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Heri Dono Petruk as a Clown, 2020 Acrylic and Chinese Ink on Paper Signed recto 10 x 15cm (3¾ x 5¾ in.) Heri Dono is a contemporary Indonesian artist known for his inventive mélange of traditional folk art with contemporary imagery. Throughout his practice, he combines diverse source material such as wayang kulit (shadow puppets), Western pop culture, and socio-political issues in paintings and installations. Born on June 12, 1960 in Jakarta, Indonesia, Dono went on to study at the Indonesian Art Institute in Yogyakarta. His works seek to disrupt and contradict the mainstream narratives of Western art and its control over international art practices. Dono represented Indonesia in the 56th Venice Biennale in 2015 and his works are in the collections of the Deutsche Guggenheim in Frankfurt, the Fukuoka Art Museum in Japan, the Singapore Art Museum, the National Gallery of Australia in Canberra, and the Tropen museum in Amsterdam, among others. He lives and works in Yogyakarta, Indonesia. I create works by combining concepts of Animism and Animated Cartoons. All the most impossible possibilities of life in this world can be illustrated in a work of art."Semar as an Angel" depicts the story of a Semar figure in Java who is actually a godnamed Ismoyo. He incarnates as a human figure and acts as a clown. He criticized the royal officials in the kingdom and sided with the people (wong alit)."Petruk as a Clown" tells the story of Semar's brother in the Punakawan group. One day he became a king and brought humour to the Kingdom. In fact, his position was not that of a statesman."Chatting about Pandemic", is about the current situation where there is an epidemic that does not provide certainty of life. In contemplation we realize that the certainty of life is the uncertainty itself."A Security of Life" illustrates a superhero who doesn't know how to wear underwear. He wears it after wearing trousers. He doesn't realize that his genital is not covered Yogyakarta, Indonesia, 15 October 2020  

Bao Ho Midsummer, 2020 Watercolour on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.) Bao Ho is a self-taught artist born and based in Hong Kong who specializes in freestyle murals and illustrations. She started her career in 2015 and has collaborated with various international brands. Bao has travelled and worked on projects in all corners of the globe including Australia, Switzerland, UK, France, Taiwan, Mainland China, Japan, Indonesia, Italy and Czech Republic.

Bao Ho Winter, 2020 Watercolour and Marker on Paper Signed recto 15 x 10cm (5¾ x 3¾ in.) Bao Ho is a self-taught artist born and based in Hong Kong who specializes in freestyle murals and illustrations. She started her career in 2015 and has collaborated with various international brands. Bao has travelled and worked on projects in all corners of the globe including Australia, Switzerland, UK, France, Taiwan, Mainland China, Japan, Indonesia, Italy and Czech Republic.

Bao Ho Mountain, 2020 Watercolour on paper Signed recto 10 x 15cm (3¾ x 5¾ in.) Bao Ho is a self-taught artist born and based in Hong Kong who specializes in freestyle murals and illustrations. She started her career in 2015 and has collaborated with various international brands. Bao has travelled and worked on projects in all corners of the globe including Australia, Switzerland, UK, France, Taiwan, Mainland China, Japan, Indonesia, Italy and Czech Republic.

A JAVANESE TERRACOTTA CORNER ANTEFIX, INDONESIA, CIRCA 10TH CENTURY in the form of a kirtimukha mask, with fierce expression, bulging eyes and flaming hair 20 x 20 x 18cm approx. Provenance: Private Collection, London

A COTTON WARP IKAT, SAVU OR ROTI ISLAND, INDONESIA, FIRST HALF 20TH CENTURY of rectangular form, composed of two pieces stitched together and then sewn again into a 'tube', decorated with stylised foliate horizontal bands on blue-black ground 165 x 59cm (half width, laid flat) Provenance: Private Collection, London For a note on Roti ikats, see Jack Lenor Larsen, 'The Dyer's Art: Ikat, Batik, Plangi', New York, 1976.

