We found 13526 price guide item(s) matching your search

Modern Costume, Occasion Hats and Textiles comprising Jaeger, Gerry Weber, Lucia, Browns of Chester musquash coat, Marten of Liverpool fur jacket, Poetry striped skirt, six modern occasion hats mainly by Get Ahead Hats, two fascinators in four hat boxes, gents leather and fur gloves, masonic apron, and ladies gloves, fifteen part rolls of upholstery textiles including silks and cottons, designs include Albertina by The Design Archives, Liberty remnants Gayhurst and Senshu, etc (quantity and part rail)

A box of vintage textiles, fabrics and embroideries, including bags, tapestry, lace etc.

A quantity of vintage textiles including tablecloths and table coverings, bright embroidered floral linen, napkins, doilies, etc.

A collection of mixed textiles, including a mid-20th century velveteen dress by Rumak & Sample, London, a bodice and matching skirt by Carole Pierre, Paris, and a late 19th century lace and net bodice.

A mixed group of textiles, including a distressed 17th century silk and gilt thread embroidered panels, 95cm x 46cm, two 18th century painted silk panels, a Chinese silk embroidered tablecloth, a Liberty shawl and an Indian woven shawl.

Two 20th Century framed embroidered panels, one depicting a fire dragon on a blue silk ground surrounded by multiple borders, approx 29cm wide x 59cm high and the other a still life possibly presented to The Standard Chartered Bank on its completion by the Nanhai Textiles Company, Hong Kong, 35cm wide x 45cm high. Location:BWRIf there is no condition report, please request.

Two boxes of sundry metal and china wares to include various clocks, crested ware type china, lights, etc., together with a pair of "Juliana" mantel clocks, box of assorted photograph frames and a box of modern textiles to include quilt, an onyx and brass lamp and shade, etc.(4 boxes plus 2 clocks)

Textiles - a George V needlework alphabet sampler, by Wilde Dakin, aged 12 years, 1917, 15cm x 32.5cm; a needlework alphabet sampler, by Ann Middleton, aged 13 years, 14.5cm x 25cm; another; Victorian lace doilies; a collection of wooden cotton reels; qty

Seven Naga textilesNagalandincluding a Lhota warrior's ceremonial body cloth, 136cm x 172cm, an Ao woman's skirt, 70cm x 133cm, a Lhota man's body cloth, 94cm x 182cm, a Lhota woman's skirt, 57cm x 125cm, an Angami woman's skirt, 90cm x 139cm, a Sema woman's skirt, 48.5cm x 105cm, a Sema man's body cloth, 93cm x 146cm, and a Garo Trade strip woven strip, Assam, 11.5cm x 239.5cm long. (8)ProvenanceC. R. Stonor, UK. (each piece with a hand written identification label)Hansjorg Mayer Collection.PublishedJulian Jacobs, The Nagas; Hill People of Northeast India, 1990. pps. 277, 279, 291, 303, 305.

Textiles - a substantial 1970's woolen throw in tones of brown

Textiles - An early 19th century stump work embroidered panel depicting a little boy training his dog, 70cm x 70cm

Textiles - a substantial 1970's woollen throw, central bohemian motifs in vivd tones of turquoise and blue

Two indigo-dyed textiles, comprising:a 19th-century French hemp,274 x 204cm, anda cotton quilted length,127 x 176cm (2)

TWO BOXES AND LOOSE HABERDASHERY AND TEXTILES, to include stained wood spool rack with iron uprights mounted with thirty six wooden spools of coloured silk thread, two tapestry frames, a quantity of unfinished floral tapestry designs and thread, five rolls of textiles and fabric, a hinged wooden craft box, blue and white bed throw, a box of crocheted table linen, etc. (s.d/a.f) (2 boxes + loose)

A collection of textiles/linen including crochet mats, embroidered tablecloths and lace, etc. **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**

Two Neil Bottle printed velvet scarves. Comprising one featuring one hand painted and printed with geometrical shapes and architectural features on a silk ground, in a green and blue palette, on a blue velvet backing, 28cm x 110cm, the other printed and hand painted with geometric and abstract shapes on a graduated orange and red ground, 25.5cm x 152cmNeil Bottle is a British designer who specializes in printed textiles. He combines digital technology and craft techniques to create one-off pieces. His projects have included designing exclusive ranges of accessories for stores such as Liberty and Harrods and are present in the permanent collections at the Victoria and Albert Museum in London and the Cooper Hewitt Museum in New York. He currently holds the position of programme Director for the BA Hons degree in Fashion Textiles: Print, MA Printed Textiles for Fashion & Interiors and MA Digital Fashion at University for the Creative Arts in Rochester.

