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A SUMBA IKAT PANEL WITH SHELL DESIGNSSumba, Indonesia, first half of the 20th century. Crafted from ikat dyed cotton, featuring three vertical strips, the middle one woven with animals, the lateral ones with humanoid figures alternating animals studded with small shells and beads. Condition: Very good condition with minor wear and very few loose threads. Provenance: The collection of The Zelnik Istvan Southeast Asian Gold Museum. Institutional art collection in Belgium, acquired from the above. Dr. Istvan Zelnik, President of the Hungarian South and Southeast Asian Research Institute, is a former high-ranking Hungarian diplomat who spent several decades in Southeast Asia, building the largest known private collection of Asian art in Europe. Acquired in an American auction house. Dimensions: 224 x 59 cm

A RARE AND LARGE CARVED HARDWOOD 'MALE AND FEMALE' DOOR, ODA MATANTimor, Belu Regency, late 19th century. Expressively carved in relief with a male and female figure standing side by side, the man holding a dagger and the woman a bottle, their faces with deep eye sockets centered by a triangular nose and small mouth, the woman further with two small breasts. The panel is additionally incised with abstract geometric patterns.Provenance: From the collection of Alexander Goetz, a noted German art expert and collector who specializes in Indonesian works of art. As a young man, he built and sailed wooden boats around the world, and eventually arrived in Bali in 1971. Within a year, he became involved in the local art scene and in 1975, he was sponsored by the Indonesian Institute of Science to do research on contemporary art in Bali. In 1990, Goetz and his family moved to London where he opened a gallery specializing in Southeast Asian art, with Indonesia as the main focus. Since 2015, Alexander Goetz has run Gallery 101, a dedicated art space in Kabupaten Badung, Bali.Condition: Good condition with extensive old wear, weathering as expected, age cracks, some with associated old repairs. Small nicks, scratches, and losses. Beautiful, naturally grown patina overall.Weight: 16.4 kg Dimensions: Size 128.5 x 78 cm This door was originally installed in a great thatched communal house belonging to an aristocratic, matrilineal Tetun clan. Such residences were usually embellished with painted walls as well as elaborately carved panels and doors. The floorplan reflected Tetun notions of the cosmos which held that humans lived on earth between the upper world and the underworld. The rear of the house was viewed as the women's domain and symbolized the sacred underworld. Following birth, a father carried his infant through the "female door" to the upper world, which was predominantly male.Most of such doors were decorated solely with tightly patterned geometric designs, while others singularly depict or combine raised carvings of breasts, animals, or ceremonial jewelry. In the case of figurative doors, they usually consist of a single effigy with a long angular frame or a half-bodied torso. Only very few doors actually depict male and female figures, like the two seen on the present door.Literature comparison: Compare a closely related door, dated c. 1915, in the collection of the Dallas Museum of Art, object number 2013.3. Compare a closely related door, dated c. 1900, combining male and female aspects in a single figure, in the collection of the Powerhouse Museum of the Museum of Applied Arts & Sciences in Sydney, object number 2002/6/1.

EIGHT SMALL ALBUMS OF STAMPS including Denmark, France and Indonesia

A Hohm driving school large-scale instructional working model car, German, post-War,1960s, the model with cutaway sections and electrically operated functions including a visible engine block and cylinder/head, in original "untouched" condition with plywood base fitted with switches and buttons to allow demonstration. 107 cm long x 35 cm deep x 41 cm overall height.In 1934, Emil Hohm, an Opel dealer in central Germany, and Werner Degener, a driving instruction-manual publisher, recognized the need for an instructional model (modelle) which was portable and could easily demonstrate the mechanical and operation functions of the automobile. A true-to-scale model of an Opel Admiral was produced and shown at the 1939 Automobile Exhibition in Berlin. A hit with the crowds, production soon started with six employees.After World War II, with an upturn in the German economy, there was a period of rapid growth in the automobile industry. Driving schools sprang up everywhere, and the functional model became part of the teaching curriculum. Some schools produced their own instructional chassis.Due to the high quality and low production, Hohm models were never inexpensive, originally costing over 900 DM in 1959. Nonetheless, Hohm produced over 7000 models of all types, capturing almost 70% of the market. Their quality and good name was known all over Europe, and many were exported to Spain, Finland, Indonesia, Greece and other countries. More often than not these models have been restored and re-painted this is in its original factory finish with a pleasing patina. A private local enthusiastIn 1934, Emil Hohm, an Opel dealer in central Germany, and Werner Degener, a driving instruction-manual publisher, recognized the need for an instructional model (modelle) which was portable and could easily demonstrate the mechanical and operation functions of the automobile. A true-to-scale model of an Opel Admiral was produced and shown at the 1939 Automobile Exhibition in Berlin. A hit with the crowds, production soon started with six employees.After World War II, with an upturn in the German economy, there was a period of rapid growth in the automobile industry. Driving schools sprang up everywhere, and the functional model became part of the teaching curriculum. Some schools produced their own instructional chassis.Due to the high quality and low production, Hohm models were never inexpensive, originally costing over 900 DM in 1959. Nonetheless, Hohm produced over 7000 models of all types, capturing almost 70% of the market. Their quality and good name was known all over Europe, and many were exported to Spain, Finland, Indonesia, Greece and other countries. More often than not these models have been restored and re-painted this is in its original factory finish with a pleasing patina.

