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A ROYAL DOULTON PIG TOBY PITCHER

A PAIR OF FLORAL ENCRUSTED AND PAINTED HARD PASTE PORCELAIN VASES AND COVERS, ONE COVER SURMOUNTED BY A MAN HARVESTING WHEAT, THE OTHER WITH A LADY WITH JUG AND PITCHER, MARKS IN BLUE. H 43cms.

JACOB ROOS, called ROSA DA NAPOLI (1682-1730) A Shepherdess with her Flock Beside a Ruined Arch; A Goatherd with his Flock Beside a Spring A pair, oil on canvas, 73.5 x 99.3cm and 72.2 x 99.5cm One signed and dated 1706 on the majolica pitcher Provenance: Purchased by Sir Benjamin Lee Guinness (1798-1868) for St. Annes, Clontarf, Dublin. Thence by descent to the present owner. Jacob Roos, called 'Rosa di Napoli' was born in Rome in March 1682, son of Philipp Peter Roos who was known as 'Rosa da Tivoli'. He was born in Frankfurt, Germany and enjoyed a successful career as painter of animals and landscapes. Jacob in turn adopted the style of his father. Unsurprisingly he lived and worked in Naples and Benezit observes that it is difficult to distinguish the son's work from his father's. Seven large Italian landscapes are attributed to him and are to be found at the Résidence de Wurzburg. These two paintings were purchased by Benjamin Lee Guinness, grandson of the founder of the eponymous brewery for his home at St. Anne's in Clontarf, Dublin. The attribution has been made by Dr Hermann Jedding author of the monograph on the Roos family.

A large Italian ceramic figure of a tiger, 20th century, 60cm high, a studio pottery pitcher, 29cm high and two modern Imari pattern figures of cats, 34 and 27cm high (4).

An Art Nouveau copper coal helmet, with brass swing handle, the sides foliate embossed against a cell ground, weighted base, 37cm wide, a similar style and period pitcher with scroll handle and hinged cover, 32.5cm high and a similar oval watering can, 42cm across (3).

Charles Schneider, a Jade series glass pitcher, circa 1930, conical gourd form with whiplash handle, marbled and mottled, 34.5cm high

MATT KELLEHER; a soda fired earthenware pitcher with linear decoration and tin glazed interior, impressed M mark, height 18cm.Provenance: Exhibited at 'Quietude' curated by Linda Christianson, Schaller Gallery, St Joseph, Michigan, 2018.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

DICK LEHMAN (born 1952); a wood fired stoneware pitcher and a spouted bottle, impressed DL mark to pitcher, tallest 26.5cm (2).Provenance: Purchased in 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

MARK WILLIAMS; a stoneware pitcher with diamond pattern covered in green glaze and a fluted wood fired stoneware bowl, incised MW marks, tallest 16.5cm (2). Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

TARA WILSON; a wood fired stoneware pitcher, incised signature, height 28.5cm.Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

JEAN-NICOLAS GERARD (born 1954); a slipware pitcher and jar and cover with sgraffito and finger spot decoration, incised signature to jar, tallest 21.5cm (2).Provenance: Purchased from Goldmark Gallery, Uppingham, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

BEDE CLARKE; a square wood fired stoneware pitcher with tall spout and a matching smaller pitcher, impressed marks, tallest 22.5cm (2).Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

BEDE CLARKE; a wood fired stoneware pitcher, impressed mark, height 36.5cm.Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

JIM MALONE (born 1946); a stoneware pitcher covered in granite, ash and iron glaze, impressed JM and L (for Lessonhall) marks, height 33cm. (D)Provenance: Purchased at Oxford Ceramic Fair, 2018.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

BRUCE COCHRANE; a wood fired stoneware pitcher, incised signature, height 18.5cm.Cochrane is based in Mississauga, Ontario.Provenance: Purchased in 2017.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

A late 19th Century ruby cased satin glass pitcher, circa 1880, clear pincered handle, ground pontil, height 18cm, together with a similar pair of beakers (3)Condition: jug with a side wall fault

GEORG JENSEN: A massive silver ewer / pitcher attractively decorated with vines on textured body to ebony handle. Numbered 407A to base. Approx. 24 cms high. Approx. 1117 grams. Est. £3500 - £4000.

