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19097 item(s)/page
After Ignatius Crausz Defeher, two lovers with the illusion of a skull, coloured lithograph published 1860. Bearing Masonic square and compass and believed to have been originally produced to raise funds for Freemasonry. The image 28x24cm approx. Gilt frame. (B.P. 21% + VAT) Some back board staining and foxing. In a gilt frame which has suffered noticeable losses.
Royal Doulton character jug featuring Long John Silver, model D6335, introduced in 1951. This hand-painted ceramic jug captures the iconic pirate with a parrot perched on his shoulder and a skull-and-crossbones hat. Crafted with intricate detailing, the piece is marked with the Royal Doulton backstamp on the base, along with the model number and design registration information. Measuring 7.25 inches in height, this collectible is a fine representation of Royal Doulton's craftsmanship and storytelling tradition.Issued: 20th centuryDimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Mattel Monster High loose dolls and a car, etc: (1) Skull Shores Frankie Stein doll; (2) Dot Dead Gorgeous Operetta; (3) & (4) Skull Shores Draculaura; (5) Scaris City of Frights purple convertible car; (6) Striped Stockings x three; Good Plus to Excellent Plus (unchecked for completeness); (qty).
Damien HIRST (Né en 1965)Skull, 2009.(SPIN PAINTING) Acrylique sur papier découpé, signé en haut au milieu.Contresigné au dos du cachet de l’artiste et du timbre à sec ‘Hirst’, daté, avec la mention « This painting was made by / to celebrate the opening / of Damien Hirst, Requiem, / at the Pinchuk Art Centre » au dos.70 x 51 cm.Créée avec la collaboration du public au Damien Hirst Spin Workshop pour célébrer l'ouverture de Requiem au Pinchuk Art Centre, en Ukraine.
Ca. 500 BC.A bronze Chalcidian helmet with a rounded skull and a high carinated crown. A raised ridge runs along the lower edge, defining the transition to the cheek guards and neck guard. The eye openings are framed by an arching contour, extending into outwardly flared cheek guards with hinged cheekpieces, decorated with a pattern of raised concentric circles and attached to the lower edge via a series of small rectangular hinges. A narrow, flaring neck guard extends from the back, curving slightly outward. A prominent nose guard extends downward from the brow, tapering slightly towards the tip. The surface along the eye cuts and cheek guards, is further detailed with rows of punched dots forming decorative bands along the edges.For similar see: Christie's, Live Auction 22770, Arms and Armour from the Mougins Museum of Classical Art, Part I, Lot 14; The Walters Art Museum, Accession Number 54.2468.Size: 380mm x 230mm; Weight: 1.1kgProvenance: Private UK collection, acquired on the European art market; previously in a European collection pre-2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. 300 BC.A very rare bronze helmet with a rounded skull and a slightly flaring brim extending outward along the front and the rear. A raised ridge runs along the upper edge of the brow, curving over the front section and terminating in volute-shaped projections at the temples. Small rivets are positioned along the lower edge, likely for securing an internal lining or additional attachments.For similar see: Museo archeologico nazionale di Madrid, Identifier AKG1324156.Size: 310mm x 260mm; Weight: 390gProvenance: Private UK collection, acquired on the European art market; Ex. Marcus Prill collection, 1980s - 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. AD 1600.A silver ring with a circular bezel featuring a raised skull at its centre, its hollowed eye sockets and nasal cavity framed by a convex forehead and defined cheekbones. The surrounding field is inscribed with "MEMENTO MORI" interspersed with small floral motifs. The hoop is plain and broadens slightly at the shoulders and then at the back again. The reverse of the bezel bears a relief of clasped hands.Size: D:18.75mm / US: 8 3/4 / UK: R; Weight: 9.99gProvenance: Property of a London Ancient art collector, formerly in a London private collection, formerly acquired on the UK art market since the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by an authentication statement by Sami Fortune, ancient jewellery specialist.
