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Lot 2219
Assorted 19th Century and Later Costume Accessories and Textiles, comprising a cream wool two tier cape with cream silk embroidery, broderie anglais short white cotton capelet, embroidered linen panels, cream wool embroidered blanket, black silk embroidered velvet apron with lace trim,silk stole, cream silk handkerchieves, printed and lace trimmed handkerchieves, lace stole, evening bags, mittens, ostrich feather and other fans etc,(one box)
Lot 2018
20th Century Cotton Patchwork Quilt, comprising double petalled flower heads made up from hexagonal printed cotton patches, on a white ground and within a pale yellow cotton border, rounded corners and white reverse, 180cm by 215cm,Assorted Table Linens, baby bibs and other textiles,(one box)
Lot 321
The Thyssen-Bornemisza collection. Twentieth-century German painting, by Peter Vergo, 1992, gilt decorated leather in slipcase, 4to Twentieth-century Russian and East European painting, by John E. Bowlt and Nicoletta Misler, 1993, original cloth in dust jacket, 4toRenaissance jewels, gold boxes and objets de vertu, by Anna Somers Cocks and Charles Truman, 1984, original cloth in dust jacket, 4to Twentieth-century American painting, by Gail Levin, 1987, original cloth in dust jacket, 4to Nineteenth-century American painting, by Barbara Novak, 1986, original cloth in dust jacket, 4to Seventeenth-century Dutch and Flemish painting, by Ivan Gaskell, 1989, original cloth in dust jacket, 4to Set and costume designs for ballet and theatre, by Alexander Schouvaloff, 1987, original cloth in dust jacket, 4to Early German painting 1350-1550, by Isolde Lübbeke, 1991, original cloth in dust jacket, 4to Early Italian painting 1290-1470, by Miklós Boskovits, 1990, original cloth in dust jacket, 4to The European Avant-gardes, by Christopher Green, 1995, original cloth in dust jacket, 4to Bozzetti di scena e costumi, by Alexander Schouvaloff, 1987, original cloth in dust jacket, 4to Carpets and Textiles, by Friedrich Spuhler, 1998, original cloth in dust jacket, 4to Old Masters, by José Manuel Pita Andrade, 1992, original cloth in dust jacket, small tear to upper rear cover, 4to QTY: (13)
Lot 137
After William Morris (1834-1896) for Arthur Sanderson & Sons Ltdto include 'Poppy' panel of fabric and three curtains, the panel 201.5cm long x 140.5cm wide, the first curtain 202cm long x 326cm wide, the second 192.5cm long x 153.5 wide, the other 191cm long x 151cm wide, 'Golden Lily' panel of fabric, 130cm long x 78.5cm wide, 'Chrysanthemum' panel of fabric, 198cm long x 130.5cm wide, another 'Chrysanthemum', panel of fabric, 'Michaelmas Daisy' panel of fabric, 'Bird and Anemone' panel of fabric, 'Blackthorn' panel of fabrictogether with, adapted from William Morris, exclusive design for Liberty of London Prints Ltd, 'Lodden' panel of fabric, 199cm long x 124.5cm wide, adapted from William Morris, Liberty of London Design, 'Honeysuckle' large panel of fabric, together with, adapted from Sidney Mawson, Liberty of London, 'Melbury' single curtain and large panel of fabric, the curtain 121cm long x 109cm wide, together with further textiles (22)Note: All measuresments are approximate. All panels of fabric have been measured right from the edge of the selvedge.Provenance: The Propery of a Gentleman, from a Period Winchcombe Town House All with signs of wear consistent with age and use. Some fabrics with notch missing from edges. Some with water damage. Some fabric with marks/stains/paint. Some pulls/loose thread. Some pieces with staples in. Some pieces with evidence of sellotape.
Lot 99
Female Education. A rare early 19th c Industrial School teacher's specimen portfolio, Isabella Erskine, dated Manchester, June 23rd 1821, recto pastedown with a tacked-on sampler explaining that: The following specimens of needle work were executed by Isabella Erskine, Teacher of Industrial Schools Patronized by Count and Countess De Salis [...], [16]ff of paper with 120 tacked-on samples, mostly annotated, mixed media, various sizes, comprising four needlework samplers, two of which are signed by IE, miniature dresses and smocks, hosiery, darning and knitting, including purses and bags, a pair of miniature cut-card hand screen banners, a needle case, a pen wipe as a butterfly, an embroidered cornucopia, other lacework, penwork, straw work, etc., 8 further specimens now loose, including a needlework picture and collages after source engravings, 3 further textiles tacked-on verso pastedown, contemporary hessian over limp wrappers, folio (44 x 25cm) Provenance: the collection of Sally Tuffin (b. 1938), "Youthquake" fashion designer of the eponymous Foale and Tuffin. Some of the leaves are tatty, a few with stable chips. The samples with wear, a few with losses, but most good. The binding with some threadbare splits here and there.