Full title: An interesting collection of rare reference works, auction and dealer catalogues on Chinese and Asian artDescription:Various dimensions. A comprehensive collection of Chinese ceramics from all periods, Marc MichotChristophe Hioco (4 volumes), Christophe Hioco Gallery ParisHighlights in the collection of Chinese ceramics on the 32nd antiques fair of Belgium (26th January - 8th February 1987), Marc MichotIridescence from the East - an exhibition of mainly Buddhist art from Southeast Asia, India and China, Jonathan Tucker et al.A survey of Chinese Ceramics - Early Wares: Prehistoric to Tenth Century, Prof. Liu Liang-yuOut of China's Earth - Archeological Discoveries in the People's Republic of China, Qian Hao et al.Asiatic Arts in private collections of Holland and Belgium, H.F.E. VisserThe Golden age of Chinese Archaeology - Celebrated discoveries from the people's republic of China, Xiaoneng YangAsian Art - The second Hali annual, Jill Tilden et al.Wei Asian Arts - Oriental Art and Antiques (4 volumes), Paola d'Alatri et al.Buddhist art-private collection - 16 Centuries of Chinese, Khmer and South East Asian art, buddhist art teamIslamic and Indian Art - Oriental Manuscripts and Miniatures, Sotheby's London (October 10 and 11 1991)Chinese Ceramics and Chinese Export Ceramics and Works of Art, Christie's London (November 13 2001)Sculpture Bouddhique, Jacques Barrere S.A.Tajan - Arts du Japon, Hotel Drouot (7 Avril 2008)The ancestor transcends - Sculptural Arts from Asia and Oceania, K. GrusenmeyerIndian and Southeast Asian Antiquities, Nancy Wiener Gallery New YorkVisages du Champa - Bronzes du Vietnam, Galerie Christophe HiocoGalerie Christophe Hioco, Galerie Christophe HiocoEarly Chinese Stone Sculpture, Berwald Oriental Art New York (March 2005)Peace of Mind - Indian, Himalayan and Southeast Asian art, Marcel Nies (2000)Immortal Image - Art of India, the Himalayan regions, Indonesia and Southeast Asia, Marcel Nies (2001)Windows of the Sacred World - Arts of India, the Himalayan regions, Indonesia and Southeast Asia, Marcel Nies (2002)The Sacred Breath - the cultural heritage of India, the Himalayan mountains and Southeast Asia, Marcel Nies (2005)Body's Speech and Mind - Asian religious images, Marcel Nies (2006)Majesty of the Sacred - Art of India, the Himalayan regions and Southeast Asia, Marcel Nies (2007)Buddharaja, 'The King-Buddha' - Sculptures from India, the Himalayas and Southeast Asia, Marcel Nies (2008)The Future Buddha - the cultural heritage of Asia, Marcel Nies (2009)Nirvana, Sculpture from India, Himalayas and Southeast Asia, Marcel Nies (2010)Om Mani Padme Hum, Marcel Nies (2011)Dance of the Gods - Sculpture from India, the Himalayas and Southeast Asia, Marcel Nies (2012)The Path to Enlightenment - Marcel Nies (2013)Portrait of the Divine - Sacred sculpture of Asia's lost kingdoms, Marcel Nies (2014)Asiatische Kunst, Lempertz Auktion (12and13 Juni 2009)Indian, Himalayan and Southeast Asian Art, Sotheby's New York (October 28 1991)Ben Janssens Oriental Art (two volumes), Ben Janssens Oriental Art (2013-2014)Chinese art at Spink - Spring 1991, Spink and son Ltd. LondonFine Chinese ceramics and works of art, Sotheby's New York (September 21and22 2005)A book of Chinese art - Four thousand years of sculpture, painting, bronze, jade, lacquer and porcelain, L. Hajek et al.Chinese jade - from the Neolithic to the Qing, J. RawsonChinese Ivories - From the Shang to the Qing, Oriental Ceramics SocietyChinese Jade throughout the ages, Victoria and Albert museum (May 22nd - June 1975)Gems of China's cultural relics 1933, cultural relics publishing houseThe art of China to AD 900, W. WatsonAsian Art - India, China, Japan, B. Geoffroy-SchneiterOf Earth and Fire, M. Girard-GelsanImperial China - the art of the horse in Chinese history, B. CookeMagic, Art and Order - Jade in Chinese culture, Palm Springs Desert Museum (8th February - 29 April 1990)Reflections of the Orient, Duke's (September 23 2010)Traiders and Raiders - on China's Northern Frontier, J.F. So et al.Pathways to the Afterlife - Early Chinese Art from the Sze Hong Collection, J.M. White et al.Empires beyond the Great Wall - the heritage of Genghis Khan, A.T. KesslerAn album of Chinese art, M.A. Pang et al.Son of Heaven - Imperial arts of China, R.L. ThorpJades from China, A. Forsyth et al.The history of Asian Art - Architecture, Painting, Sculpture, B.S. Meyers et al.Jades Chinois, W. Chen-chiuThe path of beauty - a study of Chinese aesthetics, L. ZehouReflections of Early China - Decor, Pictographs, and Pictorial Inscriptions, X. YangThe Shaanxi Provincial Museum, The Shaanxi Provincial MuseumImages Bouddhiques en bronze dore, Galerie Jacques BarrereSculptures d'Asie (three volumes), Galerie Jacques BarrereAsian Art Portfolio - Masterpieces from the Asia Society, The Asia SocietyJade - A traditional Chinese symbol of nobility and character, National Museum of History Republic of ChinaPrinces of Jade, E. Capon et al.  "

