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Vintage Indonesian water paint and black crayon on paper that represents a Dayak woman with light blue hoops in her elongated earlobes. She holds a basket of white flowers on her knees and wears a pink and blue sarong. Signed on the lower left and includes a red seal. Housed in a gilded frame. Sight size: 18"L x 37.50"H. Frame size: 18.50"L x 38.50"H x 0.50"W. Issued: c. 1970Country of Origin: IndonesiaCondition: Age related wear.
Traditional Sundanese puppet arts originate from West Java, Indonesia. Each puppet created from wood is designed and hand painted with colorful headdress and is dressed in traditional clothing. Stick puppets are used in plays and telling of traditional stories. Issued: 20th centuryDimensions: 25"HCountry of Origin: IndonesiaCondition: Age related wear. As found, some chips on face.
Carved sandalwood Ganesh shrine with ornate floral design atop a dark wood altar 5"L x 2.5"W x 8.75"H and praying intricately carved woman kneeling in dark wood. Design on dress and headdress 2.25"L x 3.75"W x 9.25"H. Largest piece: 2.25"L x 3.75"W x 9.25"H. Issued: 20th centuryCountry of Origin: IndonesiaCondition: Age related wear.
These two prosperity coin dolls form a pendant of a female and male deity. They are made with coins attached by cord and the brass is incised and carved delicately on the faces, limbs and ceremonial clothing. Both protrude from their frames. Dolls dimensions: 9"L x 0.50"W x 17"H. Frame size: 13.50"L x 22"H x 1.15"W. Issued: c. 1970Country of Origin: IndonesiaCondition: Age related wear.
Decorative Indonesian wall art made with delicately cut dried palm leaves assembled to represent a dancer. Housed in a gilded bamboo shaped frame with a black velvet border. Sight size: 11"L x 15.75"H. Frame size: 15.50"L x 19.75"H x 1.50"W. Issued: c. 1970Country of Origin: IndonesiaCondition: Age related wear.
Marine life.- Rumpf (Georg Eberhard) Thesaurus imaginum piscium testaceorum, engraved portrait of the author and elaborate additional title, title in red and black with engraved vignette, 3 engraved head-pieces and one tail-piece, 60 engraved plates, some very small scattered ink stains to portrait, mostly marginal, additional title with very short closed tear to lower margin, plate 60 with small stain just within platemark, some light browning, plates with occasional light marginal spotting or minor soiling, but overall good, some foxing to text, modern calf-backed boards, spine label little chipped, extremities lightly rubbed, [Nissen ZBI 3520], folio, Leiden, Peter van der Aa, 1711. *** A first edition in Latin of Rumpf's landmark work on marine life in the Moluccan Archipelago of Indonesia, first published in Dutch in 1705. The plates include shells, sea urchins, crabs and lobsters etc.
'Eine Weltreise mit Banknoten' im Ordner enthalten sind diverse Banknoten Alle Welt wie z.B. Argentinien, Ägypten, Bolivien, Brasilien, Chile, Venezuela, China, China (jüngere Banknoten), Hong Kong, Israel, Iran, Indonesien, Japan, Süd-Korea, Kenya, Sambia, Spanien, Belgien, Frankreich, Polen, Zaire, u.v.m., gemischte Erhaltungsstufen. Bitte dringend besichtigen.| A trip around the world with banknotes the folder contains various banknotes from all over the world such as Argentina, Egypt, Bolivia, Brazil, Chile, Venezuela, China, China (younger banknotes), Hong Kong, Israel, Iran Indonesia, Japan, South Korea, Kenya, Zambia, Spain, Belgium, France, Poland, Zaire, etc. mixed condition. Please view urgently.
