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HENRIE PITCHER (fl. C. 1900-1910) BRITISH, A pair of portraits, Scottish elder and worker. Signed and dated ’11. 8 x 5.5ins.

A large pitcher, the hinged cover with swan finial, the naturalistic handle to an engraved crested body, 31.5cm (12.5") high

An Edwardian silver mounted crystal cocktail pitcher. Birmingham 1906 by JTH / JHM, the cut crystal body with simple collar mount and domed hinged cover, and simple S scroll handle, the interior fitted with glass ice holder. 30cm high

A RUSKIN EARTHENWARE PITCHER having mottled blue rim streaky, orangey red streaky glaze, 18cm high

Continental School (19th Century), A girl with water pitcher in a wood, oil on canvas, 86 x 47.5cm.

A BESWICK MATT BLUE PITCHER DECORATED WITH FLOWERS

A Royal Worcester `shot enamel` figure of a female water carrier, modelled standing with a pitcher on her shoulder, puce and impressed marks, 20.5cm high.

15 volumes on racing, the lot including Racing Illustrated bound magazines November 1895-March 1896, Binstead`s Pitcher in Paradise 1903, Ralph Neill`s Old Sporting Prints 1908, Siltzer`s The Story of British Sporting Prints 1929 and two signed Dick Francis first editions

An American silver pitcher by Shreve Crump and Co also stamped Paul Revere Reproduction baluster form scroll handle gadroon border height 18cm approx. weight 22oz.

AN EXTREMELY RARE AND FINELY CARVED LATE 18TH-CENTURY LIMEWOOD ALLEGORICAL FIGUREHEAD MODEL FOR THE HOPE depicted as a full-length female stepping forward and dressed in a delicately carved wind-swept dress, necklace, curled hair with hat, holding an anchor supported over her knee with her left hand, her right holding the cable, set on a scroll-worked presentation bow with cut-away head rails behind, finished in original polychrome overall, secured to a later display plinth - 13 1/4 in. (33.5cm.) high. Although there are several Royal Navy ships of this name around the turn of the eighteenth and nineteenth centuries, none are of a suitable size to adorn with such a lavish figurehead. The strongest candidate is the Hon. East India Company who, in 1797, launched the Hope. Built by Thomas Pitcher of Northfleet for Alexander Hume, she registered 1,498 tons burthen, measured 144`3" by 43`10" and drew 17`5" of water. Captained by James Horncastle until 1804 and James Pendergrass thereafter, she served mostly on the China run until sold for break up in 1815. Another example of an East India Co. allegorical polychrome figurehead model may be viewed at Quex Park, Birchington, Kent as part of the Powell-Cotton collection. It was probably acquired by Charles Bowland Cotton who joined as a Midshipman in 1794. The only comparable carving of this type to come on the market recently is the Queen Charlotte model sold by Messrs Bonham`s: Nelson & The Royal Navy, 5th July, 2005, lot 28 (£50,000).

PITCHER ERNEST: (1888-1946) British Royal Navy Officer, Victoria Cross recipient for his actions on board HMS Dunraven in the Atlantic on 8th August 1917. Vintage signed postcard photograph showing several ships at sea, with a circular inset portrait of Pitcher in a head and shoulders pose wearing his uniform. Signed (`E. Pitcher, VC`) in blue fountain pen ink to a light area of the image. VG

CYPRIOT POTTERY PITCHER IRON AGE of bellied form with scrolling loop handle and cross hatch decoration, 21cm high; and a terracotta saucer, 16cm diameter (2)

By Henrie Pitcher (fl. 1900-1910) - portrait of an elderly Scottish gentleman, signed and dated 6/08, 6.5" x 5"

A pair of Royal Dux figures, Eastern Water Carriers, each carrying a large vessel, he holding a pitcher and wearing a turban and robe, she with flowing top and skirt, both coloured in pink and green and burnished gilt, 39cm high, impressed triangle marks, model no. 1053 and 1032

Henry Shirley (19th Century) The Water Pitcher oil on canvas, 35cm x 30cm

A collection of miscellaneous items to include a Victorian glass pitcher an art pottery vase, a large silver plated punch ladle and washstand bowl etc.

