An unusual and spectacular antique Tree of Life crewel work wall hanging - 18th / 19th century, worked in in crewel wool embroidery on a buff-coloured linen ground, decorated with a tree of life festooned with flowers, leaves and birds in polychrome wools, the base of the trunk incorporating the images of various animals amidst the bark, with other animals in buff, pink and red including a dog, a deer and a cat, to the right of the trunk stand two human figures, one with an elaborate animal-skin cloak holding a tethered giraffe and to the left, a moored three-masted discovery / explorer's sailing ship and a circular motif, worked in brown wool with a five letter word, possibly 'Bag...' or 'Bas....', within a broad, conforming border with a repeating design with a tree, flowers and birds, each with an animal at the base of the tree resembling an anteater, approx. 254 x 175cm, the top edge folded and with brass hooks for hanging. * The vendor showed this embroidery to a textiles specialist at the National Trust many years ago, who speculated that it may have been an Afghan piece, dating from the 18th or early 19th century.
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TWO CHINESE QING DYNASTY GILT-METAL HAIR PINS AND A COLLECTION OF EARLY 20TH CENTURY CHINESE EMBROIDERED SILK. One hair pin with insects, butterflies and flowers, applied with red and green stones, in gilt-metal, the other in silver-coloured metal with dense leaves and flowers on a semi-circular mount, applied with coral and green stones, together with eleven ribbon-tied lucky Chinese coins, a pair of black embroidered silk heart-shaped ear muffs, an embroidered leather pouch, two lengths of cream coloured silk ribbon embroidered with yellow and pink butterflies and flowers, a blue silk hat embroidered with pink and green peony and insects (9) The hair pins with some losses to stones and to metalwork, some misshaping. The textiles and coin ornament with minor wear.
A CHINESE BLUE AND WHITE PORCELAIN BOYS BOWL, 18TH CENTURY. Rounded body with gently everted rim decorated to the exterior with five boys holding leafy stems with lotus blooms on a foliate ground. The interior with roundel decorated with boy seated on a lotus flower holding a lotus stem. Kangxi period (1662-1722). 17.3cm diam. Ref: For a similar pair see Christie's Chinese Ceramics, Works of Art and Textiles Part I, 9 Nov 2016, LOT 339. 7cm vertical hairline at the rim. A 6mm repair at rim.
A GROUP OF 20TH CENTURY INDONESIAN TEXTILES. Comprising: a small Sumba cotton ikat, woven with birds, horses and beasts on a dark purple and red ground, 156cm x 38cm, another, probably Sumba, thickly woven with bands of figures and stylised animals and scrolls in dark brown and orange tones, 264cm x 118cm, three rectangular cotton covers, two woven in tones of brown, dark red and cream with stripes and bands of foliate motifs and another in deep pink and brown with flowers, stag and deer (5) Minor wear and some slight separating of stiches at seams, minor fading and some slight loose threads.
REFERENCE BOOKS ON HONG KONG, CHINESE FURNITURE AND TEXTILES. To include Chinese Country Antiques, Vernacular Furniture and Accessories, c1780-1920, by Andrea & Lynde McCormick, Hardback, 2000; Dragons and Silk from the Forbidden City; Dress in Hong Kong, 1992/93; Chinese Residences, 1991, published by Beijing Science & Technology Publishing House; City of Victoria, revised edition, 1999; Of Hearts & Hands, Hong Kong's Traditional Trades and Crafts, 1996. (6) Used but good condition.
