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A Georg Jensen No. 1052 Swan Silver Water Pitcher, Copenhagen, 1984Designed by Henning KoppelMarks: DESSIN, HK, K10, DENMARK, (dotted oval-GEORG JENSEN), STERLING, 925S, 105216-3/4 x 10-1/2 x 6-1/2 inches (42.5 x 26.7 x 16.5 cm)2150 grams The 'Swan' pitcher of asymmetrical baluster form with an upswept handle. HID12701242017
A Tiffany & Co. Olympian Pattern Silver Water Pitcher, New York, 1902-1907Marks: TIFFANY & CO., 5066 MAKERS 2344, STERLING SILVER, 925-1000, C, 5-1/2 PINTS8-1/2 x 6-3/4 x 8 inches (21.6 x 17.1 x 20.3 cm)1310 grams The pitcher of bulbous-form with elongated neck and everted spout, die cast swirled foliate garland band to neck collar, and to belly allegorical frieze, C-form handle terminating in finely detailed wave at base and rim, set on ring foot. Property from the Collection of Connie McNally, Rancho Santa Fe, California HID12701242017
A Shreve & Co. 14th Century Pattern Silver Water Pitcher, San Francisco, California, circa 1900Marks: SHREVE & CO, SAN FRANCISCO, STERLING, 6 PINTS9-3/4 x 6-3/4 x 9 inches (24.8 x 17.1 x 22.9 cm)1192 gramsMonogram: CMB The 14th Century pattern water pitcher with hammered body and applied strapwork to rim, neck, and foot; applied handle. Property from the Collection of Connie McNally, Rancho Santa Fe, California HID12701242017
A Tiffany & Co. Silver and Mixed Metal Water Pitcher, New York , circa 1880Marks: TIFFANY & CO., 4706 MAKERS 1932, STERLING SILVER, AND, OTHER METALS, 7348 x 8 x 6-1/2 inches (20.3 x 20.3 x 16.5 cm)992 grams (gross) The water pitcher of baluster form with hand-hammered surface, the Japanesque pond scene depicting an applied kingfisher perched on a gold bamboo reed, a copper and gold dragonfly, a copper and gold beetle, a jumping silver carp, and silver and copper irises.The Japanese-inspired works of the late 1870s and 1880s are often thought of the peak of Tiffany director Edward C. Moore's career. Bold and elegant, they captured critical and popular acclaim for their use of mixed metals and sensuous depictions of nature. Moore drew much of his inspiration for the decoration from his own extensive personal collection of Japanese art, now held at by Metropolitan Museum of Art. A similar example of this water pitcher form, designed by Moore himself, was part of Tiffany's landmark 1878 Paris Exposition display, where Japanesque Tiffany works debuted on the world stage. Tiffany plant records reveal that only several dozen of these pitchers were created, each with its own unique applied decoration. The current water pitcher is an excellent blend of the style's signature characteristics- the spot-hammered matte surface, the large scale decoration - and a few unexpected twists. The kingfisher is an especially standout element, perhaps inspired by a Japanese print in Moore's own collection. HID12701242017
A Large Gorham Mfg. Co. Silver Water Pitcher, Providence, Rhode Island, circa 1860Marks: BAILEY & CO., (lion-anchor-G), 51012-1/8 x 7-1/2 x 7 inches (30.8 x 19.1 x 17.8 cm)1330 gramsInscription: W.B. & E.R. Bement, from J. & M.A. Doughetry., Jan'y 26, 1865 The water pitcher originally retailed by Bailey & Co., Philadelphia, Pennsylvania. HID12701242017
A 1930'S CROWN DEVON MUSICAL 'DAISY BELL' PITCHER and two matching tankards, the sides moulded with the scenes of Daisy and her bridegroom, and the rear bearing an underglaze transfer of the popular lyrics. With clockwork musical movements in each, which play the Daisy Bell tune, painted in underglaze colours with a honey finish. 8-inches high. (3)