A large Goldscheider pottery figure, of a maiden carrying a water pitcher, signed Chere with Goldscheider stamp, 114cm high

Royal Doulton Lambeth slender inverted baluster vase, decorated with swags of ripe fruit on a cobalt blue ground, pattern 8530D, and a mottled glaze pitcher Coronation of Edward VIII, an amber glass flagon (3 in lot)

Antique crackle glass champagne pitcher and blown glass handle ice scoop, 1870, by Boston and Sandwich glass company, USA, twisted cane glass handle and inner ice compartment, scoop has blown glass handle.

A Victorian copper warming pan; a companion set in the form of a knight and a large brass pitcher

A GILT METAL AND MARBLE CANDELABRUM, the central column has an urn with rams head masks and swags rising to four arms with single sconce to the top, height 57cm, together with a metal painted six arm candelabrum, cast metal sculpture of a female figure and a distressed tin pitcher

A collection of copper and brass items, including candlesticks, jardiniere, oil lamp, 58 by 20cm, pitcher, bed warming pan, coal bucket, black painted metal fire fender, fire irons, candle snuffers, four picture frames, and a coaching horn. (2 boxes plus loose)

Two novelty brass vesta cases, modelled as a bottle of 'Veuve Cliquot' and a water pitcher, together with a vesta pot modelled as a pale, latter 6 cm high, late 19th / early 20th Century

A group of early nineteenth century blue and white transfer-printed Spode Aesop's Fables pieces, c.1825.  Comprising of: a Copeland and Garrett The Dog and the Sheep side plate, A Copeland The Fox and the Tiger pattern small plate and a Crow and the Pitcher pattern sauce tureen stand.. They are marked to the underside. 19 - 23 cm wide. (3)Condition: In good overall condition bar a foot rim chip to the stand. Provenance: From a private, single-owner Spode collection.

A ROYAL DOULTON PIG TOBY PITCHER

William Cruickshank RA RSA (1848-1922) British, a still life study of dead game in an interior setting, a basket, pitcher and mice to the background, watercolour, signed, 13 cm x 20 cm glazed in a gilt frame.Footnote: Provenance: Bearing a Phillips lot number label (63), for 'Sale No. 371'Condition report: Some wear to the fraam, with marks to the mount, otherwise good.

An important Venetian enamelled and gilded tazza, first quarter 16th centuryThe broad shallow tray painted to the centre with a circular medallion of a stag recumbent on grass beneath a radiant sun, within white and red line borders, the rim with a gilt scale band embellished with blue-and-white dots flanked by red dots, within blue-and-white dot borders, on a low folded spreading foot, 24.5cm diam, 5.9cm highFootnotes:ProvenanceLady 'Lili' Maria Elisabeth Augusta Cartwright (née von Sandizell)Thence by descent to her son, William Cornwallis Cartwright, Aynhoe Park, OxfordshireThence by family descent to the present ownerThis tazza belongs to a distinctive group of vessels all painted with medallions in a very similar style and palette dating to the first quarter of the 16th century. A small number of these include deer or stags. See for example the jug with a stag to one side and a lion to the other in the Victoria and Albert Museum (accession no. 681-1884), illustrated by Barovier Mentasti et al., Mille Anni di Arte del Vetro a Venezia (1982), pp.102-4, no.112, the honeycomb-moulded tazza with a standing stag from the Salomon De Rothschild collection in the Louvre (accession no. OA 1976), and the large pitcher with a recumbent stag from the M Émile Gavet Collection sold by Galerie Georges Petit in Paris in 1897, lot 585 (present whereabouts unknown).For a tazza of identical form with a similar border to the rim, see that with a medallion of a recumbent doe to the centre in the Corning Museum of Glass (accession no. 2002.3.36). Another of very similar form with a swan or pelican is illustrated by Erwin Baumgartner, Reflets de Venise (2015), pp.57-9, no.11, where the dating of tazzas such as this is also discussed. Compare also to the tazza with a pelican or swan in the Victoria and Albert Museum (accession no. C.2475-1910).Other tazzas painted with female deer include a rib-moulded example in the British Museum (accession no. S.377) illustrated by Hugh Tait, The Golden Age of Venetian Glass (1979), p.29, no.5, one in the former Royal Scottish Museum, illustrated in the Journal of Glass Studies, vol.5 (1963), p.147, no.29, and a bowl with a standing doe in a quatrefoil cartouche sold by Sotheby's on 26 May 1981, lot 204. Tazzas of different form with medallions of other animals all painted beneath a sun in a strikingly similar style are cited by Dwight Lanmon and David Whitehouse, Glass in the Robert Lehman Collection (1993), p.33, and by Baumgartner (2015), p.59.The treatment of the grass, painted in bright green with tiny lines or shapes painted in black, together with the rendition of the sun with distinctive linear dashed rays, is consistent with all of the vessels aforementioned. It is therefore probable that they were decorated in the same workshop in Venice, perhaps even by the same hand. The treatment of the grass can be further compared to the Venetian enamelled goblet sold by Bonhams on 21 May 2014, lot 35. It is perhaps interesting to note that with the exception of the jug with the stag and lion in the Victoria and Albert Museum, all of the recorded vessels differ slightly from the present lot in the addition of water to the foreground.For further information on this lot please visit Bonhams.com