Full title: A large Javanese bronze Majapahit bust of the god Shiva, Indonesia, probably 15/16th C.Description:H.: 55,5 cm (incl. stand) H.: 43 cm (the bust) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in November 2011 from Ilunga Gallery, Brussels and Gent, Belgium, with their certificate of authenticity.- Previously (1999) in the collection of Marius Van Den Hout, Java, according to the certificate.

Full title: A Javanese carved andesite stone head of Shiva, Indonesia, probably 8/9th C.Description:H.: 35 cm (incl. stand) H.: 26,5 cm (the head) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in September 2006 from Het Magazijn, Gent, Belgium, with their certificate of authenticity.- A private collection, Brussels, Belgium.

Full title: A Javanese bronze Majapahit sculpture of the god Shiva, Indonesia, probably 14th C.Description:H.: 46 cm (incl. stand) H.: 42,5 cm (the figure) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in February 2012 from Ilunga Gallery, Brussels and Gent, Belgium, with their certificate of authenticity.- The collection of Mrs. van Bussel, Ter Hulpen, Belgium.

A bronze cannon so-called Lantaka, Indonesia after an antique example, l 76 cm.

A second grade 900/1000 silver oval gajoured bonbonière with floral decor, Indonesia, 1st half 20th century, h 5.4 x l 17.7 x w 11 cm. Here is a smaller, total 160.8 grams, to. 2x.

A gold thread embroidered tablecloth, Indonesia or surroundings, 20th century. Decor of flora and fringe, l 100 x w 100 cm.

A collection of Wayang Kulit dolls, Indonesia around 1900, length 555 - 85 cm, tot. 6x.

A collection of Wayang Kulit dolls, Indonesia around 1900, length 60 -100 cm, tot. 5x.

Two various polychrome wooden Wayang masks, Indonesia, 1st half 20th century, tot. 2x.

Wing, Lony (Indonesia/East Java 1976) "Rotterdam Delfshaven", giclee, h 73 x w 73 cm.

A collection of Wayang Kulit dolls, Indonesia around 1900, length 60 -100 cm, tot. 5x.

Two carved wooden sculptures, Indonesia, 20th century, h 21.5 and 14.5 cm, tot. 2x.

