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A Third Reich SS white metal cap eagle and skull, the former embossed with number 10 (Forsten & Barth, Pforzheim), the latter with RZM mark and "M1/122" (J.J. Stahl, Strassburg). GC, the fixing wires complete.

A Third Reich Fire Police double decal steel helmet, smooth black painted skull with the aluminium comb removed, with party and police decals (the latter very worn), the inside of the rim bearing the stamp of "D.R.P. Thale", with leather liner, top pad and chinstrap. GC (paint slightly chipped)

Kim Leunng (20th Century) Oil on Board. Steer Skull with a Cowboy in Center, Signed Lower Right. Measures 60" H x 48" W. Condition: Good condition Estimate: $50.00 - $150.00 Domestic Shipping: Third party

A SILVER SKULL RING LARGE

Fleming, Ian Goldfinger London: Jonathan Cape, 1959. First edition, 8vo, original cloth, dust-jacket not price-clipped, signed: "Best wishes, Honor Blackman, Pussy Galore" on front free-endpaper, neat ownership stamp also present on front fre--endpaper, encased in a custom-made clamshell box with an embossed skull and rose motif

Victorian bronze presentation Cheselden medal awarded to 4th year students in practical surgery at St Thomas's Hospital, London. The medal was founded by George Vaughan in 1829 and is named after William Cheselden, the famous 18thC surgeon and lithotomist at St Thomas's who was influential in establishing surgery as a scientific medical profession. The medal was designed by William Wyon, RA, and depicts the bust of Cheselden, and verso a cadaver with skull, bones and medicine with Latin inscription 'mors vivis salvs, D78mm

Forty Marvel comics comprising Skull The Slayer 2-5 and 7, The Human Fly 1 and 5-8, Nick Fury Agent of Shield 3, 12, 13 and 31, Astonishing Tales featuring Deathlock 28, 32 and 34-36, Monark Starstalker 32, Wood God 31, Hercules 26, Food of the Gods 22, Three Warriors 30 and Alpha Flight 2, 3, 6 x2, 7, 8, 11-14, 16, 18, 19, 41, 45 and 50. 

An SS skull and cross bones cast aluminium plaque, length 18cm.

ROBERT E. HOWARD - 'THE ULTIMATE TRIUMPH', Limited Edition in slipcase published 1999, 103/1500 together with 'Bran Mak Morn The Last King', published 2001 TOGETHER WITH ROBERT E. HOWARD - A SMALL COLLECTION OF BOOKS to include 'The Last Celt, A Bio-Bibliography of Robert Ervin Howard', '...and their memory was a bitter tree...', 2008, 'The Sowers of the Thunder' 1976, 'Skull-Face Omnibus' 1974 and 'The Miscast Barbarian' (7)

Various sticks and riding crop, champion professional jockey skull cap size 5 (62-63 cm), bowler hat size 7 1/4, Caldene breeches size 36 R etc

HM silver squat candlesticks; together with a metal skull, scissors and a mustard

After Pablo Picassso, gilt framed print, still life with skull of ox.

C.1900’s 1871 pattern British Army 1st Dragoon Guards Trooper’s parade helmet. Brass skull has an embossed laurel wreath centre and rear spine band, with the multi-piece helmet plate with “1” centred within a garter bearing the motto “HONI.SOIT.QUI.MAL.Y.PENSE” over a white metal-rayed star backing plate. The rose-shaped chin strap bosses support a graduated brass ring and leather backed chin scale. The quatrefoil plume spike bears a thin white horse hair plume surmounted by a rose boss. Interior shows a leather liner, with all tabs present, generally only service worn, with screw and nut attachment, with worn green leather underside of front visor. Very good condition for age and very presentable piece, with light dimpling to body.

