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A quantity of linen and textiles to include heavily worked Victorian chair seat cover, floral bead work in tapestry, a sampler from 1834 worked by an 8 year old girl Mary Sellers, a quantity of embroidered tablecloths and napkins in various designs 1930/40/50s in cotton and linen, an embroidered tea cosy and a collection of tea cosy covers. An 1899 cream early towel waffle design with cream silk tassels in a long length (tiny iron mould stain) a gold embossed nightdress case, a linen long cloth towel (stain marks) by L. Kemp. Two Art Deco design table/wall decoration in vibrant shades of yellow, green and purple, Far Eastern design, circa 1930, a small cushion cover with a blue ground and floral design centre 1930/40 (Q)

Celluloid doll, two others, various textiles and clothes

A pair of Mughal textiles depicting hunting scenes; sight size approximately 29.5cm x 21.5cm.

A basket of linen and textiles

A selection of vintage and retro cloathes jackets and textiles etc

ALISON THOMASARRIVALoil and gesso relief on board, signed with monogram31cm x 23cmFramedNote Graduated from Duncan Of Jordanstone College of Art, Dundee, in 1996 where she specialised in tapestry weaving. She has been working as an artist ever since producing paintings, printmaking and textiles in addition to running art classes. Alison has shown in various galleries around the Uk, France & Italy. Her artwork shows a textile influence from her use of patterning and texture, she is attracted to the colours, patterns and performers associated with the circus. She is particularly interested in the harlequin couple which she enjoys taking out of context and placing in various fairy tale like settings. There is often a personal and symbolic story behind each painting. Gold leaf features strongly in her most recent work.

A collection of paintings and embroidered textiles To include a pair of late 19th century. early 20th Century floral embroideries, together with a painted Chinese framed picture, three of botanical studies, signed G.E Thomas. (6)

GROUP OF TEXTILES including a shawl and leather case

A COLLECTION OF VINTAGE TEXTILES ETC., to include two needlepoint collars - one having damages, a lace collar with embroidered floral garland embellishment, an embroidered silk slip, a net stole with fringing and embroidered decoration and a part completed embroidered tablecloth with additional threads etc.

Ackermann (Rudolph). The Repository of Arts, Literature, Fashions, Manufactures &c., 14 volumes, second series, 1816-22, wood-engraved frontispieces, approximately 450 plates, mostly with fine hand-colouring, subjects including London street scenes, Swiss views, furniture, ladies fashions, textiles, architecture, interiors (apparently lacking a few needlework plates and plate opposite page 274, volume IX), a few plates with light offsetting, a few text leaves with some browning, armorial bookplates of R. Jones-Bateman, contemporary half calf gilt (by Povey & Bailey, Wotton, with their ticket), slightly rubbed to extremities, 8vo Provenance: Gerald Tyrwhitt-Wilson, 14th Lord Berners, Faringdon House, Oxfordshire. An attractive set. (14)

A boxed Ronson Standard lighter, a collection of lace and textiles, a brass crucifix, travelling clock, wooden box, magnifying glass etc

A collection of ladies scarves including silk examples together with other textiles including gloves and lace collars

Three fans including mother-of-pearl and gilded together with a small quantity of textiles and a vintage straw-filled dog

An embroidered hat and a quantity of further textiles, lace etc

A quantity of textiles to include a number of girls' formal dresses and further loose unboxed fabric.

A COLLECTION OF VINTAGE TEXTILES including patchworks, 1950's prints, a 1920's floral chenille curtain and others

Quantity of books relating to Art, including The Golden History of Art, Matisse - His Art and his Textiles, Eric Kerchner and other volumes (2 boxes)

A 1970's Laura Ashley dress, of high collar neck with pleated bust and lace collar and cuffs, in an all over printed fabric of a dragon within a landscape size 12 together with a Linney hat box, a Canadian squirrel fur jacket and various other textiles

Basket containing a quantity of various textiles including a small tapestry ' The Last Supper ', a machine woven curtain pelmet, a tapestry curtain pelmet, an Indian patchwork blanket and a Royal Wedding, 1981 woolwork prayer cushion

Small box containing a quantity of various embroidered textiles

Textiles, including; a quantity of mainly 20th century African and Asian bead work textiles and other items, (qty).