Lot 127
Ireland, Female Education; Possible Royal Presentation Copy. Simple Direction in Needle-Work and Cutting Out; Intended for the use of the National Female Schools of Ireland. To which are added, Specimens of Works Executed by the Pupils of The National Model Female School [i.e. the Quaker-established Kildare Academy/Kildare Place Society], ? a royal presentation copy for Queen Victoria, Dublin: Published by Direction of the Commissioners of National Education in Ireland, et al., 1846, [5], 6-84pp, 85-106ff (Specimens), first part (i.e. text) signatures collating: ¶², B-L⁴, the paginated and unpaginated interleaved green printed specimen leaves 'illustrated' with 60 cotton, linen, wool, lace, further needlework, and printed textiles, comprising samplers, frocks and dresses, hosiery, patchwork, etc., all of which are prefaced by an extra-illustrated silkwork leaf embroidered with the message: The Queen Reigns In the Hearts of Her People Aug. 1849, the cresting and apron embroidered in gilt threads with a royal crown and the Irish harp or clarsach, within a meandering green shamrock border, finely bound in contemporary purple morocco over boards, somewhat bowed, the upper-cover blocked in gilt and centred by the VR cypher within an unlettered garter and crested by St Edwards Crown, each cover outlined with a blind double-fillet border, the white paper printed leaves with all edges gilt, gilt-rolled anthemion dentelles, marbled endpapers, 4to There are several tantalising indications that this finely bound copy of a usually more restrained volume, two of which have been sold in these rooms before (a c. 1836 edition, July 2022, & the 1853 edition, January 2023), might have been a copy presented to Queen Victoria during her 1849 visit to Ireland. As well as the dated needlework samplers corresponding to the imprint date, i.e. 1849, the extra-illustrated sampler, with its eulogy addressed to the sovereign, is not called for and its uniqueness hints at presentation. The fine binding, again uncommon on such a practical book, strongly indicates a presentation copy. The University of Toronto's database British Armorial Bindings show only one further example of this supralibros, Victoria Stamp 9, on an 1851 Dublin imprint now in the Penes Philip Maddock library. Provenance: the collection of Sally Tuffin (b. 1938), "Youthquake" fashion designer of the eponymous Foale and Tuffin.
Lot 323
Textiles & Fashion. Teacher's Equipment 29406, dated 1914, a working dressmaker's needlework specimen didactic, dated 1914, [4]ff linen-backed and 'illustrated' with 10 tailored clothes samples, annotated with tacked-on manuscript notes, 4 loosely-inserted further textile scraps, further loosely-inserted manuscript diagrams, limp moiré covers, sunned, ties en suite, oblong folio (39 x 51.5cm) Provenance: the collection of Sally Tuffin (b. 1938), "Youthquake" fashion designer of the eponymous Foale and Tuffin.
Lot 280
Fashion. Les Modes Parisiennes Illustrées, Journal de la Bonne Compagnie, Paris: Chez le successeur d'Aubert et Cie, 1873, folding and full-page colour plates, in-text illustrations, contemporary English quarter-roan over marbled boards, faults, 4to [&] a Belle Époque period album of scraps, n.d. [c. 1910], [19]ff with cut-out and tipped-in illustrations of lady's dresses, milinery, textiles, etc., contemporary quarter-calf over boards, faults, oblong 4to, (2) Sold as a collection of plates and not liable to return.
Lot 93
LOUIS VUITTON Shopper "NEVERFULL MM". Koll. 2019. Akt. NP.: 1.500,-€. Monogram Canvas Serie mit naturbelassenem Leder und goldfarbener Hardware. Textiles Innenleben mit kleinem Innenfach. Pochette und Staubbeutel anbei. Starke Patina, leichte Verfärbungen und Tragespuren vorhanden.| LOUIS VUITTON shopper "NEVERFULL MM". Coll. 2019. nude. NP.: 1.500,-€. Monogram canvas series with natural leather and gold tone hardware. Textile interior with small interior pocket. Pochette and dust bag enclosed. Heavy patina, light discoloration and wear marks present.