1953+ 1871 pattern British Army Household Cavalry – Blues & Royals, officer’s parade helmet & parade cuirass. Nickel skull has an embossed laurel wreath centre & rear spine band, with the multi-piece helmet plate with silver and gilt plated helmet badge which sports a Queen’s Crown, a silver officer’s pebbled Guards star with the red enamel cross of St. George and garter containing the famous motto: "Honi Soit Qui Mal Y Pense". The rose-shaped chin strap bosses support a graduated brass ring & leather backed chin scale. The quatrefoil plume spike bears a guard star base, with full red horse hair plume surmounted by a rose boss. Interior shows a full service worn leather liner, all tabs present, with screw & nut attachment & leather to underside of front & rear visor (lifting to base) visor. Very good condition and presentable piece, with near perfect body. The Cuirass features a nickel body, with buff white waist belt, multi-piece brass-studded shoulder braces, twin braided bullion shoulder boards and aiguillettes. Plating to both halves is excellent, making this a lovely displayable piece and perfect accompaniment to the Officer’s helmet.

1902 – 1910 era 1871 pattern British Army Household Cavalry Farrier’s parade helmet. Nickel skull has an embossed laurel wreath centre & rear spine band, with the multi-piece helmet plate with silver and gilt plated helmet badge which sports a King’s Crown, a silver 8 pointed Guards star with the cross of St. George and garter containing the famous motto: "Honi Soit Qui Mal Y Pense". The rose-shaped chin strap bosses support a graduated brass ring & leather backed chin scale. The quatrefoil plume spike bears a guard star base, with full black horse hair plume surmounted by a rose boss. Interior shows a full service worn leather liner, all tabs present, with screw & nut attachment and leather to underside of front visor. Very good condition and presentable piece, with light dimpling to body. Rare Farriers example.

1953+ 1871 pattern British Army Household Cavalry – Life Guards, Trooper’s parade helmet. Nickel skull has an embossed laurel wreath centre & rear spine band, with the multi-piece helmet plate with silver and gilt plated helmet badge which sports a Queen’s Crown, a silver 8 pointed Guards star with the cross of St. George and garter containing the famous motto: "Honi Soit Qui Mal Y Pense". The rose-shaped chin strap bosses support a graduated brass ring & leather backed chin scale. The quatrefoil plume spike bears a guard star base, with full white horse hair plume surmounted by a rose boss. Interior shows a full service worn leather liner, all tabs present, with screw & nut attachment and leather to underside of front visor. Very good condition and presentable piece, with dimpling to body.

C.1900’s 1871 pattern British Army 2nd Dragoon Guards Trooper’s parade helmet. The brass skull has an embossed laurel wreath centre and rear spine band, with the multi-piece helmet plate with “2” centred within a garter bearing the motto “HONI.SOIT.QUI.MAL.Y.PENSE” over a white metal-rayed star backing plate. The rose-shaped chin strap bosses support a graduated brass ring and leather backed chin scale (most leather missing). The quatrefoil plume spike bears a full black plume surmounted by a rose boss. Interior shows a leather liner, with half the tabs present, generally heavy service worn, with screw and nut attachment. There is a period ‘strike’ repair to rear skull, underneath plume, with light dimpling to body.

1953+ 1871 pattern British Army Household Cavalry – Blues and Royals, Trooper’s parade helmet. Nickel skull has an embossed laurel wreath centre & rear spine band, with the multi-piece helmet plate with silver and gilt plated helmet badge which sports a Queen’s Crown, a silver 8 pointed Guards star with the cross of St. George and garter containing the famous motto: "Honi Soit Qui Mal Y Pense". The rose-shaped chin strap bosses support a graduated brass ring & leather backed chin scale. The quatrefoil plume spike bears a guard star base, with full red horse hair plume surmounted by a rose boss. Interior shows a full service worn leather liner, all tabs present, with screw and nut attachment & leather to underside of front visor. Very good condition and presentable piece, with light dimpling to body.

