We found 6751 price guide item(s) matching your search

AN ANTIQUE BRASS AND COOPERED PITCHER, height 61cm (condition:-some repairs and brass patina) an oval dressing mirror, a selection of walking sticks, and two gilt wood wall mirrors and a reproduction chair (7)

ROYAL COPENHAGEN 'Frau mit Wasserkrug', 1962. Weißporzellan partiell blau gefasst, kniende Frau mit entblößtem Oberjkörper, über der rechten Schulter ein Gefäß haltend, Entwurf von Johannes Hedegaard, Modell-Nr. 4359, H. ca. 31,5 cm. Gut erhalten.| ROYAL COPENHAGEN 'Woman with Water Pitcher', 1962. White porcelain partially painted in blue, kneeling woman with bared torso, holding a vessel over her right shoulder, design by Johannes Hedegaard, model no. 4359, h. approx. 31.5 cm. Well preserved.

Two Art Nouveau Kayserzinn polished pewter items, to include a trumpet form flared vase cast with stylised poppy design, stamped makers mark and no. 4090, together with a water pitcher with heart and forget-me-not design, the loop handle with woven plaited design, height 18cm, stamped makers mark and No. 4382. (2)

An antique plate and pitcher made of glazed faience. 18th century. Condition: Generally in good condition with hairlines in the faience. (36 x 33cm)

An antique, large and German Westerwald pitcher, made of glazed grs. 18th/19th century. (82,5 x 32cm)

A cased set of mother of pearl handled and EPNS fruit knives and forks, an EPNS lidded moulded glass pitcher with mask spout, another example, a collection of late Victorian / early 20th century chemists jars (7) Condition Report:Available upon request

HENRY STACY MARKS (1829-1898) AND CHRISTOPHER DRESSER (1834-1904) FOR MINTON & CO. BEER SET, CIRCA glazed earthenware, comprising a PITCHER, 26cm high; TWO TANKARDS, 14.5cm and 15cm high; and a TRAY 38cm across, each impressed MINTONProvenance: The Peter Rose and Albert Gallichan CollectionFootnote: Literature: Coleman, B., The Best of British Arts & Crafts, Atglen, 2004, p. 249 where this set is illustrated

A Sophie Conran for Portmeirion dinner, tea and coffee set, glazed in white, including eight dinner plates, pair of shell bowls, similar scallop shaped serving bowls, cafetiere, espresso cups and saucers, butter dish, sauce boat on stand, toast racks, oval plate, storage jar, pitcher, four red wine glasses, four white wine glasses, roasting dishes, sucrier and cover, cake slice, serving spoons, nibbles tray, etc, all in original boxes; qty

Ceramic Majolika head pitcher. H:8.5in(21.5cm) W:6.25in(15.8cm)

modelled after Johann Eberline, each seated next to pitcher decorated with Deutsche Blumen, applied flowers and insects, she dressed in a skirt with a simple motif of rosebuds, matching bustier, her hair wrapped with a matching scarf, he dressed in a floral and yellow pastel over coat, matching breeches, black buckle shoes and matching hat, both marked with factory mark in blue underglaze, she with incised model number 1234, painted numeral 75 in iron-red underglaze, he with incised model number 901, impressed numeral 118, with painter's numeral 75 in gilt overglaze, all underside under base; height: 19.5 cm (7 5/8 in.)CONDITIONThe pair is in good condition. Minor chipping to the applied flowers of each. Minor chipping to the hat of the man. Inspection under UV light shows no apparent sign of restoration.

A Syrian Salaheddin, set of eleven water glasses and a pitcher made of amber hand blown glass with spotted bubble roundels. The glasses H12cm, the pitcher H17cm. Mid 20th century. (12)Συριακά χειροτεχνήματα από γυαλί.

A large English ceramic jar H30cm, a hand painted ceramic pitcher H27cm and an Italian ceramic fish serving dish L54cm. (3)Κεραμικά σερβιρίσματος.

A Victorian Staffordshire ceramic wash basin and pitcher in blue and white, H21cm, W32cm. (2)Βικτωριανό λαβομάνο. 