Five custom designed scarves. Comprising three attributed to Geraldine St Aubyn Hubbard (1946), including one with a painted design in a pink, green, purple and blue palette, 45cm x 180cm, and two Katherine Fraser woven scarves, including one in a polychrome striped design with a geometric border, 29cm x 165cmGeraldine St Aubyn Hubbard is a British textile artist who studied at Goldsmiths' College, London and West Sussex College of Art and Design (Farnham School of Art). Her woven work is mostly in cashmere, silk and wood yarns and is influenced by Islamic and Indian textiles and opened her own weaving workshop in 1970. She has taught part-time at both Farnham and West Dean College, Chichester and in 1986 a Crafts Council major award enabled her to concentrate on her production.

A Sharon Ting (Contemporary) scarf. Featuring an abstract design in orange devore, tassels to the ends, 170cm x 23cmSharon Ting is a British textile designer who graduated from the RCA in 1992 with an MA Textiles (print). Haron exhibited her collections in international trade shows such as London Fashion week, 100% Design, NY Now and SFIGF. She supplied scarf collections to high-end boutiques across Europe and the US and exclusively to Liberty, Browns Own, Selfridges, Barneys NY, Takashimaya NY and Joyce HK. Her work has been collected by the Victoria and Albert Museum and the Crafts Council.

Three framed textiles to include: an early 20th century Asian silk textile, the celadon silk ground embroidered with chrysanthemums, storks and bats, metal thread highlights; Regency silkwork of a female figure feeding hens, within a verre eglomise oval and beaded giltwood frame; an oval framed silk embroidery of hare bells and roses (3)

A mixed lot to include; a folding cased set of Wilkinson's of Ormskirk sovereign scales; a cased set of hanging scales of small form, two small weights; a pair of 19th / early 20th century tongs; a bakelite vesta case of book shape; a mahogany mounted late 19th  / early 20th century barometer of small proportions; a folding rule; a hanging brush set x2 (various styles), and a small amount of linen / textiles. (1 box)

A collection of vintage textiles to include a Dorothy bag in black sub taffeta, a purple Edwardian shawl with black fringing, a paisley shawl with art nouveau design, a large late Victorian shawl, a 1900 cami top edged in cotton lace (small mould mark),  embroidered felt plaque, mid Edwardian coloured collars, Victorian pin cushion in lace, a georgette bow decorative table cove in tatting, handkerchief case in shell pink and green embroidered foliage and other embroidered cloths and tablecloths. (Q).

Mint Stamp collection approx 10 stamp presentations from the 1980/1990s of various categories including Channel Tunnel, British Engineering Achievements, British Textiles and more. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

An extensive collection antique and later textiles, throws, quilted fabric, curtains etc.

A Group of Indonesian wooden rails for hanging textiles.

A quantity of curtains and textiles

A box of antique and later sewing equipment, textiles, lace makers patterns etc,

A pair of 2 branch wall lights, a carved wooden mask, textiles, a jeweller's anvil, an aneroid barometer, 2 Hummel figures, etc.

A large selection of various table linens and other textiles.

Three Kelim rugs and other textiles.

A Thomas Kinkaid woven throw, a black and orange floral bed cover and other textiles Condition Report:We would recommend you view these items personally for condition as no report available.