Lot 278
NO RESERVE Textiles.- Lace/Crochet sample book, c.180 lace or crochet samples (possibly flat crochet), stitched down on one side of 30 leaves, blue paper, of various sizes, mainly white or cream, a few beige or brown, mostly half a dozen a page, a few spots, with original sticker of Dujardin Lammens to front pastedown, original decorative cloth, small damp-stain lower joint foot, spine ends a little bumped, extremities a little rubbed, oblong 4to, Brussels, [early twentieth century]
Lot 10
A box containing assorted textiles to include tassel tie backs, vintage newspapers, vintage soap sets etc, a box containing an oak mantel clock and various ephemera, The Lady Thursday 21st February 1985, 2nd June 1977 etc and a boxed Moulinex hairdryer, together with a box of needlework pictures and an oak framed rectangular wall mirror
Lot 231
Two painted panels peacock decorated, pair of yellow silk panels painted with fruiting branches, rose ribbon decorated night dress case, woollen beadwork embroidered panel, black silk damask apron with pocket and lace border, gold and pale blue eastern silk scarf, cushion cover appliqued with New York University logos, and other decorative textiles.
Lot 323
Assorted vintage textiles to include an embroidered cushion cover, a pair of Christian Dior plain knit tights in white, a pair of stay-ups by Regency in original packaging, a pair of Couture one size run-resist body stockings in original packing, a Piquante seamed stocking with Cuban heel, a pair of Givanchi shocking pink stockings in original packaging, a painted wooden wig stand, evening bags, folding mirror, scarves, all within a hat box
Lot 349
Assorted 19th Century Framed Needlework and Silk Pictures including a hair picture of horse and cart (a.f.), another similar, two oval silkwork pictures of children, framed needlework picture of flowers, five other assorted decorative woolworks, bell pulls and other textiles (qty)Size of largest, 45cm by 46cm Smallest (Ovel) 21cm by 17cmAll very faded, two with very small tears, otherwise ok
Lot 625
Mary Quant Signed FDC (British Fashion Designer) British Textiles. 4 stamps plus double postmarked 23 July 1982. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 50
A Chinese Blue and White Dragon Ewer Yuan Dynasty. W 9 3/8" H 8 5/8" (24 cm x 22 cm) Wang Zhan Yuan (1861-1934) was a Chinese military general and a Lieutenant General of the Republic of China. He graduated from the Beiyang Military Academy. In 1895, he joined Yuan Shikai's Beiyang New Army and steadily rose through the ranks. He eventually became the Governor of Hubei Province. After Yuan Shikai's death, he joined the warlord faction known as the Zhili Clique. In 1926, after Sun Chuanfang was defeated by the Northern Expeditionary Army, Wang Zhan Yuan settled in Tianjin. After retiring from the military, Wang Zhan Yuan invested heavily in real estate in Beijing, Tianjin, Dalian, Baoding, and other places. He owned approximately three thousand rental properties in Tianjin alone. In addition, he also invested in various industries, including finance, mining, textiles, grain, and electricity. He monopolized military supplies, traded in gold, smuggled copper coins, and stored a large amount of money in foreign banks, becoming a famous industrialist. The Yihe Silver Bank was originally established by Wang Zhan Yuan's associate, Ni Shaoyong, in Hankou. It was initially called Qianfenghou Silver Bank but later relocated to Tianjin along with Wang Zhan Yuan. Wang Zhan Yuan stored a large collection of items in the warehouse of the Yihe Silver Bank in Tianjin. He later sold some of the collection to the then French Ambassador to China, Aimame-Joseph de Fleuriau (1870-1938). Aimame-Joseph de Fleuriau served as the French Ambassador to Beijing from 1921 to 1924 and was awarded the title of Grand Officier der Ehrenlegion (Grand Officer of the Legion of Honor). After his death on January 19, 1938, in Ismailia, an obituary was published about him in The Times. Since then, this collection has been preserved by the Fleuriau family and has been exhibited in France. The items still retain the labels from the Yihe Silver Bank in Tianjin and the French exhibition.
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13526 item(s)/page