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A box of various textiles, material etc.

A collection of vintage textiles; together with vintage purses; and a bowler hat.

Textiles.- Die Neue Deutsche Kunstspinn-Faser [The New German Synthetic Spinning-Fibre], various samples of fibres, cloth etc with explanatory text, most samples removable, one lacking, tear affecting some text to inside upper cover, some light soiling, housed in original wooden presentation box, paper label to spine with "Zellwolle" in ink manuscript, some loss to spine, quite worn, box c.500 x 400 x 35mm., Wuppertal-Elberfeld, Lehrmittelwerkstätte Otto Simmer, n.d. [20th century]. 

A PAIR OF FRAMED TEXTILES PERUVIAN hermetically sealed inside the mounted frames PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW. Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW The larger measures approximately 29.5cm x14cm, the smaller measures approximately 12cm x 18cm both measurements are of the fabric samples only Including frames they measure 49cm x 32cm, and 29cm x 37cm respectivelyADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot.Condition Report Disclaimer

STAN MORTENSEN/FOOTBALL INTEREST; an historic red colour change jersey first used by England in the match vs Argentina at Wembley Stadium 1951. This number 8 shirt was worn by Blackpool's Stan Mortensen (1921-1991), the long sleeved shirt made by Hope Brothers Ltd, the white embroidered cloth patch with the Three Lions crest inscribed Argentina 1950-51. This match was originally organised as part of the Festival of Britain celebrations. Argentina were the second international team to play at Wembley Stadium after Scotland. This shirt was used in the England vs Argentina match as England's white jersey resembled Argentina's pale blue and white striped jersey, and Argentina travelled without an alternate jersey. The red colour change shirt was most notably worn at Wembley fifteen years later in the World Cup Final. Stan Mortensen (1921-1991) most notably played for Blackpool, Preston and England where he scored 25 goals in 23 appearances. Mortensen is the only player to score a hat trick in the 1953 FA Cup Final, later known as the Stanley Matthews final. Provenance: This iconic shirt was given to the vendor by Stan Mortensen circa 1975. The vendor knew Stan through his father who worked for Berisfords Textiles in Congleton. After retiring from football Stan become a wholesaler in haberdashery, as a result of which he began to buy and build a relationship with Berisfords. The vendor's father dealt with Stan from the early 1970s to mid 1980s. Stan would generally visit Congleton every six to eight weeks normally on a Saturday to do business with the vendor's father and they became friends over time. In circa 1975 when the vendor was around fourteen years of age he asked Stan for a football shirt, and on his next visit he gifted this iconic jersey to the vendor, together with an England Cap commemorating the 90th year anniversary of the FA, which is also included in this auction.

STAN MORTENSEN/FOOTBALL INTEREST; a rare England cap awarded to Stan Mortensen (1921-1991) for England vs Rest of Europe 1953, the match was held to commemorate the 90th year anniversary of the FA, played at Wembley in front of 97,000 spectators, the match ended 4-4.Provenance: This England cap was given to the vendor by Stan Mortensen circa 1975. The vendor knew Stan through his father who worked for Berisfords Textiles in Congleton. After retiring from football, Stan become a wholesaler in haberdashery, as a result of which he began to buy and build a relationship with Berisfords. The vendor's father dealt with Stan from the early 1970s to mid 1980s. Stan would generally visit Congleton every six to eight weeks, normally on a Saturday to do business with the vendor's father and they became friends over time. In circa 1975 when the vendor was around fourteen years of age he asked Stan for a football shirt, and on his next visit he gifted this cap to the vendor, and also the red iconic jersey which is also included in this auction.

SELECTION OF VINTAGE TEXTILES AND HANDBAGSincluding kid gloves, silk scarves, lace work, crochets, table linen, leather handbags, etc.

Textiles - a large pair of Sanderson interlined Cascacs pattern curtains. Width 208cm x 207cm and 194cm x 207cm.