A Teak and Brass-Bound Table Cabinet, late 18th century, of rectangular form, the two hinged doors enclosing an arrangement of ten drawers with brass drop handles, on bracket feet with shaped apron 60.5cm by 43cm by 50.5cm Cabinets of this design are thought to have been made for Dutch Vereenigde Oostindische Compaignie officials in either Batavia (now Jakarta) or Sri Lanka. The metal fittings and the unusual drawer construction are both typical of the form. The design was presumably derived from contemporary Japanese and Chinese lacquer cabinets. There is a similar example, made of teak, in the Rijksmuseum, Amsterdam, and another in the Gemeenten Museum, Dan Haag.See Veenendaal (Jan) Furniture from Indonesia, Sri Lanka and India during the Dutch period, Delft 1985), pl.72 and Eliëns (Titus M) (ed.) Domestic Interiors at the Cape and in Batavia 1602-1795, Den Haag, (2002), No.22
SUKARNO: (1901-1970) Indonesian statesman and revolutionary who served as the first President of Indonesia 1945-67. Dark fountain pen ink signature to the centre of a small oblong 8vo brown mottled card, the signature partially running across an Indonesian postage stamp affixed to the middle of the card and featuring Sukarno's image. A couple of light, minor creases, otherwise VG
East Indies.- Indonesia.- Netherlands East Indies: B.R. 518 (Restricted) Geographical Handbook Series, 2 vol., plates and maps (some folding), 3 large folding maps in pockets at end, ex-library with ink-stamps to vol. 2, scattered marginal staining, some cockling to vol. 1, original cloth, gilt, rubbed and worn, mottling to vol. 1, bumping to corners and extremities, 8vo, Naval Intelligence Division, 1944
Philately interest - A large quantity of Worldwide stamps to include Japan housed in Nine (9) small Light House stock books, c.1850 through to 1990's, comprising Japan; Ryuku Islands; North Korea; South Korea; Cook Islands; French Polynesia; French Oceania; Malaya; Peru; French Guyana; Falkland Islands; Puerto Rico; Dominican Republic; Bahamas; Dominica; Grenada; Leeward Islands; Montserrat; Virgin Islands; Spanish West Indies; Turks & Caicos; Guadeloupe; Martinique; Cuba; Antigua; St Vincent; Solomon Islands; Western Samoa; Nauru; Gilbert and Ellice Islands; Papua & New Guinea; Philippines; North Borneo; Christmas Island; Pitcairn Islands; Timor; Indonesia; Tokelau Islands; Vietnam; Thailand; Cambodia; Laos; French Indo-China; Macau; Hong Kong; Taiwan; Guatemala; El Salvador; Honduras; St. Christopher Nevis; Bermuda; St Pierre et Miqueion; St Helena; Muscat; Mexico; United Nations (New York); Norfolk Island; Malaya Johor; Malaya - Kelantan, Negri Sembilan, Perak, Selangor, Kedah, Pahang, Trengganu, Malayan Federated States; Guinea; Liberia; Sierra Leone; Malaya Sarawak; Togo; Upper Volta; Ivory Coast; Nigeria; Cameroon; Gabon; Isle of Man. (large quantity)
(Caroline Fox and Davies Gilbert) Royal Cornwall Polytechnic Society. A granderised collection of the first reports thought to be Caroline Fox's own. First annual report 1833 to the fifth annual report 1837, in one volume, with extra bound in letters, original sketches, plans, architectural drawings, etc, full pebbled red calf, rubbed to extremities and joints, 4to, gilt edge, vg, Jane Trathan, Falmouth, 1833-1837.First bound letter (MS) with the title "First Prospectus of the Falmouth Polytechnic Society, in the Spring of 1832" detailing the society's aims and objectives, with a list of lead members; this appears to be in the hand of Davies Gilbert himself, using examples from the Science Museum, the close top of the capital 'I' for instance, and the angularity of the lower case letters firmly suggest it is, without it being signed; Followed by (as a frontis) an original ink and wash portrait of Davies Gilbert and indeed flat signed by Gilbert.'Report of the Cornwall Polytechnic Society 1833,' List of Members, Laws of the Society, proceedings of the General Meeting, bound in watercolour sketch of a Cornish mine, an ink and wash sketch of 'Loss of the Prince of Wales, 1804', ink sketch 'Park of Whitby Abbey', prizes awarded, watercolour still life of flowers initialled RJ 1833, list of subscribers, watercolour