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Lot 87
Teakwooden colonial cabinet, with doors, panels and one drawer, Indonesia 19th century, h. 208, w. 130, d. 56 cm.Teakhouten Koloniaal kruiskabinet met gebogen kap en 2 paneeldeuren, plintlade op gedraaide poten verbonden door regels, Indonesië, eind 19e eeuw, h. 208, br. 130, d. 56 cm. (1x zijkant gescheurd)
Lot 183
A MAJAPAHIT POTTERY 'PIGGY BANK' Indonesia, possibly circa 1500, modelled standing with a slit in its back, and a large hole to the back 11cm high Condition: Surface wear, abrasions and old chips in many areas to the piece, most visible with chips to the ears and the hole to the reverse. We suspect that the feet are possibly replacements, the colour of the pottery differs slightly to the the body and the junctions to the body appear quite visible. When on a flat surface one front leg is raised. PLease see further images. Provenance: Lots 119 - 307 from the collection of former Singaporean diplomat and Member of Parliament, Joseph Conceicao
Lot 209
Kris, Indonesien/ JavaGewellte Pamorklinge mit leichtem Flugrost, L. 35 cm, geschnitzter Edelholzgriff. Griff lose aufgesteckt. L. gesamt 45 cm. Holzscheide mit Messingummantelung, oben Rissbildung und minimale Ausbrüche. Kris, Indonesia, wooden carved handle loose, blade with light rust film. L. 45 cm, length of blade 35 cm. Wooden scabbard with brass coat.
Lot 208
Klewang (Kurzschwert), IndonesienRückenklinge mit Pamor, mit einigen Scharten, L. 43,5 cm, geschnitzter Horngriff. L. gesamt 57 cm; Scheide Holz/ Horn, Metallbänder teils graviert, unvollständig. Klewang sword, Indonesia, horn handle. L. 57 cm, length of blade 43,5 cm. Wooden scabbard with metal applications. Lacks of condition.
Lot 43
Artist: Henri Cartier-Bresson (French, 1908 - 2004). Title: "Bali Nude, Indonesia". Medium: Original vintage photogravure. Date: Composed 1950. Printed 1953. Dimensions: Image size: 13 1/2 x 9 1/4 in. (343 x 235 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © Licensed by VAGA, New York, NY. [25499-3-300]
![[Human Zoo] [Indonesia] Sandi, Siwel and Amat. Java's marvellous novelty Friedländer, Hamburg, 1913. 96 x 71 cm. Lith. no. 58](https://cdn.globalauctionplatform.com/22e31b51-3022-4a65-8d1e-aea0009b964b/644c777d-991d-4385-9a92-aea000a14026/468x382.jpg)
Lot 1648
Full title: A basalt sculpture of a reading student, Indonesia, 20th C.Description:H 100 cmAbout this sale: Paul De Grande is one of the major dealers of antique furniture, fine sculptures and decorative arts in Europe. In 1974, he moved to the Castle of Snellegem near Bruges. From there, he catered to the rich and famous, important decorators and museums around the world. Entering a new chapter, Paul has decided it is time to part with his private collection and part of his trade stock. This sale presents a unique opportunity to clinch a piece of this wonderful personality's history. Paul's main focus has always been on Renaissance sculpture, French and Italian furniture and pieces of museal quality. He has had sales with Christies and Sotheby's in the past. He's also an important personality on various Belgian tv shows.
