stone wall, the reverse with Church Ope cove, impressed AW mark, painted TM monogram and 20, 32cm. highCatalogue NotesThis vase was decorated after Tony Morris left Poole Pottery in 2000.

'Morris Angel' a Dennis China Works limited edition vase designed by Sally Tuffin after William Morris, dated 1997, swollen cylindrical form, tubeline decorated and painted in colours, a Dennis China Works feather vase produced for The National Portrait Gallery, a pair of Hummingbird vases, and a Birthday present plate impressed and painted marks, angel no.18, 24cm. high (5) Provenance Private collection of Dennis China Works.

'William De Morgan' a book by William Gaunt & M D E Clayton-Stamm, published by Studio Vista, 1971, and a collection of reference books and catalogues, comprising 'Glass A Contemporary Art' by Dan Klein, 'Art Deco & Other Figures' by Bryan Catley, 'Sevres' published by Lund Humphries, ' This Will be the Place' Cassina, 'Fallingwater by Edgar Kaufmann jnr, 'Sarah Morris Bye Bye Brazil', White Cube, and a set of 'Elton John' Auction catalogues Sotheby's, 1988, (8)

SIX MORRIS FURNITURE CO. DINING CHAIRS, TWO BEING CARVER

A CHROME AND RED MG MORRIS GARAGES SIGN 29CM X 17CM

In the manner of Morris & Co 'Sussex' chair, ebonised with rush seat, unmarked, 74cm high overallCondition report: Some old repairs to the stretchers. Overall wear and some marks, consistent with age and use. Some additional scuffs to the lower legs as expected.

Football, Johnny Morris and Jack Crompton signed 12x18 black and white photo. Picture shows Manchester United as they walk out to the 1948 FA Cup Final Vs Blackpool. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Johnny Morris, Jack Crompton and Johnny Anderson Man United 12x16 Coloured signed limited edition photo. Photos show FA Cup Winners Man United that beat Blackpool 4-2 at Wembley on the 24th April 1948. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Various pottery and effects, Victorian shoulder doll, Delft clog, various cut glass and enamel perfume bottles, Loetz style glass bowl, crested china, modern Dinky toys, Chinese Morris Minor Traveller, Clarice Cliff preserve jar and cover, silver plated ware, etc. (a quantity).

Two lengths of original William Morris Birds pattern woollen jacquard fabric, in shades of blue, green and a cream, the beads of the birds in pink, faded, (AF). Previously mounted as curtains. 190 x 123cm approx. See Parry (Linda) William Morris Textiles, New York 1994, P152. Designed for Kelmscott Manor, Oxfordshire.

GROUP OF SEVEN FAMILLE ROSE WARES 各色粉彩瓷器（一組七件） comprising: a 19th-20th century 'peony' teapot, the base inscribed with a four-character Tongzhi mark in iron-red; a 19th-century dish decorated with flowers and butterflies; a 19th-20th century dish decorated with peaches and flowers, the base inscribed with a four-character Tongzhi mark in iron-red; a late 18th-century circular dish decorated with figures, the base inscribed with a six-character Jiaqing mark in iron-red; two 18th-century teacups; and a small 19th-20th century 'Wushuang Pu' vase(largest: 15.5cm diameter)Provenance: From the collection of Arthur Halcrow Verstage Note: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.

COLLECTION OF TWELVE PRINTS BY VARIOUS ARTISTS EDO TO MEIJI PERIOD comprising ten oban tate-e prints, including one print by Utagawa Yoshikazu (active ca. 1850-70), published by Maruya Jinpachi; one print by Seiyosai Shunshi (active ca. 1820s), depicting The Actor Onoe Fujaku III as Kobayakawa Takakage; one triptych in a frame by Toyohara Kunichika (1835-1900); one harimaze sheet with three pictures; and one by Nansuitei Yoshiyuki (1835-1879), Tenman-gu Shrine in Sata Village (Sata-mura Tenman-gu), from the series One Hundred Views of Osaka (Naniwa hyakkei); one by Utagawa Yoshitsuna (active ca. 1848–1868), entitled At the Hour of the Horse on the 8th Day of the 5th Month, People Born in Earth and Water Signs Enter a Lucky Cycle (Gogatsu yôka uma no koku dosei suisei no hito uke ni iru): Actor Onoe Kikugorô IV (?) with Masks of Fukusuke and Fukujo, published by Kagaya Yasubei; one by GigadoAshiyuki (active ca. 1814–33), depicting The Actor Nakamura Utaemon III as Ishikawa Goemon, published by Shohonya Seishichi; one by Yasukawa Harusada I (1798–1849); and one by Kikukawa Eizan (1787-1867) etc.; and two surimono(largest: 37.2cm x 26.1cm)Provenance: From the collection of Arthur Halcrow Verstage Note: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.