Bemalter lederner Rundschild (Dhal), Indien, 19. Jhdt. Großer, leicht gewölbter Schild (etwas verzogen) aus schwerem Büffelleder. Vier durchbrochen gearbeitete eiserne Schildbuckel mit Fassung in Goldfarbe. Schauseitig reicher goldfarbener Dekor auf schwarzem Grund. Im Zentrum der Kopf Vishnus, umgeben von Blattranken, musizierenden geflügelten Apsaras und Pfauen. Auf der Rückseite originales textiles Handpolster mit vier eisernen Ösen für die fehlenden Schildfesseln. Durchmesser 59 cm. A painted Indian leather shield (dhal), 19th century A painted Indian leather shield (dhal), 19th century Großer, leicht gewölbter Schild (etwas verzogen) aus schwerem Büffelleder. Vier durchbrochen gearbeitete eiserne Schildbuckel mit Fassung in Goldfarbe. Schauseitig reicher goldfarbener Dekor auf schwarzem Grund. Im Zentrum der Kopf Vishnus, umgeben von Blattranken, musizierenden geflügelten Apsaras und Pfauen. Auf der Rückseite originales textiles Handpolster mit vier eisernen Ösen für die fehlenden Schildfesseln. Durchmesser 59 cm. Condition: II -
* EMMA S DAVIS RSW PAI (SCOTTISH b. 1975), TABLETOP TEXTILES mixed media on board, signed, titled versoframed and under glassimage size 31cm x 31cm, overall size 55cm x 55cm Note: Emma Davis studied contemporary art and painting at the Glasgow School of Art and graduated in 1998 with a sell-out Degree Show. From the time of graduating she has been working full time as an artist. She has received many awards over the years including the House for an Art Lover Award, the Sir William Gillies Award, the Miller’s Creativity Award, the Glasgow Art Club Award and others. She was the youngest ever winner of The Alexander Graham Munro Travel Award, which took her on an extensive tour of Italy in 2000. At the age of 23 she was also one of the youngest artists to receive the RSW Diploma which she received from HM The Queen. A few years later she also became one of the youngest ever artists to receive the Paisley Art Institute Diploma.
A group of four textiles, 17th-19th centuries, comprising: a velvet embroidery, possibly Northern Italian, late 19th century, the orange velvet ground with metal thread foliate decoration and each corner with a coat of arms beneath a canopy worked in metal thread, silks and sequins, within silver studded border and bullion fringe, approx. 102 x 90cm total; together with two embroidered fragments, early 20th century, with alternating panels of purple velvet with scrolling foliate gilt metal thread and panels of turquoise fabric, terminating gilt thread tassels, with satin lining to reverse, approx. 73 x 56cm and 76 x 56cm total; and a embroidered valance, possibly Balkan / Central Europe, of rectangular form, central panel with flowers and foliage worked in silks, wools and gilt metal thread, within later turquoise border with central gilt floral band, with gilt tassels, approx. 54 x 91cm total (4)
Ambrosius Benson, um 1495 Mailand – 1550 BrüggeMARIA MIT DEM KINDE IN FEINER LANDSCHAFTÖl auf Holz.14,6 x 14,6 cm.Verso mit Provenienz- und Auktionsetiketten.In geschnitztem vergoldeten und gefasstem Rahmen.Das angebotene, in seiner Provenienz und in der Literatur gut dokumentierte Gemälde zeigt Maria in Halbfigur stehend in einem mit feinen Ornamenten besticktem violetten Gewand. In ihren Händen sitzt das Christuskind, eine Hand greift nach ihrem Kinn, die andere hält einen in seiner Größe an das Kind angepassten Apfel. Inkarnat, Textil und auch die goldgewellte Haarpracht sind hochminutiös wiedergegeben und stehen in ihrer Feinmalerei keineswegs der Landschaft nach, in welche die Personen harmonisch eingebettet sind. Maria scheint auf einem zu den Bildrändern abflachendem Hügel zu stehen, der mit unterschiedlichem Blattwerk und Gräsern bewachsen ist, hinter ihr links eine dicht belaubte Baumgruppe, deren Verschattung als