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* SIAUW TIK KWIE (INDONESIAN 1915 - 1988), PHILOSOPHER AND OWL oil on canvas board, signed image size 57cm x 47cm, overall size 65cm x 55cm Framed. Label verso: John Mathieson & Co., Edinburgh. Note: Though Kwie was mainly a landscapist, he was also an accomplished figure artist. This unusual work was most likely commissioned by a Scottish visitor to Indonesia, which may explain the “westernised” signature variant and the Edinburgh framing.

* A dance mask polychrome painted and with natural hair to the upper lip and eyebrows, 16 x 15cm, together with one other similar example (lacking hair), Wayang Culture, Bali, Indonesia, early 20th century. (2)

* A carved wooden spirit figure, having traces of native soil and with dark patina, Java, Indonesia, late 19th/early 20th century, h.36cm.

A large stained softwood figure, carved as a male in standing pose with applied horsehair and woven skirt, Indonesia, 2nd half 20th century, h.106cm, together with a carved hardwood totem type mask, East Africa, 20th century, h.68cm. (2)

A large wood panel form alter piece, carved as a horned figure with arms crossed and further zoomorphic type figures below, Nias People, Nias Island, Indonesia, 2nd half 20th century, h.96cm.

Stamp stock books, country to include: Japan, Indonesia, Korea and other Asian countries.

Foreign banknotes various: countries to include: Falkland Islands, Canada, New Zealand, Japan, China, Ceylon, Pakistan, Mauritius, Hong Kong, Confederate states and United States of America, Russia, Indonesia, Cyprus, Malta, Gibraltar, British Armed Forces, South Africa, Singapore, Germany, Spain, Argentina, Turkey and others.

A large quantity of World stock albums, varying countries including Vatican and Indonesia, some Commonwealth.

A quantity of first day covers, foreign stamps from Hong Kong, North Vietnam, Indonesia and books about stamps etc.

Artist: Henri Cartier-Bresson (French, 1908 - 2004). Title: "Bali Nude, Indonesia". Medium: Original vintage photogravure. Date: Composed 1950. Printed 1953. Dimensions: Image size: 13 1/2 x 9 1/4 in. (343 x 235 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © Licensed by VAGA, New York, NY. [25499-3-300]

BOODLES: TWO-STONE FANCY COLOURED DIAMOND AND DIAMOND RINGThe cushion-shaped Fancy Purplish Pink diamond, weighing 2.52 carats, obliquely-set with an Ashoka-cut diamond, weighing 3.23 carats, in an 18 carat rose gold and platinum setting, each gallery with ribbon detail, pavé-set with brilliant-cut diamonds of pink and near colourless tint, signed Boodles, maker's B&D, London hallmark, ring size I, maker's caseFootnotes:Accompanied by a report from GIA stating that the cushion-shaped diamond, weighing 2.52 carats, is natural Fancy Purplish Pink colour, VS1 clarity. Report number 2135644037, dated 4th August 2011.Accompanied by a report from GIA stating that the Ashoka-cut diamond, weighing 3.23 carats, is D colour, VVS1 clarity. Report number 16255366, dated 14th July 2021.Accompanied by a report from GIA stating that the Ashoka-cut diamond, weighing 3.23 carats, is D colour, Internally Flawless clarity. Report number 16255366, dated 20th September 2007.Pink diamonds are exceedingly rare in nature. It is estimated that only one in 10,000 gem quality diamonds produced in the world show noticeable colour and of these, a similarly small percentage are pink, the majority under 2.00 carats in size. How they occur is romantically enigmatic; unlike most other coloured diamonds, their colour is caused not by trace elements in their chemical composition but by a lucky miracle of nature, a distortion within their atomic lattice caused by the pressure exerted on them during their formation.Throughout millennia of diamond mining, pink diamonds have been unearthed only occasionally, historically in India and later in Brazil, Indonesia and South Africa. The best specimens have been kept as treasures in the collections of royalty, rulers and museums, sought after and celebrated for their elusive beauty. Traditionally considered a gemmological curiosity, the last 50 years have seen a great shift in perception.In the late 1970s, pink diamond-bearing lamproite rock was discovered at the Argyle mine in East Kimberley, Western Australia producing a limited but steady number of small fine quality pink and red diamonds each year. The mine quickly became recognised as the only consistent source in the world. This small but regular supply, alongside informative marketing campaigns, piqued industry and public interest in pink diamonds and the rarity of coloured diamonds. The last few decades have seen the value of fine coloured diamonds increase exponentially. After nearly forty years of operation, the Argyle mine ceased production last year and since there are no other known mines with such a consistent production, pink diamonds are set to become increasingly rare. The Ashoka-cut lends its name, and was inspired by, the original Ashoka Diamond - a 41.37 carat, D colour, Flawless diamond - from the highly coveted Golconda mine in India. This original diamond was itself named after Ashoka the Great, who ruled in India during the 3rd Century BC. Ashoka the Great was known initially for his bloodthirsty military conquests, but legend has it after surveying the death and destruction his army had caused in capturing the region of Kalinga, his feeling of remorse was so severe he transformed his ways, becoming a pacifist and promoting the spread of Buddhism - believing the true path of enlightenment could only be achieved through tranquillity, hence the naming of the original diamond.Based on the Ashoka Diamond, New York diamantaire, William Goldberg, developed and patented the Ashoka-cut in 2000, and Boodles are the only British jeweller to offer Ashoka-cut diamonds in their collection. The Ashoka-cut displays an additional five facets to the 57 facets of brilliant-cuts, requiring the rough diamond to be larger and longer than average, and it is known for its typically larger 'spread', enabling the polished diamond to appear larger when viewed face-up.For further information on this lot please visit Bonhams.com