English School, young woman carrying a bucket and a pitcher, standing on a cottage doorstep, indistinctly signed, oil on board, 28 x 20cm and a smaller oil and two watercolours

Attributed to Richard Westall RA 1765-1836- A young girl filling a pitcher in a stream; watercolour, within ink drawn lines, an adolescent work, 21x18cm: William Hal Gray c. 1820-1995- "Bou Church"; watercolour, signed: together with three other 19th century watercolour studies to include attributed to Edgar John Varley 1785-1858- Cart and horses on a rural track", watercolour in monochrome; In the Woods Totnes, Devon" by a different and other similar studies, (unframed) (a lot)

An Art Nouveau copper pitcher and cover with tinned interior by Joseph Sankey & Sons, 8" high.

A contemporary Spanish Casades figurine of a young girl with a pitcher and two others of children with puppy and sheep.

Lumley (A.S.) Arab Woman holding a pitcher oil on canvas, 485 x 330mm. (19 x 13 ins), signed and dated, lower right, framed, 1888.

Henry Hobson, Mother and child drinking water from a pitcher in a woodland landscape. oil on panel, signed, dated 1861

A mid 19th Century Staffordshire earthenware Toby jug, modelled holding a pitcher, enamelled in full colour, 18cm high

* Beresford (Cecilia Melanie, active 1865-1892). Italian woman with pitcher, watercolour on paper, signed and dated 1881, 44 x 28cm (17.25 x 11ins), gilt frame, glazed, together with Man in Italian costume, watercolour on paper, signed, and inscribed `fecit Romae 1860`, 28 x 17.5cm (11 x 7ins), gilt frame, glazed, plus one other study of an Italian peasant figure resting on a staff, watercolour, signed, some overall toning, 45 x 28.5cm (17.75 x 11.25ins), old beaded gilt frame, glazed (3)

Circle of Francis Wheatley R.A. A girl fetching water from a stream a cottage beyond Oil on panel 25.5 x 20cm; 10 x 8in Provenance: Samuel Day of Hinton House Hinton Charterhouse (1757-1806) Mary Day his widow till 1846 Thomas Jones (1788-1848) who inherited the estate from her Edward Talbot Day Jones (1837-1911) and thence by descent to the present owner Literature: Inventory of all the Household… including Paintings at Hinton Charterhouse the Property of the Late Thomas Jones made August 23rd-28th 1848 by English and Sons Bath referred to as: Small Landscape with Woman dipping up a pitcher of water

A Tray: various W H Goss Crested Wares including Gorleston on Sea Abbots Cup; Aberovey Cornish Bussa; Gorleston on Sea Ipswich Pitcher etc

A copper circular Kettle and a brass and copper pitcher.

J**Craig, Water Gatherer, girl and water pitcher on a coastal hillside, signed, oil on canvas, 35cm x 29cm

Negro and Pitcher (344) 120mm

HENRI PITCHER Watercolour, Portrait of a Scotsman, signed and dated `08, 6.5" x 5", framed.

Henrie Pitcher - Study of a Scottish Man, oil on panel, signed and dated '04, approx 19cm x 14cm.

A MINTON PARIAN FIGURE of the "Girl with Broken Pitcher" holding a lamb after Rockingham original. 5ins high.

AN ENGLISH PORCELAIN FIGURE OF A GIRL holding a lamb and a pitcher and a porcelain figure of a boy standing beside a pitcher probably Rockingham. (2)

MILO, A GILT BRONZE OF A YOUNG GIRL CARRYING A PITCHER on a black marble plinth. Signed. 13ins high.

MILO, A BRONZE GROUP OF A YOUNG GIRL CARRYING A PITCHER. Signed. 13ins high.

A CLASSICAL BRONZE OF A YOUNG LADY modelled resting on a pitcher. 12ins high.

A Chinese treacle-glazed pottery model of a bactrian camel, his head raised, Tang dynasty 618-906 AD, 52cm. Provenance: Nicholas Pitcher Oriental Art, London. Oxford Authentication Report, Sample No: C103c48, 27th February 2003.