Figur des Heiligen Florian aus der Werkstatt von Johann Meinrad Guggenbichler (1649 - 1723) Fein geschnitzte Holzfigur, teils vergoldet und farbig gefasst. Der Schutzheilige der Feuerwehr in antikisierender Tracht, in der einen Hand den Löscheimer, in der anderen eine Lanze. Höhe der Figur 37 cm (mit Lanze 51 cm).Meinrad Guggenbichler, auch Johann Meinrad Guggenbichler (* 17. April 1649 in Einsiedeln, Schweiz; † 10. Mai 1723 in Mondsee, Oberösterreich), war ein Bildhauer des Barocks, der seine Lehrzeit im bayerischen Dillingen absolvierte und dann im Salzburgischen und in Oberösterreich tätig war.Zustand: II -A figurine of St. Florian from the workshop of Johann Meinrad Guggenbichler (1649 - 1723) Finely carved wooden figure, partially gilt and painted in colour. The patron saint of firefighters is shown in antique-style dress, holding a pitcher of water in one hand and a lance in the other. Height of the figure 37 cm (51 cm including the lance).The baroque sculptor Meinrad Guggenbichler, also known as Johann Meinrad Guggenbichler (* 17 April 1649 in Einsiedeln, Switzerland; † 10 May 1723 in Mondsee, Upper Austria) completed his apprenticeship in the Bavarian town of Dillingen and subsequently worked in the region of Salzburg and Upper Austria.Condition: II -
Friend of the Forest oil on canvas61 x 46.5 cm (24 x 18 1/4 in.)framed dimensions: 82 x 72 cm (32 1/4 x 28 3/8 in.)signed lower leftPROVENANCEChristie's, New York, 12 September 2000, lot 27Acquired at the above by the present ownerCONDITIONObserved in frame, the painting is in good age-appropriate condition. Overall very fine craquelure and surface dust. Inspection under UV light shows retouching horizontally to the center of the canvas, to the upper left center edge, along the right edge, scattered retouching to the background and pitcher, around 30%.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A Swedish panel brooch by Rune Tennesmed, signed, 5cm long, a Norwegian pewter panel brooch by Bodren Mylius, 4.2cm wide, a sculptural brooch by Marjorie Baer (pin lacking), 6cm wide, an Isreali 925 brooch decorated with a figure carrying a pitcher, a scarf clip and a pendant CONDITION REPORT: Please note - Descriptions do not include condition reports. Please contact us to if you require further information or images.PLEASE CONSIDER SHIPPING COSTS BEFORE BIDDING. THE COST OF SHIPPING MAY AFFECT YOUR DECISION TO BID.
Quantity of Iranian 20th century glass including a large teal goblet with applied decoration, approx 20 cms; lilac goblet with applied decoration, approx 16 cms h; lilac cream jug approx 10 cms; miniature tea and amber pitcher approx 11.5 cms h. This lot further includes three teal tankards, three blue tankards and four olive green tankards.
Box of assorted items to include: large conical copper measure with seal, possibly a gallon (possibly late 19th century) together with a conical copper pitcher with lid, stamped to the base with a figure holding a pitch fork. 19th century Napoleon character jug (possibly) Handro blue and white figurines, Limoges black and gilt coffee cups and saucers manufactured for Harrods, various cut glass and moulded glass items etc. (B.P. 21% + VAT)
FOUR PIECES OF WATERFORD CRYSTAL, comprising a boxed pair of Metra candlesticks, height 20cm, a 'Marquis 'Cubist' 8 square Hurricane' candleholder and a 'Marquis Sheridan Large Pitcher', height 21.5cm with a plastic stirrer (5 + box) (Condition report: all pieces retain the original labels to the bases and brand stickers to the front of each piece, the Waterford box is slightly shabby)
A graceful French wine jug in silver, the subject of subtle stylizations and allusions to the time of Henry of Nvarre. A pear-shaped body of glass with delicate engraved foliage is woven into the openwork become of the neck belts. The bravo hilt rests on the waist of the pitcher for a graceful silhouette. Whimsical forms of vegetation and waves are woven into a handle and grow into a neckline and openwork belts. The intoxicating vine motif is everywhere. At the base it sounds with a bagpipe and a tambourine. There is a bunch of grapes on the lid. On the lid and body there are French hallmarks of 950 silver (since 1878). The head of Mercury with the number 1 in the hexagon. The brand of the master is in a diamond on the body and at the base. PC & Cie. Paul Buoton & Cie. Known in 1896-1904.Condition: Good Dimensions: Height - 31cm Width - 16cm Total weight: 940 gr.