Textiles - Lace Making - a 20th century turned treen floor standing tripod lacemaker's tripod pillow stand, 78cm, with various pillows and accessories; a 20th century turned treen table top bobbin winder, 20cm wide; other lace making accessories, including bobbins, books, patterns, cottons and threads, pins, lace samples, a Victorian rosewood mother-of-pearl inlaid workbox, 20cm wide; a good comprehensive starter kit; large qty

Textiles - a large pair of Nina Campbell interlined curtains, Sir Oliphant, MCMXCV. Width 217cm x 73cm and 236cm x 76cm.

Textiles - Tibor Reich (1916-1996) panel Henry VIII, design number 73-379

Textiles - two lace panels, hand embroidered linen tablecloths, English Country Garden Flowers, Cross stitch, etc (quantity)

Textiles - a large pair of Arts and Crafts design curtains. Width 124cm x 221cm and 100cm x 218cm.

Art. A large collection of modern art reference & related, including Italian Frescoes..., 5 volumes, by Steffi Roettgen et al, New York: Abbeville Press, circa 1997, all original cloth in dust jackets, square folio, The Cambridge History of Western Textiles, 2 volumes, edited by David Jenkins, 1st edition, Cambridge: University Press, 2003, original cloth in dust jackets & slipcase, 8vo, The Buildings on England..., By Nikolaus Pevsner et al, 21 volumes, mixed editions, London: Penguin, circa 1990s, all original cloth in dust jackets, 8vo, together with others similar, mostly original cloth in dust jackets, some paperback editions, G/VG, 8vo/folioQTY: (6 shelves)

A collection of Welsh and Irish linen and textiles including a large crochet work table runner (approximately 15').

Circa 2018Including examples in black faux fur and printed textiles, each in original packaging.Box height 13 inches (33 cm), width 7 1/8 inches (18.1 cm), depth 2 1/2 inches (6.4 cm). Please note this lot is offered AS IS.Please note this lot is offered AS IS.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Original bindings with dust jackets, topics on art, textiles, jewelry, etc., approximately [35] volumes. Please note, this lot is offered AS IS.Please note, this lot is offered AS IS.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

1981-2007 A.D. Aga Khan Trust for Culture - Spirit & Life - Masterpieces of Islamic Art from the Aga Khan Museum Collection - London, 2007, hardback with dustwrapper, 211 pp, colour; Sara Kuehn - Central Asian and Islamic Textiles and Works of Art Volume 2 - London, 2001, card covers, 39 pp, colour; Museum of Islamic Art - From Cordoba to Samarqand - Paris, 2006, hardback, 216 pp colour; Sophie Makariou - Chefs-d'oeuvre Islamiques de l'Aga Khan Museum - Paris, 2007, card covers, 223 pp, colour, foldout map; P.R.S. Moorey et al. - Ancient Bronzes, Ceramic and Seals: The Nasli M. Heeramanck Collection - Los Angeles, 1981, card covers, 271 pp, monochrome; Collection of calligraphic text photos in a card cover. 5.9 kg total, 18.5 x 25.5 - 25 x 29 cm (7 1/4 x 10 - 9 7/8 x 11 3/8 in.). [6, No Reserve] Property of a North West London gentleman.

1938 A.D. Asia Institute, Tehran: I Pre-Achaemenid, Achaemenid and Parthian Periods; II Sasanian Periods; III Architecture; IV The Ceramic Arts, Calligraphy and Epigraphy; V The Art of the Book and Textiles; VI Carpets, Metalwork and Minor Arts; VII XII - plates - hardback in quarter-calf binding gold block titling, monochrome plates. 26 kg total, 31 x 23 cm each (12 1/4 x 9 in.). [12, No Reserve] Property of a North West London gentleman.

