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A Collection of Various Sundries to Comprise Painted Cast Iron Doorstop Modelled as Basket of Fruit, African Carving, Thomas Tank Engine Pop-up Book, James Bond Paperback, Embroidered Textiles etc

Owen Jones (1809-1874), 'Nipon', a jacquard woven silk panel, for Warner, Sillett & Ramm, c.1873,59 x 69.5cm Exhibited: The Fine Art Society, 'Art and Crafts Textiles', 1999. Literature: Mary Schoeser, 'Owen Jones Silks', 1987;Hester Bury, 'A Choice of Design - 1850-1980: Fabrics by Warner & Sons Limited', 1981, ill. no.45, p.79.Condition ReportThe woven silk in good order with no obvious flaws. The frame with some scuffs and chips to the wood.

A GEORGE III STYLE WOOL COAT AND OTHER TEXTILES (7)Together with silk and silver thread waist coat, cotton lining, possibly 19th Century or earlier; a navy silk section fabric; two needlework samplers, one dated 1840, the other Spanish and two beadwork purses

HERMÈS VINTAGE Tasche "BOLIDE 45". Koll. 1999. Fein genarbtes Leder (Clemence) in Schwarz. Klassisches Modell mit umlaufendem Reißverschluss in Silberfarben. Zum Teil textiles Innenfutter in Hellbraun. Clochette, Schloss, Schlüssel und Staubbeutel anbei. Abrieb an den Kanten, Flecken am Innenfutter und klassische Altersspuren vorhanden. | HERMÈS VINTAGE bag "BOLIDE 45". Coll. 1999. Finely grained leather (clemence) in black. Classic model with all-round zip in silver. Partly textile lining in light brown. Clochette, lock, key and dust bag enclosed. Abrasion on the edges, stains on the lining and classic signs of age.

Two Eastern metal thread embroidered textiles 150cm x 105cm and 170cm x 120cm.

A wicker hamper and various textiles and clothing.

A quantity of books to include: Batik, Textiles, Celtic Art, Sevres Porcelain, etc.

Japanese textiles comprising two robes, pajamas, scarf and a tie.

A QUEEN ANNE STYLE EMBROIDERED SILKWORK AND LINEN FLORAL PANEL LATE 19TH CENTURY The whole with handstitched vermicelli ground, sprays of polychrome floral motifs approximately 269 by 169cm Provenance: Lady Miranda Guinness, Countess of Iveagh, previously hanging at Castle Fraser, Aberdeenshire, Scotland. This panel originally formed part of a group of hangings commissioned in the late 19th Century to line the walls of a bedroom at Castle Fraser, and which were copied from original Queen Anne textiles 

Group of vintage silk and other scarves, two berets, evening bags, other textiles, bobbins and lace work items etc (3 boxes)

Various textiles, books and sundries

Box of linen, lace & other textiles

A quantity of various textiles, blankets, material etc.

TWO BOXES OF VINTAGE MISCELLANEOUS ITEMS to include three pieces of malachite sculpted items comprising a rhino (chipped ear and horn), two dishes, a group of onyx items to include a tortoise, two table lighters, and a box, two pieces of Indian embroidered textiles, a boxed Van Cleef and Arpels 'Les Saisons Ete' Eau de Toilette (appears full but may have had usage), three black glass half-tone printing screens, a group of vintage royal commemorative items to include a wooden silver jubilee jigsaw of George V and a commemorative tin, a Bakelite Queen Elizabeth II cup, two commemorative boxes of handkerchiefs, a plastic brooch, two woven pictures, a copper Sirius 'Teacher's Whisky' plate, a group of Norwegian pewter items to include two candlesticks, a cloisonne brush pot, a wooden box, framed pictures, etc (2 boxes)

Vintage Clothes and Textiles 1980's Peep Toe court shoe size 6, black and pink

Vintage Clothes and Textiles, a Paul Smith black velvet jacket, vintage black pleated skirt and pink top

Assorted Eastern Textiles including embroidered and woven items, a tapa cloth, a rust coloured floral wool blanket, embroidered pyjama and linen cases, two cotton printed aprons, circa 1930s and later assorted fashion images, dress patterns, two Calico patterns for a dress and a blouse circa 1936-37 etc

Assorted Textiles, lace, broderie anglais and embroidered trimmings, baby and dolls clothing and undergarments, cream wool items etc, (two boxes)