ATTRIBUTED TO MICHAEL DAHL (SWEDISH CIRCA 1659 - 1743) THE HONOURABLE JOHN SPENCER CIRCA 1732 Oil on canvas Inscribed (lower left) 240 x 144.5cm (94¼ x 56¾ in.) Unframed Provenance: Presumably commissioned by the sitters father-in-law, John Carteret, 2nd Earl Granville Thence by descent Lady Louisa Carteret, who married Thomas Thynne, 2nd Viscout Weymouth Thence by descent Henry Frederick Thynne, 1st Baron Carteret (1735 - 1763) Thence by descent His sale, Christie's London, The Thynne Heirlooms, 1 May 1911, lot 54 (to Cohen) Private Collection, England Sale, Christie's, London, 11 July 1997, lot 54 (as attributed to Stephen Slaughter) Private Collection, South AfricaLiterature: Herbert Minton Cundall, Handbook for Hertfordshire, Bedfordshire and Huntingdonshire; with Maps and Plans, John Murray, London, 1895, p.130The Honourable John Spencer was born on the 13th May 1708, and was the youngest son of Charles Spencer, 3rd Earl of Sunderland and his wife Anne Churchill, daughter of the 1st Duke and Duchess of Marlborough. John was only 7 when his mother died and he was consequentially bought up by his grandmother, the infamous Sarah, Duchess of Marlborough. Unlike his brothers, John had not inherited a title, despite this, his grandmother wrote that "I design to set up the only grandson I have now that is a commoner, John Spencer, who has a very considerable fortune for a younger brother, and I will it as good as most elder brothers". This was certainly the case and the inheritance from his grandmother allowed John to live an immensely comfortable life. After attending Eton, he undertook a Grand Tour between 1725 and 1727 going to France, Switzerland and Italy. In 1732, John Spencer succeeded his cousin, William Godolphin, Marquess of Blandford, as the Member of Parliament for Woodstock, a seat he held until his death in 1746. He is also listed as one of the founding governors for the Foundling Hospital, set up to educate and house deserted young children. On the death of his father, in 1722, he inherited vast swathes of land, notably the family estates in Northamptonshire, including Althorp, as well as already having the properties given to him by his grandmother, including Wimbledon Park. Shortly after he came into his inheritance, he married Georgiana Caroline Carteret, the third daughter and co-heir of John Carteret, 2nd Earl Granville.Michael Dahl (circa 1659 - 1743), moved to England in 1688, after spending time studying in Italy and France. His talent was much sought after and he painted portraits of the upper echelons of English society, including Queen Anne, and Prince George of Denmark. He also painted Spencer's brother, Charles Duke of Marlborough (1706 - 1758), in 1737 (see, Sotheby's, London, 24 November Charles Duke of Marlborough (1706 - 1758), in 1737 2005, lot 28). This interesting full-length portrait depicting John Spencer in Hussar's uniform was noted by art historian Minton Cundall as hanging in the drawing room at Haynes Park in 1895, alongside the portrait of Spencer's wife Georgiana Carteret, by Vanderbank and now in the collection of the Earl Spencer at Althorp. It is highly probable that these two works were commissioned by John Carteret, 2nd Earl Granville for the couple's marriage in 1732, and hung together as pendant works. John Spencer was a popular figure at Court and great friends with Frederick, Prince of Wales. Indeed, his portrait is also captured by the equestrian artist John Wootton in a series of works in the Royal Collection showing the Prince of Wales accompanied by courtiers whilst shooting and hunting. Spencer's position at Court was reflected in his appointment as the Ranger of Windsor Great Park, after the death of his grandmother in 1744, who held the position previously. Unusually, the rich Hussar's uniform which Spencer wears seems to have been chosen as Court fancy dress rather than to indicate a military position. Spencer was a politician and landowner rather than a military man and there does not appear to be any record of him serving with an Hussar regiment. Dahl's capability in recreating the rich materials and textiles of this exotic uniform gives the sitter an added gravitas and the size of the portrait gives additional swagger to an impressive composition. 

DAVID TONER (SCOTTISH 1944-) GLASGOW TENEMENTS, BRIDGETON Signed lower left, oil on board 38cm x 49cm (15in x 19.25in) Bridgeton lies to the east of Glasgow. Originating as a weaving village in the early eighteenth century, as the textiles industry developed so too did Bridgeton's infrastructure, and tenements were constructed to accommodate local workers. The traffic lights in this vibrant oil may reference the Bridgeton Cross, an infamous junction. Toner has carried the traffic light tones of red, yellow and green across the composition to suggest the frenetic urgency of city life.

SIX BOXES OF 'CINDERELLA/LOCALS' STAMPS AND POST OFFICE POSTCARDS, to include a box of Post Office 'stamp' postcards on themes to include horses and ponies, sport, British motor cars, British birds, St John Ambulance and British textiles, etc, together with thousands of perforated and sticker style stamps of Eynhallow, Staffa, Bernera Islands, Ghana, Grunay, and Oman, subjects include historical figures, birds, the Apollo 11 moon landing, etc PLEASE NOTE these stamps are not valid for postage (6 boxes) (s.d)

SIX BOXES OF ART AND TEXTILES BOOKS comprising approximately one hundred books to include themes quilting, embroidery, patchwork, world textiles, antiques, David Hockney, Pieter Bruegel, Monet, Charles Rennie Mackintosh, Japanese arts (6 boxes) (s.d)

A GROUP OF MIDDLE EASTERN AND CENTRAL ASIAN WEDDING OUTFITS comprising a 'Gaj' in the style of Pakistani/Indian communities embroidered with sequins and repeating floral and geometric patterns (height 78cm x width 54cm), a wedding tunic in the style of Balochistan traditional ceremonies embroidered with various textiles and patterns, sequins, and thread (height 90cm x width 100cm), a middle eastern embroidered black tunic, skirt, and overcoat with embroidered geometric patterns, an Akha hill tribe embroidered jacket (7) (Condition Report: some fading to some pieces, and loose seams commensurate with age)