Selection of foreign banknotes, from countries including: The United States of America; Romania; Netherlands; Indonesia; Belgium; and others; along with a selection of loose 20th century British coinage.

Five volumes, Paintings and Statues from the collection of President Sukarno of the Republic of Indonesia. Compiled by Lee Man Fong 1964

COLLECTION OF WORLD BANK NOTES INCLUDING MALAYSIA, SRI LANKA, INDONESIA, AND SOME LOOSE COINS

Mochtar Apin (Indonesian, 1923-1994) and Baharoedin (Indonesia, born 1910)A folio of sixteen linocuts commemorating Indonesia's 1945 declaration of independence published by the Indonesian Bureau of Youth Affairs, Jakarta, 1946no. 30 of 36 producedincludes preface written in English, French and Indonesianplates 3, 12 and 18 missinglinocuteach sheet 45.5 x 37cm (17 15/16 x 14 9/16in).Footnotes:This folio is a historically significant body of work commissioned in celebration of the one-year anniversary of the Indonesian Declaration of Independence in 1945. The works depict various images associated with the nation's struggle towards Independence. Thirty-six of these folios were printed and distributed to various countries who had recognised Indonesia's independence during that period.The publication page describes this work as 'the first edition of linocuts to be published in the history of Indonesian Art.'An excerpt from the folio's preface provides an understanding of the motivation behind these commissioned works:'This album of linocuts is an example of the desire in the Indonesian Youth for self-expression. We have never had the opportunity to study painting and drawing, but through the guidance obtained from books, little though it was, and from chance meetings with foreigners, a way has been found to give expression to what was in our heart.A young people is now reaching out to humanity and seeking sympathy and appreciation of its struggle for the realisation of its essential human rights among the ranks of the nations of the world.'For further information on this lot please visit Bonhams.com

Raden Basoeki Abdullah (Indonesian, 1915-1993)Portrait of an Indonesian girl signed 'BASOEKI/ABDULLAH' (lower left)oil on canvas75.5 x 50.8cm (29 3/4 x 20in).Footnotes:ProvenancePurchased directly from the artist by the current owner's father who was based in Indonesia at the time, and thence by descent.For further information on this lot please visit Bonhams.com

Raden Basoeki Abdullah (Indonesian, 1915-1993)A young woman holding a basket signed 'BASOEKI/ABDULLAH' (lower left)oil on canvas laid to board90 x 70cm (35 1/2 x 27 1/2in).Footnotes:ProvenancePurchased directly from the artist by the current owner's father who was based in Indonesia at the time, and thence by descent.For further information on this lot please visit Bonhams.com

Raden Basoeki Abdullah (Indonesian, 1915-1993)Two women walking beneath a flamboyant signed 'BASOEKI/ABDULLAH' (lower left)oil on canvas80 x 120cm (31 1/2 x 47 1/4in).Footnotes:ProvenancePurchased directly from the artist by the current owner's father who was based in Indonesia at the time, and thence by descent.For further information on this lot please visit Bonhams.com