KITAGAWA HIDEMARO (active 1801-1818) AND KITAGAWA TSUKIMARO (active 1794–1836) EDO PERIOD two oban tate-e prints; including one by Kitagawa Hidemaro entitled Kabukoro and Hanamurasaki, signed Hidemaro ga; and one by Kitagawa Tsukimaro from the series Flower Arrangements of Courtesans Blooming in the Four Seasons (Shiki saku yukun ikebana), signed Tsukimaro hitsu(34.1cm x 21cm and 33.5cm x 22.2cm)Provenance: From the collection of Arthur Halcrow Verstage Note: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.

UTAGAWA TOYOKUNI (1769-1825) EDO PERIOD comprising nine oban tate-e prints and one triptych print; including one Ichikawa Ebizô V as Daihanji no Kiyosumi; and one triptych prints in one frame entitled Noda-Tamagawa, Mutsu(largest: 37.5cm x 26.2cm)Provenance: From the collection of Arthur Halcrow Verstage Note: Arthur Halcrow Verstage (1875-1969) was an architect who spent much of his career in the public sector. He was a student at the Royal Academy School of Architecture in the 1900s and was elected as an Associate of the Royal Institute of British Architects in 1902. By 1903 he was a student and assistant at the Central School of Arts and Crafts (later known as the Central School of Art and Design) in London where William Lethaby was principal and a great influence on him. He then oversaw the design of the new school in Southampton Row from 1905-8. From here he became an architect for London County Council and was involved with many London societies, and as a founding member of the Kelmscott Fellowship, a forerunner to The William Morris Society. His large and varied collection was a reflection of his wide interest in the arts. His archive was purchased by The William Morris Society in 2005.

B Morris & Sons Ltd Treasure Island 1924 set 13/13 cards VGC

B Morris & Sons Ltd Measurements of the 1924 set 50/50 cards VGC

Two albums of vintage bus tickets London Transport Buses, London Transport Country Buses, London Transport Coaches, day and weekly tickets (150+) and Bedfordshire County Council Roads Act 1920 Registration Book for a Mechanically Propelled Road Vehicle for a Morris Van, Green from 1928 and on

Morris Standard 8 Car Bonnet emblems (5) including: a chrome and enamel Standard 8 badge, two union jack mascot badges, a Morris 1500 mascot insert and a Standard 8 Bonnet mascot which needs some restoration. An excellent lot.

JOHN MORRIS (Irish b.1958), "On Inch Beach", oil on board, signed, inscribed to reverse and dated 2009, 18" x 18", framed (subject to Artists Resale Right) (Illustrated) (Est. plus 21% premium inc. VAT)Very good

JOHN MORRIS (Irish b.1958), "Summer Inch Beach", oil on board, signed, inscribed to reverse and dated 2009, 8" x 10", framed (subject to Artists Resale Right) (Est. plus 21% premium inc. VAT)Very good