Assorted Textiles and Costume Accessories, comprising silk and other shawls, belts, lace work, patchwork and toile de jouy remnants, two Ottoman embroidered linen panels, white linen etc(one box)

Various 19th Century and Later Beadwork Textiles Including: bags and tea cosy, ladies hats, etcProvenance: The Selected Contents of Eden Lacy, Lazonby, from the estate of Victor Gubbins

Assorted textiles, furs and costumes (2 boxes) Provenance:  A single owner collection, from the studio of a seamstress

Assorted lace and other textiles (box) Provenance:  A single owner collection, from the studio of a seamstress

A safari hat, assorted other textiles and accessories (2 boxes) Provenance:  A single owner collection, from the studio of a seamstress

A vintage patchwork quilt, and assorted other textiles (2 boxes)

An Elmoor dress, two childrens bridesmaid dresses, assorted textiles and fabrics (2 boxes) Provenance:  A single owner collection, from the studio of a seamstress

A pair of embroidered boots, size unknown, assorted vintage shoes and other textiles (box) Provenance:  A single owner collection, from the studio of a seamstress

A ladies Japanese embroidered jacket, decorated blossoms, size XXL, a black and white sequin top, and assorted textiles (box)

A pair of clogs, another pair, a pair of Victorian style boots, with stretchers, and assorted textiles (3 boxes)  Provenance:  A single owner collection, from the studio of a seamstress

An early 20th century jacket, and assorted other textiles (box)  Provenance:  A single owner collection, from the studio of a seamstress

A novelty pin cushion, in the form of a boot, a beadwork shawl, and assorted other textiles (box) Provenance:  A single owner collection, from the studio of a seamstress

A white dinner jacket, an Aquascutum full length coat, assorted men's fashion and other textiles (qty)

Figure in gilded and polychrome bronze. It shows an anthropomorphic deity, with the face of a bull and a human body, standing on a lotiform throne on which a buffalo is lying on the prone body of a man, holding it with both hands. The deity rides on both beings in alidhasana, with one knee bent and the opposite knee stretched out, balancing himself with outstretched arms in vitarkamudra. The body is covered with pendants and small beaded jewellery, and surrounded by a long waving ribbon. The expression is choleric, with large eyes and gaping jaws showing sharp fangs. The head is crowned with a diadem of skulls and two large horns, which are set in a flaming reddish hair.Height: 15.5 cmWeight: 998 gProvenance:-Christie 's. Chinese ceramics, works of art and textiles. Lot 349: A gilt bronze figure of a warthful deity. 12 May 2017.- Now in a private European collection.

THREE TURKISH TEXTILES, (3).

An Austin Reed  black Hamberg, cardboard hat box;   a grey felt tophat; Handbags - Waldybag, Maclaren, Zebra, Vanity Fair, Corde;  hats; Textiles - linen and lace table clothes, doylees;   various fabric; mink stole;  others;  fur collars; mid 20th century ladies gloves;   a Victorian lace  centrepiece with eight conforming place mats and six smaller; a Rodex coat in green tweed; Beales of Bournemouth 1970's suede jacket, size 40; a very large pure wool hooded cape; House of Fraser velvet two-piece;   etc

Two boxes of miscellaneous bedding, clothes and textiles

CARTIER VINTAGE Umhängetasche. Bordeauxfarbenes Glattleder mit goldfarbener Hardware. Front mit Logo-Patch. Hauptfach mit Reißverschluss, längenverstellbarer Trageriemen. Textiles Innenfutter mit kleinem Innenfach. Guter Erhalt. 18x6x18cm.| CARTIER VINTAGE shoulder bag. Bordeaux-coloured smooth leather with gold-coloured hardware. Front with logo patch. Main compartment with zip, adjustable shoulder strap. Textile lining with small inner compartment. In good condition. 18x6x18cm.

LOUIS VUITTON Handtasche "SEGUR PM". Koll. 2006. Epi Leder Serie in Hellbraun (Tan) mit silberfarbener Hardware. Überschlag mit Steckverschluss. Textiles Innenfutter mit kleinem Innenfach. Guter Erhalt.| LOUIS VUITTON handbag "SEGUR PM". Coll. 2006 Epi leather series in light brown (tan) with silver-coloured hardware. Flap with snap fastener. Textile lining with small inner compartment. In good condition.