A Chinese sancai-glazed pottery model of a female equestrian, raised on a rectangular base, Tang dynasty 618- 906 AD, 43cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese sancai-glazed pottery model of a female equestrian, raised on a rectangular base, Tang dynasty 618- 906 AD, 44cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese pottery blue sancai splashed two-handled dragon amphora, Tang dynasty 618-906 AD, 29cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese pottery model of a soldier, standing erect and holding his shield, northern Qi dynasty 550-577 AD, 49cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese olive-green glazed cizhou peony bottle, Jin dynasty 1115-1234 AD, 21cm. Provenance: Nicholas Pitcher Oriental Art, London.

A massive Chinese white-glazed stoneware amphora, with a short spout applied to the shoulder, Tang dynasty 618-906 AD, 48cm. Provenance: Nicholas Pitcher Oriental Art, London. Oxford Authentication Report, Sample No. P104m46, 2nd July 2004.

A Chinese olive-green glazed cizhou bottle vase, incised with bands of stylized foliage, Jin dynasty 1115-1234 AD, 30.5cm. Provenance: Nicholas Pitcher Oriental Art, London.

A good Chinese pottery sancai-glazed peony pillow, the surface carved with a large flowering spray, Liao dynasty 907-1125 AD, 29.5cm. Provenance: Nicholas Pitcher Oriental Art, London.

A rare pair of Chinese phosphatic and olive-green glazed ovoid jars, Sui / Early Tang dynasty, 19cm and 20cm. (2). Provenance: Nicholas Pitcher Oriental Art, London. A similar pair of jars was sold at Christie's New York, 21st September 1995, lot 98.

A large Chinese pottery model of a matron, standing with her hands clasped, Tang dynasty 618-906 AD, 48cm. Provenance: Nicholas Pitcher Oriental Art, London. Oxford Authentication Report, Sample No: C104y38, 8th November 2004.

A Chinese pottery brown marble-glazed ewer and cover, probably Ming dynasty, 27.5cm. (2). Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese jizhou tortoiseshell-glazed bowl, raised on a short slightly flared foot, Song dynasty 960-1279 AD, 16.5cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese black unglazed pottery kundika vessel, with an animal mask spout, Tang dynasty 618-906 AD, 26cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese black pottery zoomorphic jar and cover, the finial formed as the head of fabulous beast, Han dynasty 206 BC - 220 AD, 40cm. (2). Provenance: Nicholas Pitcher Oriental Art, London. Cf. Sotheby's New York, 23rd September 1995, for a similar example.

A pair of Chinese pottery blue sancai-glazed models of maidens, standing with their hands clasped, Tang dynasty 618-906 AD, 26.5cm. (2). Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese pottery sancai-glazed bear's head whistle, Tang dynasty 618-906 AD, 5cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese unglazed pottery model of a foreigner, carrying a pack on his back and holding a jug in his left hand, Tang dynasty 618-906 AD, 26.5cm. Provenance: Nicholas Pitcher Oriental Art, London.

A small Chinese pottery brown-glazed jar, decorated with a splashed glaze, probably Song / Yuan dynasty, 11cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese Henan black-glazed and russet splashed jar, decorated with three stylized floral motifs, Song dynasty 960-1279 AD, 27cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese amber-glazed pottery jar and cover, Tang dynasty 618-906 AD, 21cm. (2). Provenance: Nicholas Pitcher Oriental Art, London. Cf: Watson, Tang and Liao Ceramics, fig. 15, p.39, from the Collection of the Ashmolean Museum, Oxford

A Chinese yueyao celadon-glazed incised peony ewer, with moulded lugs to the side of the neck, Five dynasties / Northern Song 907-1127 AD, 20cm. Provenance: Nicholas Pitcher Oriental Art, London. A similar example sold at Christie's New York, 16th October 2001, lot 34.

An unusual Chinese sancai-glazed pottery censer, the cylindrical body applied with roundels and raised on five legs and a circular stand, Tang dynasty 618-906 AD, 13cm. Provenance: Nicholas Pitcher Oriental Art, London.

A Chinese phosphatic-glazed two-handled vase, with splashed abstract designs on a brown ground, Tang dynasty 618-906 AD, 23.5cm. Provenance: Nicholas Pitcher Oriental Art, London. Oxford Authentication Report, Sample No. P105h86, 9th March 2005.