A collection of rare early-to-mid 20th century Chinese ornate accessories and hand crafted textiles. A 1930s highly ornate waist belt in black silk and velvet, intricately beaded with mirror-like tiny beads and silver cord embroidered in a floral circular pattern, popper and hook-eye closure, 30', in original box, one of 50 made and sold in Singapore. A 1930s strikingly embroidered clutch bag in black silk with bronze metal frame, having exotic parrot and foliate design in blue, orange, red, pink, lilac and off-white threads, measuring 9x6x1'. A pair of wedge mules slippers in red panelled leather with highly intricate fish design beading across the upper, size 3.5-4, measuring 9.5'. A handkerchief and drawstring bag in vream cotton, having delicate hand stitching and appliqué designs of a Chinese house and country scene respectively.

A Kuba textile panel, Democratic Republic of Congo, 20th century; with raised textured geometric lattice and lozenge pattern, on a woven ground; later applied to black backing fabric and mounted on a pine frame, the textile panel 66 x 66cm; and Georges Meurant, SHOOWA DESIGN, African Textiles from the Kingdon of Kuba, Thames & Hudson, 1986, soft covers

A box of textiles including 1920s pieces and a box of miscellaneous beads.

Various textiles.

A quantity of china, glass, textiles etc.

Decorative textiles and cushions.

Various textiles, gloves etc and an old typewriter.

Collection of vintage textiles and soft furnishings, including a pair of brocade curtain panels with floral and foliate motifs in muted tones, together with a boxed Dorma king-size duvet cover set comprising a duvet cover, flat sheet, and two pillowcases, along with a variety of decorative curtain tassels and tiebacks with gilt and bead embellishments

Group of six mid-20th century and later textiles and rugs, including a Polish wool tapestry with a crowned white eagle, a European tapestry with a medieval lady and unicorn scene, two Persian-style terracotta and blue rugs, a green rug with boteh motifs, and a black and white geometric wool rug

Assorted Mainly Early 20th Century Lace and Textiles comprising Maltese lace, Irish crochet lace collar and cuffs,cotton and lace collars, modesty panels, engageantes,various lace and crochet trims and edgings, filet square appliqués of various designs, black lace bonnet veil,pair of black velvet slipper mounts with silk embroidered flower heads, pink floral embroidered decorative waistband, length of black silk embroidered with cream silk flower heads overall, cut crewelwork motifs, silk remnants, silk ribbons, trimmings, woven trims, small silk patchwork etc,(one box and a suitcase)

Circa 1920s Sleeveless Top Possibly by Sarah Lipska, with v-neckline and rever collar in caramel coloured silk crepe mounted with silvered 'paper' to the front, appliquéd with geometric shapes in brown felted wool, fur and linen around the hem line, the edges all hand stitched, bears a stitched hand written label 'Mme Lipska, Fr 1900-31', black handwritten numbers to the side split, with press stud fastenings, '55-96-100-4' (a.f.) Sarah Lipska (1882-1973) was an award-winning Polish artist known for her diverse skill set, from sculpting and painting to interior and costume design. She learnt to sculpt at the Academy of Fine Arts in Warsaw, which she joined in 1904 as one of its first female students. Before moving to Paris just before the outbreak of the First World War. Here, she began designing sets and costumes for the Ballets Russes at the Paris Opera, working alongside renowned artist Léon Bakst. Her works were also exhibited at the Salon d’Automne, and throughout the 1920s she created pieces for fashion houses Myrbor and 4 Rue Belloni. Following her success designing for others, Lipska opened several boutiques showcasing her own works, including one in the Champs Elysées. She also expanded into portrait painting, interior decoration, furniture design and later, produced various busts of key figures. Her textiles were inspired by everything from traditional Polish and Russian artwork to ancient Egyptian and Oriental designs. Cleverly combined with more modern Art Deco and Cubist patterns, these influences led to the creation of numerous abstract and tactile pieces. Recurring features of her designs included metallic or brightly coloured embroidery and whip stitching on silk, cotton and even leather.