Tribal Art - an Asmat wooden shield, carved and painted in black, white and earth pigments with geometric motifs, central ridge with pierced handle, the borders applied with fibre pendants, 138cm high, 40cm wide, Irian Jaya, West Papua, Indonesia

Tribal Art - an Asmat rectangular panel, carved and decorated in earth and white pigments with spirits, 113.5cm x 64.5cm wide, Irian Jaya, West Papua, Indonesia

An Italian 14ct gold cherub pendant locket and necklace. The necklace strung with a locket pendant having cherub adorned centre. Set to a fine link chain.  Marked 14K RCI Indonesia. Total weight 14.34g / Length 16"

Megalodon Shark Tooth. This orangish tan Meg tooth has very nice and nearly complete root. Serrations are almost complete. The bourlette is Approx. 75 percent complete. This meg is from West Java Indonesia. Bought directly from the miner that found the tooth. No signs of repair or restoration to this piece. 1.75 inch Shark Tooth for size comparison does not come with this lot.Size: 4.75 x 4.25 in. (#57) "Megalodon" literally "Large Tooth" is a name befitting of the gargantuan prehistoric marine predator. Estimated to have grown to as long as 18 metres (over three times that of the average modern Great White Shark), the Megalodon was the largest shark to have ever existed. It is thought to have had a more stunted jaw and deeper-set eyes than a Great White, with long pectoral fins to offset its bulk. Despite their purported size, no complete fossil skeleton of this extinct species has yet been discovered. Rather, the primary source of information comes from the survival of their fossilized teeth. A fully-grown adult would have had over 250 such teeth at any one time. The tooth of a Megalodon is immediately identifiable by its broad triangular shape with serrated edges, running atop a thick bifurcated root. Particularly fine specimens such as the present selection have been discovered at the bottom of saltwater creeks across North America. Elsewhere, teeth or dental fragments have been found lodged within fossilized whale bones together with vicious bite marks; a lasting testament to the deadly capability of the Megalodon even against the largest of prey. Contrary to the popular conception of the Megalodon as a deep-sea monster, their evolution was actually developed to survive and thrive best in warmer, subtropical waters. For approximately 20 million years the Megalodon roamed the waters of every continent except for Antarctica. This reign finally came to end around 3.6 million years ago, with the period global cooling experienced during the Pilocene era. As a result, much of their habitat was lost to dangerously low temperatures, which in turn led to insufficient fish in the food chain below. With the species now extinct and skeletal remains exceptionally rare or undiscovered altogether, the present group of Megalodon teeth are highly decorative reminders of one of the largest and most dangerous marine creatures ever to have lived.

Portrait of a Balinese young woman, texturized and impasto oil on board, signed upper left: Wolff Sch. Lot includes book on the life and work of C.P. Wolff Schoemaker, entitled Tropical Modernity, by C.J. Van Dullemen. Charles Prosper Wolff Schoemaker was a Dutch architect who designed several distinguished Art Deco buildings in Bandung, Indonesia, including the Villa Isola and Hotel Preanger. He has been described as "the Frank Lloyd Wright of Indonesia," and Wright had a considerable influence on Schoemaker's modernist designs. Although he was primarily known as an architect, he was also a painter and sculptor. Schoemaker was born on Java in a Catholic military family. After training in the Netherlands at the Royal Military Academy, he returned to the Dutch East Indies in 1905, where he worked his way up from officer in the Royal Dutch East Indies Army to director of municipal public works in Batavia. He was converted to Islam and set up an architectural and engineering practice with his brother. After the closing down of the firm he rose to become a valued professor at the Technical University and a famous artist. Schoemaker’s love life with five successive marriages was as non-conformist as that of his student and lifelong friend, Sukarno, the first president of Indonesia. This friendship led to Schoemakers later exclusion by the Indo-European community after the Japanese occupation. He died in the year of Indonesia‘s independence. Overall size: 21 x 15 in. Sight size: 14 1/2 x9 1/4 in.

