A mid-17th Century Tabernacle form gilt brass striking and alarm table clock, case possibly German, the architectural tabernacle form case with top white metal fretwork gallery supported on four stepped columns, on stepped plinth base, raised upon lion paw feet, silvered Roman numerated dial with an inner alarm dial and a foliate engraved centre, single steel hand, the rear silvered Arabic dial is for the strike, with a chain fusee movement and verge escapement (chain detached), square section brass pillars, striking on a top mounted bell. Removable side panels with 'Memento Mori' (“Remember you must die” - serving as a reminder of mortality and the ephemeral nature of life) script and skull, coat of arms with latin mottos and scripture including MDCXLVI (1641) date. 28cm high. Tabernacle clocks by clockmakers in Augsburg, Nuremberg, and Paris were particularly known for incorporating memento mori elements. CONDITION REPORT: Gear trains consists of a great wheel. centre wheel, third wheel and contrate wheel along with ten grooves for fusee chain. Because chain is detached on time fusee we don't know whether it runs. However it appears to be complete otherwise. Possibly runs for less than 8 days.
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A 19th century skull hilt Masonic sword, the brass cast skull pommel and crossed bones forming the grip guard, the blade engraved with Masonic symbols and floral decorations, wire bound shagreen grip with a matched leather and brass scabbard with frog stud to top mount, combined grip and blade length 98cm.
Lladro matte finished figurine titled "Hamlet," number 1014729. The figurine features an elegant representation of Hamlet holding a skull, showcasing fine craftsmanship and attention to detail. It stands 16"H and bears the Lladro backstamp. A classic piece for collectors and enthusiasts of Shakespearean themes.Artist: Alfredo RuizDimensions: See DescriptionCountry of Origin: SpainCondition: Age related wear.
A COMPOSITE OFFICER'S HELMET OF THE SAXON GARDE REITER REGIMENT with tombak skull and ‘lobster tail’ and stepped peak, with white metal edging, domed chin-scales attached by State and National cockades, a large white metal star to front, mounted with a gilded Arms of Saxony, and a white metal lion crest, holding a Saxon escutcheon in its right claw, the internal headband of buff leather, and the divided lining of green silk (restorations)
Chemistry.- Accum (Fredrick) Chemical Amusement, Comprising a Series of Curious and Instructive Experiments in Chemistry..., 2 parts in 1, first edition, half-title, pastedown with bookplate of Roland Winder and small sticker to foot, ?author's calling card "Hic Jacet, Fredrick Accum, Operative Chemist, Old Compton Street, Soho" with illustration of skull loosely inserted, occasional spotting, mainly to second part, some light browning, bound in mottled half calf by Zaehnsdorf, spine gilt in compartments and with double morocco labels, few small scuff marks to spine, rubbing to joints and extremities, t.e.g, [Toole Stott 1], for Thomas Boys, 1817; and another copy of the same, the second part incomplete but with an additional Appendix printed from the fourth edition bound in, 8vo (2) *** The first edition rare at auction. The second part consists of "A Descriptive Catalogue of the Apparatus & Instruments...Manufactured and Sold by Fredrick Accum" (title on p.191 verso), with prices and descriptions of each piece. A limited number of printed catalogues are available to purchase for this auction. UK: £35 (incl. postage) Rest of World: £50 (incl. postage) Please contact info@forumauctions.co.uk to place an order.