Five Djoca bwg silver bowls, Indonesia, 1st half 20th century, Ø 12.5 - 27 cm, tot. 5x.

2016 Squier by Fender Classic Vibe 70s Jazz bass guitar, crafted in Indonesia serial number S/NICS 16108123. Maple construction. With padded carry bag.

A large collection of 20th century stamps, to include examples from USSR, Guyana, the Republic of Chad, Tanzania, Lesotho, Canada, South Africa, Belgium, Indonesia, Australia, New Zealand, mostly loose in boxes (lot)

A FOSSILISED BLACK MEGALODON TOOTH, 11.5cm x 9cm Java, Indonesia. Miocene period circa 5-10 million years old.

A RARE POLISHED AMMONITE FROM TIMOR ISLAND,6.5cm width each A ammonoid from the island of Timor, Indonesia. Triassic in age circa 215 million years ago. Cut and polished to show the internal structure.

TY Beany Bears x5, comprising, The Beginning, The End, Princess, True, Millennium, all in excellent condition, with tags in plastic display boxes, made in Indonesia. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Asien. Indonesien - Java. Schachfiguren aus leichtem Holz. Polychrom bemalt, eine Partei mit weißem Oberkörper, die andere mit rosafarbenem Oberkörper. Indonesien, Produktion aus den 1960er Jahren. Höhe König 11 cm, Bauer 5,8 cm. (44)* Kompletter Figurensatz nach Motiven aus dem javanischen Schattentheater, mit Kopfschmuck gearbeitet, Türme als Elefant. Mit benutzungsbedingten Alterungsspuren und Abplatzungen. / Asia. Indonesia - Java. Chess set made of lightwood. Parties polychrome painted, one side with white upper body, the other with pink upper body. Produced in Indonesia, in the 1960s. King 11 cm high, pawn 5,8 cm. Complete carved chess set in the style of the Javanese shadow theatre with headdress, rooks as elephants. With usage-related signs of aging and minor chips.

A wad of world banknotes countries include: China, Belgium, Egypt, India, Croatia, Jersey, Japan, Malaysia, Indonesia, Peru, Portugal, Philippines, Pakistan, Romania, Saudi Arabia, Scotland, USA, Yugoslavia, Zambia etc. approx 50 notes - Condition: Poor - VF

A Collection of World Stamps, mostly used in six binders, includes early Bulgaria, Denmark, Finland, Hungary, etc, Vanuata, Czechoslovakia from early, Indonesia, Ghana and Cuba.

HAYEK, Hans von(1869 Wien - 1940 München) Handzeichnung - Landschaft auf Java-IndonesienKohlezeichnung. Signiert. Datiert: 1930.27 x 38 cm. Gerahmt & hinter Glas39 x 50 cm. Undeutlich bezeichnet. Passepartout, verglaster Rahmen Hayek, Landschafts- und Genremaler, studierte an der Akademie in München. Gründete 1900 in Dachau eine private Malschule. Mitglied der Münchner Sezession. Bereiste Indonesien, Java und Sumatra. Auf Ausstellungen in Müchen, Berlin und Dresden vertreten * Partnerauktion Bergmann.Literatur : Fuchs (1973), Saur (2011), Ludwig (1982), Thieme-Becker (1907-1950). HAYEK, Hans von(1869 Vienna - 1940 Munich) Hand drawing - Landscape on Java-IndonesiaCoal drawing. Signed. Dated: 1930.27 x 38 cm. Framed & behind glass39 x 50 cm. Indistinctly inscribed. Passepartout, glazed frame Hayek, landscape and genre painter, studied at the Academy in Munich. Founded a private painting school in Dachau in 1900. Member of the Munich Secession. Traveled Indonesia, Java and Sumatra. Represented at exhibitions in Munich, Berlin and Dresden * Partner auction Bergmann.Literature : Fuchs (1973), Saur (2011), Ludwig (1982), Thieme-Becker (1907-1950).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HAYEK, Hans von(1869 Wien - 1940 München) Landschaft auf Java-IndonesienÖl auf Leinwand. Signiert. 51 x 66 cm. Gerahmt70 x 84 cm. Stuckrahmen, weiß gefasst Hayek, Landschafts- und Genremaler, studierte an der Akademie in München. Schüler von Gabriel von Hackl und Carl von Marr. Gründete 1900 in Dachau eine private Malschule. Mitglied der Münchner Sezession. Bereiste Indonesien, Java und Sumatra. Auf Ausstellungen in München, Berlin und Dresden vertreten * Partnerauktion Bergmann. Literatur : Fuchs (1973), Saur (2011), Ludwig (1982), Thieme-Becker (1907-1950). HAYEK, Hans von(1869 Vienna - 1940 Munich) Landscape on Java-IndonesiaOil on canvas. Signed. 51 x 66 cm. Framed70 x 84 cm. Stucco frame, white set Hayek, landscape and genre painter, studied at the Academy in Munich. Pupil of Gabriel von Hackl and Carl von Marr. Founded a private painting school in Dachau in 1900. Member of the Munich Secession. Travelled to Indonesia, Java and Sumatra. Represented at exhibitions in Munich, Berlin and Dresden * Partner auction Bergmann. Literature : Fuchs (1973), Saur (2011), Ludwig (1982), Thieme-Becker (1907-1950). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Indonesia View of the Island of Banda-Neira ... Captured by a Force landed from a Squadron under the Command of Captain Cole, in the Morning of the 9th August 1810. Engrav'd from a Sketch taken by Captain Cole from the Island of Great Banda. London: Wm. Daniell, & Longman, Hurst, Rees, Orme & Brown, 1811. Hand-coloured aquatint on wove paper, 40 x 54cm, toned, a few small marks, verso with remnants of mount along edgesNote: Note: Rare, two other copies traced in modern auction records, the last in 2004.