AN IMPORTANT FANCY PINK DIAMOND AND DIAMOND RING, BY MEISTER, CIRCA 1968The Fancy Pink step-cut diamond, weighing 3.62 carats, between radiating tapered baguette-cut diamond shoulders, unsigned, ring size PFootnotes:Property of an International Collector.Accompanied by a handwritten description of the ring from Meister, dated 16th January 1968, stating the weight as 3.61 carats and describing the diamond as an 'unusual fine pink colour pure stone without flaws'.Accompanied by a report from the GIA stating that the diamond is natural Fancy Pink colour and VS1, Potential clarity. Report number 2195752073, dated 24th September 2020.Accompanied by a report from the GIA stating that the diamond is natural Fancy Pink colour and VS1, Potential clarity. Report number 2195752073, dated 25th October 2018.Pink diamonds are exceedingly rare in nature. It is estimated that only one in 10,000 gem quality diamonds produced in the world show noticeable colour and of these, a similarly small percentage are pink, the majority under 2.00 carats in size. How they occur is romantically enigmatic; unlike most other coloured diamonds, their colour is caused not by trace elements in their chemical composition but by a lucky miracle of nature, a distortion within their atomic lattice caused by the pressure exerted on them during their formation.Throughout millennia of diamond mining, pink diamonds have been unearthed only occasionally, historically in India and later in Brazil, Indonesia and South Africa. The best specimens have been kept as treasures in the collections of royalty, rulers and museums, sought after and celebrated for their elusive beauty. Traditionally considered a gemmological curiosity, the last 50 years have seen a great shift in perception.In the late 1970s, pink diamond-bearing lamproite rock was discovered at the Argyle mine in East Kimberley, Western Australia producing a limited but steady number of small fine quality pink and red diamonds each year. The mine quickly became recognised as the only consistent source in the world. This small but regular supply, alongside informative marketing campaigns, piqued industry and public interest in pink diamonds and the rarity of coloured diamonds. The last few decades have seen the value of fine coloured diamonds increase exponentially. With the Argyle mine forecast to cease operations by 2020, the future of pink diamond mining is uncertain as there are no other known mines with such a consistent production; pink diamonds may become increasingly rare.This beautiful stone possesses an exceptional combination of characteristics. The Gemological Institute of America has graded it as Fancy Pink colour and VS1 clarity, improvable to potentially flawless. It is extremely unusual to find a pure pink diamond, of a high clarity grade and no secondary modifying component colours. Bonhams is delighted to offer such an important pink diamond for sale.For further information on this lot please visit Bonhams.com

Indonesia, teak and coromandel wood colonial chest with brass handle and openworked decoration. 99 x 56 and h. 43

Bali, Klung Klung, gold and metal ceremonial priest lidded beaker, Sangku, 19th century the embossed lid inlayed with semi-precious stones. Provenance: Haji Syam Sudin, Makassar. For a similar example see 'Court Arts of Indonesia', fig. 59, no. 149. l. 12 cm 1

Indonesia, Java, two hammock hooks, late 19th century with polychrome portrets of Devi Sri and Sadono. h. 31 cm. [2]

Indonesia, Sumatra, South Nias, pair of 9 carat golden ear pendants, ca 1900 for royal men, ‘fondruru (fondulu) ana’a l. 5,5 and w. 6,5 cm., Weight 33,5 gram, 20-23 crt ref: Volkenkundig Museum Nusantara Nias, Tribal Treasure, pag. 106 Provenance: private German collection [2]

Indonesia, chest with drawers and a mirror on stand, richly decorated panels for Chinese clientele h. 120 x 52 cm [1]

Indonesia, Sumba, Ikat with traditional geometrical design and mythical animals, two mirrored parts, fringes l. 224 and w. 115 cm. [1]

Indonesia, Moluccas, Seram, Nwalu, of slight hour glass shape, 19th century three ribs dividing four vertical planes, set with shell and mother-of-pearl, in the central two, vertical planes six holes are drilled with remains of rattan h. 126 cm. [1]

Collection of 5 books Indonesia and Oceania, English and Dutch [5]

Budaya-Indonesia Arts and crafts in Indonesia, Tropenmuseum Amsterdam and Oceanië, History and Culture, Amsterdam. Dutch [2]

Indonesia, Sumba, Ikat with two facing lions, the cadre topped by a crown in two mirrored parts, with fringes l. 234 and w. 117 [1]

Indonesia, large antique bronze gong with carved wooden stand, 20th century [1]

Indonesia, Java-Sumatra, four ceremonial lances, ca. 1900 two with sheaths, one wood, the other incited silver, metal collars of which three with decorated silver collars, one copper collar, al four pamor iron blades. Private Dutch collection. l. 155-194 cm. [4]

Indonesia, Moluccas, Halmahera, two parry shields, both with mother-of-pearl inlay, one with shell one upper right some damage, the other some missing inlay l. 87 and 88 cm. [2]

Indonesia, Sumba, ikat with boxed and crowned lions, topped with tricolore motivs, fringes l. 228 and w. 132 cm [1]

Indonesia, Eastern Java, demon-face clack mask [1]

Indonesia, three spears-lances, ca. 1900 with worked iron blades, two with plantfiber bindings and one with four carved faces in the upper wooden shaft. Private Dutch collection. h. 180,5 - 219 [3]

Southeast Asia, collection of circa twenty pieces of textile ikat, batik, embroidery Indonesia, India, China a.o. [1]