A Middle Eastern / Persian tinned copper ewer / pitcher with handle, hammered with a flaring long neck with four repoussé rings. H45cm, W29cm. 19th century.Περσική γανωμένη χάλκινη κανάτα.

John Jules Nimmo (French 1830-1881) "The Broken Pitcher" after Jean-Baptiste Greuze, signed, oval, miniature, watercolour on ivory, set in a gilt metal frame.16cm x 13cm (6.25in x 5in)

A collection of vintage Greek ceramic items with 24ct gold classical design overlay. To include a stemmed pitcher and 6 matching goblets, 2 small jugs and a table lighter. Pitcher approx. 26cm tall.

A single handed Roman clay pitcher dated AD 100. Accompanied by provenance. H.25cm

Arnhemsche Fayence pottery pitcher with Lindus decor, model 67, painter BJ, 26 cm high

Two Edwardian wash basins, one with matching pitcher, two hand-decorated ceramic models of shire horses and other ceramics (7)

VALENTIN ZUBIAURRE AGUIRREZÁBAL (Madrid, 1879 - 1963) ."Portrait in front of a Basque landscape".Oil on canvas.Signed in the lower right corner.Size: 31 x 36 cm; 48 x 53 cm (frame).An old woman holds on her lap a big pitcher, opening behind her a mountainous landscape. This is a frequent type of composition in Valentín Zubiaurre's painting, which allowed him to ennoble both the inhabitants of rural areas and the Basque landscape. The intense chromatic contrast, with its twilight shifts, and the expressiveness of the old woman's weathered face are characteristic of this artist, who (together with his brother Ramón) was a renovator of Spanish regionalism.The son of the musical composer of the same name, Valentín Zubiaurre was born deaf and dumb, like his younger brother Ramón, also a painter. He began his training with the painter Daniel Perea, who was also deaf and mute, before entering the San Fernando Royal Academy of Fine Arts in 1894. There he was a pupil of Carlos de Haes, Muñoz Degrain, Ferrant and Moreno Carbonero, and at the same time completed his solid training by visiting the Prado Museum. In 1898 the two Zubiaurre brothers set out on a study trip that took them to France, Italy and the Netherlands. On their return to Spain they obtained a grant from the Diputación de Vizcaya in 1902, which enabled them to settle in Paris. There they attended classes at the Académie Julian, became acquainted with the modern trends then developing in the French capital and became interested in Impressionism. However, the Zubiaurre brothers were not receptive to its influence, owing mainly to the weight of their academic training and their admiration both for the Flemish and Italian primitives and for contemporary Spanish painters such as Darío de Regoyos and, especially, Ignacio Zuloaga. Valentín de Zubiaurre regularly sent his works to the National Exhibitions of Fine Arts and was awarded several prizes; in 1908 he won the second medal and in 1917 the first. He was also distinguished with prizes from foreign institutions, and won prizes in important international competitions held in the first decade of the 20th century, including those of Munich, Buenos Aires, Brussels, San Francisco, San Diego and the University of Panama. From the 1920s until the Civil War, the Zubiaurre brothers experienced their most successful and renowned period, both in Spain and internationally. After the war Valentín de Zubiaurre resumed his career in Spain, and his recognition became official with his appointment as a full member of the San Fernando Royal Academy of Fine Arts in 1945, culminating in the medal of honour awarded to him at the National Exhibition of Fine Arts in 1957, six years before his death. He is currently represented in the Fine Arts Museums of Chicago, Buenos Aires, Paris, Luxembourg, Munich, Berlin, Tokyo, Pittsburg and San Diego, as well as in the main art galleries of the Basque Country, the Castagnino Museum in Argentina, the Reina Sofía National Art Centre, the BBVA collection and the Museum of Modern Art in Rome, among others, both public and private.

A pair of art deco style brass and marble book ends with sailing boat design, together with a Legacy collection dual purpose lighter in the form of a Chinese bronze, 23cmH and a similar water pitcher

Early 19th century terracotta glazed pitcher with pewter lid. Wild decor. Unclearly signed. Dimensions: H 29 cm. In good condition.

Chinese porcelain pitcher with crackle glaze. Tang style. Dimensions: H 25 cm. In good condition.

