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Pitcher with two holes pinched at top, three holes around widest part as if for holding on a thin strap. Size: 6 1/2 x 5 in Please note that all sales are final. No refunds will be given under any circumstances.

A Nanni Valentini for Ceramica Arcore ceramic pitcher, with brown glaze, marks and paper label to base, 16cm high

A large porcelain beer pitcher in a shape of a seated burgherMiklashevsky Factory, Volokitino, 1839-1861realistically, albeit comically modelled as a seated burgher wearing a brown double-breasted long coat, light green pants and a black triangular hat, holding a white pitcher; a stopper in a shape of the removable top of the hat; with an s-shaped handle on the back, marked underside with dark red overglazed factory mark height including stopper: 25cm (9 5/8in).Footnotes:For an identical example and few similar examples of the figure, see: Aelvira Sametskaya, Farfor zavoda A. M. Miklashevskogo, Moscow, 2010, vol. 2, p. 52, nos. 172-175.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Israel Zohar (b.1945)'Still life with apple and pitcher', oil on canvas, signed 'Zohar, 96' top left, framedcanvas 47 x 43cm, overall 62 x 57 cmCondition: Overall the painting is in good condition, some very slight markings to paint surface, frame also in good condition, some slight rubbing

A group of early nineteenth century green and white transfer-printed Spode Aesop's Fables series wares c. 1830. To include: two The Crow and the Pitcher sauce tureen stands (one Copeland & Garrett) and a Stag Looking into the Water pattern handled dessert dish. 22 - 29 cm long. (3)Condition: The Copeland & Garrett example with body crack.  Provenance: Ex-Kentish Collection. 

CERAMIC PITCHER, SALTER SCALES, HP PHOTOSMART COMPACT PHOTO PRINTER AND GARDEN TROWEL SET

A terracotta female figure, La Cruche Casse, after Emile Joseph Nestor Carlier (1849-1927), scantily clad leaning against a pillar and beside a broken pitcher, inscribed 'E. CARLIER', 66cm highCondition Report: Marks, knocks, scratches and some small chips (note the chip to to the pitcher).Condition Report Disclaimer

Four Derby figures of London street characters, including a hunchback with water pitcher, buxom flower seller, sorrowful gent, and a man in Georgian wig, all approximately 12cm, all with losses.

JOHANN WILHELM PREYER (1803-1889), oil on canvas, still life "Pitcher & apples" signed lower right, 43 x 33cm, in gilt frame. Condition: generally good, small area of overpaint near middle of image.

TWELVE PIECES OF DECORATIVE GLASS, comprising an Isle of Wight red and gold azurene globe vase, height approximately 6.5cm, Caithness pink swirl vase, three Portmerion posy vases, three iridescent glass Hyacinth vases, Italian covered bowl with butterfly and flower decoration, pitcher, green posy vase and crackle glass candle holder

An 18th/19th century German faience pewter-mounted stein decorated with a stag and a German stoneware pitcher, height 25cm & 30cm

A. Funcken after Merillo, oil on canvas, Boy with apples and pitcher, signed and dated 1910, 104 x 86cm

A pitcher and a matching bowl with polychromed transferware flowering motif. Estimate: € 20 - € 30.

MARTINI PITCHER Dänemark, Kolding, Hans Hansen Sølvsmedie, Ausführung: Karl Gustav Hansen, 1960er Jahre Silber. Griff aus Horn. H. 24 cm, Ges.-Gewicht ca. 667 g. Unter dem Stand datiert, bezeichnet, mit dem Feingehalt versehen sowie nummeriert 'Anno 1967; Hans Hansen; 925 S; Denmark Sterling; 500'. Part. min. ber. Literatur: Vgl. Jörg Schwandt: 'Karl Gustav Hansen - Sølv/Silber', S. 18, 86, 193. Provenienz: Privatsammlung Niederrhein.

A mixed lot of metal items to include a copper pitcher; enamelled brass pot; candle holder; ashtray; bed warming pan

Mid Century Etched Glass Pitcher & Tumblers:

Kanne im Jugendstil, 2. H. 20. Jh. Porzellan, florale Emailbemalung mit gelben Blüten auf apfelgrüner Krakeleeglasur. Halsmontierung mit Henkel und Scharnierdeckel Metall. Imitations-Bodenmarke ''J-B-T Anno 1906''. H. 39 cm Porcelain pitcher in art nouveau style, floral enamel paint, metal mounting. Bottom mark ''J-B-T Anno 1906''. 2nd half of 20th ct. H. 39 cm.

