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An unusual early 20th century golden oak sideboard of inverted breakfront form with moulded top and central fitted secretaire drawer above a recessed moulded panel door, enclosed by ten graduated drawers, the whole with fluted quarter columns, brass swan neck handles and carved with scroll work, panelled sides, on shaped bracket feet, 160cm x 100cm.
An early 19th century mahogany secretaire bookcase, the associated top with dentil cornice above three adjustable shelves enclosed by a pair of astragal glazed doors, the projecting base with fall front secretaire drawer revealing an interior with an arrangement of compartments, drawers and a central door inlaid with a conch shell, above three similar cockbeaded drawers, all outlined with ebonised stringing and with with brass lion mask and ring handles, on shaped bracket feet, 114cm x 237cm.
A George III style mahogany bow front bedroom suite, with matched curl veneers, gadrooned mouldings and all on acanthus carved cabriole legs with claw and ball feet, comprising three door wardrobe with part fitted interior, 156cm x 197cm, a kneehole dressing table with three bevelled mirror plates and an arrangement of seven drawers with brass handles, 117cm x 165cm, a tallboy with a pair of doors above three long cockbeaded drawers with brass handles, 76cm x 158cm, a single door bedside cabinet, 40cm wide, two bedroom chairs, both with vase shaped splates and cane work seats, 20th century (6)
William and Mary floral marquetry and olive wood oyster veneered chest, the rectangular top with central oval panel depicting birds amongst flowers within a cruciform oyster band and similar quarter panels, the projecting frieze above 2 short and 3 long graduated drawers with oblong shaped flower and bird panels, flanked by oyster veneered sides with arched flower and bird panels within sycamore cross banding on a replacement apron and bracket feet, 87.5cm high x 96cm wide. Later birdseye maple cross banding to the top and beading to the drawers, replacements to marquetry, splits to sides, later bun handles and escutcheons.
A William IV rosewood games table, the rectangular top centred with a marquetry chequer board and angled edge above two frieze drawers with later handles, on plain end supports, a turned stretcher and scroll and paw feet with recessed casters, 73 high x 55 deep x 91cm wide (some veneer cracks)
A William IV rosewood rectangular work table, the top with rounded corners above a drawer and sliding wool bag with turned handles and pendant finials, opposing false drawers, on plain end supports, with a ring turned stretcher, roundels, turned feet and recessed casters, 74 high x 40.5 deep x 53.5cm wide
A yew side cabinet, the burr ash veneered top above two drawers and an arrangement of ten drawers with turned handles around a central door and flanked by bobbin turned columns, the base with an angled moulding above one long drawer on bun feet, 97 high x 42 deep x 112cm wide, (in part an early 18th century cabinet on stand, adapted)
A walnut and feather banded chest on stand in George II style, the concave cornice above two short and three long drawers veneered to simulate short drawers, the base with three drawers, a shaped apron and angular cabriole legs with pointed pad feet, 162 high x 56 deep x 104cm wide (in part 18th century, adapted)
An 18th century Dutch walnut and floral marquetry cabinet of canted form, the architectural cornice centred with an ebonised leaf carved crest above two shaped glazed doors and glazed sides, enclosing shelves, the bombe fronted base with three long drawers and brass lion mask and ring handles, with a shaped apron, on hairy paw and ball feet, 228 high x 42 deep x 182cm wide
A Continental walnut cabinet on stand, decorated overall with ivory marquetry and pewter strings, the architectural cornice with turned finials, above a fall front enclosing ten drawers with gilt metal handles around a central door, the outset base with two frieze drawers above two panelled doors and a long drawer, on paw feet, 200 high x 41.5 deep x 86.5cm wide, (some worm, restoration and damage)
A late 19th century mahogany and urn marquetry secretaire, the rectangular top with a moulded edge above a fall centred with an urn, enclosing drawers, pigeon holes and a leather inset, the base with a panelled door enclosing three sliding trays, flanked by reeded pilasters, on spade feet and ceramic casters, 118 high x 42.5 deep x 69cm wide, (the fall split)