Kontrast zu den Reflexen der Haare dient, rechts ein sich in den Bildgrund hineinschlängelnder Weg, der vorbei an einem aufgestockten Heuballen zu einer Häusergruppe führt, zu der soeben ein Wanderer im Begriff ist zu gelangen. Weiter hinten, hinter weiteren fein ausgeführten Bäumen eine abschließende Gebirgsdarstellung, deren Grau mit dem lichten Himmel verschwimmt. Das kleine Format des Gemäldes weist darauf hin, dass es für die private Andacht gedacht war. Als Bild, zu dem der Betrachter immer wieder zurückkehren würde, ist die Andachtswirkung der Darstellung bewusst so gestaltet, dass sie mehrere Interpretationsmöglichkeiten eröffnet und eine fortwährende Quelle für Meditation und Gebet bietet. So kann zum Beispiel die zärtliche Geste des Christuskindes, das die Hand hebt, um das Kinn seiner Mutter zu berühren, auf verschiedene Weise interpretiert werden. Diese Geste unterstreicht nicht nur seine Menschlichkeit und die enge Bindung zwischen Mutter und Sohn, sondern kann auch als Hinweis auf eine tiefere Bedeutung gelesen werden, die Maria als Braut Christi im Himmel darstellt, in Anspielung auf die berühmte Stelle aus dem hohen Lied „seine Linke liegt unter meinem Haupt, und seine Rechte umfängt mich.” Diese Idee wurde bereits im frühen Mittelalter oft mit einer ähnlichen Geste illustriert, wie sie in diesem Gemälde zu sehen ist (siehe etwa eine verzierte Initiale zu diesem Text in einer illuminierten Bibel um 1200; Paris, Bibliothèque nationale de France, MS. Lat. 16745, Fol. 112v). Christus hält zudem in seiner anderen Hand einen kleinen Apfel, ein vertrauter Hinweis auf ihn als den neuen Adam und implizit auch auf Maria als die neue Eva. Auch der weite Landschaftshintergrund könnte den Betrachter dazu eingeladen haben, sich in längere Betrachtung zu vertiefen. Wie Maryan Ainsworth in Bezug auf Gerard David dargelegt hat, kann eine solche Landschaft mit dem Konzept des Naturalismus, das bereits im mittelalterlichen Denken entwickelt wurde, und mit zeitgenössischen Andachtsschriften in Verbindung gebracht werden. Die Schönheit der Natur wurde schon seit dem frühen Mittelalter als Quelle des Staunens über Gottes Schöpfung, Kunstfertigkeit und Macht betrachtet. Diese weiten Ausblicke ermöglichten es dem Betrachter auch, sich selbst in die Szene zu versetzen. Eine Übung, die in populärer Andachtsliteratur wie den Meditationen über das Leben Christi des Pseudo-Bonaventura oder Ludolph von Sachsen (um 1300-1377/78) Vita Christi gefördert wurde, bestand darin, sich gedanklich in die Szenen aus dem Leben Christi zu versetzen, um dadurch intensiver mit den Figuren zu fühlen und sich mit ihnen zu identifizieren. Ein zentraler Gedanke dieser Texte war die Aufforderung, in Christi Fußstapfen zu treten, um ein gutes Leben zu führen. So argumentiert Reindert Falkenburg, dass Gemälde wie das vorliegende als visuelle Hilfen zur Meditation über die Pilgerreise des Lebens betrachtet werden können. Diese Ideen spiegeln sich deutlich in Bensons kleinem Bild wider, mit dem sich windenden Weg und dem kleinen Pilger, der ihn durchquert. Diese Elemente ermöglichen es dem Betrachter, sich in die Szene hineinzuversetzen, denselben Pfad zu gehen und zur Jungfrau mit dem Kind und zur Erlösung zu gelangen.Benson scheint lombardischer Herkunft zu sein, war jedoch ab 1518 Meister in Brügge tätig und trat als Mitarbeiter in die Werkstatt von Gerard David (um 1460-1523) ein. Als einer der wichtigsten flämischen Maler zwischen Spätgotik und Renaissance, neben Gerard David und Adriaen Isenbrant (1475/95-1551), feierte Benson große Erfolge und seine Exporte reichten bis nach Spanien und Portugal.Provenienz: Sotheby's, London, 6. Mai 1925, Lot 15.Sammlung Vick.Thomas Agnew and Sons Ltd., London. Von dort an: Edith Stanton Newberry (1870-1956), Detroit. Im Erbgang an: John S. Newberry, Detroit. Per