AN AMERICAN MID 19TH CENTURY 'REED & BARTON' PEWTER PITCHER with lion mask and engraved decoration, 36cm high

Henri Pitcher (fl. 1900 - 1910), pair of oils on board, cottage interior scenes, signed, 9" x 7", framedPaint crazing and varnish discolouration

Cycling Pitcher by Doulton of Lambeth having three appliqué depictions of cyclists in different guises: Military, Path and Road. The largest of this type of jug, available. In very good fettle, design number 168 on the base. 9½-inches (24cms) high.

FRAMED OIL ON BOARD COURTYARD SHOPS, SIGNED H. PITCHER, TOGETHER WITH A FRAMED OIL ON BOARD LILLIPUT ALLEY BATH, SIGNED GEORGE HORNE.

LARGE COLOURED GLASS PITCHER WITH HAND PAINTED COAT OF ARMS.

A. Funcken after Merillo, oil on canvas, Boy with apples and pitcher, signed and dated 1910, 104 x 86cm

1929 Alfa Romeo 6C 1750 Supercharged Super Sport Spider by ZagatoReg. no. JYH 98Chassis no. 0312931For 1929, as a natural development, the 1750 6C replaced the 1500; the increase in displacement brought an increase in power, with upwards of 75mph within reach for most versions. The most potent of the 1929 models was the ‘Super Sport Compressore’ – of which JYH 98 is an example. These cars were supercharged – ‘compressore’ being the Italian for supercharger – and with their lightweight construction, 85bhp output, and sporty bodies, were good for 90mph. Indeed, such was the success of the new model that in that year’s Mille Miglia, six of the top ten finishers were 6Cs, the race being won by Giuseppe Campari and Giulio Ramponi in a 1750 Super Sport. Other notable victories followed, with the 24 Hours of Spa Francorchamps, the 12 Hours of San Sebastian and Grand Prix of Ireland all being conquered in 1929, while the RAC Tourist Trophy and another Spa success followed in 1930. The Super Sport evolved into the Gran Sport in 1930, claiming yet more famous victories – none more famous perhaps than Tazio Nuvolari’s win in that year’s Mille Miglia, where he drove for many miles in the dark with the headlights off, following his teammate Achille Varzi. Near the end, he turned them on and caught Varzi completely by surprise, and swept past to claim victory – just one of the many great motor racing tales involving Alfa 6Cs.As mentioned above, JYH 98 is from the first-year of 1750 production, and with its Zagato body and Super Sport Compressore specification, is the most sporting and desirable 6C offered that year. The car’s early history is mostly unknown; the old logbook in the file lists its first registration in the UK as the 16th of June 1948, and the importer is noted separately as Chipstead Motors of London. It is from this point that the car’s story is well-documented. The first owner was John Pitcher of Wrangle in Lincolnshire; there is a letter on file where he states that he purchased the car from Reg Parnell of Derby. Between 1951 and 1957, the car passed through the hands of no fewer than eight owners.In May 1961, the car finally found a long-term home, when it was acquired by the late Michael Hirst, from whose estate the car is now offered. When Mr Hirst acquired the car, it was fitted with a Ford V8 – the simple, mass-produced side-valve V8 quite a contrast to the exquisite, double-overhead-cam unit with which it left the factory! Correspondence reveals that the original engine suffered an unfortunate and terminal blow-up in the early 1950s. When sold in 1951 by Chiltern Cars to Mr R J Hedges of Spaxton, Somerset, the 1750 engine was still in place; two years later, however, when sold to S.A Hurrell, again from Chiltern Cars, the engine was gone. The ex-War Department Ford V8 was duly fitted, before the car was sold on again to Delta Garages of Leighton Buzzard in 1955.As can be imagined, Mr Hirst had quite a task on his hands to return his new purchase to something approaching original form. Work proceeded rapidly however; a replacement engine was sourced – engine number 121215071, a 1933 1750 SS unit – and this was duly rebuilt. By summer 1964, the car was ready for a drive to Italy to visit the Alfa Romeo factory in Milan. There, it was inspected by Alfa staff, and it was positively identified as a 3rd Series 1750 SS of 1929, chassis number 0312931, and still wearing its original Zagato body. There is a letter on file from Alfa Romeo concerning this, dated 17th September 1964. Mr Hirst replied on 25th September, pointing out that 0332931, not 0312931, is stamped on the front dumb-iron; on 3rd October, Alfa Romeo replied, confirming their original identification of 0312931 – stating with confidence that the 3 was either a simple factory error or a later modification. Another example of the extensive correspondence with Alfa Romeo concerns the cylinder block; Mr Hirst reported that, on the long drive back from Milan, it overheated on the famous St Bernard Pass and cracked, and inquired about making one in steel with cast-iron liners. Alfa duly sent him a drawing of the cylinder block, for reference should he wish to make a replacement.Correspondence also reveals a tantalizing trace of possible competition history. When it was suggested that perhaps this car had been driven at Brooklands in 1929 by that year’s joint Mille Miglia winner Giulio Ramponi, Alfa got in contact with his engineer from that time, Mr Perfetti. He confirmed that he probably tested the car in 1929, as this was his task, but that it was unclear whether the car was the one Ramponi raced at Brooklands.During the many years that Mr Hirst owned and enjoyed the car, he and his wife Jo were stalwarts of what was then the Alfa Romeo Section of the VSCC, attending many events both in the UK and abroad. As proprietor of Frenchay Garage, Mr Hirst was well-placed both to keep his own car in excellent running condition, and to support others. Little used in recent years due to ill health and Mr Hirst’s subsequent passing, the car does however remain in a very good state, as befits a much-loved car from long-term enthusiast ownership.The car is now offered as an extremely rare opportunity to acquire a 1750 SS 6C, still with its original Zagato body, that has not changed hands for sixty years. It comes with excellent provenance, with the chassis and body confirmed by Alfa Romeo as original, and the engine identified as a proper 1750 SS unit that has now been in the car for the majority of its life. The history file contains the correspondence mentioned above, plus several old logbooks and MOTs, and a large quantity of photographs taken over the course of the Hirsts’ long ownership.

