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Lot 724
THREE BOXES, A SUITCASE AND LOOSE METALWARES, CUTLERY, LADIES SHOES, TEXTILES, CD'S ETC, including Picquot Ware, stainless steel tin of buttons, assorted loose cutlery, three CD racks, mostly easy listening, a suitcase of table linen, crewel work cushion, assorted treen, printed ephemera (guide books, maps and needlework interest), shoes include four pairs of Hotter size 6½/7 etc (three boxes, suitcase, three CD racks and loose)
Lot 508
A GROUP OF ORIENTAL METALWARES, TEXTILES AND CERAMICS, etc, including a cast iron tea pot with bronze cover, height 17cm, a resin group of a family of elephants, a pair of brass vases, incised decoration of dragons, clouds and auspicious symbols, height 13cm, a twin handled cloisonne bronze vase, height 30cm, a Japanese porcelain double gourd vase, blue and white decoration, height 21cm, a bronzed spelter seated dog of fo, height 22cm, several splits, eight embroidered silk panels, etc (quantity)
Lot 10
Lot No: 10 - Ref No: 016 Winter Sunrise By Yvonne Taylor Summer Holiday Home: Simmons Park, Okehampton "The inspiration for my Otters came from looking at a sunrise in winter, behind a wooded stream embankment. The mother and baby otter are emerging from the water, the bare shrubbery of the winter around them, the morning sun rising behind the hills. The colours I use are typical of my paintings where my love of colour is of great importance, this coming from my textile background. As a professional artist who was born in Devon, I have over the years since returning to Devon been inspired by the colours of the Devon landscape in particular Dartmoor and its rivers. Having studied Fashion/Textiles at St Martin's School of Art gaining a BA from London University, I returned to my home area of East Devon where I taught art for a number of years. I have been painting seriously for 15 years, exhibiting, and selling my work widely. As well as painting East Devon Landscapes, other subjects of work have been Café Society, Colours of India and Italian Landscapes including Venice. This Otter is a 'Golden Otter' - one that has been specially selected by a panel of expert judges as being particularly stunning. Of the 81 Moor Otters there are only 25 Golden Otters. These Golden Otters will take their online bids to the live auction on Saturday, 2nd October 2021 at Bearnes, Hampton & Littlewood, Okehampton St, Exeter. You can continue to bid on these otters at the live auction in person or online.
Lot 25
HOLLY SCHOLFIELD 'I can Metamorphose at Will, 2019' Linocut on paper, 60 x 40 cms Guide £375Holly ScholfieldTrained at Central St. Martins and worked for many years in a contemporary London art gallery. She recently completed an MA at NUA, specialising in print. She regularly exhibits her work, and illustrates for various publications.Scholfield’s figurative painting, printmaking, and narratives about women, are rooted simultaneously in the past and the present within ancient objects. There is a quiet mention of feminism alongside pattern and textiles that intimately weave stories with costume, embellishment and natural history.