A 14th-15th century Indonesian bronze zodiac water pot, Java, Indonesia, H.10.5cm D.14cm

Stamps : Box of albums inc GB/World/FDCs, Malaya/Indonesia, South Africa, Germany

TY Beany Bears x6, comprising, Pink Spangle, Blue Spangle, White Spangle, Chinook, USA, Glory, all in excellent condition, with tags in plastic display boxes, made in Indonesia. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

TY Beany Bears x7, comprising, Germania, Pierre, Nipponia, Sakura, Wales, Osito and Mpale, all in excellent condition with tags, in plastic display boxes, two missing lids, made in Indonesia. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Photography in the Service of the Sultan. Gerrit Knaap with contribution of Yudhi Soerjoatmodjo. Leiden, KITLV, 1999. 136 p. Hc w. dust-j. (2) Woodbury & Page. Photographers Java. Steven Wachlin. Leiden, KITLV, 1994. 219 p. Hc w. dust-j. (3) Isidore van Kinsbergen. Fotopionier en theatermaker in Nederlands-Indië. Gerda Theuns-de Boer & Saskia Asser. 295 p. Zaltbommel/Amst./Leiden, Aprilis/Huis Marseille/KITLV, 2005. Hcl. -and 8 more on Indonesia. All w. minor traces of use. (total 16)

(1) Sandra Niessen. Legacy in Cloth: Batak Textiles of Indonesia. Leiden, Kitlv Press, 2009. 568 p. Hc. (2) Itie van Hout. Indonesian Textiles at the Tropenmuseum. Volendam, LM Publishers, 2017. 231 p. 4to. Hc w. ill. dust-j. (3) Alit Djajasoebrata. Flowers from Universe: Textiles of Java. Ibid., idem, 2018. 191 p. Hc. (4) Alfred Bühler. Materialien zur kenntnis der ikattechnik definition und bezeichnungen (...). Leiden, Brill, 1943. 511 p. Cl. w. gilt title on spine, author's signature, inscription, and tipped-in photogr. on title-p. -and 20 others. All in good condition. (total 24)

op steen gebracht door J.C. Greive. Amst., F. Buffa & Zn., n.d. (1865-72). Letterpress title-p. printed in black and red w. list of the plates verso, followed by 17 (of 24) chromolithogr. plates, partly finished by hand, hinged to mounts and loose as issued, each mount captioned w. a printed ticket on the outer right lower corner. Orig. giltlettered cl. portfolio w. remnants of ties. Large folio. Lacks plates 1-3, 5, 9, 10 and 12, plate 4 yellowed, lacking the ticket, perforated in margins and sl. smaller (from another copy), plate 19 loose from mount, mounts foxed, a few mounts w. marginal defects, portfolio waterst. and dam. Sold as a collection of prints, not subject to return. *Abram Salm (1801-76), a tobacco planter, spent 29 years in Indonesia and was a self-taught draughtsman and painter of num. landscapes in Java. 24 of Salm's works were copied by the painter and lithogr. J.C. Greive (1837-91) at the request of the publ. Frans Buffa. The quality and finish of the plates in 'Java' is generally held to be Greive's and Buffa's greatest effort, and thus represent some of the finest 19th cent. lithogr. book ills. to have been publ. in the Netherlands. Moreover, Salm's works were of rarely depicted Indonesian landscapes. 2 versions of this work exist: tinted and col. w. hand finishing. This is a copy w. hand finishing. Bastin & Brommer, p. 44-45 and note 659; Landwehr, Dutch Books w. Cold. Plates, 421; Tiele, Bibl. 954.