plan of a greenhouse, Chart of Gothic Architecture, ink and wash sketch titled 'A Method of Ventilating Mines'.'The Second Annual Report of the Cornwall Polytechnic Society 1834,' watercolour portrait of a bearded man with a large ruby on his hat, 'A Mineralogical Sketch of the Island of Banca' (Bangka Island, Indonesia), a ground plan of Ashfield estate, engraving of a Dipping Needle Deflector, ink sketch of a Hydrostatic Lock, ink and watercolour chart on Cornwall, engravings of the 'Cheese Wring' in Bodmin, engraving of The Royal Academy Medal 1837.'The Third Annual Report of the Royal Cornwall Polytechnic Society 1835,' ink sketch of the Polytechnic medal, ink sketch of Laocoon and Sons, watercolour Jack Knife, , engraving of a ruined abbey, engraved portrait, watercolour coastal scene, ink sketch of capital punishment in a schoolroom, 'Lines of equal magnetic inclination' map of the Uk and Ireland, 'Two Treaties on the Natural History of the Pilchard' by Jonathan Couch, meteorological diagrams (x2) with a fold out engraved '...Register Kept at Ashfield near Falmouth...1835', a fold out engraved chart titled 'A Chronological Chart of the Wars of the British Empire, From the Revolution in 1688-9 to 1855', four architectural plans for The Royal Polytechnic Hall, Falmouth.'The Fourth Annual Report of the Royal Polytechnic Society 1836,' newspaper clipping of a general meeting, watercolour of seaweed specimens, still life of flowers x2, engraving of Queen Victoria.'The Fifth Annual Report of the Royal Cornwall Polytechnic Society,' hand drawn magnetic chart of the UK and Ireland by Robert W. Fox, hand drawn magnetic chart of the Atlantic, ink sketch of crows, ink sketch of knights, an original hand drawn map signed by Edwin Fox and titled 'Recent discoveries in the Artic Regions by Parry, Franklin, Ross and Buck', graphite sketches of models of Trewethey Stone and Dungerthis Monument, a linear map between Falmouth and Truro with detailed key, watercolor botanical sketch.The work concludes with a letter written in the same hand as the first, detailing the rise of three other 'Polytechnics' since the inception of the Falmouth Society; and a printed announcement for the 'Sunderland Polytechnic Society', 1838.This is a work of huge historical significance concerning the development of science and art, which propagated from the inception of the Falmouth Polytechnic Society and was indeed granted Royal patronage from King William IV in 1835. A singular and important work. John Stengelhofen (1939-2020). Coming from London, he trained as an architect in the meticulous modernist aesthetics of the mid-century Architectural Association. He found Cornwall, moved there and never left. Active in the early years of the Trevithick Society, he was primarily responsible for the introduction of the Society’s Journal in 1973. He left mainstream architecture in the County Architects's department to pursue academic research at the newly-established, Institute of Cornish Studies, establishing himself as a generous, but authoritative lecturer on Cornish industrial archaeology along the way. He used his architectural skills to design Wheal Martyn China Clay Museum, then becoming its first Director in 1975. He moved to the National Maritime Museum in charge of their outstation at Cotehele, with the Tamar sailing barge Shamrock. During his period as President of the Royal Institution of Cornwall, 1984-1986, he had a major hand in the acquisition of the adjacent premises enabling the Royal Cornwall Museum to expand. He co-founded Twelveheads Press in 1978 to publish well-researched books on Cornish and other industrial history. Always generous with both skills and information, he was active in the Cornish Buildings Group for fifty years where he made a substantial contribution to the quality and protection of the built environment of his beloved Cornwall. Latterly he returned to his love of modern design, in the form of research into twentieth century Cornish architecture and architects, and produced as a last collaborative project, a visionary, affordable development in Hayle with impeccable eco credentials, where he made his home.