TWO PIECES OF WATERFORD CRYSTAL LISMORE PATTERN, a water pitcher, height 16cm and a tall carafe (?), height 20cm, both stamped to base, with an odd box marked 'carafe' (3)

19thC Large tea cup and saucer 'Take Ye A Cuppe O Kindness For Auld Lang Syne' , Shansi octagonal tea pot, 'Willie' Pitcher JWP & Co (3)

A large Robin Welch studio pottery cylindrical pitcher with strap handle and impressed mark

Three Nupe pots Nigeria pottery, including a double gourd pitcher with incised linear and burnished decoration, 42cm high and two ovoid vessels with incised linear, raised and burnished decoration, 34cm high. (3)

St Clement / Keller Majolica Absinthe Pitcher depicting a Marabou Stork, makers mark ' SCT ' for St Clement and ' KG ' for Keller and Guerin, c.1870

Moorcroft Pitcher / Jug with tube-lined decoration of fish amongst bullrushes limited edition no. 42/75, dated 2012, signed to base and initialled NRJ, 23cms high

Plated Ware, large crackle glass pitcher, corks, condiment bottles, Royal Worcester teapot etc:- One Box

19th century brass and copper, including a large pitcher, graduated measuring cups, horse brasses etc. Not available for in-house P&P

A Staffordshire pottery Amherst stone china foot bath and pitcher

"Farmer's Arms" on Opposite Side of Pitcher. Circa 1805. Size 8 x 8 in. Please note that all sales are final. No refunds will be given under any circumstances.

Southwestern Native American pitcher from Kewa Pueblo has red and black flower and leaf decoration on cream colored background. A good-sized historic pitcher, somewhat irregular in shape, with a tiny chip along rim and slight pitted wear along one side. Artist unknown, circa 1950. Size: 9 1/2 x 7 1/2 in. Please note that all sales are final. No refunds will be given under any circumstances.

Elegant John Rocha Waterford Crystal Pitcher 9 3/4 x 4 in. Please note that all sales are final. No refunds will be given under any circumstances.

A Victorian Irish porcelain jug / pitcher, decorated in black and white enamels with birds and insects on a shaded pink ground, all heightened in gilt, with first period Belleek mark with factory name Belleek struck out verso, further inscribed beneath the glaze H. Cooper Queens Institute Dublin, h.32cmNote: The Queens Institute in Dublin is thought to be one of the first technical colleges for women in Europe. Classes were taught in skills ranging from telegraphy, photography, and engraving. The Painting on Porcelain School was founded in 1870 and managed by ex-Belleek artist Herbert Cooper.Condition report: No chips, cracks or restoration.Minor gilt wear to handleSlightly grubby.A good example.

A Martin Brothers stoneware single handled wine pitcher, the body inscribed 'Welcome my friende, Drink with a noble hearte, But yet, Before you drink too much, Departe for though good wine doth make a coward stout, Yet when the wine is in, The wit is out', inscised Martin London verso, h.24.5cmCondition report: Appears unrestored and in original condition throughout.Firing crack / blemishes to underside area of handle at top join, and to both sides and above handle at bottom join.Typical firing and glaze surface imperfections, but no later damages noted.

