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An early 20th century Japanese silkwork panel of two kittens, mounted as an oak firescreen, panel 40 x 43cm and J. Baudet, set of four colour prints of cats and kittens; Chats de Touts les Pays ..., 24 x 44cmCondition:-Japanese silkwork panel: Probably a little faded but with fair differentiation of colour, some scattered mould marks that are on the glass but one notable water stain in the top right corner.- 4 colour prints: Possibly slightly faded with a hint of acid staining around the margins, one or two tiny dirt specks but overall fair to good condition, later gilt frames a little rubbed.
A 19th century late Victorian JAS Shoolbred of London firescreen / discretionary screen. Raised on stunning polished brass splayed feet supporting a mahogany frame with turned lower stretcher. The central glazed panel having a stunning needlepoint display of flowers. Measures: 101cm x 60cm x 9cm
An advertising firescreen or store display for Will's Woodbines cigarettes, 72 x 49cm, together with other enamel and tin signs including Intercity Routes of Britain, Lyons Maid ice cream, framed Peppercorn Class A2 Pacific No. 60532 Blue Peter, three records including Memories of Steam and other reproduction unframed railway prints (qty).
A VICTORIAN GILTWOOD AND BERLIN WOOLWORK FIRESCREEN, C1860 the leafy scrolling carved frame enclosing a raised woolwork banner of a glass eyed spaniel on fountain amidst flowers before a castellated mansion, 111cm h, 77cm w Typical brown staining of the background otherwise in good condition as is the frame, original gilding but dusty/dirty
A George III carved and oil gilded, cheval firescreen, circa 1775 in the manner of Linnell, the cartouche shaped panel in the form of crossed palm fronds and now inset with a 19th century armorial panel with the motto 'Spectemur Agendo', the conforming supports with a crossed frond stretcher and splayed feet, 122cm high, 65cm wide, 30cm deep Footnote: The arms on the tapestry panel are identifiable as being of the illustrious Admiral Sir Edward Thornbrough (1754-1834) GCB and was likely supplied to him for his home Bishopteignton Lodge in Devon. Thornbrough was a senior, long-serving veteran officer of the British Royal Navy during the late eighteenth and early nineteenth century. He saw action in the American Revolutionary War, the French Revolutionary Wars and the Napoleonic Wars, being wounded several times and once captured by American forces after a shipwreck. During the wreck, his conduct towards American prisoners aboard his ship was considered so exemplary that the American authorities later released him without parole or exchange. During the later conflict, Thornbrough won praise for taking his frigate into the thick of the action at the Glorious First of June, towing the shattered HMS Bellerophon to safety after she was isolated by several French ships of the line. Later, Thornbrough became a senior admiral in both the Channel Fleet and the Mediterranean Fleet under Cuthbert Collingwood, who held him in high esteem. He retired in 1818 and settled in Devon with his third wife, dying in 1834.He married three time: firstly in 1784 Anne Le Cras (died 1801), by whom he had an only son Edward Le Cras Thornbrough (1795-1857) later an Admiral in the Royal Navy. He married secondly in 1801 Elizabeth Jeynes (1775-1813) and in 1813 for the third time Frances Le Cras (died 1851) sister of his first wife both being daughters of Edward Le Cras Commander of the Royal Navy. Sir Edward was a descendant of John Thornb(o)rough (1551-1641) Bishop of Worcester.
AN ARTS AND CRAFTS OAK AND COPPER FIRESCREEN, CIRCA 1900, with ovolo moulded projecting cornice above a copper panel depicting a maiden standing beside a sundial feeding a dove with three further doves drinking at her feet, flanked by fluted uprights continuing to fluted Omega-shaped feet. 94.5cm high, 67cm wide

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