1847 pattern British Army Victorian era 1st Royal Dragoons Guards Trooper’s helmet. Brass skull has an embossed laurel wreath head band to centre, front & rear visor, as well as the rear centre spine. The helmet plate bears a hobnail star in white metal, with a gilt oval Garter centre inscribed with regimental title "The Royal Dragoons" and the "VR" cypher. Retains rose shaped chin strap bosses support & leather backed chin scale. The skull shows some light dents in places, as well as a couple of very minor bump points to left side. Flaming brass spike boss, which houses the black horsehair plume, with fixing rosette to top. The leather liner & band is complete, with leather trim to front underside visor, with good aged brass interior, showing screw & nut attachment. Generally good overall.

WW2 German S.S. Cavalry officer’s uniform peaked cap by Deutsche Wertarbeit. Features a field grey wool crown, with yellow ‘Cavalry’ piping overall, with silver washed nickel/aluminium SS eagle and swastika with SS skull and cross bones ‘totenkopf’ badge below. The crown retains a good stiff saddle shape, with minial wear. Black velvet band, with silver bullion chin chords and side pebbled silver buttons. Peak is firm and shows very light wear. The dark yellow interior silk liner shows use and minor sweat staining, with commensurate light wear to the leather sweat band. The stitched applied diamond shaped ‘Deutsche Wertarbeit’ silken maker panel is present to the centre of the interior silk, which is contained in its celluloid diamond. Large size, approx. size 59. This is a very good condition piece to a rarely seen arm of the Waffen SS.

Pre 1901 era 1871 pattern British Army Yorkshire Dragoons Yeomanry Cavalry Trooper’s parade helmet. The nickel skull has an embossed laurel wreath centre and rear spine band, with the multi-piece helmet plate with Queen’s crown white rose centred within a brass garter bearing the motto YORKSHIRE DRAGOONS Y.C. over a white metal-pebbled star backing plate. The rose-shaped chin strap bosses support a graduated brass ring & leather backed chin scale. The quatrefoil plume spike bears a full white plume surmounted ny screw nut, but missing rose boss. Interior shows a replaced cotton liner over helmet band, with screw and nut attachment. Generally, very good overall, with no discernible damage present. Scarce Yeomanry piece.

Taxidermy - A 9 point red stag skull, mounted on a mahogany shield. Shield length 49 cm.

Taxidermy - A pair of 10 point red stag antlers mounted on a quarter skull.

A red deer skull with twelve point antlers and an oak mount

A decorative skull

A brass vesta in the form of a skull

A skull form ring

A rare late 18th Century/Early 19th Century British bicorne hat to a Field Grade officer of Light Dragoons, the front of the hat is adorned with a chain scale strip and black silk bands, gold bullion and red worsted tassels are suspended from a cord at each corner, the makers label of ' Furnis, No.21 Princes Street' is still present to the interior, the hat comes with its original canvas carrying case with the owners name, ' MAJR. CULTON, LT. DRGS.' written in ink to the side, this type of shaped felt hat was worn by all ranks of the British Heavy Cavalry and most Light Cavalry officers until replaced in 1812 by crested helmets and shakos respectively, officers of Light Cavalry thereafter wore them with 'undress' uniform, although the rear 'peak' has become detached from the base of the skull of the hat it still displays well

Human Skull with sprung jaw and removable top; together with a three dimensional wax medical model of the interior of the face blood vessels, nerves, muscles &cWax model has some damage resulting in loose eye ball

LILLIAN EDGAR: Skull oil on canvas, dents and tear present, 25cm x 30cm

A cast metal skull with articulated jaw and skeleton with perspex block

A PAIR OF ANTLERS skull mount, with painted inscription 8th October 2000, Cregan Reamhar, Cluny Castle, on a shaped wooden shield for wall hanging, 70cm high, 74cm wide and another pair, inscribed 26th September 1997, 80cm high, 84cm wide

A PAIR OF ANTLERS on a shaped wooden shield for wall hanging, the skull mount inscribed, 18-10-1917, Wolf Rock, the date repeated on the shield, 78cm high, 58cm wide