Indonesia, East Sulawesi or North Halmahera, rare ceremonial shield of hourglass shape, 19th century, carved in relief with floral motifs in four panels on both sides of the central stud, the outer rattan strip with remains of tufts of animal or human hair h. 118 cm. [1]

Indonesia, Java, fine openworked wooden panel, ca. 1900, with intricate floral patterns and remnants of red paint and gilding. Probably a panel for a Kraton. [1]

Indonesia, Sulawesi, three tapa bark cloth fragments with geometrical design l. 41-130 cm. [1]

Lukasz Fabianski Arsenal FC 2013 Asia Tour No.21 black goalkeeping spare jersey v Indonesia Dream Team, played in Jakarta on 14th July,long sleeved with ARSENAL ASIA TOUR JAKARTA 2013 badges, reverse lettered FABIANSKI Arsenal defeated Indonesia 7-0.

Original vintage advertising poster for an Indian brand of fireworks Sri Kaliswari Fireworks. Colourful design featuring deity Ganesha. Sri Kaliswari Fireworks Private Limited, Sivakasi is one of the leading manufacturers of fire works in India. Established in 1923 by Sri. A. Shunmuga Nadar, the company manufactures "Cock" brand Fireworks of different varieties such as Sparklers, Crackers, Ground Wheels, Pin Wheels, Flower Pots, Rockets, Fancy and Novelty items. The company started with the production of Safety Matches, later expanding into Colour Matches and entering production of fireworks with manufacture of Sparklers. The company were pioneers bringing fireworks to the Indian Nation. Today, they have as many as twenty five factories employing 9,000 workers. Thei products are manufactured with Pyrotechnic Aluminium Powder Combination as well as Black Powder Combination. Ganesha, or Ganesh, also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India, Nepal, Sri Lanka, Thailand, Bali (Indonesia) and Bangladesh and in countries with large ethnic Indian populations including Fiji, Mauritius and Trinidad and Tobago. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists. Good condition, folds, creasing, tears. Country of issue: India, designer: Ravi, size (cm): 75x51, year of printing: 1970s

Original vintage advertising poster for an Indian brand of fireworks Sri Kaliswari Fireworks. Colourful design featuring deities Vishnu and Ganesha. Sri Kaliswari Fireworks Private Limited, Sivakasi is one of the leading manufacturers of fire works in India. Established in 1923 by Sri. A. Shunmuga Nadar, the company manufactures "Cock" brand Fireworks of different varieties such as Sparklers, Crackers, Ground Wheels, Pin Wheels, Flower Pots, Rockets, Fancy and Novelty items. The company started with the production of Safety Matches, later expanding into Colour Matches and entering production of fireworks with manufacture of Sparklers. The company were pioneers bringing fireworks to the Indian Nation. Today, they have as many as twenty five factories employing 9,000 workers. Their products are manufactured with Pyrotechnic Aluminium Powder Combination as well as Black Powder Combination. Vishnu is one of the principal deities of Hinduism. The "preserver" in the Hindu triad (Trimurti), Vishnu is revered as the supreme being in Vaishnavism as identical to the metaphysical concept of Brahman (Atman, the self, or unchanging ultimate reality), and is notable for adopting various incarnations (such avatars as Rama and Krishna) to preserve and protect dharmic principles whenever the world is threatened with evil, chaos, and destructive forces. In the Smarta Tradition of Hinduism, Vishnu is also one of the five equivalent deities worshipped in Panchayatana puja. Ganesha, or Ganesh, also known as Ganapati and Vinayaka, is one of the best-known and most worshipped deities in the Hindu pantheon. His image is found throughout India, Nepal, Sri Lanka, Thailand, Bali (Indonesia) and Bangladesh and in countries with large ethnic Indian populations including Fiji, Mauritius and Trinidad and Tobago. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists. Good condition, folds, creasing, tears. Country of issue: India, designer: Ravi, size (cm): 75x51, year of printing: 1970s

Indonesia.- Marsden (William) The History of Sumatra, containing an Account of the Government, Laws, Customs, and Manners of the Native Inhabitants ..., first edition, folding engraved map frontispiece, tear, expertly repaired, 1 plate, previous owner's ink inscription to title and front pastedown, occasional marginal spotting and staining, contemporary calf, rebacked, a little rubbed, slight bumping to corners, 4to, 1783.