Textiles, including; African and Asian, mainly silk items, and a boxed felt fez, (qty)

Textiles, comprising; a small group of 20th century and later tapestry and beadwork cushions, (qty).

Textiles, comprising; a large group of 21st century cushions, including tweed, velvet and embroidered examples, (qty).

Robert Bonfils - Bianchini Ferier - A 1920s Art Deco preparatory silk scarf design titled Haiti, numbered 329 and 55007, the whole in black and white with a three section floral design and annotated pencil notes, signed, framed, 65cm x 50cmProvenance: from the Christie's 25th - 27th July 2001 Bianchini Textiles sale.

Robert Bonfils - Bianchini Ferier - A 1920s Art Deco watercolour and pencil preparatory silk scarf design, numbered 327 and 55005, the design with small pots of flowers and large flower heads, annotated with pencil notes, signed, framed, 50cm x 65cmProvenance: from the Christie's 25th - 27th July 2001 Bianchini Textiles sale.

Attributed to Robert Bonfils - Bianchini Ferier - A set of four watercolour and pencil scarf designs, each the same Spanish Bull fighting design but in a different colour way depicting matadors and bulls, mounted and framed as one, 31.5cm x 15cmProvenance: from the Christie's 25th - 27th July 2001 Bianchini Textiles sale.

Robert Bonfils - Bianchini Ferier - A 1920s Art Deco watercolour and pencil preparatory silk scarf design titled Goyescas, numbered 332 and 55019, the design with scenes of Bullfighters and matadors with a polka dot border, annotated with pencil notes, signed, framed, 65cm x 50cmProvenance: from the Christie's 25th - 27th July 2001 Bianchini Textiles sale.

Robert Bonfils - Bianchini Ferier - A 1920s Art Deco watercolour and pencil preparatory silk scarf design, numbered 55720, the design with stylised flowers and foliage in pastel colours, annotated with pencil notes, signed, framed, 68cm x 55cmProvenance: from the Christie's 25th - 27th July 2001 Bianchini Textiles sale.

Bianchini Ferier - Two 1920s Art Deco watercolour and pencil preparatory silk scarf designs, each a repeat floral design, unsigned, both framed (2)Provenance: from the Christie's 25th - 27th July 2001 Bianchini Textiles sale.

A Butchart Balance for textiles, Nicholson, Glasgow

CHARLES EDMUND BROCK (1870-1938) 'Making her mind up' - A lady at a textiles counter, signed and dated Aug 1993, pen and ink illustration to the poems of Thomas Hood, 19.5 x 20.5cm; and a further pen and ink illustration by Henry Matthew Brock (1875-1960) - A young lady approaching a Red Indian seated on a tree trunk, signed and dated '97, 24.5 x 16.5cm (2)

Textiles - hand embroidered linen tablecloths, Crinoline Lady, English Country Garden Flowers

Textiles - floral glazed Chintz bedcover, c.1930's, a 19th century Irish linen top sheet with monogram

Textiles - hand embroidered table linen including crinoline lady, English country garden flowers, etc; crochet work, laced edged linen, etc

Textiles - various lace, trimmings, etc

Textiles - assorted Prom and party dresses; qty

Textiles - hand embroidered linen tablecloths, Crinoline Lady, English Country Garden Flowers

A paisley shawl, embroidered bag, and other textiles

Miscellaneous textiles etc., to include lace, a small amount of lace bobbins, patterns etc