A PAIR OF ANTLERS the skull mount with painted inscription, Q.S.H., 16th March 1970, bound Bincombe taken Longstones, on a shaped wooden shield for wall mounting, 66cm high, 42cm wide; and a pair of palmated antlers, skull mount, 60cm high, 66cm wide (2)

A PAIR OF ANTLERS skull mount, 72cm high, 65cm wide and a single antler, skull mount, 641cm high (2)

A PAIR OF ANTLERS skull mount with painted inscription 2nd Oct 1987, Coire Chatham, Cluny Castle on a shaped wooden shield for wall hanging, 82cm high, 74cm wide and another similar pair, inscribed 4th Oct 1989, Carn-an-leth Coire, Cluny Castle, 80cm high, 72cm wide (2)

A PAIR OF ANTLERS skull mount with painted inscription, 13th Oct 1977, Bowside Lodge, Saobhaidh Burn; on a shaped wooden shield for wall hanging, 58cm high, 46cm wide and a similar larger pair, inscribed 15th Oct 1977, Bowside Lodge, Curloch Burn, 76cm high, 65cm wide (2)

A west African tobacco pipe formed from a seed pod and carved bone together with a small mask carved from an animal skull.

A 20th century taxidermy interest Ram's skull having curved horns and teeth still present. Measures: 22cm long

A George III seashell and seed diorama, with a bearded sailor seated in a grotto reading a book before a skull and a cross, in a glazed ebonised pear wood box frame, the verso with a printed label 'I11. Country Life, Vol.CLIV. No.3898, page 1930, 6 December 1973', 13 x 12.5cm.

* Broadhurst (Arthur Brooks, 1860-1930). The personal binoculars and fishing priest of an Indian big-game hunter, i.e. 1) a pair of C. P. Goerz Triëder 12x binoculars, serial number 2568, housed in contemporary button-fastened leather case hand-painted with address panel 'Ravenoaks, Penrith, Cumberland' and motifs including a tiger, fish, stags, fish, skull-and-crossbones and swastika, red velvet lining, binoculars and case both rubbed, binoculars in good working order; 2) a wooden fishing priest (approx. length 38 cm), pommel carved in shape of human head, grip carved in ropework pattern and incorporating 2 panels lettered 'A.B.B. Feb: 1895' and 'Simon the Salmon Slayer', notched shaft, grip and shaft sometime split and skilfully braced with 4 strips of metal (Qty: 2)NOTESArthur Brooks Broadhurst (1860-1930) was an officer in the 14th (King's) Hussars, and author of the rare privately-printed journal Three Months Tiger Shooting the Deccan (Secunderabad, 1884). He was born at Cheetham Hill, Lancashire and later lived at Penrith; his father was the industrialist Henry Tootal Broadhurst. He reached the rank of captain and was gazetted adjutant of auxiliary forces in 1888. Broadhurst's authorship of Three Months Tiger Shooting appears only now to have come to light through the emergence of his autograph manuscript (see the previous lot): it was previously attributed only to 'A. B. B.', the moniker carved into the fishing priest.

A pair of ibex horns with skull sections, length of each approx 48cm, a tribal leather patch and an antler tribal lamp (4).

An Antique human skull and parts of the skeleton

Boats: A wooden skull, mid 20th century, sliding seat, with one outrigger together with a pair of oars, length 670cm

AN ALLIGATOR SPECIMEN SKULL AND JAW BONES and a smaller skull labelled "Skulls Unltd"

A HUMAN SKULL SPECIMEN

A late 17th century gold and Stuart crystal memento mori ring, with carved shank and facetted rock crystal head with gold initials G.C? and a skull and crossbones beneath, size J.