LOUIS VUITTON VINTAGE Handtasche "ALMA". Koll. 1996. Monogram Canvas Serie mit naturbelassenem Leder und goldfarbener Hardware. Hauptfach mit umlaufendem Reißverschluss. Textiles Innenfutter mit kleinem Innenfach. Klassische, altersbedingte Gebrauchsspuren vorhanden. | LOUIS VUITTON VINTAGE handbag "ALMA". Coll. 1996. Monogram canvas series with natural leather and gold-coloured hardware. Main compartment with all-round zip. Textile lining with small inner compartment. Classic, age-related signs of wear.

LOUIS VUITTON Handtasche "MONTORGUEIL". Koll. 2008. Monogram Canvas Serie mit naturbelassenem Leder und goldfarbener hardware. Front mit Logo-Applikation. Doppelhenkel, hauptfach mit umlaufendem Reißverschluss, textiles Innenfutter, kleines Innenfach. Schloss ohne Schlüssel anbei. Patina, Abrieb und Tragespuren vorhanden. 38x16x22cm.| LOUIS VUITTON handbag "MONTORGUEIL". Coll. 2008. Monogram canvas series with natural leather and gold-coloured hardware. Front with logo appliqué. Double handle, main compartment with all-round zip, textile lining, small inner compartment. Lock without key included. Patina, abrasion and signs of wear present. 38x16x22cm.

Ca. 18th century AD. A group of textiles, including a near pair of embroidered velvets (cushion covers) embroidered in silver and gold thread. One, purple, shows the image of the Aya Sofia (Hagia Sophia), and the other, coffee brown, with the image of the Mosque of the Tomb of the Prophet and an inscription. Also included are three velvet and leather purses embroidered with gold metal thread in a vegetal design and detailed with sequins. One green with silver and gold sequins, and two red with silver and gold sequins. Size: 150-200mm x 45-70mm; Weight: 795g Provenance: Previous property of an Islamic art professional. Prior Sotheby’s Islamic Art sale, 14th April 2010, Lot 122. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Ca. AD 1100 - 1200 . A bronze bird figurine presents a captivating representation of avian form and beauty. This freestanding figurine portrays a gracefully sculpted bird, potentially a dove, with its slender body elegantly poised on two meticulously crafted short legs. The wings of the bird are gently folded, conveying a sense of tranquility and repose. The head of the figurine showcases a short beak, rendered to capture the essence of avian anatomy, while the accentuated large eyes add a touch of lifelike expression and charm. Birds held profound significance in Seljuk art, serving as powerful symbols with both cultural and spiritual connotations. Birds, particularly doves, were often associated with peace, purity, and divine attributes. They represented an aspiration for harmony and tranquility, embodying qualities that were highly valued in the Seljuk culture. In Seljuk art, birds frequently adorned architectural elements, textiles, and various decorative objects, showcasing the artistic affinity for capturing the grace and elegance of these creatures. Size: L:55mm / W:70mm ; 55g Provenance: Private UK collection; From an old London collection formed in the 1990s.

A Selection Of Textiles To Include Vintage Lace, A Vibrant Silk Turquoise Table Cloth Decorated With Oriental Patterns, A Large Tasselled Patterned Shawl Etc (1Tray)

Modern Textiles and Costume Accessories comprising assorted Anokhi Foreast assorted scarves, various printed cotton skirts, a kaftan dress, bright pink woven cardigan, a Phase Eight dress, Jacqueline Beverley Made in Wales embroidered jacket, a Seasalt beach bag, a modern printed bed cover, three handbags by Amanda Dansie etc(1 box)

Assorted Modern Handbags, Textiles and Accessories, comprising leather case by Peter Jones of Abergavenny, leather collar box, Fossil canvas handbag and oil cloth bags, a Melin Tregwynt shoulder bag, two woven baskets, modern shoes, single quilt with patchwork fans, crewel work panel, a Merrythought tiger cub teddy, and other items in 4 boxes

A quantity of Victorian and early 20th Century sundry domestic textiles including pyjama and shoe cases and linen towels

A box containing a quantity of assorted table linen and other textiles

Art Deco. Kunstgewerbliche Schmuckformen für die Fläche. Monatshefte für die verzierende Kunst, Plauen: Christain Stoll, circa 1920, 25 colour stencil plates of art deco designs for wallpaper, textiles, etc., each mounted on a sheet of black backing paper, one with a quarter portion missing, rubbed and some marks and wear, loosely contained in two printed publisher's folders (Band VII, no. 5 and Band VIII, no. 3), 4to (33 x 25 cm), together with a printed article by Amédée Ozenfant on colour (Colour Pro Domo)QTY: (1)