Lot 63
Audemars Piguet. A fine and rare Limited Edition stainless steel automatic calendar bracelet watchModel: Royal Oak 'Time for the Trees'Reference: 15100STDate: Circa 1999Movement: 36-jewel Cal.2225 automatic, No.479790Dial: Blue waffle pattern with oak tree motif, applied luminous filled baton hour markers, white outer minute divisions with Arabic 5 minute markers, date aperture at 3, polished baton hands with luminous inserts, centre secondsCase: Brushed and polished tonneau form, polished and brushed bezel with 8 screws, exhibition back engraved AD 8.10.2000, No.E23165Strap/Bracelet: Brushed and polished linkBuckle/Clasp: Signed folding claspSigned: Case, dial & movementSize: 36mmFootnotes:The Audemars Piguet Foundation was established in 1992 to support reforestation and forest conservation. Since it's launch, the foundation has supported projects in regions such as Brazil, Madagascar and Indonesia planting thousands of trees. In 1999 Audemars Piguet released the reference 15100ST. A limited edition of 450 pieces, the reference is easily recognisable by the oak tree motif on the dial, the 'Audemars Piguet Fondation' signature at 6 o'clock and the white date aperture.For further information on this lot please visit Bonhams.com
Lot 291
Steve Ferguson (American, B. 1946) "Rockwell OV-10 Bronco" Signed lower left. Original Acrylic painting on Cold Press Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood Commemorative Cover for the OV-10 Bronco dated July 16, 1998. The Rockwell OV-10 Bronco was designed in response to a joint request from the U.S. Air Force and the U.S. Marine Corps for an armed tactical reconnaissance plane. On July 16, 1965, the first Bronco took flight. Two turboprop, 715 horsepower engines propelled the small aircraft at a maximum speed of 280 mph for a range of 600 miles. A total of 271 Broncos were produced for the U.S. armed forces, including 157 for the U.S. Air Force and 114 for the Marine Corps. In addition, close to 100 more of these close-surveillance aircraft were manufactured for the foreign air forces of Germany, Venezuela, Thailand and Indonesia. U.S. Marine Corps Observation Squadron 2, operating from Da Nang in South Vietnam, was the first armed force to successfully use the Bronco in combat. Image Size: 16.5 x 14 in. Overall Size: 20 x 15 in. Unframed. (B14056)
Lot 711
ARTIST: I Ketut Kasta (Indonesian, born 1945)NAME: Two Balinese WomenYEAR: 1994MEDIUM: acrylicl on canvasCONDITION: Very good. No visible inpaint under UV light. Original frame.SIGHT SIZE: 20 x 14 inches / 50 x 35 cmFRAME SIZE: 29 x 23 inches / 73 x 58 cmSIGNATURE: lower right and on versoNOTE: original frameCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120195US Shipping $75 + insurance.BIOGRAPHY:Born in Peliatan, Ubud, Bali, Indonesia, 1945.After graduated from elementary school, he learned painting under the guidance of I Ketut Djodjol from Tebesaya. Kasta works evidently show his characteristic and became an important element of Balinese traditional art scene. His subjects lingered around the daily life of Bali such as the market scene, legong dance barong, women doing bebanten or weaving cili-cili: all illustrated meticulously. His figures were drawn in wayang's anatomy of elongated hands and feet in slender body. The impression of his figure is innocent. Some of his pupils are I Ketut Sundra, Ida Bagus Sugata, I wayan Joni and also his son, I Made Sudiarta. His works are exhibited in Bali, Jakarta, Singapore and various European cities.
Lot 572
1977 Honda TN360Make: Honda Model: TN360Year: 1977Mileage: 28406VIN: TN3602901933Configuration: Right Hand DriveRegistration: VFK904STransmission: manual354cc. This Honda TN360 was previously purchased by the vendor from ACA and since then has been subject to expenditure on new parts ordered from Indonesia. These include fuel pump, exhaust, contact breaker, rear shocks, coil pack with HT leads, spark plugs and fuel filter. It is described as requiring restoration, starting on the button and stopping with the hand brake only. Registered to the last owner since 1983, the vehicle has been in storage since 1985 following it's last MoT issued at 28,406 miles. Comes with owner's manual, current HPI record and MoT dated 1985. The V5 is to be applied for. Current mileage is recorded at 28,406. Five registered owners. PLEASE SEE BELOW FOR VIDEO PRODUCED BY ACA OF THIS CAR.