A makeup reference cast and archive photos used to create the prosthetics for John Merrick's (John Hurt) head, from the production of David Lynch's biopic drama The Elephant Man. The film was nominated for eight Academy Awards, but there was no category for makeup at the time. The intricate prosthetics created by Christopher Tucker was so admired that there was widespread criticism of the Academy for failing to honour his team's work. Such was the impact and influence of the film's makeup effects that the next year the Academy of Motion Picture Arts and Sciences created an award category for Best Makeup and Hairstyling.The lot consists of a painted plaster cast of John Merrick's head from Tucker's production workshop; 40 Polaroids depicting the creative and experimental process behind assembling the unique shape of Merrick's skull, teeth, face and jaw (one of which shows Tucker in his workshop face to face with a plaster cast); 16 large photographs, 10 of which depict headshots of Merrick, and six depicting Tucker working on and maintaining the prosthetics in his studio. This plaster head cast can be seen in the images, between Tucker and Hurt in the workshop. The photographs provide a rare glimpse behind the scenes of The Elephant Man and Tucker himself has stated that the colour photographs are the only ones of the Elephant Man that exist. The item shows minimal signs of wear and aging, and the 16 large photos and Polaroids show printer and exposure faults. However, the plaster makeup reference remains in very good condition. Dimensions (cast): 76 cm x 61 cm x 50 cm (29 3/4" x 24" x 19 3/4"); (large photos): 61 cm x 51 cm (24" x 20"); (medium photos): 21 cm x 25 cm (8 1/2" x 9 3/4")£5000-7000 M

A mounted 5-foot tyrannosaurus rex skull from J.A. Bayona's action-adventure sequel Jurassic World: Fallen Kingdom. The tyrannosaurus rex skull was prominently seen in the Lockwood Library as Eli Mills (Rafe Spall) led Mr. Eversoll (Toby Jones) past it and into the nearby lift, which provided access to his underground research facility. This skull was also featured on actor Chirs Pratt's Instagram feed in a behind-the-scenes photo on 23 March 2017. Prioritising authenticity in order to achieve Bayona's vision for, as the director put it, "bringing dinosaurs into our world", set decorators sought out and rented scientifically accurate cast fossil skeletons for the Lockwood scene. This is a fabricated research-quality reproduction of a tyrannosaurus rex (Latin for "Tyrant King") dinosaur skull from the Cretaceous period. It has been created from high-resolution moulds cast from actual fossils excavated by a team of palaeontologists associated with The Denver Museum of Nature and Science, who discovered the fossil in South Dakota, USA. This custom-made skeleton was cast in durable plastic resin materials and mounted with a reinforced stainless steel armature. The piece disassembles into several components for transport and includes a steel base for display, as well as a letter of authenticity from the vendor who provided it for filming. Dimensions (on stand): 160 cm x 136.25 cm x 81.25 cm (63" x 54" x 32"); (crated): 228.5 cm x 122 cm x 122 cm (90" x 48" x 48")£20000-30000 Ω *Special shipping required; see special shipping notice in the Buyer's Guide

A hand-drawn Ron Cobb Tomb of the Atlantean General skull and headdress oversize concept sketch from the production of John Milius' fantasy adventure Conan the Barbarian. Conan (Arnold Schwarzenegger) discovered the ancient sword which became his signature weapon in a tomb containing the remains of the Atlantean General. This hand-drawn concept sketch shows the headdress-wearing Atlantean General from frontal and side views, and is the work of the film's production designer Ron Cobb. It is rendered in graphite and ink on vellum and signed "RCOBB '80". The sketch has adhesive residue along the edges and several tears along the edges. Dimensions: 61 cm x 84 cm (24" x 33")£800-1000 Ω *Sold without copyright; see copyright notice in the Buyer's Guide

Seven surveillance photographs of Dr. Erskine (Stanley Tucci) from Joe Johnston's superhero movie Captain America: The First Avenger. German scientist Arnim Zola (Toby Jones) finds the photos on the desk of HYDRA operative Johann Schmidt (Hugo Weaving), also known as the Red Skull, who is monitoring Erskine. These black-and-white photographs of Erskine are printed on variously sized poster board and feature half-centimetre-wide frames around the images. The lot is accompanied by a certificate of authenticity signed by a representative of Marvel Studios. The photographs show minor creases and wear along the edges of the poster board. Dimensions (largest item): 18 cm x 18 cm (7" x 7"); (smallest item): 16 cm x 14.75 cm (6 1/4" x 5 3/4")£400-600 Ω Δ