Statues and Sculptures from Tribal Indonesia in the Collections of the Babier-Mueller Museum. Ed. Jean-Paul Barbier. Milan, Skira, 1999. 208 p. Sc. (2) Nias Tribal Treasures. Cosmic Reflections in Stone, Wood and Gold. Delft, Volkenkundig Museum Nusantara, 1990. 327 p. Hc w. dust-j. (3) The Sculpture of Indonesia. Jan Fontein. New York/Washington, Harry N. Abrams/National Gallery of Art, 1990. 312 p. (4) Goud der Goden uit het oude Java. Ed. Edward de Bock. Rott., Stichting Wereldmuseum, 2014. -and 21 other publications on applied Asian arts. Mild traces of use. (total 26)

Mostly early 20th cent. but also incl. late 19th cent. cards and some later cards, all but a few stamped and addressed (many to members of the Van Andel family, a number of those cards to or from addresses in Shanghai and Hongkong), all inserted with the address-side visible, the cl. album w. Jugendstil decoration, folio-sized. Bookblock loosening at upper hinge, edges of upper cover worn. A rich, international collection, especially important for both the many stamps showing dates and places (most of the cards w. 2-5 of those), as well as the paper stamps. Alexander Willem van Andel was manager for the Holland-China Trading Comp. in Shanghai, explaining the many cards sent to or from Shanghai and Hong-Kong (the Van Andel family home-addresses in the Netherlands were in Rotterdam, also includes early cards w. stamp "Waspik" and other sm. Dutch places). Many paper stamps are German, but a number of them have Chinese paper stamps from Hong Kong etc. Also includes stamps from Egypt, Gibraltar, Sweden, The Philippines, U.S.A., Tunisia, Great Britain, Ceylon, Indonesia, The Netherlands, France, "Congo Belge" etc. Most of the cards were originally issued in European countries, but a number of photocards show street scenes in Shanghai, Beijing etc., a few are with Chinese text and stamps only. (total ca. 265 in album)

ghedaen by de acht Schepen in den jare 1598 (...). Ghetrocken Uyt het Iournael ofte Dagh-register voor desen daer van ghedruckt, ende door-gaens tot beter onderrechtinghe des Lesers, uuyt verscheyden andere Schrijvers verrijckt. N.pl., n.publ., (1645). 56 p. 26 engr. plates. Calf. Obl. sm. 4to. Vol. 2 only. No title-p. (but unclear if there should be one for vol. 2). Good copy. Work recounting the Dutch naval officer and explorer van Neck's expedition to Indonesia of 1598-99. Van Neck's was the 2nd Dutch expedition to the area, w. the goal being to bring back spices from the area. This work incl. an engr. that shows the shore of Mauritius (where van Neck stopped for supplies), as well as the 1st publ. depiction of a dodo bird (engr. 3). Rare.

A Dayak Mandau style sword from north Borneo/Indonesia, 51cm single edged blade

Tay Bak Koi1939 Singapur - 2003 Singapur - Fischer bei Sonnenaufgang - Gouache/Papier. 30 x 30 cm (Passepartoutausschnitt). Sign. r. u.: Bak Koi. Passepartout. Unter Glas gerahmt. Indonesia, Singapore

An extensive collection of World banknotes to include early German, notes within covers, and two albums of African notes Zimbabwe, Nigeria and Zambia, also Indonesia, Japan and other countries. (3)

Modern Academic. A large collection of modern and miscellaneous academic literature, including China-India-Japan in the Indo-Pacific, Pand, Basu; Pentagon Press, Savu: History and Oral Tradition on and Island of Indonesia, Duggan, NUS Press, & further U.S. university & academic by Naval Institute, McFarland, Transaction, some original boards, some paperbacks in original wrappers, some duplicate copies, VG including 'as new', 8voApproximately 180 volumesQTY: (6 shelves) Please note that lots 375-430 are off-site in Bourton-on-the-Water and can only be viewed online and any purchases collected from there by prior arrangement.