Lot 10
MENTAWAI MEMORIAL CANOE PADDLE SIBERUT ISLAND, INDONESIA carved wood and pigment, the broad paddle blade with central ridge, the long shaft leading to crescent handle, painted white with a black hand at the centre of the blade, raised on a bespoke mount(127cm tall)Provenance: Private collection, London, United Kingdom, formed over the past fifty years Note: This rare paddle was carved to commemorate a Mentawai elder, represented by his hand. Once painted, the paddle could no longer be used as a functional object. A similar example can be seen in Feldman, J., “Arc of the Ancestors: Indonesian Art from the Jerome L. Joss Collection at UCLA”, 1994, p. 48-50.
Lot 3092
Alle Welt in 4 Alben - dabei Indien, Indonesien, Singapur, Tansania, Peru, USA, Argentinien, DDR, Jugoslawien, Ungarn, uvm. Erhalt stets unterschiedlich. Kleine Fundgrube - am besten durchstöbern.| All the world in 4 albums - India, Indonesia, Singapore, Tanzania, Peru, USA, Argentina, GDR, Yugoslavia, Hungary, etc. The condition always varies. Small treasure trove - best to browse through.
Lot 055341
Megalodon riesiger und mächtiger Haifischzahn 'Carcharocles megalodon' aus Indonesien, Cikalong West Java, ca. 16-20 Mio. Jahre alt, Neogen Miozän, ungewöhnlich reizvoller u. ästhetisch schöner Zahn aus dieser Fundstelle mit wunderbarer braun changierenden Färbung und einer goldenen Bourlette, Zähne aus Indonesien sind bedeutend seltener, als die aus USA u. zeichnen sich durch das ungewöhnliche Farbenspiel u. eine brilliant am Rand filigran erhaltene Verzahnung aus, sie stammenaus Ablagerungen, die vor langer Zeit geschlossen wurden und sind erst seit kurzem auf dem Markt, keine Restaurierung u. in seiner natürlichen Form perfekt erhalten, 15,3x 10 x 2cm, 275g, Zähne über 14cm groß sind sehr selten, mit perfekter Riffelung der fast rasiermesserscharfen Zahnschneiden (wichtig für die Qualitätserkennung), sammelw., musealMegalodon, huge and powerful shark tooth 'Carcharocles megalodon' from Indonesia, Cikalong West Java, ca. 16-20 million years old, Neogene Miocene, unusually charming and aesthetically beautifultooth from this locality with wonderful brown iridescent colouring and a golden bourlette, teeth from Indonesia are significantly rarer than those from the USA and are distinguished by the unusual and a brilliantly preserved filigree preserved at the edge, they originate from deposits that were closed a long time ago and they have only recently become available on the market, no restoration and perfectly preserved in its natural form, 15,3 x 10 x 2cm, 275g, teeth over 14cm in size are very rare, with perfect grooving of the almostrazor sharp teeth (important for quality recognition), museum
Lot 44
Save The Children Coin Collection thirteen gold coin set, including Gambia 1,000 Dalasis (10g .917), Indonesia 200,000 Rupiah (10g .917), China (11.31g .917), Fiji $200 (10g .917), Western Samoa 100 Tala (7.5g .916), Malawi 20 Kwacha (10g .917), Singapore $50 (10g .916), Nepal Asarfi (11.66g .900), Suriname 250 Guilders (7.98g .917), Cook Islands $250 (9.6g .900), Oman 25 Rials (10g .917), Botswana 5 Pula (10g .917), Tanzania 2000 Shilingi (10g .917), in case, (13)
Lot 38
‘After having heard the battle raging around his craft, he left his engines under the charge of his assistant, picked up his sten gun, and joined in the gun battle.’ The unique Brunei D.S.M. pair awarded to Petty Officer Mechanician P. J. D. Kirwin, Royal Navy, Stoker Petty Officer of the leading lighter at the opposed Royal Marines Commando raid against heavily armed Indonesian supported rebels at Limbang, Brunei, on 12 December 1962, who, ‘when his craft came under heavy fire, left the safety of his engine room, grasped his automatic weapon, and engaged the rebels himself at very close range’ - one of just four D.S.M.s awarded to the Royal Navy in the period from the Korean War in 1953 until the Falklands War in 1982 Distinguished Service Medal, E.II.R., 2nd issue (P/KX.869578 P. J. D. Kirwin. P.O.M. (E) R.N.); Naval General Service 1915-62, 1 clasp, Brunei (KX.869578 P. J. D. Kirwin. P.O.M. (E). R.N.) this with officially re-impressed naming, together with original Royal Mint case of issue for D.S.M., extremely fine (2) £16,000-£20,000 --- D.S.M. London Gazette 31 May 1963: ‘For gallant and distinguished services in operations in Brunei during the period 8th to 23rd December 1962.’ Revolt in Brunei Up to 1962, the island of Borneo was divided into the vast southern area under Indonesian rule and three British dependencies, Sarawak, North Borneo and, sandwiched between them, the tiny but very wealthy protectorate of Brunei. With the sun gradually setting on British interests in this part of the Far East, a proposal to include these three northern Borneo states into the new Federation of Malaysia was opposed by Indonesia which then proceeded to back the dissident TNKU in mounting an insurrection in Brunei with the aim of maintaining a North Borneo Union. To further this, in December 1962 the rebels occupied several towns, including Brunei town and at Limbang across the border in Sarawak, they held a number of hostages, including the British Government’s Agent - the ‘Resident’, ‘Dick’ Morris - his wife and a nursing sister. There were indications that the hostages were to be executed on 12 December. At this time 42 Commando, who were awaiting Christmas in Singapore, were put on short notice, and two days later ‘L’ Company, under Captain Jeremy Moore (later to command British Land Forces during the Falklands War), flew to Brunei Town where the Gurkhas had restored order. In fact, most of the trouble had been quickly stamped out, except at Limbang, only accessible by river. Amphibious Assault on Limbang Tasked with rescuing the Limbang hostages, Moore’s urgency was further sharpened when it was learned that the TKNU had murdered some hostages at Bangar. At the waterfront in Brunei he met the Senior Naval Officer, Lieutenant-Commander J. J. Black (who by coincidence would also rise to senior command during the Falklands War as Captain of the aircraft carrier H.M.S. Invincible) who had requisitioned two Z-Lighter landing craft for the raid, the Nakhoda Manis and the Sindaun, and provided these with five man crews from the minesweepers Fiskerton and Chawton under his command. Lieutenant Willis, being Black’s First Lieutenant, was appointed as the Senior Naval Officer charged with ensuring that the task force arrived off Limbang but once the assault landing was under way, the lighters would then come under the tactical direction of the senior Royal Marine on board. None of the Royal Navy men under Willis had any experience in handling Z-Craft or landing craft operations but they were now being committed to the daunting prospect of an opposed landing. At 10pm on 11 December, the understrength ‘L’ Company of 87 men, faces blackened, all wearing green berets with glinting cap badges for identification, filed on to the waiting Z-Craft. On board the lead lighter, Nakhoda Manis - commanded by Willis - was Captain Moore, his reconnaissance group, part of Company HQ, and 5 Troop. Also aboard as guide was Captain Muton, the Brunei Director of Marine who would later receive the M.B.E. for his efforts and four more Royal Navy crew including Petty Officer Mechanician Kirwin. The assault went in at first light: ‘When they were 300yds from the Limbang police station, and as the leading craft came abreast of the huts south of the town,‘it erupted like a disturbed ants' nest as the rebels stood to’. At 200yds the Commando Intelligence Sergeant called through the loud-hailer in Malay: ‘The rebellion is over . . . you should lay down your arms.' They replied with automatic weapons - an LMG, three or four SMGs - and some dozen rifles, supported by over 100 shotguns. The instantaneous counter-fire from both craft gave the commandos, thanks to their Vickers machine-guns, the initiative, enabling the leading craft to beach half a minute later only 30yds from the police station. Two marines of the leading No.5 Troop were killed before the craft gained the bank and their OC, Lt ‘Paddy’ Davis, was wounded as he jumped ashore. Sgt Bickford led two Sections of the Troop against the police station, which was quickly cleared, but the naval coxswain of the leading craft had been wounded and as the craft drifted off the bank, Lt D.O. Willis, RN, drove it hard back ashore; but this shallow draught lighter broached to 150yds upstream between the hospital and the home of the British Resident. Capt Moore sent the reserve section ashore, with HQ personnel led by TSM McDonald, and