A Modern Patchwork Quilt comprising brightly coloured sari silks and brocades, with a black cotton trim and backing, 202cm by 254cm Margaret Shah had a lifelong love of sewing, crafting everything from summer dresses to knitted items and tapestries. She began making patchwork quilts when her children were young, and each were given one when they went away to College/ University.Following a City & Guilds design course she studied during her retirement, Margaret’s patchwork quilts and hangings became more elaborate. She would buy silk ties from charity shops and the threads, sequins and beads on her annual visits to India.Margaret also enjoyed being a member of her local “Living Threads” textiles group and would make a new quilt or hanging for each of their exhibitions. She also taught her techniques at workshops and gave talks to WI groups around the Midlands.In her later years, Margarat remained a keen crafter, creating patchwork curtains and cushions for both exhibitions and family members up until her death in June 2021 following a short illness.

Assorted 20th Century Ladies Costume & Accessories comprising two pairs of Golding & Son Ltd, Newmarket breeches,another pair by Bernard Weatherill Ltd, and a similar pair, a CC41 white canvas long coat, two others labelled 'Atlantic', a white canvas short sleeved dress, white service uniforms including aprons, gathered sleeve cuffs, collars etc,other items include a Laddies wool waistcoat, assorted white linen textiles, child's blue and white checked coat, two pairs of later jodhpurs and an Escada yellow silk Margaretha Ley double breasted jacket (size 36) etc,(on rail and 2 boxes)

A Modern Patchwork Quilt comprising a stylish design of stars overall, using cut silk ties, edged in grey silk with a black cotton reverse, 180cm by 250cm Margaret Shah had a lifelong love of sewing, crafting everything from summer dresses to knitted items and tapestries. She began making patchwork quilts when her children were young, and each were given one when they went away to College/ University.Following a City & Guilds design course she studied during her retirement, Margaret’s patchwork quilts and hangings became more elaborate. She would buy silk ties from charity shops and the threads, sequins and beads on her annual visits to India.Margaret also enjoyed being a member of her local “Living Threads” textiles group and would make a new quilt or hanging for each of their exhibitions. She also taught her techniques at workshops and gave talks to WI groups around the Midlands.In her later years, Margarat remained a keen crafter, creating patchwork curtains and cushions for both exhibitions and family members up until her death in June 2021 following a short illness.

A Modern Patchwork Quilt skilfully designed by matching colours in a square patchwork design overall, using silk ties, hand quilted with a red cotton reverse, 214cm by 253cm Margaret Shah had a lifelong love of sewing, crafting everything from summer dresses to knitted items and tapestries. She began making patchwork quilts when her children were young, and each were given one when they went away to College/ University.Following a City & Guilds design course she studied during her retirement, Margaret’s patchwork quilts and hangings became more elaborate. She would buy silk ties from charity shops and the threads, sequins and beads on her annual visits to India.Margaret also enjoyed being a member of her local “Living Threads” textiles group and would make a new quilt or hanging for each of their exhibitions. She also taught her techniques at workshops and gave talks to WI groups around the Midlands.In her later years, Margarat remained a keen crafter, creating patchwork curtains and cushions for both exhibitions and family members up until her death in June 2021 following a short illness.

Assorted Late 19th and Early 20th Century Costume, Textiles and Accessories, comprising baby costume, embroidered linens, tea cosies, woolwork panels, wool sample pieces of various designs, two unframed samplers dated 1890 and 1930, four cotton panels with lace insertions embroidered with 'Lest We Forget - Bournemouth' 'Albarka - Bound' to each corner and two flags, with coloured signatures overall 120cm square, two wedding head dresses with wax flowers, length of cotton remnant, postcards, photographs and other ephemera, etc(two boxes)

Dolls House Textiles - Rugs, Curtains & Nets. 1:12Scale (36). (1000g)8 x 195mm x 300mm5 x 150mm x 260mm9 x 95mm x 170mm (slight variants in size)10 x Runners3 x White Lace Curtains 4180 1 x D4170 Blue Shiny Curtains - Condition Report - New in packaging and Very Good out of packaging.

Persian c.1900 Two textiles, one with metal thread fringe and glass beading  To be sold without reserve

An Afghan waistcoat circa 1960s Together with an Islamic textile and two other textiles. (4)

Textiles- Liberty of London furnishing fabric Melrose, another art nouveau design

Fashion and Textiles - an Italian Fornasetti, Milano silk scarf, decorated with stylised Sun King, labelled, approx. 85cm square; another, Valentino, decorated with Poinsettia (2)

Textiles- Hand embroidered linen table clothes and laced edged linen including cross stitched English country garden flowers

Textiles, Large pair of Heals curtains “Flower Shop”, designed by Hansjurgen Holzer 1967. 213cm x 334cm

Fashion and Textiles - an R di Ratti, decorated with colourful flowers; other scarves (4)

Textiles- Hand embroidered linen table clothes and laced edged linen including cross stitched English country garden flowers, etc