JOHN PIPER (BRITISH 1903-1992) ⊕ BRITTANY BEACHsigned John Piper lower rightwatercolour and gouache on paper38 x 55cm; 15 x 21 3/4in54.5 x 72cm; 21 1/2 x 28 1/2in (framed)Property of a Lady, BelgraviaBorn in Epsom, Surrey Piper first worked in his father’s solicitors firm until 1926. Meeting Georges Braque in Paris inspired him to make abstract art and to exhibit with the Seven and Five Society (1934–35). In 1935, Piper collaborated with Myfanwy Evans, his wife to be, on the pioneering review Axis. He later abandoned abstract art for Neo-Romanticism and during the Second World War as an Official War Artist, recorded bomb-devastated buildings of England’s disappearing architectural heritage. Piper travelled through France regularly in the 1950s and stayed in Brittany during the summer of 1960, drawn especially to the region's architecture, medieval stained glass and wild shoreline. A versatile artist, Piper made book illustrations, theatre designs, ceramics, textiles, and collaborated on stained-glass projects which included the baptistry window for what was then the new Coventry Cathedral, and the stained glass lantern for Liverpool Metropolitan Cathedral. Retrospective exhibitions of Piper's work have been held at the Museum of Modern Art, Oxford (1973) and the Tate Gallery (1983–84).

Fashion and Textiles - an Italian Fornasetti, Milano silk scarf, decorated with stylised Sun King, labelled, approx. 85cm square; another, Valentino, decorated with Poinsettia (2)

Textiles- Hand embroidered linen table clothes and laced edged linen including cross stitched English country garden flowers, etc

Textiles- Hand embroidered linen table clothes and laced edged linen including cross stitched English country garden flowers

AN OTTOMAN SILK EMBROIDERED LADY'S ROBE (ENTARI) TURKEY, LATE 18TH CENTURY the cream silk ground embroidered predominantly in purple and green with elegant repeat vertical panels of floral designs alternating with gilt vertical narrow strip panels, ornate gilt-metal braiding, the inside lined in silk 142cm long For further examples of Ottoman ladies' robes from the 18th and 19th centuries in the Sadberk Hanim Museum, see L. Gorunur, Women's Costume of the Late Ottoman Era, Istanbul, 2010; and in the Topkapi Museum, see Exhibition Catalogue, Sandiklarda Sakai Saray Yasami, Istanbul, 2006, pp. 46-51. For a very similar example sold at auction, see Christie's, Art and Textiles of the Islamic and Indian Worlds including works from the late Simon Digby, 7 October 2011, lot 495.

A LARGE OTTOMAN VOIDED SILK VELVET AND METAL-THREAD PANEL (ÇATMA) TURKEY, BURSA OR ISTANBUL, LATE 16TH/ EARLY 17TH CENTURY of rectangular form, the voided crimson silk velvet ground decorated with four rows of fan-shaped carnations, each with seven serrated petals supported by palm trees, mounted, in perspex box frame 164cm x 73cm The Ottoman Empire reached its apogee in the 16th century and the Ottomans used luxurious silk textiles for furnishings and for men’s and women’s clothing. The most prestigious were velvet and complex silk weaves called kemha and seraser. These often incorporated thread wrapped with silver or silver gilt.The main centre for silk-weaving was Bursa in north-west Anatolia in Turkey. The industry was established there in the 15th century, largely to compete with Italian imports. The two most popular designs were the curved lattice, and rows of stylised flowers or stars. Originally introduced to Turkey from Italy, they gradually evolved into the dramatic, large-scale patterns associated with the Ottoman court. In this velvet the basic design, with large motifs in staggered rows, is derived from Italian models, but the stylised carnations are unmistakably Ottoman.The fan-like carnations and tulips became very popular and sought-after motifs, not only by the Ottoman Imperial Court, but also from as far as the Imperial court of Russia (see Exhibition Catalogue, The Tsars and the East: Gifts from Turkey and Iran in the Moscow Kremlin), and Italy where the velvets were used for ecclesiastical vestments, a proof of their cross-cultural versatility. For related examples see, Louise W. Mackie, The Splendor of Turkish Weaving, Washington, D.C.: The Textile Museum, 1973, no. 15; Christian Erber, A Wealth of Silk and Velvet, Bremen, 1993, pls. G10/1 and G10/2; Friedrich Spuhler, Islamic Carpets and Textiles in the Keir Collection, London 1978, no. 128.