Copper kettle, a brass pitcher, two copper bowls and an embossed copper platter (5) 

Assorted glassware, a gilt framed mirror, ceramics, a carafe, a Portuguese painted pitcher, some Chinese rice bowls and spoons, a leather briefcase, another and a Bush bakelite portable radio (5 boxes and mirror) 

A collection of assorted copperware, to include a kettle, hanging pot, pitcher, scuttle etc

JOHN BLAKE MACDONALD RSA (SCOTTISH 1829 - 1901), THE BROKEN PITCHER oil on panel, signed and dated 1861 40cm x 30cm Framed. Provenance: Property of Lady Goodwin. Partial label verso: Inscribed with title and artist's name. Note: John Blake MacDonald was born in Boharm, Ayrshire, Scotland. In 1862 he won the Royal Scottish Academy prize for life painting in Edinburgh. He exhibited at the Royal Academy from 1866 to 1876. He was elected to the Royal Scottish Academy in 1877 and subequently exhibited 76 works there. His historical subjects were mostly from the Jacobite period. He travelled abroad, notably to Venice, and later in his career focussed almost entirely on landscape painting. Macdonald's work was of a conventional style and he used dark colours and the chiaroscuro effects of Lauder and his pupils.

Royal Doulton Dickens Ware design ceramic bed pan Sairey Gamp, a large damaged water pitcher Sam Weller, and further items of Dickens Ware. Not available for in-house P&P.

19th century School, Girl carrying a pitcher, and Girl with chicken and chicks, both portrayed in rural landscapes, a pair, oil on board, 12in x 9in (30.5cm x 23cm), framed (2)

A Staffordshire 19th c. Spaniel dog jug/pitcher ( chip to rim), 10 3/4" tall.

A Quantity of Italian Ceramics, including pitcher 29.5cm high:- One Box

A mixed lot of metal items to include a copper pitcher; enamelled brass pot; candle holder; ashtray; etc

A collection of retro studio art glass to include a Czechoslovakian pink glass bowl, a grey glass pitcher jug, a pink glass low bowl, a small faceted pink glass vase and two 19th Century Victorian cranberry glass vases with wide rims. 

A set of vintage Waterford crystal wine and sherry glasses having faceted sides with cut glass geometric decoration, a cut glass whiskey decanter, sherry decanter, pitcher jug and biscuit barrel. Glasses marked Waterford to the base. 

FOUR PIECES OF REGENCY ANGLO-IRISH CUT GLASS EARLY 19TH CENTURY comprising a footed fruit dish, a pitcher, 19cm high; a decanter, 26.5cm high; and a wine funnel, 15cm long (Fruit dish 25.cm high) Qty: (4)

An oak and copper coopered Devon pitcher by J. H. Fry of Barnstaple, early 20th century, the swollen body with five coopered bands and plain handle, height 36 cm.

Mintons Oldham design water pitcher, H: 26 cm, together with three blue over white decorated 19th century jugs. Not available for in-house P&P

Henri Pitcher, pair of watercolours, portraits of coachmen, signed and dated 1905, 6" x 4.5", mounted in common frame

A French bronze Art Nouveau jug or pitcher, of triangular tapered form with the front two sides decorated with a female emerging from reeds , the other with stylised flowers and leaves within a swept neck and slightly splayed rim forming a heart having bifurcated scroll whiplash handle terminating in leaf design, signed to reverse A Landrau in script, marked to base BD564, 21.5cm high x 11.8cm No major signs of scratches or large dents^ major wear to rim^ minor rubbing to edges otherwise good condition

JOHN BLAKE MACDONALD RSA (SCOTTISH 1829 - 1901), THE BROKEN PITCHER oil on panel, signed and dated 1861 40cm x 30cm Framed. Provenance: Property of Lady Goodwin. Partial label verso: Inscribed with title and artist's name. Note: John Blake MacDonald was born in Boharm, Ayrshire, Scotland. In 1862 he won the Royal Scottish Academy prize for life painting in Edinburgh. He exhibited at the Royal Academy from 1866 to 1876. He was elected to the Royal Scottish Academy in 1877 and subequently exhibited 76 works there. His historical subjects were mostly from the Jacobite period. He travelled abroad, notably to Venice, and later in his career focussed almost entirely on landscape painting. Macdonald's work was of a conventional style and he used dark colours and the chiaroscuro effects of Lauder and his pupils.

An A J Stimpson pewter patent double wall pitcher, hinged lid, chased decoration, stamped to base A J Stimpson 1854