Cigarette / cigar case silver. Rectangular cigar / cigarette / pencil case completely made with filigree technique and equipped with a hinged lid. The filigree work is executed in various forms. Southeast Asia (possibly Indonesia), early 20th century, hallmarks: Z? - traces of use. 103 grams, 835/1000. Dimensions L 7.1 cm, W 1.3 cm, H 10.7 cm.
A CELADON JADE ‘TURTLE’ SEAL, 17TH CENTURY 十七世紀青玉龜鈕印Please note this Lot is to be sold at No Reserve. 本拍品不設底價China. The square seal surmounted by a turtle standing foursquare, its minuscule head almost entirely retreated into the large shell with neatly incised carapace, the tail trailing to the ground, the seal face left plain. The translucent stone of a celadon tone with russet veins, dark specks, and cloudy white inclusions.Provenance: Adrian M. Joseph, c. 2003. British private collection, acquired from the above. Adrian Malcolm Joseph started studying and collecting Chinese ceramics during the late 1950s. He published various important papers and books including Ming Porcelains: Their Origins and Development (1971) and Chinese and Annamese Ceramics found in the Philippines and Indonesia (1973). He and his wife Phyllis began collecting Japanese art in the late 1960s, initially acquiring ceramics from important dealers such as Shimojo in Tokyo. Joseph became a Director of Hugh Moss Ltd. in the 1970s.Condition: Very good condition with minor wear, minuscule nicks, natural weathering.Weight: 42.7 gDimensions: Size 2.8 x 2.8 x 2.6 cmAuction result comparison: Compare a related black and gray jade seal of a tortoise, 3 cm high, dated Ming dynasty or earlier, at Christie’s New York in The Collection of Robert Hatfield Ellsworth Part IV on 20 March 2015, lot 739, sold for USD 6,000 (part lot, together with a brown jade seal depicting a mythical beast). Compare a white jade seal depicting a bixi, 4 cm wide, dated to the late Ming dynasty, at Christie’s Hong Kong in The Pavilion Sale on 6 October 2015, lot 47, sold for HKD 68,750.十七世紀青玉龜鈕印中國。方形印上雕刻龜形鈕,小小的腦袋幾乎完全縮進了龜殼裡,甲殼整齊切割,尾巴垂在地上。印面光滑,青色半透明玉石,帶有赤褐色的脈紋和白色絮狀物。 來源: Adrian M. Joseph, 約2003年;英國私人收藏,購於上述收藏;Adrian Malcolm Joseph 在 1950 年代後期開始研究和收集中國陶瓷。 他發表了多篇重要論文和著作,包括《Ming Porcelains: Their Origins and Development》(1971)和《Chinese and Annamese Ceramics found in the Philippines and Indonesia》(1973)。 他和他的妻子Phyllis在 1960 年代後期開始收集日本藝術品,最初是從東京的 Shimojo 等重要經銷商處購買陶瓷。 Joseph 在 1970 年代成為 Hugh Moss Ltd. 的董事。 品相: 狀況極好,輕微磨損,小劃痕,自然風化。 重量: 42.7 克 尺寸: 2.8 x 2.8 x 2.6 厘米 拍賣結果比較: 比較一件相近的明代或更早的灰白玉雕龜鈕印,高3 厘米 ,見紐約佳士得 The Collection of Robert Hatfield Ellsworth Part IV 2015年3月20日 lot 739, 售價USD 6,000 (與另一件褐色瑞獸鈕玉印一起);比較一件明末白玉雕瑞獸,寬 4 厘米,見香港佳士得The Pavilion Sale 2015年10月 6日 lot 47, 售價HKD 68,750。
INDONESIA. SUMATRA. Sultanate of Aceh. Gold 1 kupang, 1530-1537. Obv: Arabic inscription in three lines, surrounded by beaded circle. Rev: Arabic inscription in two lines, surrounded by beaded circle.In secure plastic holder, graded PCGS MS62 , certification number 44953488. PCGS population in this grade: 19.PCGS population in higher grade: 40.Reference: HCM-133.Diameter: 13 mm.Weight: 0.61 g.Composition: Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
INDONESIA. SUMATRA. Sultanate of Aceh. Gold 1 kupang, 1537-1571. Obv: Arabic inscription in three lines, surrounded by beaded circle. Rev: Arabic inscription in two lines, surrounded by beaded circle.In secure plastic holder, graded PCGS MS62 , certification number 43520379. PCGS population in this grade: 58.PCGS population in higher grade: 124.Diameter: 12 mm.Weight: 60 g.Composition: Gold.PLEASE NOTE: 18% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.