Spende im Jahr 1957 an: Grosse Pointe Memorial Church.Sotheby's, New York, 29. Januar 2015, Lot 4. Dort erworben von: A. Alfred Taubman (1924-2015).Sotheby's, New York, 27. Januar 2016, Lot 16.Literatur:The Burlington Magazine for Connoisseurs, Vol. 47, London 1925, S. 17.Georges Marlier, Ambrosius Benson et la peinture à Bruges au temps de Charles-Quint, Damme 1957, S. 116, S. 297, Nr. 60.Max J. Friedländer, Early Netherlandish Painting: The Antwerp Mannerists Adriaen Ysenbrant, Leiden 1974, S. 97, Nr. 260, Abb. 170.Ausstellung: London, Thos. Agnew and Sons Ltd., 1926. (1371231) (13) (†)Ambrosius Benson,ca. 1495 Milan – ca. 1550 BrugesTHE VIRGIN AND CHILD IN FINE LANDSCAPE Oil on panel.14.6 x 14.6 cm.Provenance and auction labels on the reverse. The painting on offer for sale in this lot, whose provenance and literature are well documented, depicts the Virgin in half-length standing in a violet robe embroidered with fine ornaments. The Christ Child is seated in her hands, one hand reaching for her chin, the other holding an apple the size of the child. The flesh tones, the textiles and the golden wavy hairstyle are painted in meticulous detail and are equal to the fine landscape painting in which the figures are harmoniously embedded.Provenance: Sotheby’s, London, 6 May 1925, lot 15.Vick collection.Thos. Agnew and Sons Ltd., London. From there to:Edith Stanton Newberry (1870 – 1956), Detroit. Inherited by:John S. Newberry, Detroit. Donated in 1957 to:Grosse Pointe Memorial Church.Sotheby’s, New York, 29 January 2015, lot 4. Acquired there by:A. Alfred Taubman (1924 – 2015).Sotheby’s, New York, 27 January 2016, lot 16.Literature:The Burlington Magazine for Connoisseurs, XLVII, April 1925, p. 17.Georges Marlier, Ambrosius Benson et la peinture à Bruges au temps de Charles-Quint, Damme 1957, p. 116, p. 297, no. 60.Max J. Friedländer, Early Netherlandish Painting: The Antwerp Mannerists, XI, Leiden 1974, p. 97, no. 260, ill. 170.Exhibitions: London, Thos. Agnew and Sons Ltd., 1926.
Italienischer Maler des 19. JahrhundertsDER GOLF VON NEAPELÖl auf Leinwand.121 x 118 cm.In reliefverziertem und bronziertem Rahmen.Bewegter Küstenstreifen mit ockerfarbenen Felsen, davor die Aufsicht eines Dorfes mit Kirche, links daneben unter einer Zypressengruppe ein textiles Dach für feiernde Personen. Rahmen besch. (1421522) (13)Italian painter of the 19th centuryTHE GULF OF NAPLES Oil on canvas.121 x 118 cm.
Anna Gordon. A pair of 18ct gold earrings and a silver brooch, attributed to Anna Gordon, the earrings hallmarked Edinburgh 1998, Edinburgh Assay Office mark; the silver brooch of square form, unmarked, width 7.0cm, in Anna Gordon box (2) Anna Gordon has worked as a prominent contemporary jeweller and goldsmith since studying at Edinburgh College Art between 1989-1994, where she learnt under the preeminent Scottish jeweller Dorothy Hogg. Her career has seen her work exhibited consistently since 1993, and she has held the position of department head of Jewellery and Silversmithing at Glasgow School of Arts since 2008. Her work is held permanently in notable collections including the Victoria and Albert Museum, the Royal Museum of Scotland, the Goldsmith's Company collection, and the Crafts Council Collection, and in 2020 she won the Goldsmiths’ Craftsmanship and Design Award: Gold and Silver Wyre Drawers Gold Award. Her jewellery is self-proclaimed to be influenced by her surroundings, blending natural and architectural cues to produce geometric shapes fashioned by hand. Most recently she has been exploring textiles, particularly Japanese silks and origami papers. Her oeuvre boasts a palette of precious metals, alongside natural materials, gemstones and enamel.Condition Report: Vendor states that the brooch is an early piece, from Gordon's degree show from Edinburgh College of Art.