Cast iron Morris wall plaque, W: 28 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Mali Morris RA Two Blues Acrylic and Collage on Cotton Rag Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mali Morris was born in North Wales in 1945 and studied Fine Art at the University of Newcastle upon Tyne (BA) and the University of Reading (MFA) during the 1960s. Her first major solo exhibitions were at the Serpentine Summer Show 3, London, 1977, and the Ikon Gallery, Birmingham, 1979. She has shown extensively since then in over thirty-five solo shows, and many group exhibitions: John Moores at the Walker in Liverpool, and in London at the Whitechapel Gallery, Serpentine Gallery, Hayward Gallery, and the Barbican, as well as a number overseas. Her most recent solo show was Royal Academy, London, 2019. In March 2010 she was elected as a Member of the Royal Academy of Arts, and from Oct 2019 - Oct 2020 was Professor of Painting at RA Schools. She takes part annually in the Royal Academy Summer Exhibitions, London. She will have a retrospective of her prints in the Sir Hugh Casson Room for Friends, at RA Keeper's House, mid-Feb to end August 2022. Mali Morris has taught and examined at many Departments of Fine Art, including the Royal College of Art, Slade School of Art, University of Reading, Newcastle University and Chelsea College of Art and Design, University of the Arts, London, where she was Senior Lecturer in Painting from 1991-2005. Her work is in private and public collections worldwide, including the Arts Council England, British Council, Contemporary Arts Society, Government Art Collection, National Museum of Wales Cardiff, Pallant House, Royal Collection, and the Whitworth Art Gallery, Manchester. She chaired the selection panel for Jerwood Contemporary Painters in 2009, and was a Selector/Mentor for Jerwood Painting Fellowships, 2012-13, and in 2014 she was a Selector for John Moores Painting Prize China, in Shanghai. She is a founder-member of the artist-led charity Art in Perpetuity Trust (A.P.T) and was a Trustee of Poetry London, 2013 - 2019. She is a mentor on the APT/Fenton Award for emerging artists, 2021-22. In December 2021 she was nominated and shortlisted for the David and Yuko Juda Art Foundation Award.   Gallery Representation Shows in various galleries, including annually at Royal Academy of Arts, London   Statement about AOAP Submitted Artwork Collage and acrylic paint on Indian paper.

Mali Morris RA Two Pinks Acrylic and Collage on Cotton Rag Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Mali Morris was born in North Wales in 1945 and studied Fine Art at the University of Newcastle upon Tyne (BA) and the University of Reading (MFA) during the 1960s. Her first major solo exhibitions were at the Serpentine Summer Show 3, London, 1977, and the Ikon Gallery, Birmingham, 1979. She has shown extensively since then in over thirty-five solo shows, and many group exhibitions: John Moores at the Walker in Liverpool, and in London at the Whitechapel Gallery, Serpentine Gallery, Hayward Gallery, and the Barbican, as well as a number overseas. Her most recent solo show was Royal Academy, London, 2019. In March 2010 she was elected as a Member of the Royal Academy of Arts, and from Oct 2019 - Oct 2020 was Professor of Painting at RA Schools. She takes part annually in the Royal Academy Summer Exhibitions, London. She will have a retrospective of her prints in the Sir Hugh Casson Room for Friends, at RA Keeper's House, mid-Feb to end August 2022. Mali Morris has taught and examined at many Departments of Fine Art, including the Royal College of Art, Slade School of Art, University of Reading, Newcastle University and Chelsea College of Art and Design, University of the Arts, London, where she was Senior Lecturer in Painting from 1991-2005. Her work is in private and public collections worldwide, including the Arts Council England, British Council, Contemporary Arts Society, Government Art Collection, National Museum of Wales Cardiff, Pallant House, Royal Collection, and the Whitworth Art Gallery, Manchester. She chaired the selection panel for Jerwood Contemporary Painters in 2009, and was a Selector/Mentor for Jerwood Painting Fellowships, 2012-13, and in 2014 she was a Selector for John Moores Painting Prize China, in Shanghai. She is a founder-member of the artist-led charity Art in Perpetuity Trust (A.P.T) and was a Trustee of Poetry London, 2013 - 2019. She is a mentor on the APT/Fenton Award for emerging artists, 2021-22. In December 2021 she was nominated and shortlisted for the David and Yuko Juda Art Foundation Award.   Gallery Representation Shows in various galleries, including annually at Royal Academy of Arts, London   Statement about AOAP Submitted Artwork Collage and acrylic paint on Indian paper.