Bank Indonesia, 500 Rupiah, ND (1957), serial number 500L N0363, lightly pressed, central fold but good extremely fine to about uncirculated and scarce BNB B513a, Pick 52a £150-£200 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Brown stock book containing 80+ hagner pages containing a 4 pages of Iceland including early examples, mint and used French Indo China over-prints, large quantity of Indonesia including 19thC and early 20thC examples, Good section of early Persia including full sets and mint unmounted examples, 19thC Chahis over-print sets, mint and used, large quantity of early Iran, complete mint and used sets, and large quantity of Israel (approx 2500)
Six titles on Buddhism, Spiritualism, Mysticism etc, including Tyra de Kleen: 'Mudras: The Ritual Hand-Poses of the Buddha Priests and the Shiva Priests of Bali', 1924, 1st edition, 60 b/w plates as called for, large 4to, original quarter cloth gilt, Muhammad Subuh Sumohadiwidjojo: 'Susila Budhi Dharma: The Way of Submission to the Will of God. Subud. Rendered from his original Poem in High Javanese into Bahasa Indonesia', Gjøvik, Subud Brotherhood, [1959], 386pp, original cloth gilt, Lafcadio Hearn: 'Gleanings in Buddha Fields: Studies of Hand and Soul in the Far East', L, Kegan Paul, [1897], 296pp, original cloth gilt, plus 3 others mysticism etc, plus a 140pp printed text 'Witchcraft in Early Modern Europe and America', 1998, compiled by Jeffrey Merrick, enlarged and amended by Richard Golden, holepunched and bound into modern plastic folder with corresponding 3.5 inch floppy disk (7)
A GROUP OF INDONESIA RUPIAH 1960 Comprising: 1000 Seribu Rupiah (2), 500 Lima Ratus Rupiah (5), 100 Seratus Rupiah (6), 50 Lima Puluh Rupiah (2), 25 Dua Puluh Lima Rupiah (1), 10 Sepuluh Rupiah (one brown, two red), 5 Lima Rupiah (1); various condition (folds, creases, tears, foxing) Provenance: Part three of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AN ASSORTED GROUP OF INDONESIA RUPIAH 1952, 1958, 1959, 1964, various condition, comprising 1958 1000 Seribu Rupiah consecutive numbers YSG 04183 and YSG 04184 Provenance: Part three of a single owner numismatic collection, assembled in the 1970s and 80s and untouched for over 30 years Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
After Vladimir Tretchikoff (Russian, 1913-2006) "The Chinese Girl", a vibrant portrait of a woman with red lipstick constrated against her blue tinted skin, print, in moulded frame, 56 cm x 66 cm overall[Tretchikoff was a self-taught artist who painted realistic figures, portraits, still life and animals, with subjects often inspired by his life in China, Singapore, Indonesia and South Africa. This print in particular was one of the best selling art prints of the twentieth century.]
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3383 item(s)/page