A GEORGE II SILVER PITCHER CREAM JUG, by Thomas Rush, London 1743, of baluster form, with S-scroll handle, raised on a circular foot, engraved with monogram to front. 8.4cm high to top of thumbpiece, 2.4 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks clear and well struck to base. Stands upright - minor rocking to foot as is slightly misshapen. Various small bruises, minor dents and light surface marks throughout commensurate with age and use

Five 19th Century jugs including a Leeds Don Pottery relief moulded jug and cover, cira 1820-30, a salt glaze relief moulded pitcher and a later jug

A pitcher with lid and hand-painted flower decor, finished with green and gold tints, marked Limoges, France. The second half of the 20th century. (15 x 18 x 33 cm)

An antique pitcher made of Boheme glass with etched decor and finished with a lid made of tin. 19th century. (28 x 11 cm)

A washing bowl and pitcher, made of glass in Murano, Italy around 1920. (18 x 14 x 7,5 cm)

An assembled collection of tin items. A pitcher, an 'angel pitcher' and a display plate. 18th-19th century. (28 x 46 cm)

Hand made brass pitcher with strap handle

ART DECO ENAMELLED GLASS LEMONADE SET, OF HUNTING INTEREST CIRCA 1930 to include a tankard pitcher and six footed glasses, printed and enamelled with mounted riders and horses in landscapes, with a chromium and teak mirrored tray with a printed hunting scene, stamped REGENT OF LONDON to underside(tray 37cm wide, pitcher 30cm high)

Copeland Spode blue and white porcelain, including a very attractive stilton stand and cover; tea pot, coffee pot, three graduated jugs, milk jug, cream jug, six coffee cans and nine saucers, slop bowl, covered pitcher, four tea cups and six saucers, sandwich plate, tea pot tile, sugar bowl, large rectangular meat plate, two medium plates, two large plates and one medium plates, circular plate, four gilded cake plates, nine medium side plates, six cake plates. 

Incised designed stoneware with kittens. Includes lidded silver teapot 5"H, sugar bowl 3"H and cream pitcher 3.25"H.Impressed Doulton Lambeth mark and artist signed to bottom base. Manufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Luscious deep blues are used in this unique cream pitcher. Lord Nelson is featured on one side and his ship on the other with the dates 1758 - 1805. Written on the top border is: England Expects Every Man Will Do His Duty. Royal Doulton backstamp.Issued: 20th c.Dimensions: 3"HManufacturer: Royal DoultonProvenance: David Bearman Collection

Royal Doulton presentation pitcher. Central banner features portraits of Lord Nelson and his naval captains. Gorgeous Royal Blue bands line the rim and base of the pitcher.Royal Doulton stamp. In celebration of the victory at the Battle of Trafalgar. Issued: 20th c.Dimensions: 8"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Royal Doulton presentation pitcher featuring Admiral Lord Nelson flanked by flags. Whiskey water pitcher with glossy emerald bands on the top and bottom. In celebration of the victory at the Battle of Trafalgar.Issued: 20th c.Dimensions: 7"HManufacturer: Royal DoultonProvenance: David Bearman Collection

Doulton commemorative celebrating the victory of the Battle of Trafalgar. An ochre band lines the rim of the pitcher. Lord Nelson is shown flanked by flags and naval weaponry.Doulton stamp. Issued: 20th c.Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection Condition: Good