with two golden pearls 12 and 10.9mm in diameter of strong and natural colour forming the head and body, the yellow metal embellishments tested as 18ct gold, as does the unmarked yellow cable wire terminating in a bolt ring catch and also a push-through silicone fastening to allow for the removal of the pendant, overall length 44cm, height of the snowman including the pendant loop 3cm, gross weight 7gFootnote: Pearls from the Pinctada Maxima oysters and especially the gold lipped variety are mainly produced in Oceania and produce one pearl per oyster every 1-2 years, with a size range typically from 8 to 14mm. These wild oysters are found in Indonesia, Papua New Guinea, The Philippines, and Vietnam. With a superlative nacre quality, including high transparency and colour overtone known as 'orient', these pearls produce cream, yellow, white and natural gold colour pearls.

seventy seven pearls, with a central pearl of 13mm graduating to 9.2mm, of natural colour in delicate shades of grey, pink, gold, white and peach, originating from Australian South Seas, Indonesian South Seas and Tahitian South Seas together with Edison Freshwater and all of exceptional lustre, strung knotted on silk to a rose coloured ball clasp, stamped '750', overall length 89cm, weight 133gFootnote: The rare and large Australian and Indonesian South Sea pearls are native to the deep offshore waters of Australia, Myanmar, Indonesia and the islands of the South Pacific. Their parent oyster, Pinctada Maxima, is the world's largest oyster and can grow up to 30cm in diameter. These pearls are rare due to the length of time they take to grow and the costly methods employed for their recovery at harvest time and as a result, South Seas pearls tend also to be the most expensive of pearls. Edison pearls are cultivated in only a few freshwater pearl farms in China, and are nucleated with just one bead at a time, allowing the creature to direct all of its attention to producing just one pearl. They are known for their intense, almost metallic lustre with sizes averaging between 11 to 14mm.

A vintage 20th century Sounder Ibanez GSR 200 bass guitar serial No 90736 Made In Indonesia with chrome tuning pegs, black head, wooden neck, mother of pearl inlays and metallic red cherry body. 113cm high x 35cm wide.

Six silver encapsulated collectors' coins to include 2.50 Deux Zaires Cinquante Makuta 1975, Hashemite Kingdom of Jordon 1977 2.5 dinars, a 25 torpor coin, Malaysia 1976 15 Ringgit, Bank Indonesia 1974 Rp 2000, Tanzania 1974 25 and a reproduction 1766 German coin (7).

Bronze figure of Tara Indonesia, Java, Eastern Javanese Period in the style of 10th/11th Century 15cm high x 8cm wide See: The Lotus Transcendent, the Samuel Eilenberg collection, The Metropolitan Museum of Art, New York, 1991 p. 196-203 for examples of similar style and date

STAMPS FAR EAST, box with collections on album pages, in packets & stockcards etc. Inc Korea, Vietnam, Thailand, Laos, Indonesia, Mongolia, Philippines, plus a bag of China revenues on piece. (many 100s)

Ɵ Qur'an al-Karim, in Arabic, decorated manuscript on paper [Indonesia, late eighteenth century]single volume, 330 leaves, complete, single column, 15 lines sepia naskh, vocalisation in back with some diacritics in red, first, central and final facing leaves of text with elaborately decorated red and black decorative borders, formed of arabesque shapes extending outwards around the text boxes, verses marked with gilt dots outlined in black, leaves ruled in red and black, some very faint water-staining and scattered spotting or small stains, overall very presentable, contemporary folded piece of paper with du'a loosely inserted (folded in shape resembling pointer or paper aeroplane), 295 by 195 mm.; contemporary limp leather binding with flap extending from the right-hand side, covers and flap stamped with central and corner-pieces, and double-ruled with lines and 'sss' shapes border, all in blind, some small worm-holes and a little rubbed, overall attractive bindingA fine example of an early South-East Asian Qur'an, present in a contemporary binding (bound with the flap unusually on the right-hand side). Qur'ans from this region are uncommon to the market and the watermarks throughout this copy are of the "Pro Patria" paper-stock, most comparable to Churchill's no. 136 and 136 (Watermarks in Paper, Amsterdam 1935), which was widely circulated for the continental market in the late eighteenth century, firmly placing the copying of this example in the (likely late) eighteenth century.Only three comparable examples have appeared at auction in the last decade, all of which included the three double-page decorations (to the front, middle and end of the volumes) and were all copied on western watermarked paper. Christie's sold a copy on the 4 October 2012 (lot 285) that was described as "late 18th or early 19th century" and on European watermarked paper (although the specifics were not identified), then Bonhams sold a similar example on the 8 April 2014 (lot 16) that was also described as "late 18th or early 19th century" that endorsed "European watermarked paper (probably Dutch, bearing a coat of arms and the letters P V H)". Most recently Sotheby's sold a fine example that was dated 1315 AH (1897-98 AD) which was produced on Galvani Italian watermarked paper, this realising a staggering £30,000 hammer against a pre-sales estimate of £3,000-5,000. 