Various vintage and antique textiles including embroidered colourful floral tablecloths, three 19th century lace examples, a children's dressing up costume, possibly Harlequin with tambourine, boxed, a wedding veil from the 1930s, three samplers, two by Ann Stakes, Hilltop School, Low Moor, one featuring a steam locomotive, the other of a hunting dog, and the other sampler by Amy Pickering from St Peter's Girls' School, Barnes Green, 1883.
A pair of painted wooden bedside tables by Chelsea Textiles, of recent manufacture, each decorated in duck-egg blue, with a rectangular top above a single short frieze drawer and an undertier, raised on four square supports, 50cm wide35cm deep74cm high (2)Condition ReportOverall the pair appear in very good order with minor wear. Joints solid. Drawers run smoothly.
A pair of hand-embroidered cotton curtains by Chelsea Textiles, 20th century, in Pastel Vine 'Sea, Mist & Sand' design, worked in pale silks with crewelwork-style trailing vine embroidery to a cream ground, lined in Chelsea Textiles small green check fabric, interlined and weighted,each drop 210cm long95cm wide at the pleated edge (2)Condition ReportCommissioned from Chelsea Textiles by the vendor. Bottom width per length approximately 207cm. Total width of top pleated edge for the pair approximately 190cm. Fabric patterns F143/B (made to order) and the equivalent of FC1004 (exact pattern is discontinued but this is the replacement). Overall the curtains are in excellent condition and barely used. No obvious marks, holes, stitching losses, etc.
Antique large bend limb mannequin doll 1914 mould Large 27” German Jutta -(recknagel/ Halbig head) Bisque head baby oversized shop mannequin sized doll, with solid articulated body. Open closed mouth with fitted tongue and open close eyes with full lashes , detailed hands, bought in 1919 by the vendors family and provenance is included as to its History-Great face in this oversized mannequin size .(1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Steiff German vintage Large Studio sized 1953 Replica teddy bear 75cm, shop window sized , honey coloured mohair with giant rose bow and tag with felt pads. A wonderful Happy oversized teddy bear 40-8533 made in 1999, in original box and condition as sold. (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Vintage Chiltern Rabbit on a metal framed scooter, with pull along cord and the Rabbit scoots along mechanically as the wheel turns 1950s all working on metal enamelled frame with Chiltern label . Seldom seen in this good labelled condition. (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Pedigree Sindy sister Patch doll with box, in original outfit with accessory stand-good condition is part worn box and has slight yellowing to eye area, otherwise good.( 1 doll in box) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Steiff 995135 rose pink cieslik musical 'Happy Birthday' bear 2002. Boxed as sold. (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
A 1960s satin wedding dress, bracelet length sleeves with guipire trim with a train complete with its veil. Fenwick label and boxed, S. structurally sound, dress has some age related discolouration You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Antique German bisque head baby dolls ; to include a 13” bisque head Marseille 351 Dream Baby in white knitted pram set, a 10” Dream baby with stuffed solid core with squeaker function and rotating hands and a rose knitted pram set and an 11” German bisque toddler doll with straight toddler legs 991 Marseille bisque head on composition body-3 good antique baby dolls (3) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
French, likely Lambert ,19thC working Automata Antique gentleman doll , working, 24” tall including figure and plynth , and hands work to strum the guitar whilst heads turns, in original attire with velvet suit, guitar tasseled slippers and stockings. The structure is weighted painted composition white painted face and card symbols painted and the nose-a red tongue and hooded lids are static , and has original paperweight eyes. The figure is attached to the original musical key wind bases with 2 airs , including Polka Des Clowns-see label image ,and a stop start function all Working , with the paper label shown. The velvet carpet cover below his feet has been recovered likely later with braid. A remarkable detailed intriguing automata . The tune, mechanism and delicacy are this is a fine interesting piece. ( figure on base with Key wind; working) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Antique fine German Grodnertal wooden Peg dolls , 10” dressed in 1815 style lawn dress and bonnet ,painted face and black side swept hair painted hair, décolleté and lower legs with remains of painted rouge shoes , articulated at shoulders and elbows and knees and shapely arms , painted features . The larger doll has full articulation and painted shoulder head , hair and face and décolleté painted and well firm jointed . A good interesting antique pair. (2) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