Ca. AD 900 - 1100. A silver reliquary cross engraved on both sides. One side depicts the Virgin Orans, standing frontally with arms raised in prayer, flanked by the Greek inscription MP ΘΥ. Above, a leaf motif is engraved, and the composition is framed by a linear border. The other side features Christ on the cross with outstretched arms, accompanied by the Virgin Mary and St. John the Baptist in mourning. Above his head is a cross and the Greek inscription HC XC. Below, a stylised depiction of Golgotha includes a stepped base with a central skull motif. The cross is hinged at the top and bottom, designed as a reliquary for holding a sacred relic, with an integrated suspension loop for wearing.For similar see: Christie's, Online Auction 12805, Ancient Jewelry, Wearable Art, Lot 4; Christie's, Live Auction 1164, Ancient Jewelry, Lot 656.Size: 110mm x 55mm; Weight: 65gProvenance: Private UK collection; previously acquired on the German art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Fleming (Ian) Goldfinger, first edition, ink mark removed leaving some abrasion to corner of front free endpaper, original boards with skull design in gilt and blind, spine lettered in silver, dust-jacket, spine toned, the odd nick to edges, corners and extremities a little creased and chipped, 8vo, 1959.
Schädel eines Crocodylomorph (Dyrosaurus phosphaticus)Maße mit Stand: 46 x 132 x 38 cm. Gewicht: 20 kg.Khouribga, Marokko, Kreide, 85 Millionen Jahre alt.Der Dyrosaurus gehörte zu einer bemerkenswert vielfältigen Familie, die den modernen Krokodilen vorausging. Aufgrund der schlechten Erhaltung sind nicht viele Überreste des Dyrosaurus bekannt, was dieses Exemplar so besonders macht. Die Details des Schädels und die Reihen der scharfen spitzen Zähne sind deutlich zu erkennen. Die Typusart erhielt 1893 ihre wissenschaftliche Beschreibung anhand von Funden aus dem Gafsa-Becken in Tunesien. Der Dyrosaurus wurde bis zu sechs Meter lang. (1341251) (13) (†)Skull of a crocodylomorph (Dyrosaurus phosphaticus)Dimensions incl. stand: 46 x 132 x 38 cm.Weight: 20 kg.Khouribga, Morocco, Cretaceous, 85 million years old.The dyrosaurus belonged to a remarkably diverse family that predated modern crocodiles.
Harrison Ford and Shia Le Beouf signed Indiana and the Crystal Skull 35x22in colour movie poster. Folded. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
[Bierce (Ambrose)], "Dod Grile". The Fiend's Delight, title page vignette, 32pp. advertisements at rear, lower hinge weak, original brown cloth decorated in gilt, slight shelf-lean, spine tips and corners a little bumped and worn, John Camden Hotten, [1873]; Cobwebs from an Empty Skull, illustrations by the Dalziel Brothers, some light marginal soiling, original pictorial cloth, gilt, neatly rebacked, retaining original darkened backstrip, rubbed, George Routledge, 1874, first editions, preserved together in custom morocco-backed drop-back box, 8vo.*** Bierce's first and third book, published during a three year sojourn in England.