20th century A.D. F. Spuhler - Islamic Carpets and Textiles in the Keir Collection - London, 1978, hardback with dustwrapper, 251 pp, colour and monochrome; Hadji Baba Ancient Art, Art of the Eastern World, London, 1996, hardback with dustwrapper, 210 pp, colour; Wilfried Seipel - 7000 Jahre Persische Kunst - Kunsthistoriches Museum Wien, 2000, card covers, 342 pp, colour. 4.8 kg total, 22.5 x 28 - 24.5 x 28 cm (8 7/8 x 11 - 9 5/8 x 11 in.). [3, No Reserve] Property of a North West London gentleman.

1973-2001 A.D. Julian Raby - Qajar Portraits - London, 1999, card covers, 104 pp, colour and monochrome; Sara Kuehn - Central Asian and Islamic Textiles and Works of Art Volume 2 - London, 2001, card covers, 39 pp, colour; Cyrus Parham - The Bolvardi carpet - Tehran, 1973, hardback with dustwrapper, 56 pp, colour; David Black - Embroidered Flowers from Thrace to Tartary - London, 1981, card covers, 52 pp, colour and monochrome, signed by the author. 1.7 kg total, 22.5 x 22.5 - 22.5 x 29.5 cm (8 7/8 x 8 7/8 - 8 7/8 x 11 5/8 in.). [4, No Reserve] Property of a North West London gentleman.

A Collection of Various Vintage Textiles and Fabric to Include Embroidered Panel, Patterned Fabric etc

Christa Corner (20th century), textiles artwork. Comprising 'By the Pond', embroidered and patchwork, 23.5cm x 3.5cm, framed and 'Lotus Blossom at Kandy', 40.5cm x 23cm, framed and glazed

An assortment of vintage textiles. Comprising a black velvet belt embroidered with scenes of figures skiing, L67cm, two silk handkerchiefs, a black purse decorated with a dragonfly and a linen panel embroidered with peacocks

Diane Byon (20th century), textiles artwork. Abstract scene of multiple types of fabric with embroidered details, signed and dated '89, 40cm x 30.5cm, framed and glazed

A collection of vintage textiles comprising evening dresses, jackets and two rolls of vintage canvas backed metallic fabric.

A QUANTITY OF ART AND TEXTILES IN FOLIOS, FRAMED AND MOUNTED, all of the work appears to be by an amateur artist called Sue Fawcett and covers circa 1990s -2000s, to include watercolour and pencil landscapes, portraits, still life studies, and textile samples etc, some are signed but the majority are not (13 folios plus loose)

FOUR BOXES AND LOOSE SEWING, EMBROIDERY, AND CHRISTMAS SUPPLIES to include a box of packaged and loose wool of various kinds to include Mohair, Acrylic-Cotton blends in a variety of colours, various reels of ribbons, assorted knitting needles and vintage designs, a suitcase containing assorted textiles, a hat box, two boxes of Christmas decorations to include tinsel, decorations, and artificial flowers, etc (4 boxes and loose) (s.d)

This antique Korean Tansu cabinet, constructed from solid elmwood, features a traditional design that embodies the elegance of Korean craftsmanship. The cabinet is adorned with three upper drawers fitted with brass handles and two lower compartments secured by butterfly-shaped brass hardware, a design often symbolizing love and happiness in Asian culture. The paneled wood construction showcases natural woodgrain patterns, while the intricate brass fittings add a decorative and functional touch. Resting on elegantly shaped bracket feet, this piece combines practicality with timeless beauty. The top surface bears signs of age and use, adding character and authenticity to the piece. Korean cabinetry reflects a harmonious blend of functionality and artistry, often emphasizing clean lines and symbolic motifs. Butterfly brass hardware is a hallmark of traditional Korean furniture, symbolizing transformation and joy. Cabinets like this were commonly used for storage, including clothing, textiles, or household goods, and were an essential part of Asian interiors. The use of elmwood, known for its durability and beautiful grain, highlights the exceptional quality of materials favored by Asian artisans. Today, such cabinets are highly valued for their craftsmanship and historical significance. The inside includes Japanese newspaper clippings on the side parts. Dimensions: 36.50"L x 15.25"W x 31"HCountry of Origin: JapanCondition: Age related wear. Minimal traces of wood repair on top insert.