Antonio Blanco (Filipino, 1912-1999)Reclining nude with devil mask, large glass flask and bananassigned 'Antonio Blanco' (lower centre) oil on canvas 31.5 x 42cm (12 3/8 x 16 1/2in).in frame with arched topFootnotes:ProvenanceAcquired directly from the artist by the present owner's father, circa. 1968.Antonio Blanco revelled in a bounteous and extravagant artistic vision. He was born in the Philippines to Spanish parents and schooled in Manila. He would then go on to study at the National Academy of Art in New York. It is here that he cultivated an interest in figurative painting which would stay with him throughout his life. Having been gifted some land in Ubud, Bali, by the King of Ubud, Blanco settled in Indonesia in 1952. Here, he married the dancer Ni Ronji and fashioned himself as an eccentric aristocrat, steeped in artistic and cultural knowledge.It is in Bali where Blanco was inspired, and his work reached its full potential. Here, his sitters are imbued with sensual potential, at once desirous and desirable. His mood and imageries are passionate yet playful. This tone is clearly struck in the Reclining nude offered here, as the sitter lays in a suggestive manner whilst surrounded by myriad symbols of both sensuality and lust. Most notable of these being Blanco's recurring motifs of fruit, a devil mask, a large glass flask and fine wisps of smoke emanating from an incense burner.Blanco lived and worked in Ubud until his death in 1999. His work was consistent throughout this time as he endeavoured to capture the sensual essence of his muses, both real and fantasied.For further information on this lot please visit Bonhams.com

An Album of Malaysian Stamps, album of 1st Day Covers, 1985 Singapore Stamps and Miniature Sheet, album of topical stamps, album of Aden, Kuwait, Jordan etc., album of Thailand, Indonesia and Japan stamps, album of Burma and Ceylon stamps,

Full title: A pair of lotus-shaped gilt-lacquered wood 'tenong' or marriage boxes, Palembang, Indonesia, 19th/20th C.Description: H ca. 50 cm

A collection of 17 assorted bank notes from Nepal, Thailand, Indonesia & Sri Lanka.

A large and extensive collection of world banknotes to include Norman Fenwick Fisher green and brown on white one pound notes, John Bradbury example, Peppiatt blue and green, various Scottish examples, Welsh, 1923 German notes, Bulgaria, Greece, Hungary, Vietnam / safe conduct war pass, Austria, 1852 Hungarian uncirculated, early Afghanistan 10 Afghanis 1926 issued by Afghan Kingdom, Jugoslavia, Korea, German Notgeld, Italy, Belgian, French Revolution Assignats 1792 and 1793 Poland, German inflationary, Indonesia, Hong Kong, India, President Duvalier Republique D'Haiti, Turkey, Australia, Isle of Man, Jersey, Malta, France, New Zealand, Ireland, Biafra, Tanzania, Nigeria, Paraguay, USA, Katanga, Portugal, Brazil, Sumatra, Taiwan, Chile, USA North Carolina, State of Louisiana 1887 bond, Propaganda USA, 1972 election notes, Japan, Mexico, China, Chihuahua, Bolivia, Cuba, Argentina, Russia and Israel. Contained in an album indexed by previous collector with some loose examples in envelopes

Emiliano Martinez green Arsenal No.33 Asia tour goalkeeper's jersey from the match against Indonesia Dream Team, 14th July 2013, long-sleeved, ASIA TOUR JAKARTA 2013 sleeve badges, club crest and sponsor logos, reverse lettered MARTINEZ Arsenal beat Indonesia Dream team 7-0.

J. Bijleveld, 1928, met KLM routes to Indonesia, 34 cm. in diameter x 64 cm. tall.

Collection of coins, to include Worldwide, South America, Yugoslavia, Albania, Indonesia, Philippines, Thailand, Singapore, North Africa, Middle East, Eire, Greece, Palestine, etc, (qty)

Ten complete sheetlets of 20 u/m Indonesia 1997-98 stamps

An Accumulation of World Notes Malawi, Korea, Bahamas, Thailand, Laos, Indonesia, Greece, Yugoslavia, Ghana, Hungary, Libya, Lebanon, Malaysia, Bangladesh, Egypt, Nigeria, Pakistan, Paraguay, Japan, Chile, Italy, Poland, India, Thailand, Israel, Egypt, Sierra Leone, Bulgaria, some uncirculated consecutive runs, mixed grades (236 notes) £100-£150

Assorted stamp collection on 12 album pages. Amongst stamps are Egypt, Japan, Israel, Palestine, Surinam, Indonesia, Thailand, Turkey and Sweden. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99.