A Timbuwarra figure, Wiru people Highlands Papua New GuineaThis is the only known figure with an incorporate couscous skull. Little is known about these figures from the Wiru people in the Highlands. Timbuwarra figures are woven with rattan and may serve several functions, although they are generally held to be associated with fertility rites and with the spirit world. Few early ones are known to exist.95 cmProvenanceAustralian private collectionCollection Jan Visser, Amsterdam Swiss private collection
HARTMANN, Hans(1845 Berlin - 1898 ebd.) Vanitas StillebenÖl/Leinwand. Rechts unten signiert. 29.5.(18)88. 40 x 30 cm; 0,6 kg. Schädel neben Fächer, Buch, Pfauenfeder und anderen Gegenständen. Farbabsplitterungen. Landschafts- und Architekturmaler in Berlin, Schüler von H. Eschke, stellte 1864/92 in der Berliner Akademie aus. Literatur : Thieme/Becker. Aufrufzeit 01. | März 2025 | voraussichtlich 20:15 Uhr (CET) HARTMANN, Hans(1845 Berlin - 1898 ibid.) Vanita's still lifeOil/canvas. Signed lower right. 29.5.(18)88. 40 x 30 cm; 0.6 kg. Skull next to fan, book, peacock feather and other objects. Paint chipping. Landscape and architectural painter in Berlin, pupil of H. Eschke, exhibited at the Berlin Academy in 1864/92. Literature : Thieme/Becker. Aufrufzeit 01. | March 2025 | probably 20:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
FORSTER, A. Modernes Vanitasstillleben mit TotenschädelÖl/Leinwand. Links oben signiert. 1916. 53 x 43 cm. Gerahmt : 62 x 51 cm (Goldrahmen); 1,6 kg. Totenschädel neben Topfpflanze und Büchern. Altersspuren. Aufrufzeit 01. | März 2025 | voraussichtlich 20:25 Uhr (CET) FORSTER, A. Modern vanitas still life with skullOil/canvas. Signed upper left. 1916.53 x 43 cm. Framed : 62 x 51 cm (gold frame); 1.6 kg. Skull next to a potted plant and books. Signs of age. Call time 01 | March 2025 | probably 20:25 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Memento Mori. Wohl 20. Jh. SCHIFFEL, Bernhard (wohl Werkstatt) Hirschhornrose, ebonisiertes Hartholz. H 5 cm, gesamt 10 cm. Von einer Schlange umwundenes Bildnis eines bärtigen Mannes, dessen eine Hälfte als Totenschädel gearbeitet ist; gerahmt von Geweihansatz. Fein gedrechselte Säule und Rundfuß. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 18:23 Uhr (CET)Memento Mori. Probably 20th century SCHIFFEL, Bernhard (probably workshop) Staghorn rose, ebonized hardwood. H 5 cm, 10 cm in total. A portrait of a bearded man entwined by a snake, one half of which is carved as a skull; framed by antlers. Finely turned column and round base. Aufrufzeit 26. | Feb. 2025 | probably 18:23 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Attributed to Jan Swart Van Groningen (Dutch c.1500-c.1560) A hermit, possibly St Jerome, in a landscape, his hand resting on a skull oil on oak panel 29.5 x 24.5 cm, in a typical moulded Dutch frame, 53 x 47 cm Provenance: Kunsthandel Leo Blumenreich, Berlin, c. 1928 (as per RKD). Hans W. Lange, Berlin, auction 6-7 December 1937 (consignor H.E. von Scheven, Potsdam).Literature: 'Zu Jan Swart van Groningen', Oud Holland, 63 (1948) p. 6, no. 2, reproduced fig. 4Notes: The attribution is due to Max Friedlander in 1948. Slight warping of the panel evident. Fine craquelure throughout the surface, leading to some slight blistering of the surface, particularly in the sky. Small area of paintloss on the skull. Some deposits to the painted surface.
Boxes and objects - a folk art style ‘sea-shell bird’, 20th century, 25cm high; a pair of 20th century bronze fish, green patination; a small deer, possibly Chinese water deer, skull; keys, smoking pipes, boxwood comb, small table-top terrestrial globe; a Balkan Opanek, shoe-shaped pin cushion, and another, without cushion; etc, qty.
Matchbox Models of Yesteryear Code 2 Issues (1) Y22 Ford A Van "Ratzepulz" - blue body, red van roof, black chassis and red 12-spoke wheels; (2) Y22 Ford A "Haloween without Skull to roof (3) Similar but with Skull in centre of cab roof (4) Similar but Skull off centre - Near Mint to Mint in Excellent to Near Mint boxes. (5)
METAL LP RARITIES PACK. A quality pack of 6 metal LP rarities. Artists/ titles include The Body Album (RR01, includes signed booklet. Record Ex/ sleeve VG, small split on the bottom edge), Eloy - Planets (HMI LP1, printed inner. Ex+/ Ex), Wolf - Edge Of The World (SKULL 8323, VG+/ VG+), Manowar - Hail To England (MFN 19, printed inner. Ex+/ Ex), Roksnax (GR C80, Ex/ Ex) and Heavy Load - Death or Glory (TLP 822, printed inner. Ex/ Ex).