Wrigglesworth (Linda), Making the Grade-The Badge of Rank III , signed by one author, exhibition catalogue 4-24th December 1996, original boards ; Wrigglesworth (Linda), The Purse, exhibition catalogue 7th-24th April, 1998, loose leaf; Wrigglesworth (Linda), Immortality, exhibition catalogue, 3rd-11th November 2005, loose leaf; Wrigglesworth (Linda), In Focus-The Robe, exhibition catalogue, card fold-out brochure; Wrigglesworth (Linda), Diametrically Opposed, exhibition card; Wrigglesworth (Linda), Reel to Reality-Chinese Textile techniques of the Qing Period, exhibition card fold-out brochure; Wrigglesworth (Linda), -Viewing Flowers from Afar & Soul of the Desert, exhibition card fold-out brochure; Wrigglesworth (Linda), Happy New Year of the Rooster, 2005, loose leaf; Wrigglesworth (Linda), in association with Myrna Myers, Where Antique Korean Textiles Meet Contemporary Art ; Wrigglesworth (Linda), Antique Chinese, Tibetan & Korean Costumes & Textiles-Creative Momentum celebrating 25 years, loose leaf exhibition catalogue (10)

A small mixed lot of textiles, including a crewel work bell pull, early 19th century gros point tapestry fragments, braiding etc

A quantity of various textiles; ladies evening purses etc.

A collection of ethnic textiles

A group of textiles including crewel work panels

Marie Walker Last (1917-2017) ''Fragment of a Dream'' Signed, inscribed and dated Jan. (19)63, with original artist's original label verso, oil on canvas, 65cm by 100cm Provenance: From the Estate of Marie Walker Last See illustration During her childhood in West Yorkshire, Marie Walker Last showed an early inclination towards art encouraged by her father, a successful textiles manufacturer and keen art enthusiast. After a spell in the Land Army during WWII, Marie's early artistic inclinations leant towards capturing the landscape of West Yorkshire. In the mid-1950s she became a member of the Northern Federation of Artists, and whilst attending their summer painting schools she met leading artists such as Robert Medley and Terry Frost. Here she was encouraged to move beyond representational depictions of landscape towards more abstract, personal expressions of her surroundings. In 1956 Marie was accepted into the Chelsea School of Art, where she produced bold abstract work often inspired by her fascination with the Universe and space exploration. Whilst in London, Marie threw herself into the vibrant art scene, working for the Molton Gallery, Annely Juda and New Vision Gallery. Her first solo show in 1959 was at University Gallery, Newcastle, an offshoot of the New Vision Gallery focusing on contemporary abstract art. This was followed by a solo show in the New Vision Gallery in London. In 1961 Marie married lawyer Tom Last and moved to his home town of Ilkley, where she established a studio in nearby Menston. Here she gravitated back to her early fascination with the Yorkshire landscape, which once more became a strong focus for her work. Marie exhibited both locally and nationally, with her first major retrospective held at Dean Clough Gallery, Halifax in 1991.

Assorted textiles including a floral printed quilt; shawls; black lace and sequinned fan; three leather bags; pair of brown leather gaiters; a dress pattern in booklet dated 1871, habdashery items etc

Eight boxes of textiles including assorted fabrics, crocheted work, net, silk and other scarves, silk and other ties, dickie bows, handkerchiefs, leather accessories, buckles, trimmings, feathers and other haberdashery

Six boxes of assorted textiles and a leather hat box, including assorted dress making fabrics, shoe trees, crochet work, gents shirts, etc

A pair of oak Windsor style chairs, a pine hanging shelf, a pine bedside, two toilet mirrors, a pine four height chest of drawers and a small bag of textiles (8)

A large quantity of vintage textiles and household linens

Three circa 1900 Japanese needlework textiles

A quantity of Japanese textiles including sakiori obi, ragobi pieces, Kaya netting, a silk shibori kimono shawl, etc.

A quantity of Japanese textiles including a furoshaki, a sakiori obi, a rinzu silk shibori panel, etc.

A provincial Japanese embroidered panel, various other provincial textiles, an embroidered cream ground band, etc.

A quantity of Japanese textiles including a rinzu silk obiage, a shibori yukata bolt, a further bolt, etc.

A quantity of Japanese textiles including a katazome futonji, a furoshiki, a kasuri bokashi, etc.

A woollen child's outer garment, a Japanese provincial tie-dyed panel and other predominantly provincial Japanese textiles.

A quantity of predominantly Chinese provincial garments and textiles.

A quantity of Japanese textiles including a nobori koi tsutsugaki, and indigo futonji.