Lot 490
Includes the following titles:Jacqueline Delange (French, 1923-1991), Carol F. Jopling (American, 1916-2000), "The Art and Peoples of Black Africa", New York: E.P. Dutton & Co., Inc., 1974.Richard L. Anderson, "Art in Primitive Societies", Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1979.Daniel Biebuyck (American, 1925-2019), "Tradition and Creativity in Tribal Art", Berkeley, California: University of California Press, 1973.William Fagg (English, 1914-1992), "African Tribal Images", Cleveland, Ohio: The Cleveland Museum of Art, 1968.Margaret Plass (American, 1896-1990), "African Tribal Sculpture", Philadelphia, Pennsylvania: The University Museum,1956.Jean Laude (French, 1922-1984), Jean Decock, "The Arts of Black Africa", Berkeley, California: University of California Press, 1973.Paul S. Wingert (American, 1900-1974), "Primitive Art: Its Traditions and Styles", New York, New York: Meridian Books, 1962.Frank WIllett, "African Art", Oxford University Press, 1971.Claude Roy, EH. S. Seldon, "The Art of the Savages", New York, New York: Golden Griffin Books, 1958.William Fagg (English, 1914-1992), Margaret Plass, "African Sculpture", New York, New York: E.P. Dutton & Co. Inc., 1964.Ekpo Eyo (Nigerian, b. 1931), Frank Willett, "Treasures of Ancient Nigeria", New York, New York: Alfred A. Knopf, Inc., 1980."Primitive Art from Chicago Collections", The Art Institute of Chicago.James I. Clark, "Africa South of the Sahara", Evanston, Illinois: McDougal, Littel & Company, 1976.Patricia Darish, Roy Sieber (American, 1923-2001), Douglas Newton, Michael D. Coe (American, 1929-2019), "African, Pacific, and Pre-Columbian Art in the Indiana University Art Museum", Bloomington, Indiana: Indiana University Press, 1987.Christopher D. Roy (American, 1947-2019), "Art and Life in Africa: Selections from the Stanley Collection", Iowa City, Iowa: University of Iowa Museum of Art, 1987.Joseph Cornet (Belgian, 1919-2004), "A Survey of Zairian Art: The Bronson Collection", Raleigh, North Carolina: North Carolina Museum of Art, 1978.(Two copies) Douglas Newton, André Malraux (French, 1901-1975), Nelson A. Rockefeller (American, 1908-1979), "Masterpieces of Primitive Art: The Nelson A. Rockefeller Collection", New York, New York: Alfred A. Knopf, 1978.Martha G. Anderson (American, b. 1948), Christine Mullen Kreamer, Enid Schildkrout, "Wild Spirits Strong Medicine: African Art and the Wilderness", New York, New York: Museum for African Art, 1989.Daryll Forde (British, 1902-1973), African Worlds: Studies in the Cosmological Ideas and Social Values of African Peoples", London, England: Oxford University Press, 1976.Harold D. Gunn (American, 1918-1989), Carleton S. Coon (American, 1904-1981), "A Handbook of the African Collection of the Commercial Museum Philadelphia", Philadelphia, Pennsylvania: Philadelphia Commercial Museum.Frank Willett, "African Art", New York, New York: Praeger Publishers, Inc., 1973.Eliot Elisofon (American, 1911-1973), William Fagg (English, 1914-1992), "The Sculpture of Africa", New York, New York: Hacker Art Books, 1978.Henry John Drewal , John Pemberton III (1928-2016), Rowland Abiodun (African, b. 1941), Allen Wardwell (American, 1935-1999), "Yoruba: Nine Centuries of African Art and Thought", New York, New York: Center for African Art in Association with H.N. Abrams, 1989.Tepilit Ole Saitoti (African, 1945 b. 1949), Carol Beckwith (American, b. 1945), "Maasai", New York, New York: Harry N. Abrams Inc., 1981.Mary Nooter Roberts (American, 1959-2018), Allen F. Roberts (American, b. 1945), "The Shape of Belief: African Art from the Dr. Michael R. Heide Collection", Seattle, Washington: University of Washington Press, 1996.James Baldwin (American, 1924-1987), Romare Bearden (American, 1911-1988), Ekpo Eyo (Nigerian, b. 1931), Nancy Graves (American, 1935-1995), Ivan Karp (American, 1926-2012), Lela Kouakou, Iba N'Diaye (Senegalese, 1928-2008), David Rockefeller (American, 1915-2017), William Rubin (American, 1927-2006), Robert Farris Thompson (American, b. 1932), Michael John Weber , Susan Vogel (American, b. 1942), "Perspectives: Angles on African Art", New York, New York: Harry N. Abrams, 1987.Paul Radin, "African Folktales", Princeton, New Jersey: Princeton University Press, 1970.Enid Schildkrout, Curtis A. Keim (, "African Reflections: Art from Northeastern Zaire", Seattle, Washington: University of Washington Press, 1990.Malcolm McLeod (Scottish, b. 1941), "The Treasures of African Art", New York, New York: Abbeville Press, 1980.Christopher Spring, "African Textiles", New York, New York: Crescent Books, 1989.Duncan Clarke (South African, b. 1941), "The Art of African Textiles", San Diego, California: Thunder Bay Press, 2002. 0Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 119
Wanda Gag (American, 1893-1946). Pen and ink drawing on paper titled "Composition" depicting a still life scene with a plate, vases, a candlestick, and textiles. Signed along the lower right.Sight; height: 6 1/2 in x width: 7 3/4 in. Framed; height: 18 7/8 in x width: 14 7/8 in.Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.Sight; height: 6 1/2 in x width: 7 3/4 in. Framed; height: 18 7/8 in x width: 14 7/8 in.