Ten boxes of assorted household china, metal wares, etc., to include various coffee cans, a set of weighing scales, chopping boards, etc., together with two boxes of assorted household textiles to include table linens, cushions, a basket containing assorted belts and a hat box containing various fur and other hats (10 boxes)

After Victor Vasarely, geometric study, museum produced coloured print. (Stedlijk Museum Amsterdam). 50x50cm approx. Framed and glazed. together with various Museum type posters, mostly in clip type frames to include: Patrick Caulfield at the Tate, Antique Doors of Malta and Gozo, textiles, Royal Antarium Museum etc. (11) (B.P. 21% + VAT)

Ehrman, Edwina (ed) "Fashioned from Nature", V&A Publishing 2018, colour and other illustrations throughout, limp covers Baudot, Francoise "Yohji Yamamoto", Thames & Hudson 1997, illustrated, black buckram, d-w  Kumar, Ritu "Costume and Textiles of Royal India", Christies Books, n.d., profusely illustrated throughout, black cloth with gilt titles, d-w (3) 

A vintage suitcase containing various textiles, napkins, table cloths and doilies, some with embroidered detail, etc.

A mixed collection of vintage textiles including throws, a blanket, table runners in William Morris fabric, an embroidered silk shawl with long fringe, decorative table cloths, wall panels etc

Two Chinese altar front textiles, 20th century, comprising: one with Fu, Lu and Shou, under four Chinese characters Fu, Lu, Shou and Xi in roundels, against a red ground, 101.5 x 104cm, and another, similar, with a dragon in relief, 102 x 102cm (2) Condition ReportBoth with creasing and cockling throughout. Minor staining and foxing marks in various locations. Silk faded. The housegods with small pin holes to the corner of back.

Armin Boehm 1972 Aachen - lebt und arbeitet in Berlin Dust. 2020. Öl und Textilien auf Leinwand. Verso auf der Leinwand signiert, datiert und betitelt. 160 x 180,5 cm (62,9 x 71 in). [KA]. • Mit faszinierenden Farb- und Materialmischungen bettet Armin Boehm seine Motive in eine prismatische Welt aus Figuration, Symbolik und kulturellen Bezügen ein. • 'Dust' wird 2020/21 im bekannten Berliner Nachtclub Berghain gezeigt, in der von der Boros Foundation initiierten Ausstellung 'Studio Berlin'. • Boehm übernimmt in diesem Werk den Ansatz der deutschen Expressionisten und ihrer avantgardistischen literarischen Tendenzen. • Werke von Boehm sind u. a. im Folkwang Museum, Essen, im KAI 10 Raum für Kunst, Düsseldorf, und dem Städel Museum, Frankfurt a. Main, vertreten. PROVENIENZ: Privatsammlung Berlin (seit 2020). AUSSTELLUNG: Studio Berlin. Berghain, Boros Foundation, Berlin, 4.9.2020-29.8.2021. Aufrufzeit: 07.12.2024 - ca. 18.11 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten, Folgerechtsvergütung fällt an.ENGLISH VERSIONArmin Boehm 1972 Aachen - lebt und arbeitet in Berlin Dust. 2020. Oil and textiles on canvas. Signed, dated and titled on the reverse of the canvas. 160 x 180.5 cm (62.9 x 71 in). [KA]. • Using fascinating color and material compositions, Armin Boehm embeds his motifs in a prismatic world that combines figuration, symbolism, and cultural references. • “Dust” featured in the exhibition “Studio Berlin” at the renowned nightclub Berghain in Berlin in 2020/21, initiated by the Boros Foundation. • In this work, Boehm adopts avant-garde literary tendencies from German expressionists. • Boehm's works are represented in the Folkwang Museum, Essen, the KAI 10 Raum für Kunst, Düsseldorf, and the Städel Museum, Frankfurt, among others. PROVENANCE: Private collection, Berlin (since 2020). EXHIBITION: Studio Berlin, Berghain, Berlin, September 4, 2020 - August 29, 2021. Called up: December 7, 2024 - ca. 18.11 h +/- 20 min. This lot can be purchased subject to differential or regular taxation, artist´s resale right compensation is due.