Ephemera, World Travel, approx. 80 travel booklets dating from the 1950s and 60s. Countries include Italy, Spain, Holland, Israel, Indonesia, U.S.A. ('Niagra's Great Gorge Trip' 1931 published by International Railway Company and The Niagra Gorge Railroad Company) etc. (gen gd) (approx. 80)

World Bank Notes, an album of 230+ modern notes to include Zambia, Malawi, Venezuela, Indonesia, Nigeria, Angola, Guinea-Bissau, Nepal, Bhutan, India, Rwanda, Nicaragua, Madagascar etc. all presented in a modern album (230+) (vg)

World Bank Notes, an album of 240 modern notes to include Indonesia, Argentina, Poland, Angola, Zambia, Ghana, Nigeria, Suriname, The Gambia, Vietnam, Liberia, Namibia, South Sudan, Somaliland, Ghana, Sierra Leone, etc. (240) (vg)

A 20th Century hand painted wooden swan from Indonesia, coloured in red, green, yellow and orange, width 36cm, weight approx 6.5kg

Banknotes: a small quantity of World notes; to include India and Indonesia. (21)

Countries I incl. Iceland, India, Indonesia, etc. early to modern M or U collection on pages in binder (1800+)

World collection in album incl. India GVI, Bahamas, Cayman Is, St Helena, GB to £5, Scotland to £5, Guernsey, Uganda, Libya, Gibraltar, Ceylon GVI, Hong Kong, Malaya GVI, Mauritius, USA, Singapore, Belize, Ghana, Nigeria, South Africa, Rhodesia, Japan, South America, Indonesia, Iran, China, Korea, etc. (300+)

Davo albums second hand with pages for Indonesia, Ireland, France & Switzerland + 6 binders & few slipcases. (10 items)

A Squier Showmaster by Fender electric guitar in electric blue finish, made in Indonesia with serial number IC030602816. An excellent introductory electric guitar with a less common design. Sold with soft case.

Assorted stamp collection on 14 loose pages. Includes Japan, Egypt, Indonesia, Iran, Israel, Turkey, Thailand, Lebanon. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

The Capital Stamp Album with Maps a very full album with Early Stamps Including over 30 Argentine, over 70 Australia, over 30 Austria, over 20 Belgium, over 35 Congo, over 65 Canada, over 60 China, over 30 Czechoslovakia, over 40 Denmark, 30 Egypt, over 30 Eire, over 65 French, over 30 French Colonies, over 65 Germany, over 35 German occupation Issues, over 25 German States, over 35 Former German Colonies, over 60 Great Britain including Penny Red, over 25 Greece, over 65 Hungary, over 20 Indonesia, over 40 India, over 35 Indian States, over 30 Iraq & Israel, over 35 Italy, over 35 Italian Colonies, over 20 Jamaica, over 25 Japan, over 25 Yugoslavia, over 50 Malaya, over 70 Netherlands, over 30 New Zealand, 25 Nigeria, over 25 Norway, over 40 Poland, over 30 Portugal, over 25 Rhodesia, over 20 Romania, over 30 Russia, over 25 Soviet Territories, 20 San Marino, over 35 Republic of South Africa, 60 Spain, 20 Spanish Colonies, over 35 Sweden, over 30 Switzerland, 20 Turkey, over 65 U.S.A, over 30 Czechoslovakia, This Album also has many mixed pages full of interesting Stamps. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

A HARDI (aka R SOEHARDI - b. 1951 - INDONESIA) "Shoe Shine", a study of two figures in street scene, oil on canvas, signed and dated '87 top right, 98 cm x 129 cm, bears "Galerie du Monde Hong Kong" label verso

A Squire VI by Fender electric guitar, serial number 15208800, made in Indonesia, sunburst finish, with Stagg guitar case.  Provenance - Formerly the property of Tony Collinge of British soul band, The Foundations.