JERVIS JOHN: (1735-1823) 1st Earl of St Vincent. British Admiral of the Fleet remembered for his victory at the Battle of Saint Cape Vincent (1797) and as a patron of Horatio Nelson. Signed Free Front envelope panel, addressed in his hand to Henry Pitcher at Northfleet, Kent, and dated Brentwood, 5th December 1811 in his hand. Signed ('St. Vincent') to the lower left corner. Slightly irregularly trimmed and neatly laid down to a page removed from an album and with a collector's annotations neatly laid down beneath. Some light age toning, about VG

Doulton, 1878 pottery jug, impressed A.H, another art pottery jug, large bowl, Doulton Lambeth circa 1920's and pitcher inscribed 1903, (4).

A parian figure of a nude female subject filling a pitcher with water, 25cm high.

A collection of copper and brassware including a copper umbrella stand, kettle, a brass pitcher, coal scuttle, kettle Middle Eastern coffee pot, blow torch, etc, (a collection)

A collection of earthen ware, pitcher, jugs, flagons, a jardinière with cherub decoration, and a pair of bronze altar style candlesticks.

Twenty-five pieces of Mason's tableware, in the 'Denmark' pattern. To include cups and saucers, large milk pitcher, coffee pot and covered vegetable tureen.

Stuart crystal pitcher, a Susan Ball studio pottery plate decorated with fish and assorted glassware and chinaware (5 boxes) 

A small collection of miscellaneous items, to include early 20th century brass pitcher of conical form, leather purse, easel photograph frame etc

An amber glass water pitcher, six glasses and small plates

Three 19th century silver-plated bottle coasters, Portuguese copper pitcher, embossed copper dish, 19th century brass chamber stick and other metal wares

A vintage Art Deco figurine 'Joe' and a Phoenix ware 'Opal' jug/ pitcher.

Laurie Basham, "Cut Sunflowers", pastel, 10 x 9in, c. 2020. Cut sunflowers in a metal pitcher sitting by a window with bright light. UK shipping £45. Award-winning pastel artist-President-Piedmont Pastel Society. Signature member-Md Pastel Society and Degas Pastel Society. Juried Member of the Pastel Society of America.

A large quantity of cut glass to include a pitcher, a decanter and sherry glasses (qty).

Black Hand Painted Copeland Parian Ware figure, lady carrying a water pitcher together with a further black hand painted Parian ware figure on marble base46cms high & 64cms high to include baseQty: 2

SAMUEL POOLE. A study of Rosewell House, Kingsmead Square, Bath, in Victorian times, with numerous figures, horse-cart, etc., signed, watercolour: 7½” x 11¾”; a coloured print after Samuel Poole of a village street scene; & a pen-&-wash view of Beaufort Square, Bath, by H. Pitcher.

A pitcher and basin, 833/1000 silver, gadrooned decoration with engraved band "Flowers", vase with handle en relief "Bird's head", Portuguese, siigns of use, small bruises, Oporto assay mark (1855-1861), José Marques Guedes maker's mark (1856-1887), Dim. - (jarro) 28,8 cm; (bacia) 11,5 x 33,5 cm; Peso - 2.369 g.

Circa 3rd Century ADThis glass pitcher has an ovoid blown body on a circular, slightly concave base. The elaborate handle features not one but three thumb rests. The short neck is cylindrical and flares towards the splayed circular rim. The excellent state of preservation makes this elegant jug an extraordinary work of the late Roman glass industry. Size: L:98mm / W:70mm; 29.75g Provenance: Private UK collection; From an old London collection formed in the 1990s.

19th century Grand Tour bronze askos wine pitcher, of typical form with putto mounted scrolling foliate handle and two recumbent goats to the rim, H17cm W16cmCondition Report:General wear commensurate with age and use, predominantly in the form of surface scratches, nicks and wear to patina.