A cotton textile, Indonesia, 20th century, of rectangular form, woven in red and cream on a brown ground, with repeating design of standing figures and crowns, with confronting deer to border, the design in mirror image at each end, 115 x 112cm. Provenance: The Private Collection of  Viscount Cowdray

A cotton textile, Indonesia, 20th century, woven in dark blue, cream, red and lighter blue, with a design of stripes and oval cartouches containing abstract floral designs on a solid deep blue ground, 180 x 115cm. Provenance: The Private Collection of  Viscount Cowdray

A cotton textile, Indonesia, 20th century, of rectangular form, woven in cream, blue red and brown, with a large overall pattern of confronting dragons, with birds, and quadrupeds,112 x 246cm. Provenance: The Private Collection of  Viscount Cowdray

A cotton textile, Indonesia, 20th century, of rectangular form, woven in blue, red, brown and cream with confronted lions and dragons, a series of rabbits or deer either end, the design mirrored at either end, 248cm. x 125cm. Provenance: The Private Collection of  Viscount Cowdray

COLLIER À PENDELOQUES EN FORME DE GRIFFE DE TIGRE STYLISÉE EN OR REPOUSSÉJAVA, VIIIE-XE SIÈCLE40 cm (15 3/4 in.) longFootnotes:A REPOUSSÉ GOLD NECKLACE OF STYLIZED TIGER CLAWSJAVA, 8TH-10TH CENTURY爪哇 八至十世紀 金錘揲虎爪式項飾Provenance:With Claude de Marteau, Brussels, by 1980sThough leaf-like, the curved shapes are inspired by the tiger-claw pendants of South India. They were worn for their powerful talismanic properties and were incorporated into ritual use in Java during the height of cultural and trading exchange between India and Indonesia. This example is rare on account of the matched set of fifteen elements. For further discussion on a related suite of nine elements from the Thompson Collection, see Miksic, Old Javanese Gold, Yale, 2011, p. 148, fig. 29. Also compare with a closely related example in The Metropolitan Museum of Art (1998.544.63a–i).For further information on this lot please visit Bonhams.com

BRACELET DE CÉRÉMONIE EN OR REPOUSSÉ ET VERRE COLORÉ (KOMBA-LOLA)PEUPLE TORAJA, SULAWESI, INDONÉSIE, XIXE SIÈCLE15.8 cm (6 1/4 in.) diam.Footnotes:A GOLD REPOUSSÉ COLORED GLASS CEREMONIAL BRACELET (KOMBA-LOLA)TORAJA PEOPLE, SULAWESI, INDONESIA, 19TH CENTURY 托拉查族 蘇拉威西島 印度尼西亞 十九世紀 金錘揲嵌紅料儀式手鐲 Provenance:With Claude de Marteau by the 1980sThese exceptionally large bracelets are worn by women from the Toraja tribe in Mamasa, part of West Sulawesi province, during special ceremonies and funerals. The display of elaborate jewelry is of critical importance, especially in funeral ceremonies, to emphasize the status and wealth of the upper classes. A example can be found in the Dallas Museum of Art (1988.55) and a pair published in Carpenter, Ethnic Jewellery of Indonesia, 2011, p. 186 and 186, both which share similar chased designs in the gold panel sides.For further information on this lot please visit Bonhams.com

Two albums of world stamps including German WWII examples, Indonesia, Poland, Great Britain, Canada, etc.

Megalodon Tooth. A Megalodon tooth, Miocene period from Indonesia, 12cm from the tip to the edge of the root, a good tooth with the majority of serrations still intact and natural root but with some chipping

Kris / Keris / Krummdolch, Indonesien, prächtig geschnitzter Griff und Scheide, Länge: gesamt 60 cm, Klinge 39,5 cm. Kris / Keris, Indonesia, finely carved handle and scabbard, length: total 60 cm, blade 39,5 cm

Mattel Barbie Dolls of the World and Festivals of the World, includes Pink Label and Collector Editions: Dolls of the World (1) 25th Anniversary Princess of the Renaissance, #G5860; (2) Princess of the Portuguese Empire, #56217; (3) Spain, #L9583; (4) Princess of England, #B3459; (5) Princess of the Navajo, #B8956; (6) Princess of Cambodia, #B3460; (7) Sumatra- Indonesia, #L9582. (8) Festivals of the World Irish Dance, #K7920; Excellent to Near Mint, within Fair to Excellent Plus boxes; (8).