OASIS AND MORRISSEY CD COLLECTION - a collection of approximately 100 Morrissey and Oasis CDs. Collection to include: Morrissey - Something Is Squeezing My Skull - Poetry Hour - First Amongst Equals - Viva Hate - Live At Earls Court - The CD Singles '88-'91 - The CD Singles '91-'95 - I Have Forgiven Jesus - I Am Not A Dog On A Chain - You Are The Quarry, Oasis - Stop The Clocks - The Flies 1994-2009, Be here Now - Definitely Maybe - (What's The Story) Morning Glory? - Dig Out Your Soul - Knebworth 1996 - Don't Believe The Truth - 10 Years Of Noise And Confusion. The collection is generally in VG+ to Ex+ condition.
° ° Howard, Robert E. - Skull-Face and Others, Sauk City, Wisconsin: Arkham House, 1946. 1st edition (one of 3,004 copies printed). 8vo. publisher's black cloth, stamped in gilt, in original unclipped dust-jacket designed by Hannes Bok "The first Arkham House collection of fantasy stories by ... the creator of Conan... and other memorable characters... A key title." (Nielsen). Nielsen 17.
A set of four vintage temple blocks , possibly Ludwig/Leedy, of skull/fish form, with mounts From Wikipedia, the free encyclopedia 'The temple block is a percussion instrument originating in China, Japan and Korea where it is used in religious ceremonies. It is a carved hollow wooden instrument with a large slit. In its traditional form, the wooden fish, the shape is somewhat bulbous; modern instruments are also used which are rectangular in shape. Several blocks of varying sizes are often used together to give a variety of pitches. In western music, their use can be traced back to early jazz drummers, and they are not uncommon in modern orchestral music. Its sound is similar to that of the wood block, although temple blocks have a darker, more 'hollow' timbre...'
Royal Doulton The Pirate King figurine, model number HN2901, designed by Douglas V. Tootle. This vibrant hand-painted porcelain figure depicts a lively pirate captain seated with intricate detailing in his attire, including a tricorn hat adorned with a skull and crossbones, an epaulet, and a sword tucked in his belt. Marked on the base with the Royal Doulton backstamp, this figurine was first issued in 1980 as part of the character figurine series. Artist: Douglas V. TootleDimensions: 10"HCountry of Origin: EnglandCondition: Age related wear.
Quantity of Vintage Masters of the Universe He-Man action figures, accessories and vehicle parts Mattel. Including, Battle Bones, Wind Raider, Fright Zone, Castle Gray Skull parts, Beast Man, Stinkor, Mer-Man, Trap Jaw, Battle Cat, Evil-Lyn, Fisto and more. Some accessories, parts and figures may have some damage. In good to play wear condition.
Ca. 400 BC. A bronze Chalcidian helmet with a rounded skull, a slightly flared lower edge, and a narrow horizontal ridge running across the brow. Hinged cheek guards extend downward, each with a curved edge and a perforation near the rounded tip. The exterior of the cheek guards features a subtle stippled pattern along the upper section. For similar see: Object Number: 2017.228a–d Size: 280mm x 220mm; Weight: 530g Provenance: Private London collection acquired on the European art market prior to 2000.
