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A Victorian mahogany and marquetry inlaid corner waterfall whatnot, united by turned supports, 145cm high x 60cm wide x 36cm deep. (a/f); a mahogany tripod jardiniere stand, approx 124cm high; a Victorian mahogany tripod occasional table, with rounded rectangular tilt top, approx 69cm high x 60cm wide; an Edwardian brass framed and mirror glass firescreen, approx 81cm high x 51cm wide and a rectangular oak coffee table, approx 51cm high x 58cm wide. (5)
A collection of furniture comprising a mahogany and cross banded sofa style table in the Regency taste, on dual turned end supports to down-swept scrolling feet to brass paw caps and castors, together with two mahogany turned standard lamps, an oak framed dressing stool with upholstered seat, an oak framed firescreen with tapestry panel, a jardiniere stand with undertier, a painted Tri-ang doll`s cot and a Tan-sad child`s doll`s pram
* A 19th century rectangular overmantel mirror, in gilt-moulded framed with ebony fillet, 30.5 ins (80 cm) wide, together with an 18th century style upright rectangular wall mirror in walnut-veneered frame, with bevelled mirror plate, 36 inches (92 cm) tall, plus a 17th century style walnut-veneered dressing table mirror, shaped frame with rear-hinged support, 27.5 inches (70 cm) tall, plus one other mirror and a firescreen. (5)
A VICTORIAN CARVED MAHOGANY FIRESCREENwith floral woolwork banner in gilt guilloche slip and English rococo style frame of flowers and C scrolls flanked by fluted pillars with turned finials, on moulded scrolling legs and volute feet, 135cm h; 90 x 58cm++Fine quality example, a small repair to one of the scrolls linking the frame to the upright
Louis le Brocquy HRHA (1916-2012) Cherub (1951) Tapestry 49 x 61.5cm (19.25 x 24.25") Contained in a burr walnut firescreen frame Provenance: Mrs. S.H. Stead-Ellis; Taylor deVeres 30th September 1996, Catalogue No. 113, where purchased by current owner In 1951, the late Mrs S.H. Stead-Ellis commissioned Louis leBrocquy to design three related tapestry panels on the theme of Adam and Eve in the Garden: one for a 4-fold screen, one for an antique walnut firescreen and one for a wall-hanging. Two of these works are being offered here and both are unique. The wall-hanging was woven at Tabard Freres et Soeurs, Aubusson, France. A subsequent single wall-hanging was woven to the same scale, but a later edition of all three tapestries was woven to a large scale, with different colourways in the case of the firescreen 'Cherub', and the wall-hanging 'Women's Heel'. The theme with its archetypal imagery, is treated in a classic, even traditional, manner. Dorothy Walker September The design recalls the artists's 'apocalyptic' paintings of 1948-9. On the other hand, the revelation of the heart within the figure may be said to anticipate that anatomical insight of his later paintings which J.P. Wilhelm has called 'une intuition ultralucide du corps humain'. This small work completes the Eden series.

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7582 item(s)/page