A 19th century Burmese hardwood Davenport, carved overall with meandering foliage, the pierced 3/4 gallery above an inset slope enclosing four drawers, above a side door enclosing four drawers with recessed brass handles, with pierced brackets and front supports carved in the form of birds and beasts, 90 high x 71.5 deep x 67cm wide
A George II walnut, cross and feather banded bureau, the fall enclosing shaped interior fittings and a brass presentation plaque for 'November 1926', above four long graduated drawers with later brass handles on bracket feet, 105 high x 53 deep x 96cm wide, (restoration to include later veneers, back boards and drawer linings, alterations to feet)
An oak low dresser and an open plate rack; the low dresser with a moulded edge above three crossbanded drawers flanked by fluted pilasters, the shaped apron with three short drawers and boxwood and ebony marquetry stars, on straight part fluted legs; 84 high x 50 deep x 202.5cm wide, the plate rack with a dentil and interlaced fretwork frieze above two shelves, 132 high x 214cm wide, (in part constructed from 18th century timber)
An oak dresser, the plate rack of inverted breakfront form with three shelves flanked by four narrow shelves and two doors, the base with a moulded edge above three crossbanded frieze drawers with brass handles, a shaped frieze and cabriole legs with pad feet, 195 high x 46 deep x 185.5cm wide (in part 18th century, adapted, the plate rack later)
19th century mahogany linen press, having oval panel veneers to doors with ebony stringing and fitted slides to interior, the top flanked by reeded columns and architectural pediment, above two short and two long cockbeaded drawers, with brass knob handles and standing on splay bracket feet, 128cm wide, 208cm high.
James Phillips & Sons Ltd, (Union Street, Bristol) A GOOD ARTS & CRAFTS OAK DESK the superstructure having an overhanging breakfront top on twin six panelled green-glazed doors with leaded tracery and three-pronged stylised foliate, copper hinges, flanking a similarly-hinged central fall front enclosing "STONE'S PATENT" lock and interior (with lock stamp and plaque) comprising two drawers and assorted pigeonholes, on an overhanging rectangular top and a central kneehole between twin pull-out bookrests and sets of three graduated drawers (one having two maker's name plaques to the lining), the handle backplates matching the aforementioned hinges, between open quadrants, on square section legs with spreading feet, 129.5cm x 53cm x 119cm high, (51in x 21in x 46.8in) *** The "Stone's Patent" referred to would appear to be the mechanism which requires the fall front writing slope to be unlocked and opened for the graduated drawers to unlock.
A GOOD EARLY GEORGE III OAK DRESSER BASE, circa 1770, having a two piece top with canted front corners, on three graduated cockbeaded central drawers with original brass swan neck bale handles, flanked by twin shaped arch-panelled cupboards enclosing original shelving, between Chippendale-style blind fretwork to the canted corners, on original ogee bracket feet, 177.5cm x 50cm x 78.5cm high, (70in x 19.7in x 31in)
A GEORGE III OAK DRESSER BASE having a rectangular top with superstr- ucture above one short and two long cockbeaded frieze drawers, with brass pierced backplate bale handles and matching escutcheons, on a central "dog- kennel" alcove flanked by double cupboards each enclosing a shelf, on a plinth base, 217cm x 47.5cm x 86cm high, (85.5in x 18.7in x 34in)
A collection of jewellery, comprising; an oval micromosaic panel depicting a scarab on a white ground, a pair of similar buttons and a pair of earrings each depicting flowers, an oval brooch set with a miniature on ivory depicting a far eastern Colonial outpost, two gilt metal and coral stick pins depicting flies on branches, various other metal stick pins, a citrine bar brooch, a Victorian silver large anchor link necklace, an oval locket embossed with insects and birds amidst flowers and trees in aesthetic style, an Indian locket embossed with deities, various wristwatches including a Roskopf 18ct gold cushion shaped wristwatch, circa 1920, and a keyless fob watch, and other items including a leather bound jewellery box with two graduated drawers
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547957 item(s)/page