HENRY SCOTT TUKE (BRITISH, 1858-1929)Samwell sitting on a blue dug-out signed and dated 'H.S. Tuke 1924' (lower right) oil on canvas 39 x 29cm Provenance Geoffrey Sainsbury (The artist's nephew); Henry Shemilt; Acquired from the above in 1963 by Brian D. Price; Acquired from the above by the present owner Literature The Diary of Henry Scott Tuke 1923-1925, transcribed by B.D. Price; Catching the Light - The Art and Life of Henry Scott Tuke, Catherine Wallace, 2008, plate 131.FootnoteTuke painted the present work on 10th January 1924, and recorded the following entry in his diary:‘Out with Samwell and Ralph again and went further on – nearly got a small nurse shark with the paddle, it was struck several times but eventually got away. Landed and did a good study of Samwell sitting in a bluish dugout, with flickering shadows from overhanging trees. Worked hard at it all afternoon at home.’Unable to resist an adventure, Tuke was 67 when, in November 1923, he set sail for Jamaica on the Fyffe banana-ship, S.S. Coronado; part of an expedition funded by the author and explorer Lilian, Lady Richmond Brown and including Fredrick Albert Mitchell-Hedges, a fellow explorer whom Tuke met at a Lecture in Falmouth. Mitchell-Hedges is perhaps best remembered for claiming to have discovered a crystal skull in Belize in 1924, but failing to mention the artefact until the mid-1940s, following the sale of a strikingly similar crystal skull at Sothebys in October 1943; modern testing of the skull has revealed the markings of modern machinery rather than Mayan tools. This illustrious party docked in Port Royal on 10th December before travelling the 100 miles or so to the Black River. Tuke spent the following two months painting numerous oils and watercolours of the local landscape and people. Samuel, known as Samwell, was one of his favourite models, whom he described as an ‘…interesting type. Looks like a fierce savage but as gentle as a dove.’ Samwell appeared in several works, most notably, Black River Boatmen, Jamaica, an oil begun on 9th January, the day before the present work, which went on to be exhibited at The Royal Academy in 1925, no.500, and sold at Christies 2nd-16thDecember 2021, lot 97, for £30,000 hammer. Tuke skillfully captures a charmingly uncontrived moment as his subject stares, unselfconsciously, out to sea, the dappled light and heat are beautifully and deftly rendered, strongly evoking the unique atmosphere of the Caribbean.Condition Reportoriginal canvas; the paint surface is in excellent, clean condition; no sign of retouching under ultraviolet light, held in a plaster gilt frame in fair condition.
German Third Reich 1934 model SS cap skull (Totenkopf) by Deschler & Sohn, München. Good rare die-stamped aluminium example with two inserted brass blades. The reverse with raised Reichszeugmeisterei (RZM) logo and code M1/52 for Deschler. Removed from cap. Minor service wear, VGC. Payment by Bank Transfer ONLY
German Third Reich assorted insignia. Army BeVo M44 breast eagle and swastika ... Army sports vest eagle and swastika ... small silvered skull on blades ... small silvered star lapel badge with black enamel mobile swastika ... circular Wehrmacht Helpers lapel stick pin ... silvered Faithful Service Decoration with black enamel swastika. on blue ribbon with original suspension bar. Payment by Bank Transfer ONLY
German Third Reich 13th Waffen-SS Mountain Division Handschar Fez. Good rare maroon / burgundy felt example complete with black tassel and narrow leather sweatband. The front bears BeVo white on black SS eagle and swastika over separate skull. Minor service wear. VGC Payment by Bank Transfer ONLY
German Third Reich Fire Police double decal helmet. A good example of the light weight helmet, made with four groups of vent holes. Retaining Police decal (95%) and Party decal (98%). The interior is complete with padded leather lining and chinstrap, this remains full length, detached one end. Retaining 95% black paint work to the skull. Payment by Bank Transfer ONLY
German Third Reich WW2 Army Afrika Korps issue sun helmet. A good clean example of green felt material with leather chin strap and edging. Retaining original National and Army metal shields. To the green interior, red skull cap with leather sweat band blind tooled with makers details of "JHS". Minor wear. No breaks, wear to leather edging, cap possibly replaced. GC Payment by Bank Transfer ONLY
DAMIEN HIRST (BRITISH 1965-) FOR THE LOVE OF GOD - 2009 Screenprint with diamond dust, 366/1000, signed and numbered in white pencil, printed by Coriander Studios, published by Other Criteria, London; with the accompanying book ‘For The Love of God: The Making of the Diamond Skull, Damien Hirst’ published by Other Criteria/White Cube (2) the sheet 33cm x 24cm (13in x 9.5in)
A BOXED TSR DRAGON LANCE BOARD GAME, c.1988, 'The Final Challenge in the Ultimate Fantasy Saga', with a boxed Games Workshop Warhammer Wood Elf Glade Riders figure set, figures are unbuilt or painted and majority still attached to plastic sprues, contents of sets not checked but both appear largely complete and in very good condition, boxes with some wear and damage, with a boxed Warhammer Battle for Skull Pass Paint set and a boxed Mega Bloks World of Warcraft Ragerock set, both still sealed in original packaging (4)

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19097 item(s)/page