Schabak - Daron - A fleet of 8 x model aircraft mostly in 1:600 scale including Aero Lloyd Airbus A321, Condor Berlin Airbus A320, Garuda Indonesia Boeing 747-400 and similar. All the models appear Mint in Very Good boxes with light storage wear. (8) (This does not constitute a guarantee)

Large Balinese double-ikat Gringsing Wayang cloth made in 1970-1980 in red yellow cream and black, 160cm x 83cm plus fringing Condition Report: Good overall condition Worn by villagers of Tenganan (considered to be the natives of Bali) as part of rituals and ceremonies. The native Balinese believe Gringsing cloths are sacred, and possess protective power to sustain life, ward off disease and maintain life balance. Larger cloths like this takes years to produce and is rare to find in this size. This is two separate Grinsing cloths stitched together. Typically, these are made small - scarf size. Large ones are particularly rare.The Gringsing pattern is known for having four pointed stars, with 4 scorpions inside the star guarding a square fort. The square fort represents Sumbul, a symbol of sustainable living. There is further symbolism in the colours: red (fire), cream/yellow (air), black (water). If these three elements can be balanced, then life will continue to be sustainable. All Grinsing cloths are made of natural cotton yarn, and can be decorated with geometrical flowers motifs, stars or crosses.The double-ikat cloth is one of the rarest and most complex textiles in the world. Hand made in only 3 places worldwide - small villages in Bali (Indonesia), India and Japan. This cloth was made in Bali in the remote village of Tenganan. Double-ikat is the process by which both the vertical and horizontal (warp and weft) threads are dyed with natural pigments in complex patterns (and according to specific rituals) before weaving on a back-strap loom. The final design is achieved by combining these threads patterns into carefully preconceived ornamental form. This is an extremely complex and time consuming process in order to ensure the pattern is carried by both the warp and the weft. Everything is hand made and natural, including colouring the thread. Thread colours (red, black, cream/yellow) are all natural, and the colours oxidises over time, with the red turning into a beautiful deep red hue

Evans Mbugua Pau-Les Vallées (Mes Tissages Series), 2021 Paper Weaving on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in Nairobi in 1979 and after obtaining his Bachelor of Arts degree in 1997, Evans MBUGUA decided to continue his studies in France, a surprising destination for a student from an English-speaking African country. After graduating from the University of Toulouse, he enrolled at the l'École Supérieure d'Art des Pyrénées (Upper School of Art of the Pyrenees) and obtained a graphic design degree in 2005. While at the same time starting a professional career as an art director in a communications agency in Toulouse, MBUGUA continued to explore the field of visual arts in his personal studio. In 2011 he decided to go to Paris, where he has since devoted all of his time to artistic exploration and design. MBUGUA has exhibited his work in prestigious institutions and events all over the world. It is his colorful universe, full of energy and the joy of living, that he shares with everyone who knows how to appreciate his work and there are many! His work has been shown in Europe, the United States and in his home continent, from Morocco to the South African Republic. He has participated in many contemporary art fairs, including some of the most famous fairs dedicated to contemporary African art (principally 1:54 London and AKAA Paris). Additionally, some of his works have been sold in specialized sales of large auction houses in Paris and elsewhere. Mes Tissage series is a new body of work where he weaves together his original prints designed using pictogrammes collected from different places (cities) around the world to create new patterns. Inspired by traditional weaving techniques from Kenya, Benin, Australia, Colombia to Indonesia etc, Evans MBUGUA explores ideas of shared traditions and spaces to talk about humanity.  

Evans Mbugua Les Vallées-Paris (Mes Tissages Series), 2021 Paper Weaving on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Born in Nairobi in 1979 and after obtaining his Bachelor of Arts degree in 1997, Evans MBUGUA decided to continue his studies in France, a surprising destination for a student from an English-speaking African country. After graduating from the University of Toulouse, he enrolled at the l'École Supérieure d'Art des Pyrénées (Upper School of Art of the Pyrenees) and obtained a graphic design degree in 2005. While at the same time starting a professional career as an art director in a communications agency in Toulouse, MBUGUA continued to explore the field of visual arts in his personal studio. In 2011 he decided to go to Paris, where he has since devoted all of his time to artistic exploration and design. MBUGUA has exhibited his work in prestigious institutions and events all over the world. It is his colorful universe, full of energy and the joy of living, that he shares with everyone who knows how to appreciate his work and there are many! His work has been shown in Europe, the United States and in his home continent, from Morocco to the South African Republic. He has participated in many contemporary art fairs, including some of the most famous fairs dedicated to contemporary African art (principally 1:54 London and AKAA Paris). Additionally, some of his works have been sold in specialized sales of large auction houses in Paris and elsewhere. Mes Tissage series is a new body of work where he weaves together his original prints designed using pictogrammes collected from different places (cities) around the world to create new patterns. Inspired by traditional weaving techniques from Kenya, Benin, Australia, Colombia to Indonesia etc, Evans MBUGUA explores ideas of shared traditions and spaces to talk about humanity.  