A Laura Ashley Dyers & Printers label shirtwaist dress in blue with a white ditsy floral print, a Laura Ashley “Made in England” dress in bright pink with white polka dots and a white shawl collar plus a Laura Ashley label made in England label tartan maxi skirt with pleats. The vendor of these pieces worked for Laura Ashley between 1975 and 1993 (3) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Fleischmann German Nuremberg Tin plate working butcher and sausage grinder working toy 1950s together with a good DC Made in Germany cooper figure working on constructing a barrel with a handle turn and label-2 good functioning toys that turn and rotate-please see all photographs . ( 2 very toys) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Deans special golden boxed Centenary gold box of a teddy bear golden antique replica and a cloth deans rag book set 1903 replica luxury gift set-in gold box and has outer deans shipper so excellent as sold. (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Large vintage quality diecast collection and display shelving ; to include a Franklin Mint classic cars of the1950s shelving unit and all vehicles on full display unit, days gone by 2 sets of shop display shelf racking, many boxed as sold vehicles to be displayed on them and Franklin mint larger scale cars to include a Rolls Royce amongst others with display cases and others x 4 fine diecast pieces and many others-a very large collection as shown. ( quantity) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Steiff German boxed Paddington Bear 354250 with blue coat and red hat with a suitcase and toast and box, as sold. Made in 2003 and a highly collected toy(1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Steiff Fine teddy clown , blonde mohair and red trimmings,1926 replica German fine boxed toy with outer shipper and box-a perfect vintage Christmas companion. (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Three vintage Cotswold bears to include Coco from The Circus Collection number 68 of 100, a G Gyllenship designed 'Montgomery' number 23 of 100 and a The British Collection 'Britannia' number 36 of 100 bear. All with their attached tags. (3) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
A 1970s hand worked traditional farmers style smock by Flocks and Smocks of Norfolk in mustard yellow with taupe smocking and feather stitch detail. This fastens top to bottom with buttons and there is a border of deep pin tucks above the hem. (1) Good condition commensurate with age and wear You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Three artist bears to include Molly a 'Bearwoods Bear' by Elaine Davies 1 of 25, Franz a 'EH Bår 1 of 1 with glass eyes, blonde mohair and pink organza bow and rose pink mohair designer bear by Ninie-Bear 'Otto' 1 of 4 with cotton velvet paws. All in good condition with their original tags attached . (3) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
French SFBJ Laughing faced Doll cream laughing jumeau toddler doll 236 model 16” standing firm articulated , open closed sealed smiling mouth and original body, some paint loss to fingers as shown and excellent made cream outfit with shoes and lingerie. Doll has left eye minor over rotation to be rebalanced on original dark brown french paper weight eyes (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Chinese Lady's Robe Qing Dynasty Late 19th Century in a rich cobalt blue damask with pink cuffs and ivory and pink borders. The ivory borders are beautifully embroidered with cranes and butterflies both symbolising longevity, the Chinese for butterfly (die) is a homonym for ‘octogenarian”. The borders are scattered with plum blossom symbolising resilience and hope. These symbols are also found on the cuffs along with a Skirt (qun), Qing Dynasty, late 19th Century in a cobalt blue silk skirt with exquisitely embroidered panels and borders. The panels feature the auspicious peacock symbolising beauty wealth and power surrounded by plum blossom (resilience) and nightingales (happiness and virtue).The borders are packed with symbols good fortune and strength (koi carp), longevity and prosperity (gourds) interspersed with foliage. Condition issues have been photographed so please study these images carefully. The robe has a repairs at the underarms, the buttons look to be replacements, the pink mauve silk on the sleeves has some marks, there is general age related grubbiness the skirt has some storage marks along the pleats and general grubbiness from age and storage but no stains and the silk is strong, the embroidery and couching is strong You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Steiff German special issue with case and marmalade toast and clothing Paddington Teddy bear 354250 32cm issued in 2003 in special issue box and outer shipper, condition as sold.( 1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
A zip front cardigan or jacket by British designer Anne Fewlass made from black wool with a broken chevron stripe in apricot, air force blue and moss green chenille. The design is lightly shaped to the waist with gigot sleeves which are slashed down the centre side to reveal inserts of black chenille knit with a vertical band of stripes in apricot, air force blue and moss green to match the broken chevron. The tight, lower part of the gigot sleeve is knitted in a checkerboard effect to match the cardigan sides. Fewlass has used a variety of machine knitted stitches in this complex design.The V&A holds a jacket in a very similar style with a different colourway and pattern, they write "Annie Fewlass studied fashion and textiles at Birmingham/ Leicester College od Art. She often uses machine knitting as a base for various hand techniques such as crochet, beading, embroidery and felting'. Size S. in very good condition commensurate with age and wear.