Sculptural earthenware Buddha or Sumo type figure signed as 1958 and Indonesia under base

An oak-framed impasto-style oil on panel study of a tree with vibrant-red leaves behind a wall, a mountain to the left-hand background, indistinctly signed and dated lower left, labels verso indicating property of Miss G. M. W. Erlee, Orange Hotel, Padang (Padang is off the west coast of Sumatra, Indonesia) (30cm x 40cm) Image of signature and verso now included.

A warp Ikat cotton weaving, Sumatra, Indonesia, decorated with a figure holding an umbrella and a stylised elephant, 276 x 108cm.

A ceremonial warp Ikat cotton weaving, Sa'dan, Toraja, Sulawesi, Indonesia, 148 x 128cm.Condition report: No real damage or areas of concern, some small pulled threads and stitching but otherwise in good condition.

A large cotton warp Ikat blanket, Sumba, Eastern Indonesia, with receipt of purchase in 2003 at 'Made Rach Art Galleries, Jakarta Barat', decorated with crocodiles, birds and crabs etc, 256 x 120cm.

A Ceremonial Ikat jacket, Bengkula, Sumatra, Indonesia, with gold thread weaving and couched cowrie shells and mica mirrors, length 37cm, width including sleeves 144cm, complete with wooden display stand, height 71cm and receipt of purchase in 2006 at 'Made Rach Art Galleries, Jakarta Barat',

Tribal Art - an Asmat rectangular panel, carved and decorated in earth and white pigments with spirits, 113.5cm x 64.5cm wide, Irian Jaya, West Papua, Indonesia

Tribal Art - an Asmat wooden shield, carved and painted in black, white and earth pigments with geometric motifs, central ridge with pierced handle, the borders applied with fibre pendants, 138cm high, 40cm wide, Irian Jaya, West Papua, Indonesia

Indonesia, Laos, South America, etc. in album (approx 70)

Mongolia, Thailand, Vietnam, Curacao, Netherlands Indies, Indonesia & Surinam M or U collection in SG Devon album (1600+)

World stamps in albums, stockbooks, stockcards & loose, incl. Indonesia, Iran, Monaco, etc. (1000s)

Europe and World, a large collection of miscellaneous 20th century coins to include Malta 50 cents, Philippines pisos, Turkey lira, Indonesia rupiah, Poland zlotych, Malaysia sen and Jersey pennies etc.

A rare bronze southeast Asian bodhisattva . 18th cent. Or earlier. Probably Indonesia or Cambodia. Patina of bronze Is deep orange, due to age, with red, green and black inclusions. 2 of the right arms are missing. It seems, that there is an old repair and soldering under the knees. size 26x7.3 cm

Diary containing numerous postcards and photographs detailing the journey back from South East Asia to the UK immediately prior to the Japanese invasion of Malaya. Containing a large number of real photographic postcards from Malaya, Indonesia, East Africa and South Africa. Interesting lot detailing the journey by William Abraham and including a photograph of his father also called William Abraham who was an MP in Ireland in 1911.

Mark Richard Myers (American born 1945), watercolour, the clipper ship Taeping during the 1866 Great Tea Race in the Strait of Sunda Indonesia, signed with artist's label verso, 10" x 14.5", framedGood condition

Indonesia.- Stemfoort (J.W.) and J.J. Ten Siethoff. Atlas van Nederlandsch Oost-Indië, title with inset key map, 21 maps on 16 double-pages, lithographs printed in colours, each double-page approx. 650 x 910 mm (25 1/2 x 35 7/8 in), some scattered spotting, surface dirt, and minor browning throughout, original boards with printed title to upper cover, some losses, damp-stains and browning, rebacked, scuffed and worn, folio, Bij de Topogr. Inrichting te 's-Grav. gereproduceerd o.l.v. C.A. Eckstein. 's-Grav., Departement v. Koloniën, 1898-1907.

A mint and used Netherland Indies and Indonesia stamp collection in an Ace Astral album