Great Britain 2012 Indonesia 2012 Stamp Exhibition, Royal Mail Smilers Sheet, 20 x blue hello stamps

Sixteen Big Bus and Aero Classics 1:400 scale diecast model aircraft, various carrier liveries including Garuda Indonesia A320, Iberworld A320 and QuebecAir BAC1-11, all in original boxes.

Bronze richly decorated Lantaca cannon, Indonesia around 1800, 81 cm long

3-piece cutlery, 2 forks and 1 spoon, decorated turtle, Indonesia ca. 1890, 19x4x2 cm, 27 grams in total. With certificate

Unclearly signed, State of Indonesia, board 40x30 cm

Mandau/headhunters sword, Dayak Indonesia, with beautifully decorated handle and sheath, 67 cm in total (additional knife missing)

Colorful framed Batik, Indonesia, Java ca. 1990, 89x93 cm

Unknown, dusk in Malang, Indonesia, marouflé 17 x 26 cm.Onbekend, onduid. ges., gedat. 1919 r.o., schemering in Malang, Indonesië, marouflé 17 x 26 cm.

Silver miniature village of the Minang Kabau, Sumatra, Indonesia, 800/000, width base ca. 38 cm.Zilver miniatuur dorp op plateau met zilveren opstaande rand, van de Minang Kabau, Sumatra, Indonesië, 800/000, breedte plateau ca. 38 cm.

A Fender Squier jazz bass, natural body, black pickguard, serial no. ICS10143692, Indonesia, soft cased

A Fender Squier Vintage Modified fretless jazz bass, sunburst body, Duncan designed pickups, serial no. IC080657275, Indonesia, hard cased

Zatta, Antonio (1757-1797), 'Le Indie Orientali e il Loro Archipelago', engraved map of Indonesia, pub. Venice 1784, with hand coloured outlines, border and scroll title, 13¼ x 16¼in. (33.7 x 41.25cm.); together with another engraved map by Zatta, 'Regno di Portugallo, pub. Venice 1775, with decorative title and hand colouring, 15½ x 10 3/8in. (39.4 x 26.3cm.). (2) * - Indonesia: Vertical fold to centre, with some associated small creases at lower margin. Otherwise good. - Portugal: Horizontal fold to centre, some handling creasing to lower quarter of sheet. Otherwise good.

A NYONYA / PERANAKAN / STRAITS CHINESE PORCELAIN LIDDED BOWL China for South-East Asia, Late Qing Dynasty, Circa 1900 Adorned in vivid enamels with Buddhistic lions playing with ribbons. The rim circled with a metal mount. H: 13 cm - D: 21,7 cm BÁT SỨ CÓ NẮP ĐẬY CHẾ TÁC THEO PHƯƠNG PHÁP CỦA NGƯỜI HOA NHẬP CƯ (TẠI CÁC VÙNG CỦA MALAYSIA, SINGAPORE và INDONESIA) đồ gốm Trung Quốc tại vùng Đông Nam Á, cuối triều đại nhà Thanh, khoảng năm 1900

A NYONYA / PERANAKAN / STRAITS CHINESE ORANGE GROUND 'EIGHT HORSES OF KING MU' PORCELAIN BOWL China, Qing Dynasty With a red star mark to the below. H: 7,7 cm - D: 14 cm BÁT SỨ HỌA TIẾT CHU VƯƠNG BÁT MÃ (TÁM CON NGỰA CỦA CHU MỤC VƯƠNG) CHẾ TÁC THEO PHƯƠNG PHÁP CỦA NGƯỜI HOA NHẬP CƯ (TẠI CÁC VÙNG CỦA MALAYSIA, SINGAPORE và INDONESIA) Trung Quốc, triều đại nhà Thanh