Douglas Quaid's (Arnold Schwarzenegger) turban from Paul Verhoeven's sci-fi action thriller Total Recall. After wrapping a towel around his head to help jam his tracking device signal, fugitive Quaid used a contraption to remove the bug from inside his skull. This cream-coloured piece of towel-like cotton cloth has been wrapped and sewn into the shape of a turban, and fitted with an elastic band. The turban exhibits some staining from wear.£2000-3000 Ω

Two-Face's (Tommy Lee Jones) screen-matched ringmaster top hat from Joel Schumacher's superhero sequel Batman Forever. Posing as ringmaster, Two-Face wore his hat during the Flying Graysons massacre at the Gotham Hippodrome's Charity Circus event. The unique two-toned hat screen matches to the scene where Two-Face attempted to draw Batman (Val Kilmer) from the circus audience. Made of silk, the hat is vertically divided with multi-coloured graffiti on the left and plain black on the right, and finished with a matching bow. The graffiti features skull motifs with stains and burned details throughout ۠reflecting the character's disfigured half. Following the bisected design, the interior is silk-lined, with orange leopard print on the left and plain black on the right. A leather band runs around the inside and shows stains from the purple makeup Jones wore throughout the film. Presented on a custom-made display stand, the hat shows light wear from production use, in addition to the intentional distressing. Dimensions (displayed): 32 cm x 27 cm x 40 cm (12 1/2" x 10 3/4" x 15 3/4").£3000-5000 † Δ

A cursed Aztec coin from Gore Verbinski's action-adventure film Pirates of the Caribbean: The Curse of the Black Pearl. Central to the film's plot, the coins formed the vast treasure hoard of Cortés, which was hidden on the Isla de Muerta and transformed Captain Barbossa (Geoffrey Rush) and his crew into cursed immortals. Created specifically for the film, the coin is made from cast metal and has been plated with a faux-gold finish. Both sides feature a central skull symbol with a surrounding sun-inspired pattern. The coin shows signs of production use, including minor wear to the plated finish, notably in one of the skull's eye sockets. Dimensions: 4 cm x 4 cm x 0.5 cm (1 1/2" x 1 1/2" x 1/4")£2000-3000 † Δ

An alien creature maquette from the production of David Fincher's sci-fi horror sequel Alien3. After the events of Aliens, Ripley (Sigourney Weaver) was the sole survivor of the Sulaco, crash-landing on a prison planet. When she discovered that a xenomorph egg survived the crash and a new creature had been born, Ripley joined forces with the convicts to destroy the species once and for all. Maquettes were used as a visual aid during the development of the look of the new xenomorph. This was an important part of the pre-production process, as prior incarnations of the xenomorph had been gestated in humans. In Alien3, the xenomorph gestates in an animal ۠initially a cow, but this was changed to a dog in the final cut. To make the creature more animalistic, it was designed to be quadrupedal when running, although it could stand bipedally. The maquette was designed by Academy Award-winners Alec Gillis and Tom Woodruff, as well as Chris Halls (now Cunningham), and was inspired by H.R. Giger's original design. This particular maquette was the master copy; the first one out of the mould. Halls sculpted the model and it was hand-painted by Gino Acevedo, an FX industry veteran, renowned for his painting techniques. His name is signed and dated at the bottom of one of the feet. Once completed, the maquette was sent to Boss Films to be used as a paint guide for their "Go-Motion" puppet. Woodruff appeared in the film in the xenomorph suit for all close-ups and wide shots. The maquette is made of resin, features a translucent skull, and there are two small cavities on the bottom of the shoulder blades which were caused by air pockets during the first casting. The tail is a seperate piece and was also a paint-reference master. It attaches to the main body to complete the creature's iconic look. The maquette is displayed on a wooden stand with a metal rod for support. There is some wear from age and production use. The tip of the tail has broken off and there are small areas where the paint has worn away. Dimensions: 75 cm x 50 cm x 137 cm (29 1/2" x 19 3/4" x 54")£10000-15000 Ω