Large antique Childs early 20th century Collinsons of Liverpool rocking horse on a safety rocker, painted solid wood with original saddle and has saddle wear with being an early piece. Lovely decorators charming piece. height 119cm length 140cm You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
A Victorian winter coat C1880s made from a black silk velveteen with a silk lining and heavily embellished with passementerie, an 1880s cape in the dolman style, a chinoiserie two piece evening dress c 1895 with blue willow pattern border and an 1870s coat made from jacquard silk with silk ribbon fringing (4) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person all pieces show wear commensurate with age, 1870s jacket has significant thinning in areas, particularly on shoulders, chinoiserie set has shred to silk at underarms, some marks, silk lining to hem has shatter, back of skirt has some shred to the waist where the fastened gathers have pulled the fabrics. cape, original waistband missing, part of the embellishment is missing on the front, lining has some small holes, some beading missing. outer silk is good and strong.
A 19th century alphabet sampler with embroidery in silk, cotton and metal threads on a linen ground. The alphabet, in upper case is repeated in rows with the Z in reverse. There are seemingly random letters, numbers and roman numerals and it is possible that there is a meaning to what is embroidered. About half way down is a row of tiny birds and flowers and hearts too feature in the design. In an oak frame on a linen mount. 19 x 27 cm aprox, embroidered area only (1) Good condition commensurate with age You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Kathe Kruse antique German Hempelchen doll , with a human Hair wig and painted cloth head .18” tall with the classic Igor Von Jakimow head sen on style. Condition is very good for age and has a later knitted set of clothes inc a dress trousers pants and bonnet and shirt. She has her original KK shoes and socks . The Hempelchen ( child of fortune doll) has the back button and cloth strap-see photo , to allow the doll to stand straight ) doll with clothes. (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person worldwide packing options available; Please see details.
Mattel Barbie sister Skipper doll outfits to include many related items as detailed below-please see all photographs-quantity and please see all photographs of items included)Tiny sister Tutti doll from me and My dog set in red coat, and a variety of outfit completers for Barbie skipper and friends and other makes small accessories, to include dog coats from Dogs and dudes set and Kiddles brunette Telly Viddle tiny doll and a Mattel Kola Kiddles Kleo Kola tiny doll, all Mattel . ( selection all as shown- very good to fair) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Antique miniature articulated teddy bear with metal cylinder within-likely Farnell, together with a small Berlin darker brown teddy bear with a crown , and a miniature boxed Steiff rose 7cm teddy bear and a Steiff 7cm silver grey teddy bear, boxed.a Good collection (4) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
A Mulberry 'Greta' black hobo bag with tassel detail to front, gold tone hardware and press stud closure to top. The shoulder strap is adjustable and the interior of the bag is lined in Mulberry fabric, with zip and slip pockets' There is an authenticity number on the underside of the metal Mulberry tag (1) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person
Vintage 1960s Teen fashion dolls to Include Mattel Barbie doll bend leg( lacks a small finger, a Twiggy Mattel teen francie sized friend of Barbie and a selection of clothing from same era, together with Pedigree Sindy and patch doll items to include riding pony club set, and a patch Pieces , and some Mattel Barbie pieces to include some other outfit teen fashion items .( condition is played with and not perfect) You are personally invited to Bishton Hall for the Viewing day 11-3pm on Sunday 1st December , the day prior to the sale and view and see the dolls toys and teddy bears and fashion and textiles for yourself in person

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