Two-tone blue and caramel pitcher with scenes in low-relief.Impressed Royal Doulton. #royaldoulton Issued: 20th c.Dimensions: 7.5"HManufacturer: Royal DoultonCountry of Origin: England

Gentlemen enjoy lawn bowling on this vibrant Royal Doulton embossed airbrushed pitcher with a dark brown rim, base and handle. Royal Doulton backstamp.Artist: Charles NokeDimensions: 9"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Rare Water whiskey pitcher in rich Kingsware glaze with Night Watchman, dressed in olive green and holding a lantern in relief on one side. On the other side it reads, Enough's as good as a feast. Royal Doulton backstamp.The watchman was the precursor of the policeman. He patrolled the streets of the city at night carrying a lantern and staff, calling the state of the weather and the hour. The watchman was replaced by the 'peeler', the forerunner of the modern policeman in 1829. #police #watchman Artist: Charles NokeIssued: 1915Dimensions: 6"HManufacturer: Royal DoultonCountry of Origin: EnglandProvenance: David Bearman Collection

Including pitcher, kendi and 2 vases, kendi is 17 cm. tall, chip and hairline.

Floral decor in purple and green, including pitcher, teapot, 4 cups and 4 saucers, pitcher is 14 cm. tall, chip and hairline.

LARGE COPPER PITCHER AND COVER

A large Edwardian brass-bound coopered oak pitcher, with elongated spout and three brass bands. Height 59cm

A set of four Wedgwood botanical flow blue transfer printed graduated jugs / pitchers, each jug / pitcher is brightly decorated with an orange ground, and each with a different flower print and blue decorated internal borders and handles, impressed Wedgwood mark to bases along with a 3-digit manufacturer code (indistinct), 5 and 6 inches high (4)

ANDREW DOUGLAS FORBES oil on board - still life of flowers in a glass pitcher, 24 x 19cms

An antique 19th Century Victorian Staffordshire pottery teal blue glazed Game / Hunting jug / pitcher. The jug having a greyhound / whippet dog handle with relief moulded decoration of game animals, pheasant, birds, hares etc. Condition; no visible cracks or chips. 

4 ceramic pieces includes blue and white willow pattern meat plate, imperial Myott pitcher jug and wedgwood teapot etc

A Royal Doulton stoneware Vice Admiral Lord Nelson presentation pitcher, Nelson and His Captains, height 21cm, cracked

An early Persian green glass bottle, with serpent coiled decoration, 23cm high; and a Persian blue glass pitcher with line coiled decoration to the flared neck, 16cm high (2)

A Continental silver water pitcher, of Modernist design, marked 0925 to base, 19cm highCondition report: Tarnishing323g / 10ozt

BELLEEK PORCLEAIN comprising a near pair of Aberdeen pitcher shaped vases, pink rose and shamrock decoration, approximate height 15cm, one blue backstamp, one brown backstamp, pink rose fluted posy vase, brown backstamp, and a sculpture of an owl, brown backstamp

Herta & Friedrich Gebhart, PitcherHerta & Friedrich GebhartKanne. Versilbert, Holz. Zylindrische Form mit einseitig breit hochgezogenem Mündungsrand. Griffring und Fuß aus Holz. H. 21,3 cm, D. 8 cm. Gewicht 887 g. Herta & Friedrich Gebhart, PitcherHerta & Friedrich GebhartJug / pitcher. Silver plated, wood. Cylindrical shape with a wide raised mouth rim on one side. Handle ring and foot made of wood. H. 21.3 cm, D. 8 cm. Weight 887 g.

A reclaimed garden statue/fountain head, female with pitcher to her shoulder (AF), 150 cm in height

Reclaimed figure of a classical maiden 120 cm in height, together with a further figure of a female holding a pitcher 100 cm approx

Reclaimed figure classical female with a water pitcher raised on a fluted stand 120 cm high

A group of three vintage retro Italian ceramic vases to include a small black and white pitcher jug with greek goddess motif to the side marked Cucchi, a red twin handled lava glaze jug with matte black glaze and knight to the side and a baluster vase decorated with a violin player and a dancing couple, signed to the base. Tallest measures 28.5cm.

An assortment of glass and crystal including vases, a water pitcher, a sugar castor, a tazza, coasters, a candlestick holder etc. (a lot) (largest: h.18cm x d.19cm)

WILLIAM MARSHALL (1923-2007); a tall stoneware pitcher covered in running green ash glaze, impressed WM mark, height 37cm. (D)Additional InformationSome grinding to base where glaze has run and a tiny glaze flake to spout, otherwise appears good with no further signs of faults, damage or restorations.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org