Kyoko's (Sonoya Mizuno) severed jaw and robot components from Alex Garland's sci-fi thriller Ex Machina. The lower part of Kyoko's face was ripped away by Nathan (Oscar Isaac) as he attempted to kill Ava (Alicia Vikander). Robotic components were displayed throughout Nathan's high-tech laboratory. The jaw consists of a faux-silver fibreglass base with a layer of silicone skin adhered on top. The components comprise a hood and foam test bust of Ava; a white plastic face mould; a resin faux-silver skull and cap; a pair of plastic arm covers; and an assortment of nuts, bolt and cables. Signs of production use are present, including minor wear on the components, small rips and uneven edges on the jaw, and dried glue remnants on the skull's interior. Dimensions (jaw): 15 cm x 13 cm x 10.5 cm (6" x 5 1/4" x 6"); (test bust): 22 cm x 39 cm x 38 cm (8 3/4" x 15 1/4" x 15")£600-800 †

Five hand-made puppets and three promotional photographs from Ernest B. Schoedsack's adventure sequel The Son of Kong. These puppets, designed by RKO Cameraman Guy Neward, were used for the sequence in which Hilda (Helen Mack), Carl (Robert Armstrong), Charlie (Victor Wong), and Captain Englehorn (Frank Reicher) fled crumbling Skull Island in a rowboat. These wood-and-fabric puppets ۠one each resembling Hilda, Carl, and Charlie, with two resembling Englehorn ۠are inset with metal screws, with string wrapped around their wrists to aid with motion. The black-and-white stills show the puppets staged for an article about Neward in Occidental Center Magazine. The puppets are fragile from age, with scuffs and tears to the fabric from use. Dimensions (puppets, each): 18 cm x 16.5 cm x 7.75 cm (7 "x 6 1/2" x 3"); (stills, each): 21 cm x 25.5 cm (8 1/4" x 10")£800-1200 Ω

A Boba Fett shoulder armour set from the production of Richard Marquand's Star Wars: Return of the Jedi. One of the most dangerous bounty hunters in the galaxy, Boba Fett was always seen clad head to toe in fearsome Mandalorian armour and weaponry. This pair of white vacuformed shoulder armour castings were made for the production of the film, but ultimately unused. One of the casts has a raised section in the centre for the eventual placement of Boba Fett's Mandalorian skull symbol. There are lengthwise splits in the plastic and some dirt in the interior. Dimensions: 23 cm x 19 cm x 9 cm (9" x 7 1/2" x 3 1?2")£1000-1500 Ω Δ

Lara Croft's (Angelina Jolie) belt and gun holster rig from Simon West's action adventure Lara Croft: Tomb Raider. Croft wore her holster rig to carry her iconic Heckler & Koch USP Match pistols in numerous scenes, from the opening sequence in which Croft battled her robot S.I.M.O.N., to her adventures in Siberia as she fought for possession of the legendary Triangle of Light. Made of black leather, the belt displays multiple metal rivet holes and a cast resin buckle which features a skull-and-crossbones emblem, finished in faux-gold paint. Attached to the belt are two black leather holsters and adjustable straps with strips of Velcro, which would have secured the rig to the actor's thighs. Accompanying the lot is an additional replica resin gold-coloured belt buckle minus the crossbones. The belt and rig show signs of production use, including minor corrosion on the belt hardware, and light scratches and minor wear to the leather. Dimensions (belt, fastened): 37 cm x 40 cm x 8 cm (14 1/2 x 16" x 13 1/4"); (belt buckle): 6.5 cm x 9.5 cm x 2.5 cm (2 1/2" x 3 3/4" x 1")£2000-3000 Ω

A crystal quartz opium pipe with carved skull decoration