A CEREMONIAL CLOTH (TAMPAN), LAMPUNG, SUMATRA, INDONESIA, 19TH CENTURY woven russet and indigo cotton, with traces of gilt metal foil, with an intricate design of stylised ships amongst semi-abstract figures and animals, surrounded by bands of geometric and scroll motifs, mounted on stretcher, 56 x 60cm Tampans were produced mostly by the women of Lampung, a region rich from the cultivation of pepper. Almost all families would have possessed a few of these cloths which were used for display at family ceremonies such as marriage and had a variety of functions including being used to cover food. For other Sumatran ceremonial textiles with stylised ship designs, see Gittinger 1985, pp.89-93. See also lot xxxxxxxSlightly frayed in places, some losses

Preußischer Degen für Offizieregemarkt CLEMEN & JUNG/SOLINGEN, gerade Klinge, einschneidig (nicht geschliffen), beidseitig mit Ätzdekor und doppelter Hohlkehle, vergoldetes Messinggefäß mit preußischem Adler auf dem Bügel, der Griff mit Fischhaut und Draht umwickelt, dazu orig. textiles Gehänge, L: 80/95cm. Min. Kratzspuren am Knauf.

William Morris (1834-1896) for Morris & Co., The Appple Tree, An Embroidered Panel, circa 1890, coloured silk threads, in a gilt frame firescreen,58cm square, frame 115cm high Literature: Parry L. William Morris Textiles, 1983, page 28 where a similar design for embroidery is illustrated.

Assorted textiles, inc. chenille tablecloth

White linen square tablecloth, embroidered at each corner with a vase of flowers, 120cm approx.; and a large quantity of linen and other textiles, almost all with embroidered floral decoration, including tablecloths, runners, napkins, tray and cushion covers, pillowcases, huckabuck towel, and a napkin for Queen Elizabeth II's Coronation, 1953, etc. (a lot)

White linen square tablecloth, the lace spandrels and border with teacup and saucer, jug, sugar bowl, and teapot decoration, 117cm approx.; a large quantity of linen and other household textiles with lace borders including tablecloths, runners, tray cloths, napkins, antimacassars, pillowcases; circular crochet lace table cover, Dia.118cm, coasters, and other lace items, etc. (some pieces with stains). (a lot)

White linen damask tablecloth, with a central floral wreath, within a multiple banded border, 133 x 133cm approx.; 6 other damask table cloths, varying sizes; embroidered tablecloths, and a quantity of linen and other white textiles, including napkins, tray covers, runners, etc., (most pieces with stains). (a lot)

A group of Victorian and other domestic textiles, comprising a 1930s hand-embroidered tea cosy and handkerchief case, an Art Nouveau style embroidered blotter cover, a Damask and one other whitework towel, and a pillow case with a crochet border, blotter 23 cm x 30 cm