A copper baluster pitcher in the manner of Dr Christopher Dresser, with brass handle, 25cm high

St. Louis Thistle Gold Krug, crystal pitcher,Kristall, Frankreich, Serie Thistle Gold, 1x H 30,5 cm x B 16,5 cm x D 11,5 cm

A KJELL ENGMAN (b. 1946) FOR KOSTA BODA HELIOPORA SERIES PITCHER the blue glass with mottled orange and yellow on white, signed to base, 33.5cm high Condition Report:No chips or cracks to the jug. The are just a few flaws under the handle. Please see images

A large retro 20th Century Italian Murano Millefiori studio art glass ewer jug / water pitcher having a trefoil open top with lipped spout and clear glass handle. Millefiori blue, yellow and green colours throughout. Measures approx; 27cm x 19cm diameter.   

Memorial Plaque (2) (Reginald Abbott Bunell [sic] Pitcher; William Lambkin) the first polished, the second with some small verdigris spots, otherwise very fine (2) £70-£90 --- Reginald Abbott Burrell Pitcher was born in Warbleton, Sussex on 17 July 1871, and having emigrated to Canada was living in Balmoral, Manitoba, when he attested for service with the Canadian Overseas Expeditionary Force on 30 March 1916. He was accepted even though he was in his mid-40s and was given a clean bill of health (apart from missing a toe), serving during the Great War on the Western Front. He survived the War and returned to Canada; however, by 1921 his health had deteriorated and he died at Westminster Hospital, London, Ontario on 12 February 1921, with the immediate cause of death listed as ‘cochexia’, a muscle wasting disease that has been associated with mustard gas poisoning. His ‘Circumstances of Casualty’ form states ‘Death due to service’, and he is buried in London (Mount Pleasant) Cemetery, Ontario. At the age of 49 he was one of the oldest recipients of a Memorial Plaque. Two men with the name William Lambkin appear on the Commonwealth War Graves Commission Roll of Honour: A Lance-Corporal in the East Kent Regiment who was killed in action on the Western Front on 9 August 1915; and a Quartermaster Sergeant in the Canadian Ordnance Corps who died at home in Canada on 30 May 1917.

Francis Wheatley, RA (British, 1747-1801) The Broken Pitcherlater inscribed 'F Wheatley' (centre right) watercolour on paper36 x 26.5cmProvenance:S A Cave;With the Fine Art Society, London by 1962;Walter Brandt (1902-1978) and by descent;Private collectionCondition report: Framed 64.5 x52cm

Cigarette card, Taddy, Famous Horses & Cattle, type card, no 2, North Devon Bull 'Bryanston Pitcher (gd/vg) (1)

A COLLECTION OF DECORATIVE GLASS, to include a Wallace and Sanders vase with pulled swag design, height approximately 15cm, Phoenician globular vase, signed to the base with label to the side, uranium glass frilled dish in EPNS frame, a similar cranberry glass example, Portieux Vallerysthal blue opaline Bon Bon dish with lid, uranium glass pitcher with white enamel and gilt decoration - gilt rubbed, green frilled posy vase, powder pot with red overlay glass, etc

Group of four early Chinese ceramic pieces, including one paste box, one double gourd ewer, one miniature pitcher with celadon glaze, and one high-fired lidded vessel on three legs and a round base.Provenance: From the collection of William Atkins, Minnesota.Tripod Vessel; Height: 4 1/2 in x diameter: 4 3/4 in. Paste box; Height: 1 1/2 in x diameter: 3 1/2 in. Double gourd ewer; Height: 6 in x width: 4 in x depth: 3 in. Pitcher; Height: 4 in x width: 3 1/2 in x depth: 3 1/4 in.

BACCARAT. France, ca. 1950.Pitcher with spout.Cut glass and silver.Provenance: Private collection, Spain between 1970-1990.Measurements: 39 cm (height); 20 cm (largest diameter).Pitcher with spout, for serving water or wine, in Baccarat crystal cut in faceted and incised shapes throughout. Handle, foot and mouthpiece in contrasted silver.The town of Baccarat has been recognised as one of the most important in the field of refined glass design since King Louis XV granted Cardinal Louis-Joseph de Laval-Montmorency permission to found a glass workshop in the town, in the province of Lorraine.