Vollständiger, 32-teiliger Schach-Figuren-Satz des von Natalija Ja. Danko (1892-1942) in den Jahren 1922/23 entworfenen Revolutions-Schachspiels der Rotgardisten gegen die Weißen. Seit 1919 leitete N. Danko die nach der Revolution aus der Kaiserlichen Porzellanmanufaktur hervorgegangene Staatliche Porzellan-Manufaktur (Gosudarstvennyj Farforovyj Zavod). Die Figuren tragen die Bodenmarke der staatlichen Manufaktur mit Hammer, Sichel und Zahnrad (in Gold und Schwarz), so dass ein Herstellungsdatum vor 1925 angenommen werden kann, da die Staatliche Manufaktur 1925 zur „Leningrader Porzellan- Manufaktur namens Lomonosov“ umbenannt wurde und neue Bodenmarken einführte. Vorliegendes Schachspiel lässt sich in seinem symbolischen Gehalt der besonderen Gattung des sowjetischen Agitations-Porzellans zuordnen. Während der König der „Roten“ als jugendlicher Arbeiter mit Vorschlaghammer dargestellt ist und die rote Königin als Bäuerin mit Weizengarbe, wird der weiße König mit Totenschädel gezeigt und die weiße Königin als Frau mit Gold in Überfülle, das aus einem Füllhorn quillt. Die Bauern der Weißen erscheinen als Sklaven in Ketten gegürtet. Deutlich wird die Herabsetzung der Weißen als dekadente Unterdrücker-Klasseim Gegensatz zu den werktätigen Roten.Zustand: Figur des weißen Königs geklebt, Höhe der Figuren: 5,5 -10 cm.Provenienz: Das vorliegende Schach-Set stammt aus der Sammlung des ehemaligen Schach-Großmeisters Lothar Schmid, von diesem erworben bei Christie’s / London.Lit.: Vgl. Lobanov-Rostovsky, Nina, Revolutionskeramik. Sowjetisches Porzellan 1917-1927, Basel / London, 1990, S. 96; Petzold, Joachim, Das Königliche Spiel. Die Kulturgeschichte des Schach, Leipzig 1987, S. 217.Chess set designed by Natalija Ja. Danko (1892-1942) 1922/23. Chess game of the Red guardsmen against the White Guards. Manufactory's mark with hammer, sickle and cogwheel (in gold and black), so the dating of the chess set can be assumed before 1925, as the State Manufactory was renamed the “Leningrad Porcelain Manufactory named Lomonosov” in 1925 and introduced new marks. The symbolic content of this chess set can be assigned to the special genre of Soviet agitation porcelain. While the king of the “Reds” is shown as a young man of the working class and the red queen as a peasant woman, the white king is shown with skull and the white queen as a woman with a cornucopia. The white peasants appear as slaves girded in chains. The degradation of the White guards as a decadent oppressor class in contrast to the working Reds seems to be obvious.Condition: Figure of the white king is glued, height of the figures: 5.5 -10 cm.Provenance: The chess set comes from the collection of the former chess grandmaster Lothar Schmid, acquired by him at Christie's / London.
THEATRE: Three Staffordshire Pottery Theatre Figures, Mrs Siddons as Lady Macbeth and John Philip Kemble as Hamlet, circa 1845, each dressed in ermine edged clipped clay cloaks, he holding a skull, she a piece of cloth, 21cm high; also William Charles Macready as James V of Scotland, standing beside a plinth, 21.5cm high (3). Refer: Harding Book 1, Page 317, Fig 1156 (Macready), Macready, neck repaired, base and pillar restored. Condition report Macready, neck repaired, base and pillar restored.
Kreuzigungsgruppe mit Reliquienkreuz, 18./19. Jh., Holz, fein geschnitzt. 3-teilige Gruppe mit Christus am Kreuz, flankiert von Maria und dem jungen Apostel Johannes, am Fuß des Kreuzes der Golgatha symbolisierende Totenschädel. Figuren wohl älter (barock, 17. Jh.). Kreuz hinten aufschiebbar mit Reliquien, z.B. Hl. Christopherus und Hl. Severiani, H 33,5 cm / Crucifixion group with reliquary cross, 18th/19th century, finely carved wood. Three-part group with Christ on the cross, flanked by Mary and the young apostle John, at the foot of the cross the skull symbolising Golgotha. Figures probably older (Baroque, 17th century). Cross can be slid open at the back with relics, e.g. St Christopher and St Severiani, H 33.5 cm
Unbekannter Künstler, 19. Jh., Büßende Magdalena, in lang gestreckter Gebetshaltung vor Vanitassymbolen und Totenkopf, laut Expertise Manfred Beneke wohl Wiener Schule, 1. H. 19. Jh. (Schätzwert 1985 7-9000 DM), Öl/Lwd (doubliert), 57 x 68,5 cm / Unknown artist, 19th century, Penitent Magdalene, in an elongated prayer posture in front of vanitas symbols and a skull, according to Manfred Beneke's expertise probably Viennese School, 1st half 19th century (estimated value 1985 7-9000 DM), oil on canvas (mounted), 57 x 68.5 cm

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