A large quantity of mixed metalware, to include oval brass tray, decorative kettles, candlesticks, pitcher, decorative items, copperware to include a beaten copper bowl, kettle, decorative items, etc and a copper and brass fender in the Indian style, various decorative prints and watercolours (2).
Per Lütken (Danish 1916-1998) for Holmegaard Glassworks Five 'Carnaby' Vases and Pitcher, designed yellow glass, one with paper manufacturer's label(the tallest vase 30.5 high (12in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 388b (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
Per Lütken (Danish 1916-1998) for Holmegaard Glassworks Five 'Carnaby' Vases and Pitcher, designed red glass, two with paper manufacturer's labels(the tallest 26cm high (10.25in high))Literature: Denmark : Design (Exh. Cat.), co-curated by Design Museum Danmark, Brain Trust Inc., 2017, no. 388a (illustrated). Exhibited: Seoul Art Centre, Seoul, September – November 2016; Nagasaki Prefectural Art Museum, Nagasaki, December 2016 – February 2017; Yokosuka Museum of Art, Yokosuka, April – June 2017; Shizuoka City Museum of Art, Shizuoka, September – November 2017; Seiji Togo Memorial Sompo Japan Nipponkoa Museum of Art, Tokyo, November – December 2017; Yamaguchi Prefectural Art Museum, Yamaguchi, February - April 2018; Museum of Modern Ceramic Art, Gifu, April – June 2018; Gunma Museum of Art, Tatebayashi, July – August 2018; Akita Senshu Museum of Art, Akita, April – June 2019; Mie Prefectural Art Museum, Tsu, July – September 2019; Auckland Art Gallery -Toi O Tamaki, Auckland, October 2019 – February 2020; Tohoku History Museum, Tagajō, April – June 2021.
JIM MALONE (born 1946); a large stoneware pitcher covered in green ash glaze over kaki with impressed and incised decoration, impressed JM mark, height 32.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JIM MALONE (born 1946); a large stoneware pitcher covered in green ash glaze with incised lines, impressed JM and B (for Burnby) marks, height 32.5cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JIM MALONE (born 1946); a large stoneware pitcher covered in nuka and green ash glaze over kaki with impressed decoration, impressed JM and L (for Lessonhall) marks, height 35cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JIM MALONE (born 1946); a large stoneware pitcher covered in nuka glaze with impressed decoration picked out in copper green, impressed JM and A (for Ainstable) marks, height 37cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
JIM MALONE (born 1946); a large stoneware pitcher partially covered in tenmoku breaking to kaki glaze with incised decoration and green ash top, impressed JM and A (for Ainstable) marks, height 33cm. (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Four items of Royal Copenhagen porcelain, lot consists of No 459 blue & white fluted small pitcher/jug, No 144 fluted blue & white leaf dish, No 357 leaf dish & No 1098 fluted ribbon plate. Dimensions, the diameter of leaf plate 25.5 cm, height jug 12 cm, length large dish 25 cm. smaller dish 22.5 cm. All four pieces appear to be in very good condition.
Giorgio FerroPitcher, from the 'Anse Volanti' series, 1950sIridescent coloured glass.30.5 x 13.5 x 13.7 cm Produced by A.V.E.M, Murano, Italy.Footnotes:Literature'Murano alla Biennale', Domus, no. 275, November 1952, p. 49 for other examples from the seriesFranco Deboni, Murano '900, Milan, 1996, pp. 23, 88 for other examples from the seriesMarino Barovier, Venetian Glass Art 1840-1970: An American Collection, Stuttgart, 2004, pl. 216 for other examples from the seriesThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Ten Liverpool delftware Fable tiles, c.1770-85, printed by John Sadler in a dark red with scenes from Aesop's Fables, including The Lark and her Young Ones, the Hare and the Tortoise, the Crow and the Pitcher, the Fox and the Crow, the One-Eyed Doe, the Fox and the Lion, the Two Travellers and the Bear, the Fox and the Monkey, the Hunter, the Fox and the Tiger, and the Jackdaw and the Sheep, within '88' borders, damages and repairs, 12.8cm. (10) Provenance: Louis Lipski; gifted to R J Charleston and thence by descent. Many of the engravings were taken from Samuel Croxall's edition of the Fables, published in 1722. Others were taken from the earlier version by Ogilby, published in 1665 by Thomas Rycroft.

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6751 item(s)/page