Lot 761
Editio Princepsÿ Appian:ÿAppianou Alexandreos Romaikon. Appiani Alexandrini Romanorum Historiarum, Large folio Paris (Typis Regiis, Caroli Stephani) 1551.ÿFirst Edition. Printers device on title, wd. cut heads & initials, damp stain in lower rt. hand corner throughout making some corners weak, later rebacked mottled calf, mor. label. (1) * With 2 A.L.s. from Maria M. Pollen to Julian Gaisford, tipped-in at front. The first (9 June 1903) offering this book to him, the second (15 June) expressing her pleasure that he would like it. 'Maria Margaret La Primaudaye Pollen (10 April 1838-c.1919) known as Minnie, was a decorative Arts. Collector.'ÿAs Mrs. John Hungerford Pollen, she became known during the early 20th Century as an authority on the history of textiles, publishing "Seven Centuries of Lace," in 1908 (Wikipedia).ÿ
Lot 30
A pair of Italian carved walnut armchairs17th centuryUpholstered in Florentine voided red velvet of pomegranate design, circa 1450-1500, the slight scrolled arms above foliate carved uprights above an enclosed seat and a C-scroll, foliate and 'seaweed' carved low stretcher, alterations and restorations, 71cm wide x 62cm deep x 164cm high, (27.5in wide x 24in deep x 64.5in high) (2)Footnotes:A comparable suite of Florentine armchairs (circa 1600 and later) was sold at Sotheby's, Mentmore Sale, 20 May 1977, lot 846. The suite was similarly upholstered in silk embroidery which reputedly came from Palazzo Capponi, Florence. For comparable textiles see Agnes Geijer, History of Textile Art, 1979, illustrated, 44b and Monique and Donald King, European Textiles in the Keir Collection, 1990, no. 47, page 74.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 143
A pair of Kuba textilesZaire, mid-20th centuryHaving a raffia pile in shades of brown and cream, designed with a lattice pattern, 57 cm. x 53 cm. one designed with lozenge shapes, 52 cm. x 64 cm., one with sections of varying design, 52 cm. x square and another, 41 cm. x 42 cm. (5)For further information on this lot please visit Bonhams.com
Lot 239
A collection of four embroidered textiles, 19th - 20th century, to include three Chinese examples, comprising one with scrolling lotus against a midnight blue ground, 59.5 x 78cm, one with peonies and flowers against a red ground, 76.2 x 106cm, another with a dragon surrounded by precious objects, 78 x 67.6cm, and a Japanese embroidered textile of a landscape, 78.5 x 118.3cm (4)Condition report: Peony - small stains, loose threads, wear and losses to the border, cockled.Scrolling lotus - stains, loose threads. holes to the border, cockled.Dragon - stains, loose threads, holes and splits to the border and reverse fabric, cockled.Landscape - loose threads, stains, holes to the border, cockled.