Leo Eland (Salatiga, Indonesia 1884-1952 The Hague), House by a river in a bamboo forest, Indonesia, signed (bottom left), watercolor on paper,26,5 x 18 cm.

Kris, Indonesia, circa 1900.L.: 48 cm.

A vintage Papuan bridal necklace, Indonesia, first half 20th century.53 cm.

Frits Lucien N. OHL (1904 - 1976). Strassenmarkt Indonesien.70,5 cm x 60 cm. Gemälde. Öl auf Leinwand. Rechts unten signiert. Provenienz: Zeeuws Veilinghus, Middleburg, Niederlande. Zuschlag 3.000,00 € am 17.11.2020. Versand kann organisiert werden.Street market Indonesia. Painting. Oil on canvas. Signed lower right. Zeeuws Veilinghus, Middleburg, Netherlands. 3.000,00 € on 17.11.2020. Shipping can be arranged.

Electric fender squire crafted in Indonesia, working order, stand not included

A CELADON JADE 'TURTLE' SEAL, 17TH CENTURY China. The square seal surmounted by a turtle standing foursquare, its minuscule head almost entirely retreated into the large shell with neatly incised carapace, the tail trailing to the ground, the seal face left plain. The translucent stone of a celadon tone with russet veins, dark specks, and cloudy white inclusions.Provenance: Adrian M. Joseph, c. 2003. British private collection, acquired from the above. Adrian Malcolm Joseph started studying and collecting Chinese ceramics during the late 1950s. He published various important papers and books including Ming Porcelains: Their Origins and Development (1971) and Chinese and Annamese Ceramics found in the Philippines and Indonesia (1973). He and his wife Phyllis began collecting Japanese art in the late 1960s, initially acquiring ceramics from important dealers such as Shimojo in Tokyo. Joseph became a Director of Hugh Moss Ltd. in the 1970s.Condition: Very good condition with minor wear, minuscule nicks, natural weathering.Weight: 42.7 gDimensions: Size 2.8 x 2.8 x 2.6 cmAuction result comparison: Compare a related black and gray jade seal of a tortoise, 3 cm high, dated Ming dynasty or earlier, at Christie's New York in The Collection of Robert Hatfield Ellsworth Part IV on 20 March 2015, lot 739, sold for USD 6,000 (part lot, together with a brown jade seal depicting a mythical beast). Compare a white jade seal depicting a bixi, 4 cm wide, dated to the late Ming dynasty, at Christie's Hong Kong in The Pavilion Sale on 6 October 2015, lot 47, sold for HKD 68,750.十七世紀青玉龜鈕印中國。方形印上雕刻龜形鈕，小小的腦袋幾乎完全縮進了龜殼裡，甲殼整齊切割，尾巴垂在地上。印面光滑，青色半透明玉石，帶有赤褐色的脈紋和白色絮狀物。 來源: Adrian M. Joseph, 約2003年；英國私人收藏，購於上述收藏；Adrian Malcolm Joseph 在 1950 年代後期開始研究和收集中國陶瓷。 他發表了多篇重要論文和著作，包括《Ming Porcelains: Their Origins and Development》（1971）和《Chinese and Annamese Ceramics found in the Philippines and Indonesia》（1973）。 他和他的妻子Phyllis在 1960 年代後期開始收集日本藝術品，最初是從東京的 Shimojo 等重要經銷商處購買陶瓷。 Joseph 在 1970 年代成為 Hugh Moss Ltd. 的董事。 品相: 狀況極好，輕微磨損，小劃痕，自然風化。 重量: 42.7 克 尺寸: 2.8 x 2.8 x 2.6 厘米 拍賣結果比較: 比較一件相近的明代或更早的灰白玉雕龜鈕印，高3 厘米 ，見紐約佳士得 The Collection of Robert Hatfield Ellsworth Part IV 2015年3月20日 lot 739, 售價USD 6,000 (與另一件褐色瑞獸鈕玉印一起)；比較一件明末白玉雕瑞獸，寬 4 厘米，見香港佳士得The Pavilion Sale 2015年10月 6日 lot 47, 售價HKD 68,750。

Bank Indonesia, 10,000 Rupiah, 2004, serial number QBO 888888, in PMG holder 66 EPQ, gem uncirculated and a great solid number TBB B603, Pick 146 £120-£180