A collection of Chinese silk textiles  

This finely carved and polychromed wood sculpture of the Madonna and Child is attributed to the Austrian (East Tyrol) School, a distinguished regional tradition of woodcarving that flourished from the late Renaissance into the Baroque period. Likely dating from the mid-17th to early 18th century, the composition presents the crowned Madonna seated in majesty, holding a scepter as the Christ Child balances on her lap, grasping an orb-a traditional symbol of his divine authority as Salvator Mundi (Savior of the World).The East Tyrol School was part of a broader Alpine tradition of master woodcarving, which thrived in Austria, Southern Germany, and Northern Italy during the 16th to 18th centuries. Rooted in the Gothic tradition, these workshops evolved under the influence of the Italian and Bavarian Baroque styles, blending dramatic expression with naturalistic details. The region's skilled artisans, often trained in monastic workshops, created religious sculptures that adorned churches, chapels, and private devotional spaces.Sculptures from the East Tyrol School are known for their graceful yet expressive figures, finely carved drapery, and polychrome decoration that enhances realism. Unlike the more theatrical compositions of the Italian Baroque, East Tyrol artisans emphasized piety and human tenderness, often portraying the Virgin Mary and Christ with soft, contemplative expressions rather than exaggerated movement.The influence of South German Rococo and Bavarian Baroque can be seen in the delicate rendering of facial features and intricate folds of drapery, while the use of gilding and rich color palettes reflects the influence of Venetian polychrome techniques. The present example exhibits these hallmarks, particularly in the lifelike facial expressions and the detailed treatment of textiles.Likely commissioned for a church or private chapel, this sculpture would have served as an object of veneration, reinforcing Catholic teachings on the divine role of the Virgin Mary and Christ. During the Counter-Reformation period, which saw a revival of religious imagery in Catholic Europe, such sculptures played an essential role in inspiring devotion and reinforcing doctrinal themes.The back of the sculpture bears an inscription, "1646 MB," though it is uncertain whether this marks the actual date of creation or a later addition the date is consistent with the style and artistic elements presented. Artist: Austrian (East Tyrol) SchoolIssued: Mid 17th- Early 18th centuryDimensions: 34"L x 18"W x 61"HCountry of Origin: AustriaProvenance: Chapel near Lienz, Austria; John and Johanna Bass Collection, New York, NY; Bass Museum of Art, Miami Beach, FL, 1963. Condition: Age related wear. Sporadic areas of chipped wood. The cross is missing on the orb.

Dr Christopher Dresser (1834-1904) attributed silver 'Komai' bachelor tea set, comprising tea pot, sugar bowl, milk jug, six matching spoons, sugar nips together with a silver heart-shaped serving tray. This tea set has a Japanese influence with its irregular patchwork fragments contrasting with neat geometrical motifs, in silver and silver gilt, assay marked for Birmingham, dated 1879, mm Frederick Elkington. The tray measures 48 x 40 cms, the teapot 16.5 x 11.5 x 8 cms, milk jug 9.5 x 6 x 4.5 cms, sugar bowl 13.5 x 7.5 x 6.5 cms, teaspoon 11 cms, sugar nips 10.5 cms. Weight approx. 2350 gms. Note: Born in Glasgow in 1834, Dresser began his training at Somerset House's Government School of Design, a natural talent, Dresser was accomplished in all aspects of industrial design including furniture, carpets, ceramics and textiles. Japanese artists began to display their artistic wares in the International Exhibitions of London in 1862 and Paris in 1867, this sparked an imitative movement by designers working around this time who encountered Japanese art after their long self-imposed isolation. Dresser was both fascinated and inspired by Japanese design and aesthetic principals. According to Durant, Dresser visited Japan in the first three months of 1877 described in his book Japan, its Architecture, Art and Art Manufactures, published in 1882, Dresser states "I merely wish that we avail ourselves of those methods which are in advance of our own; not minding where they originated. Art, to be of value, must be national....we may borrow what is good from all peoples; but we must distil all that we borrow through our own work". Dresser was associated with Elkington from 1865-1890, his designs for the firm were inspired by the Japanese teapots he so admired on that visit. Cites reference R3P3VUD4.  Literature: Stuart Durant, Christopher Dresser, London, 1993, (pg. 89, similar design illustrated). Widar Halén, Christopher Dresser, London 1990, (pg 151, similar design illustrated). Fine Art Society, The Aesthetic Movement and the Cult of Japan, October 1972, no. 234 (similar design exhibited) Provenance: Property of gentleman.  Condition Report Each piece is in very good condition. 