they cleared the hospital. As they came through to the back of this building, the Troop sergeant and two marines were killed, ‘for the jungle comes literally right down to the back door of the hospital’. The grounding of the craft up-river had been a fortunate accident, for Capt Moore found some of the hostages in the hospital. A rebel had fired at them but missed, and no one was hurt. While the ground between the hospital and the police station was being cleared, as was the Resident’s house, the Company Commander was told of more hostages. Therefore, he organised the clearing of the rest of the town to the south, and by the afternoon had released another eight hostages but at nightfall there were still rebels inside the Company’s perimeter, two of whom were killed close to the marines’ positions. Next day the town was secured. Five marines had been killed and six wounded (including a sailor), but the action here, coupled with those of the Gurkhas and Queen's Own Highlanders elsewhere in Brunei, had broken the rebellion. At Limbang alone 15 rebels had been killed and 50 captured from a force of 350, - twice the expected size. They had been taken by surprise, as the commandos now discovered. The Vickers guns in the second craft had been masked, the Company Commander also learnt, by the leading craft, until QMS Cyril Quoins asked the officer commanding this lighter if he could pull out of line to give them a clearer shot. ‘Sergeant Major’, the officer replied, ‘Nelson would have loved you’, and promptly swung his craft into a more exposed position.’ (The Royal Marines by James D. Ladd refers.) It is also worth quoting Captain Jeremy Moore’s observations, made much later: ‘It is perhaps interesting to note that, though my assessment of where the enemy headquarters might be was right, I was quite wrong about the hostages. Furthermore, it was chance that the second beaching happened where it did, that resulted in us taking the hospital from the direction we did. It could be that this saved us heavier casualties, though I assess the most important factor in the success of the operation was first class leadership by junior NCOs. Their section battle craft was a joy to watch...
Lot 185
World Cruise. A photograph album containing tipped-in photographic views from a world cruise onboard RMS Laconia, c. 1920s, a total of approximately 230 gelatin silver prints of Havana (10), Panama (32), Hawaii (22), Japan (36), Korea (13), Hong Kong (20), Philippines (6), North Borneo (8), Indonesia (12), Singapore (7), Burma (19), Ceylon (10) and India (14), images 8 x 13.5 cm and printed on Velox paper, largely arranged two to a page on rectos and versos of paper mounts throughout, neat captions in white china ink to mounts, some occasional corner creasing and chips to lower corners of photographs, 2 larger photographs of the Taj Mahal loosely inserted, contemporary limp morocco with cloth spine tie, some wear, oblong folioQTY: (1)
Lot 25
China & Indonesia. A photograph album compiled by a western man in China, Indonesia, etc., c. 1910, gelatin silver prints, mostly personal snapshots of recreational activities, boats, views, etc., mostly 9 x 13.5 cm and similar, a total of approximately 120 photos mostly mounted as multiples to rectos and versos of stiff card leaves with very few captions, some album leaves detached, contemporary cloth-backed boards, some wear, oblong folioQTY: (1)
Lot 196
PAUL JACOULET (1902-1960) SHOWA, 1936 AND 1937 Two Japanese woodblock prints, the first entitled La Chenille Verte, Corée (The Green Caterpillar, Korea) and the other Sur le Sable, Ouest Carolines, Yap (On the Sand, West Caroline Islands, Yap); both signed in pencil lower right corner above the red Good Luck Hammer seal; the first with a ground of mica, a carver's seal for Maeda Kentaro and stamped with edition number 150/150 on the verso, and the other with edition number 82/150, 46.8cm x 35.6cm and 36.1cm x 46.7cm respectively. (2) Paul Jacoulet was a French artist living in Japan, who learnt traditional ukiyo-e printing techniques and developed a personal style often featuring portraits of people he met on his voyages. He travelled extensively to Micronesia, Indonesia, China, Korean, Japan and the Philippines.
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