Two pieces of sterling silver Russian aesthetic movement serving ware. One pitcher with a tall, thin neck and art nouveau style handle. One triangular platter with geometric cutout corners. Each marked along the underside. The pitcher with lovely incised decoration and a monogram to the body.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Platter; Height: 9 1/2 in x width: 9 3/4 in x depth: 1/4 in. Pitcher; Height:11 3/4 in x width: 4 in x depth: 3 1/2 in. Gross weight: 19.32 Troy oz.

Rookwood Pottery, Ohio, USA. Group of eight Arts & Crafts pottery pieces dating from 1905 to 1919.Includes one dark red vase impressed with the Rookwood mark, shape number 938 D, and dated "V" for 1905 along the underside; one vase with a tri-color glaze of blue, pink, and green, impressed with the Rookwood mark, shape number 900 D, and dated "XII" for 1912 along the underside; one dark brown vase impressed with the Rookwood mark, shape number 243, and dated "XIX" for 1919 along the underside; one pitcher impressed with the Rookwood mark, shape number 917 C, and dated "III" for 1903 along the underside; one blue vase impressed with the Rookwood mark, shape number 622 C, and dated "XIX" for 1919 along the underside; one teardrop shaped bowl impressed with the Rookwood mark and shape number 279 A; one small dark red vase impressed with the Rookwood mark, shape number 916, and dated "I" for 1901 along the underside; one matte red vase impressed with the Rookwood mark, shape number 63, and dated "XI" for 1911 along the underside.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 1 1/2 in to 10 1/4 in; Width ranges from 3 1/4 in to 6 in; Depth ranges from 3 1/4 in to 4 3/4 in.

Rookwood Pottery, Ohio, USA. Group of eight Arts & Crafts pottery pieces dating from 1931 to 1959.Includes one beige narrow necked vase with handles impressed with the Rookwood mark along the underside, shape number 6649 E, and dated "XXXVII" for 1937 along the underside; one fan-shaped vase impressed with the Rookwood mark along the underside and shape number 6816 A; one bright yellow vase impressed with the Rookwood mark along the underside, shape number 2122, and dated "L" for 1950; one tall pink and brown vase impressed with the Rookwood mark along the underside, shape number 6676, and dated "XXXIX" for 1939; one shorter pink and brown vase impressed with the Rookwood mark along the underside, shape number 2282, and dated "XXXII" for 1932; one rectangular vase impressed with the Rookwood mark along the underside, shape number 7057, and dated "L" for 1950; one blue tri-form vase impressed with the Rookwood mark along the underside, shape number 6250, and dated "XXXI" for 1931; one cream flower-shaped bowl impressed with the Rookwood mark along the underside, shape number 6132, and dated "XLV" for 1945; one pitcher impressed with the Rookwood mark along the underside and shape number 251; one small green vase impressed with the Rookwood mark along the underside, shape number 6591, and dated "LIX" for 1959; one light brown vase with flowers impressed with the Rookwood mark along the underside, shape number 6830, and dated "XLVI" for 1946; one blue drip glaze vase impressed with the Rookwood mark along the underside, shape number 6641 E or 6541 E, and dated "LI" for 1951; one vase impressed with the Rookwood mark along the underside, shape number 2145, and dated "XXXI" for 1931.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 3 in to 8 in; width ranges from 2 3/4 in to 10 3/4 in; depth ranges from 2 1/4 in to 7 1/2 in.

Mixed silver plate to include a wine pitcher, egg cruet set and other items

Beswick, a relief decorated pitcher, A Midsummer Nights Dream model 1366, H: 20 cm, no cracks chips or visible restoration. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

Charlotte Rhead for Crown Ducal, a large tube lined decorated pitcher, H: 26 cm, light crazing throughout, manufacturing fault to base which appears light chip, some loss of colour to handle. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

Mixed Royal Albert ceramics in the Old Country Roses pattern, including a large boxed pitcher, H: 25 cm, (20), all first quality, shell dish has glued repair and flowers in Posy have damage. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Early 20th Century Foley China pitcher with stand and pewter cover, Royal Doulton vase, Masons Liberty jar and cover and a studio glass vase (4). P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

A quantity of assorted mid century glassware with transfer print detail. A tall pitcher decorated with huntsman and hounds design, with matching tumblers and liqueur glasses, together with a set of 6 liqueur glasses with veteran car design.