Maeve Coulter Long Stubble Field  Textile / Mixed media on canvas Signed, dated on reverse 2010 Unframed W30cm x H60cm Provenance : Private Collection Note: Maeve Coulter trained as a printmaker in Limerick School of Art and Design and later studied Art Textiles in Crawford College of Art and Design. She now works in both disciplines often combining print with fabric and stitch. In 2011 she co-founded Blackstack Studio, an artist led, fine art print studio in Kilkenny City. Maeve works from her studio at her home in rural north Co. Kilkenny as well as in Blackstack. She teaches printmaking at Grennan Mill Craft School in Thomastown, Co. Kilkenny and is a regular tutor with Open Circle Community Arts Collective.

A quantity of mixed textiles including Chinese silk scarves & ladies shawl

A quantity of tailors textiles including wool/cashmere, cotton velvet & printed cottons

Textiles - a paisley shawl, 170cm wide

Textiles - a paisley shawl, 137cm wide

Textiles - a Chinese silk rank badge, worked in gilt threads with a dragon, 27.5cm diam, Qing Dynasty; a pair of sleeve panels, similar (3)

FIVE TEXTILES FROM SUMBA, NEAR BALI, TIMORLargest 170cm x 100cm

A GROUP OF SIX TEXTILES, PROBABLY INDONESIAN SOME POSSIBLY IKATLargest 250cm x 125cm

PERSIAN CARPETS AND TEXTILES, TO INCLUDE FISH PATTERNLargest 140cm x 100cm

A GROUP OF SEVEN TEXTILES, PROBABLY INDONESIAN SOME POSSIBLY IKATLargest 250cm x 115cm

A GROUP OF NINE TEXTILES TO INCLUDE PASHMINALargest 330cm x 195cm

Vintage eastern style textiles- a striped rug 156x150cm, 2 pillow shams, pink throw 200x175cm Aztec print throw and silky pink textile (very long, doubled in picture) approx 750cmLx 90cmW

6 rolls of assorted deisgned upholstery material, assorted fabrics and lenghts to incl Prestigious Textiles Allium and Camarillo, Richmond design by Jamasque, Clarice Cherry Woven Jacquard etc

6 rolls of patterned upholstery material to incl grey silk print, teal print, yellow/cream flower grey patterned, and 3 designed cotton rolls to incl prestigious textiles Alium, Studio G enchanted blue and a geometric design, assorted lengths

An Indian rug, a metallic thread wall hanging and other textiles, bags, belts etc Condition Report:No condition report available.

V'Soske Wool Rug A hand tufted round rug having a wavy stripe pattern in various tones of green and blue, including original tag Property from: a Private Collector, North Aurora, Ilinois Condition: overall moderate wear consistent with normal use, (3) minor areas of wear where backing is showing, minor stains, fading and dirt accumulation, possibly cut down from original size Category: Decorative Arts > Rugs & Textiles Estimated Sale Time: 11:40 am (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8

Quantity of lace and other textiles

A 1920s black satin duster coat with seamed kimono sleeves and tie neck plus a collection of textiles including and Indian table covering or wall hanging with mirrored embroidery, some ecclesiastical style cloths with flock grapes and vine leaves, a small piece of 1930s cutwork lace,, a 1930s table cloth etc (qty)  coat has some scuffs and nicks plus a couple of small holes in shoulder, one of the ties is missing at the neck

Assorted Dolls and Textiles comprising a Lenci jointed doll with brown wig, brown side glancing eyes, 'Lenci' stamped in black to the bottom of both feet, unclothed,Heubach small bisque socket head baby doll on a composition bent limb body in a white dress, 15.5cm, and another similar,assorted table linen, embroidered examples, printed handkerchieves, black sequin trims and collar, edgings etc,(one box)

Early 20th Century Firescreen With Silk Embroidered Insert of Floral Design in a mahogany frame, 66cm by 79cm,19th Century and Later Textiles comprising a cream silk brocade panel with fringing (a.f.), a blue silk square with detailed quilting, embroidered pina cloth, crochet work, appliqué textiles, Liberty Kopal printed cotton panel, pair of Jouvence by Boussac Saint Freres printed cotton curtains etc,(one box)