Lot 233
Two Indian beaded evening bags, a jewelled evening clutch bag set with green stones, gold and silver coloured thread, 20x12cm, green velvet fitted box labelled "Made in India Expressly for Tropicana St Thomas Virgin Islands", another beaded clutch bag with pink stones, 21x12cm, the label in the lining reads "Indian Textiles Calcutta, Bombay, Banaras etc Made in India Genuine Gold and Silver Thread Used"
Lot 600
FOUR BOXES OF MOSTLY MODERN ORIENTAL CERAMICS, TREEN, METALWARES, TEXTILES etc, including lacquered trays, crumb tray and brush, wooden stands, an olive wood Jerusalem album of pressed leaves and printed landscapes, Japanese porcelain plates and vases, plastic figures, books, etc (four boxes)
Lot 36
As the Handyman (sponsor) sells plants, seeds and gardening accessories, the design for Granville is based on the flowers and leaves used by the designers such as William Morris and John Henry Dearle during the arts and crafts movement. Artist: Joy EvittJoy lives in Eye and is passionate about all aspects of costume and textiles. Teaching for nearly 40 years enabled her to build up a diverse knowledge base that includes historical events that have affected peoples lives and are now woven into the history of costume and textiles. Sponsor: Eye Handyman LtdYour local hardware shop selling everything! Measures approx. 17 inches deep x 12 inches wide x 36 inches high
Lot 496
A 17th century Act for Burying in Woollen certificate of Richard Lyon of The Parish of Prescott, Lancashire, signed by his relation William Lyon of Prescott, Lancashire, dated 14th June 1682, with two witness signatures and seals, and that of Edward Goodall, the vicar of The Parish of Prescott, confirming that Richard Lyon had been buried according to that Act of Parliament, bordered by memento mori motifs, 24.5 x 16.5cm, framed and glazed.Footnote: The Act for Burying in Woollen 1666-80 instituted by parliament, required all the dead, except plague victims or the destitute, to be buried in pure English woollen shrouds to the exclusion of any foreign textiles [Wikipedia].Additional InformationSome creasing staining, typical wear commensurate with age, wear to the frame.
Lot 295
ALBIN TROWSKI; large oil on canvas ‘Marks’ Penny Stall’, signed and dated 1971, 60 x 120cm, framed. (D)Footnote: The picture hung for many years in the boardroom of United Textiles, who supplied textiles to Marks and Spencer.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 1649
A small collection of Edwardian and later vintage textiles, including two baby's bonnets, a silk christening gown, a felt infant's dress, a French painted silk night dress case, an embroidered tea cosy, a1918 souvenir of France embroidered case, an embroidered panel decorated with views around Arras, etc (qty)
Lot 103
Georg Jensen: a Danish silver circular dove brooch designed by Kristian Møhl-Hansen, No. 70, the standing dove within a foliate wreath, post 1945 maker’s marks, import marks for London 1953, numbered ‘70’, diameter 5.8cm. £150-£200 --- Kristian Møhl-Hansen (1876-1962) initially studied painting at the Kunstakademiet and at Zahrtmann’s School in Copenhagen, moving into design work in different media on a free lance basis, including designs for silverworks for the Georg Jensen Silversmithy. In 1903 or 1904 Møhl-Hansen drew a design for Jensen that would have a major impact on the firm for years to come. the design of a standing dove in profile surrounded by a circular wreath was subsequently used as the central motif for a belt buckle, brooches, bracelets, earrings, and necklaces and is one of the most recognisable of all the silversmithy’s designs. At least one version of the design - a belt buckle featuring two doves - was included in the silversmithy’s crucial 1904 exhibition at the Kunstindustrimuseum. In 1920, he was awarded the Eckersberg medal and a gold medal for his embroidered textiles at the 1925 Paris international exposition.
Lot 728
Anglo-Chinese School, 19th centuryCantonese scenes of ships in a harboura pair, oil on silk28 x 30cm (2)Condition report: The support is a very fine weave textiles, possibly silk. It is assumed that the paint medium is oil although the technique is quite unusual. The paint layers on both works are in a very good condition overall and the textile support is flat and in plane. Both paintings have a thick varnish, which has yellowed overtime and has a streaky application.
Lot 187
A collection of textiles17th to 19th century Including a 17th century tapestry fragment of a putti, two samplers, an 18th century gross and petit point needlework cushion cover, a beadwork decorated purse, a fragment of brocade, a silk waistcoat, the tapestry fragment: 53cm high (Qty)For further information on this lot please visit Bonhams.com
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