Carrie Reichardt Untitled Ceramic Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Carrie Reichardt's ancestry can be traced back through a long line of aristocratic eccentrics. Her grandfather, Joseph Reichardt owned estates in the Austrian Empire and was known as The Camel Hair King of America after making a fortune shipping camel hair wool from Persia via his offices in New York. He worked for the Tsar of Russia during World War I and was awarded the title of Count before fleeing the Russian Revolution. Count Reichardt was bankrupted after losing the cutting rights to all the trees on the Caspian Sea. He moved to England with three sons. The eldest became a Nuclear Scientist. The youngest was Tony Reichardt, who prospered as an influential dealer in Modern Art in post-war London and was close friends with Francis Bacon. The second son was Carrie Reichardt's father Roland, who became a Rigsbyesque property landlord as well as being a faith healer with a keen interest in erotica. Carrie Reichardt gained a First Class degree in Fine Art at Leeds University and has had a career spanning many media, including film, performance and sculpture. She is perhaps best known as a ceramicist and mosaicist, working internationally on large scale public murals. A renegade who is revered in anti-establishment circles, Reichardt's preoccupation with seditious ceramics places her within an artistic tradition extending back to William Morris. She creates anarchic artworks where vintage floral, kitsch, royal and religious crockery is given a new twist by re-firing with layers of new ceramic decals They are modified in a "radical use of traditional things" and often adorned with skulls, cheeky slogans and political statements. Her first solo exhibition, entitled "Mad in England", provided an exploration of this theme, which she has continued to pursue in subsequent work. Carrie Reichardt has spoken publicly about the use of craft and art as protest and her skills have been put to good use as a vehicle for her own political activism, most notably her campaigning for prisoners on Death Row and her involvement with the fight to gain justice for the Angola 3. Despite having a rebellious streak, it is testament to her talent and vivacious personality that Reichardt was awarded the Winston Churchill Travelling Fellowship in 2013, enabling her to work with local communities in Chile and Mexico. Carrie Reichardt has been an outspoken advocate for using Art as a form of personal therapy and "Mad In England" is a perfect back stamp for her work. It is fitting that her house and studio in Chiswick is famously called The Treatment Rooms.

Carrie Reichardt Untitled Ceramic on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Carrie Reichardt's ancestry can be traced back through a long line of aristocratic eccentrics. Her grandfather, Joseph Reichardt owned estates in the Austrian Empire and was known as The Camel Hair King of America after making a fortune shipping camel hair wool from Persia via his offices in New York. He worked for the Tsar of Russia during World War I and was awarded the title of Count before fleeing the Russian Revolution. Count Reichardt was bankrupted after losing the cutting rights to all the trees on the Caspian Sea. He moved to England with three sons. The eldest became a Nuclear Scientist. The youngest was Tony Reichardt, who prospered as an influential dealer in Modern Art in post-war London and was close friends with Francis Bacon. The second son was Carrie Reichardt's father Roland, who became a Rigsbyesque property landlord as well as being a faith healer with a keen interest in erotica. Carrie Reichardt gained a First Class degree in Fine Art at Leeds University and has had a career spanning many media, including film, performance and sculpture. She is perhaps best known as a ceramicist and mosaicist, working internationally on large scale public murals. A renegade who is revered in anti-establishment circles, Reichardt's preoccupation with seditious ceramics places her within an artistic tradition extending back to William Morris. She creates anarchic artworks where vintage floral, kitsch, royal and religious crockery is given a new twist by re-firing with layers of new ceramic decals They are modified in a "radical use of traditional things" and often adorned with skulls, cheeky slogans and political statements. Her first solo exhibition, entitled "Mad in England", provided an exploration of this theme, which she has continued to pursue in subsequent work. Carrie Reichardt has spoken publicly about the use of craft and art as protest and her skills have been put to good use as a vehicle for her own political activism, most notably her campaigning for prisoners on Death Row and her involvement with the fight to gain justice for the Angola 3. Despite having a rebellious streak, it is testament to her talent and vivacious personality that Reichardt was awarded the Winston Churchill Travelling Fellowship in 2013, enabling her to work with local communities in Chile and Mexico. Carrie Reichardt has been an outspoken advocate for using Art as a form of personal therapy and "Mad In England" is a perfect back stamp for her work. It is fitting that her house and studio in Chiswick is famously called The Treatment Rooms.